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Artwork, other (1265)
Ceramic (766)
Decorative object (713)
Drawing (4607)
Mixed media (518)
Painting (2482)
Print (1657)
Sculpture (402)
Textile (1394)
Work on paper (2050)
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Whitehorse Historical Society Inc.
Mixed media - CD Rom, Valda Arrowsmith, Recording - Interview Doris Evans, nee Morgan - 11 September, 1997 - Oral History - her life in Mitcham 1926 to 1950, 11/09/1997
Doris Evans lived in Mitcham from 1926 to 1950. This record incorporates many aspects of family life in those years and mentions many local families and business people.Interviewee provides a personal account of Mitcham from the 1920's including the development of essential services and the residential and commercial areas.Audio Cassette and CD - Recording of interview with Doris Evans conducted by Valda Arrowsmith on 11th September, 1997, on her early life in Mitcham and surrounding areas. Transcribed: See ND5466 See Photos on NP1824 to NP1834 and History in ND 150 & ND152.cassella street mitcham, doris evans, valda arrowsmith -
Whitehorse Historical Society Inc.
Decorative object - Tray Cloth
Linen square with embroidery of Boronia in baskets. Boronia represented by various shades of very small brown beads surrounded by green embroidered leaves.manchester, bath linen, handcrafts, needlework -
The 5th/6th Battalion Royal Victoria Regiment Historical Collection
Decorative object - Clock, Dome Block
clocks were presented as parting gifts to signify someones time at the unit Dome style clock, plastic workings. Presented by SGT W.P Block 14 Dec 1988. Prestige Quartz plastic cover all round ring on top Diameter 190Presented by SGT W.P Block 14 Dec 19885/6 rvr -
Swan Hill Regional Art Gallery
Print, RICARDO, Geoffrey, Big Foot, 2019
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Mont De Lancey
Decorative object - Conestoga Wagon, Mr Chas W Davis, Unknown
The collection of thirteen model horse drawn vehicles were carefully handmade by Mr Chas W Davis 1925 - 2002. He was a talented artist and saw doctor. This model of a horse drawn Canestoga Wagon replicates the vehicle that enjoyed respect from the public during the 1880's. A model of a long covered Conestoga Wagon with two horses, brown and tan. The cream fabric covers curved shaped metal bands and is laced with string around the base to attach it to the wagon.It has a green base, green wooden seat and footrest. There are two wooden barrels attached by wire on one side and the other side has a luggage box. It has two small gold painted spoked wheels with painted black tyres at the front and two larger ones at the back. The forerunner of the Conestoga Wagon had its origin in Europe as a mobile home for shepherds and nomads in the early 1800's. The east coast of America became home to people from all over Western Europe so the old wagon designs were carried to the New World. The wagons were named after a river in Lancaster County Pennsylvania where the Stutz family built them for the western treks of history. Fondly known as the 'Prairie Schooner', the cost in 1840 was $48.00, unpainted spare wheels $8.00, Lawson axles $12.00. They came in 12 and 14 feet beds.replicas, models, scale models, vehicles, carriages, horse drawn vehicles, toy horses, drays -
Ararat Gallery TAMA
Print, Nanette Bourke, She-Oak in Spring, 2002
Settling in Moyston in 1984, Nanette Bourke is a prominent figure in the Ararat and Grampians arts community, perhaps best known as a member of the ‘Grampians Four’ group of artists. Bourke has been a printmaker since the late 1960s, having studied at the Julian Ashton Art School in Sydney, and at art societies and the CAE in Melbourne before relocating to Western Victoria. Inspired by the woodcuts and linocuts by Melbourne artists of the 1920s and 1930s - Napier Waller, Murray Griffin, and especially Eric Thake - Bourke embraces the sophisticated results that can be achieved in this medium. Bourke holds a deep affinity with the natural environment, which is integral in her artistic life. Many of the works in this exhibition are inspired by the natural environment of the Grampians. In contrast to the often joyous depictions of Australian native flora, Bourke’s imagery also presents a poignant reminder of humankind’s negative impact on the environment. -
Gippsland Art Gallery
Print, Turner, J.M.W. (after), The Arch of Titus - Rome, c.1859-78
Purchased, 2013Engraving on papergippsland, artwork, permanent collection -
The 5th/6th Battalion Royal Victoria Regiment Historical Collection
Print - Reproduction, framed, General Sir John Monash
Framed print of General Sir John Monash standing with hands held to his front in uniform against a dark background. Encased in a moulded timber frame and behind an off white backing board with fade red borders General Sir John Monash G.C.M.G, K.C.B, V.D, B.A, D.C.L, LL.D., D. Eng., M. Inst.C.E Grande Officier de l' Ordre de la Couronne and de Croix de Guerre(Belguim); Grande Officier de la Legion d'Honneur and de Croix de Guerre avec Palme ( France); Distinguished Service Medal ( USA) commanded 4th. Aust. Inf.Bde (15 Sept., '14- 9 July, '16), 3rd Aust Div (10 July, '16-31 May,'18) and Australian Army Corps (1 June-30 Nov.,'18); Director General Repatriation and Demobilisation ( 1 Dec.,'18-15 Nov., Nov.,'19). Laanding at Anzac - Sari Bair - Messines- Broodseinde - Passchendaele - Villers-Bretonneux -Hamel - Amiens - Mont St Quentin - Hargicourt - Hindenburg Line - Beaurevoir Line Chairman of the State Electricity Commission of Victoria 1921/1931 Member of Council of Defence , 1921/1931 1865-1931 sir john monash, john longstaff, 1919, ww1, first world war, great war -
Moorabbin Air Museum
Mixed media (Collection) - Assorted notes and articles, Assorrted Notes & Articles
Doug Hart CollectionAssorted hand written notes and magazine articles on aviation matters -
Whitehorse Historical Society Inc.
Mixed media - Doll House, Yvonne Fitzmaurice, Doll House Back Bedroom -content, 1974
First floor, back bedroom opens off first floor landing. Violet-flowered wallpaper and tartan carpethouse, dolls, tongue depressors -
Kew Historical Society Inc
Decorative object - Cotton chintz applique on linen wall hanging [Broderie Perse], 19th Century
This broderie perse' wall hanging was donated to the Kew Historical Society in 1980 by Mrs Joy Ivory. The hanging had belonged to her mother - Amy Grigg - and was used by the latter to demonstrate skills in darning (the red stitching). Provenance includes a certificate dating from 1889 which records an award to Amy Grigg of Pakington Street (Kew) for skills in needlework, issued by the Kew Floral Industrial & Art Society. Amy Grigg later married Albert Watson, the son of John Watson. The latter was an early pastor of the Kew Methodist Church in Highbury Grove, Kew. Both the Watson and Grigg families were early pioneers of Kew. While the hanging was modified by Amy Grigg in 1889, the original textile dates from an earlier period when 'Broderie Perse' (Persian embroidery) was used to create quilts and wall hangings. It is estimated that the hanging dates from the first half of the 19th century. An exact dating will require a detailed examination of the cotton chintz fabrics used to embroider the hanging. This appliquéd wall hanging is one of the earliest textiles in the Kew Historical Society's fashion & textiles collection. Similar examples are held in major international collections such as the Victoria & Albert Museum. This example of broderie perse is significant for the cross-cultural influence of Indian textiles on European taste, not unusual given the English foothold in India during this period. Additional interest is due to the mixing of Indian and European textiles in the design, while staying true to the derivation of the design. The textile is both well-provenanced and rare. While it is unlikely to be Australian-made, it is probably an example of a textile brought to Australia during the colonial period that indicates a desire to decorate interiors using items created in and for the English home. On another level, the wall hanging is a fine example of 'women's work' in the first half of the nineteenth century.Small wall hanging, comprised of five panels that are each appliquéd by hand in herringbone stitch using a range of decorative figurative motifs including flora and fauna. The design is based on an Indian palimpore representing a tree of life design. The base textile is a cream linen while the appliquéd figures or shapes are cut from cotton chintz. These additions are probably a mix of Indian and European designs. The quality of the herringbone stitching is very fine. Later stitching in red wool was added in the 1890s to demonstrate skill in darning. The main panel is bordered by a narrow green and ecru braid. It has a narrow tan braid at the top and bottom of the two side panels. A surrounding tan braid around the entire textile is missing in some places. textiles, applique, broderie perse, amy grigg, wall hangings, migration -
Moorabbin Air Museum
Mixed media (item) - GAF Collection - Assorted Brochures
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Swan Hill Regional Art Gallery
Print, NEWMAN, Nicole, A Lek Un a Shmek, 1999
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Greensborough Historical Society
Mixed media - Audio Cassette and Program, Diamond Valley Choral Society, Schubert's Lilac Time, performed by Diamond Valley Choral Society 1980c, 1980s
A recording of 'Lilac Time', an operetta by Franz Schubert, composed in 1741first performed in Vienna in 1916, with the English version premiering in London in1922. This performance by the Diamond Valley Choral Society was recorded at Templestowe Village circa 1980.1 audio cassette in clear plastic case, 1 copies of a printed libretto.Handwritten on case: "Lilac time".diamond valley choral society, lilac time (schubert) -
Swan Hill Regional Art Gallery
Print, MacQUEEN, Mary McCartney, Hattah Lakes, 1979
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Whitehorse Historical Society Inc.
Decorative object - Crochet doily
Piece of crochet with crocheted crown and coronation of George VI 1932civic mementoes, royal souvenirs, handcrafts, needlework -
Gippsland Art Gallery
Mixed Media, Unknown Artist, Untitled, Undated
Donated by Mr & Mrs H. Adeney, 1984Natural ochre pigments on barkgippsland, artwork, permanent collection -
Glenelg Shire Council Cultural Collection
Print - Artist's Impression of Portland Harbour, n.d
Illustration shows an artist's impression of the ultimate development of Portland Harbour. Full colourFront: 'Impression of Ultimate Development of the Port of Portland' - black script bottom mountportland harbour, development, town development, growth -
Kew Historical Society Inc
Print, Hebert Joseph Chambers, Sydney, 1962
Herbert Joseph Chambers was born in 1912 in Clifton Hill, Victoria. Later he was to live in Clark and Charles Streets in Northcote, in South Caulfield, and finally in Mentone. While he may have worked at the Kew Asylum before 1945, that year was when he was presented with a Certificate issued by the Department of Mental Hygiene (Victoria) declaring that he had completed training and passed the examinations required to work as a 'Mental Attendant’. The document is dated 19th December 1945 and signed by the Director of the Department and by the Co-Examiners. From at least 1945, he was to work as a member of the male staff of the Asylum, mainly in the Refractory Ward. A donor gifted to the Kew Historical Society in February 2019 a number of items collected by Herbert Chambers in his work at the Asylum. These include his Certificate of Registration, a photograph taken of him with two colleagues at Circular Quay in Sydney, a notebook containing ‘SP’ betting records of male asylum staff, and five sketchbooks with artwork created by Kenn’th [sic] Bailey, a patient of the Asylum. Herbert Chambers’ period of employment at the Kew Asylum coincided with the employment of the English psychiatrist Dr Eric Cunningham Dax (1908-2008) as Chairman of the Mental Hygiene Authority in 1952. Dr Dax introduced an art therapy program into Victorian psychiatric hospitals, including Kew, where it is likely that the five sketchbooks were created. The sketchbooks are believed to have been presented to Chambers by Bailey as a “gift for looking after him”. Herbert Chambers retired from the Kew Asylum in c.1970 after working there for almost thirty years.Small copy of an original photograph of Herbert Joseph Chambers, a member of the male staff of the Kew Mental Hospital, standing between two unidentified men at Circular Quay, Sydney. The donor believes his father, Herbery Chambers, was in Sydney attending a conference in 1962."Nursing Conference Sydney 1962 / Unknown | Herbert Chambers | Unknown"herbert joseph chambers, kew mental hospital -
Gippsland Art Gallery
Mixed Media, Unknown Artist, Carved Necklet, Undated
Donated by John Leslie OBE, 1979Wood, seeds, glass beads, sequins, synthetic thread, and seashellsgippsland, artwork, permanent collection -
Swan Hill Regional Art Gallery
Mixed media, FOX, Belinda, Mixed messages, 2006
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Ringwood and District Historical Society
Mixed media - Video, RDHS Guest Speaker Presentation - "Local Orchard Insect Pests" - Bron Koll
Digitised video (3.86GB). Duration: 75 minutes. Recorded May, 2019. (Video is available for viewing at Ringwood & District Historical Society Archives by appointment)Presenter: Bronwyn Koll grew up on her family’s orchard in Wonga Park. In this historical perspective on the first industry of Ringwood, Bron talks about her orchardist roots and highlights the seriousness of looking after crops with the ongoing threat of insect pests in the district, including backyard gardens. -
Wodonga & District Historical Society Inc
Decorative object - Silver toned Chain Bracelet from the Sarah Coventry Jewellery Range c. 1970s-1980s
Sarah Coventry Pty. Ltd. was a North American jewellery company that was established in 1949 by the Stuart family as part of Emmons Jewelry, Inc. It began operations in England and Australia in 1968, and in Australia it moved from Carlton in Melbourne to Wodonga in 1969. The premises were originally on High St. in Wodonga, but a new warehouse was built in Melbourne Rd. later in 1969. It was a direct selling jewellery business using a party-plan model similar to Tupperware and Avon. The sales reps or 'Hostesses' were provided with jewellery samples in demonstration kits, which they displayed at jewellery parties in their homes. The designs for jewellery such as brooches, necklaces, earrings, chokers and bracelets were purchased from freelance designers and jewellery manufacturers rather than in-house designers. In 1979 Sarah Coventry Pty. Ltd. in Wodonga was bought by three Australian businessmen, including Wodonga local Jim Sawyer, and continued to sell jewellery under the name "Sargem Pty. Ltd”, for several more years in the 1980s. As part of the Sarah Coventry collection, the bracelet has local significance with the decentralised commercial development of regional centres such as Wodonga in NE Victoria, as well as national and international significance from the perspective of social and economic developments for women after World War II. The direct selling party-plan business model Sarah Coventry was based on is also considered the first of its kind for jewellery.A silver toned bracelet with multiple connected chains"(c)SARAHCOV" on clasp sarah coventry, jewellery, wodonga, costume jewellery, vintage fashion jewellery, bracelet -
Gippsland Art Gallery
Print, Turner, J.M.W. (after), Crook of Lune, looking towards Hornby Castle, c.1859-78
Purchased, 2013Engraving on papergippsland, artwork, permanent collection -
Whitehorse Historical Society Inc.
Mixed media - CD-Rom, Recording of interview - Keith and Fay La Galle - Oral History, 17th/03/2014
Talk conducted on the 18th August 2013 between Keith and Fay La Galle and Peter Simmenaur2 CD's of the memories of Keith and Fay La Gallela galle, keith, la galle, fay -
Creswick Campus Historical Collection - University of Melbourne
Mixed media - Moisture control samples board, Kiln Seasoning & Reconditioning: specimens illustrating process control and finished product
Specimens illlustrating process control & finished product.Timber demonstration wall panelMunitions Supply Laboratories. Munitions Supply Board. Department of Defence -
Mont De Lancey
Decorative object - Cake stand, Unknown
Belonged to great great Granddaughter of Henry SebireRound glass cake stand with fluted base. Has frosted leaf design on top.cake stands, tableware -
Glenelg Shire Council Cultural Collection
Print - Contact Print - Pastoral Scene, 1960-1979
Sheet with 2 black and white contact prints from a glass plate negative. Top image is a group of people under and near a large marquee, in a clearning surrounded by gum trees. Dress is late 19th, early 20th century. Second image is of a man with a walking stick standing beside a railway line looking at a timber beam. -
Kew Historical Society Inc
Decorative object - Tablecloth
Lace tablecloth owned by a member of the Piesse family of Kew. Later owned by Margaret Hollis (nee Piesse) of Castlemaine.Square linen tablecloth bordered with a wide band of machine-made lace.tablecloths, lace -
Bendigo Military Museum
Print - PRINT, FRAMED WW1, Reader's Digest (Australia) Pty Limited, 2015
From information book - "Reader's Digest/ Gallipoli/ 25th April 1915 - 9th January 1916/ Centenary Commemorative Prints". Collection of 20 prints. Refer Cat No. 7300.Framed print. Print - colour print on paper. Copy of an original oil painting on canvas. Depicts a soldier leaning against a wall structure with a second soldier in more muted tones in the background within an earth trench. Frame - Black plastic framing with glass front and MDF board backing with adhered black paper.Details below print - in black ink. "GEORGE COURTNEY BENSON (1886-1960) Infantryman c 1919-1920". GEORGE BENSON " Enlisted in the Australian Imperial Force in September 1914 with the 3rd Field Artillery Brigade". "Commissioned as an official artist in April 1918".framed accessories, prints, ww1, gallipoli, centenary