Stawell Brewery Stawell West with horse and cart in front. From Sketch series Circa 1890stawell businesses

Project: Stegbar Windowalls, Springvale drawn by Robin Boyd of Romberg and Boyd; external perspective. In 1952-53, Robin Boyd designed the Stegbar ‘Windowall’ - a prefabricated, structural framing/glazing system - to create a wall of windows. These ‘Windowalls’ were used extensively in domestic architecture across Australia from the 1950s to the 1970s. Boyd also designed the factory and showrooms for Stegbar Limited. The Walsh Street Archive holds exterior and interior perspectives of the building. External perspective, watercolour on board.windowall, robin boyd, stegbar, ohm2022, ohm2022_35

After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 23 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view. (Margaret Picken, 2020)This drawing is one of a series created by Margaret Picken for real estate agents in Melbourne between 1983 and 2006. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020Pen and ink drawing on drafting film of 11 Boorool Road, Kew East by Margaret Picken.11 BOOROOL ST., KEW E. / MARGARET PICKEN ~97 / WOODARDS ~ HAWTHORNartist -- margaret picken 1950-, property illustrations — buildings — kew (vic.), property illustrations — buildings — kew east (vic.), 11 boorool road - kew east (vic)

Caroline (Carrie) Shillinglaw was the third child of Phillip and Sarah Shillinglaw, born 29 February 1876 in Bundoora. She commenced school at Eltham State School No. 209 in Dalton Street in April 1882. She married Christopher Watson on 23 Oct. 1907. Christopher Watson was son of Christopher Watson Jnr, the owner of Watson's Hotel on the corner of Pitt Street and Maria Street (Main Road).caroline shillinglaw, caroline watson (nee shillinglaw), caroline (carrie) watson (nee shillinglaw 1876-1956), carrie shillinglaw

artist, architectural drawings, margaret picken, camberwell, housesartist, architectural drawings, margaret picken, camberwell, houses

artist, architectural drawings, margaret picken, camberwell, housesartist, architectural drawings, margaret picken, camberwell, houses

artist, architectural drawings, margaret picken, camberwell, housesartist, architectural drawings, margaret picken, camberwell, houses

Donated from the estate of Patricia Marie White, 2013Etching on papergippsland, artwork, permanent collection

Purchased with the assistance of the Gippsland Art Gallery Society, 2003Metal, Aluminium, Enamelgippsland, artwork, permanent collection

Set of three photocopied plans or drawings on A3 sheets of "Malvern Depot" - 15-3-1937 .1 - P7873 - Plan showing details of car sheds .2 - P7894 - Plan of Land showing overall site plan .3 - P8342 - showing details of buildings, including offices, Club Rooms in Stanhope St, No. 28 Stanhope St and sub-station.trams, tramways, drawings, depots, property, substation, malvern depot

Alnis Ansons (1928-2015) was introduced to architect Kevin Knight in the lead-up to the opening of the Brighton Municipal Offices in 1961. The architect, on seeing some relief work in the artist’s home, asked Ansons if he would attempt an ambitious 70 square metre work within the council building which would wrap around the lift shaft of the three storey building. The tight deadlines and budgetary constraints imposed on the project impacted on the artist’s process but, in adapting to these limitations, Ansons developed a bold and original technique for producing commercial ceramic works. The mural, which symbolises the people of Brighton at work, worship and play, is constructed from hundreds of individual ceramic casts that have been treated with an engobe, similar to an underglaze, to produce a myriad of colours. The pieces were then fired only once, and grouted with copper grouting from top to bottom, creating a three-dimensional effect on the central column in the council chambers. Ansons was assisted during the installation by his future wife, Ralda, who was tasked with holding the pieces in position as they dried, to prevent them from sliding or shifting.Alnis Ansons, Brighton Council Chambers Mural 1961, ceramic. 750 x 595 cm. Bayside City Council Art and Heritage Collection. Commissioned c. 1960Circular ceramic relief mural around lift well in Brighton Council Chambers. The work begins on the ground floor of the Brighton Library, through to the mezzanine level up to the Chambers. mural, public art, alnis ansons, brighton council chambers, brighton library, ceramic, kevin knight, bayside chambers, bayside city council

After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 23 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view. (Margaret Picken, 2020)This drawing is one of a series created by Margaret Picken for real estate agents in Melbourne between 1983 and 2006. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020Pen and ink drawing on drafting film of 36 Childers Street, Kew by Margaret Picken.36 CHILDERS ST., KEW E. / MARGARET PICKEN '89 / WOODARDS ~ KEWartist -- margaret picken 1950-, property illustrations — buildings — kew (vic.), 36 childers street - kew (vic)

After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 23 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view. (Margaret Picken, 2020)This drawing is one of a series created by Margaret Picken for a number of real estate agents in Melbourne between 1983 and 2005. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020Pen and ink architectural drawing on drafting film of 89 Kilby Road, Kew East by Margaret Picken.89 KILBY RD., KEW / MARGARET PICKEN '98 / WOODARDS ~ HAWTHORNartist -- margaret picken 1950-, architectural drawings -- houses -- kew (vic.), 89 kilby road -- kew east (vic.)

'After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 23 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view.' (Margaret Picken, 2020)This property illustration is one of a series created by Margaret Picken for a range of real estate agents in Melbourne between c. 1983 and c. 2006. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020Pen and ink property illustration on drafting film of 19 Bonfield Avenue, Hawthorn East by Margaret Picken.19 Bonfield Avenue, Haw East, Margaret Picken c2000. Woodards - Hawthorn.artist - margaret picken 1950-

Kodak Film Tank (Metal) with screw top. Damaged film loading spool inside. Approx 100mm in diameter, 200mm in height.

Purchased, 1986Forest Red Gumgippsland, artwork, permanent collection

Provides details of the rails used by the SEC and ESCo in Ballarat.Yields information about the rails used by the SEC.Heavy cardboard folder with advertisement for Yeaston yeast tablets on outside of both covers, containing eight SEC drawings, Ballarat Branch, of rail cross sections and dimensions. Secured into binder with metal folding clips. Cannot be removed without dismantling the folder. Brown tape covers the edge of the folders and the centre. Rail size Drg No. Date 1. 70lb Tee BA6756 23/3/1953 2. 80lb Tee BA6748 27/6/1951 BHP Section 801 3. 80lb Tee BA6755 18/3/1953 BHP Section 803 4. 83lb Tram BA6759 8/4/1953 Has been taped together at about 3/4 length. 5. 87lb Tram BA6760 9/4/1953 6. 90lb Tram BA6758 31/3/1953 7. 90lb Tram BA6746A 29/7/1955 BSS No. 1 Rail 8. 96lb Tram BA6761 21/4/1953 1c rail Drawings all finally signed off 3/8/1955 by Ballarat Branch Manager, H. W. Linaker.tramways, trackwork, rails, yeaston

The first St. Hilary’s Church of England (Kew) was a timber building on the corner of John and Rowland Streets, designed in 1888 by Albert Purchas. This timber building was demolished in the 1940s to make way for a new church and tennis courts. The drawing was made to accompany a newsletter article by Dione McIntyre.Pen and ink drawing of the rear view of ‘old’ St Hilary’s, drawn by Dione McIntyre, 2013. "Rear view of 'old' St Hilary's"st hilary's church (kew), dione mcintyre, churches -- kew (vic)

screenprint

'After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 23 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view.' (Margaret Picken, 2020)This property illustration is one of a series created by Margaret Picken for a range of real estate agents in Melbourne between c. 1983 and c. 2006. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020pen and ink architectural drawing on drafting film.71 VICTORIA RD HAWTHORN Marg Picken ~89 WOODARDS - HAWTHORNartist - margaret picken 1950-

painted in 1876Colour lithograph, mounted and framed. Brunning house in foreground with the hothouses on the RHS and sheds to the rear, House depicted as single storey with verandah across the front and southern side. Brighton Road carriageway in foreground. Railway line with train to the rear.

Part of "Woolcock Gallery Collection". Exhibited CEMA 1989.Drawings of cutting and flower heads with brown stem and green foliage and white start-shaped flowers with pink and green centres. Six drawings include cutting with flowers, flower bud details and flower details from above and side. The work is on white paper, mounted in a double matt (grey on dark pink), unframed.Front: CEW/82 (signature, lower left in image, next to stem) (green pencil) Snow Beard-heath - Leucopogon montanus (lower centre) (pencil) Back: 32 (upper left) (pen) Snow Beard-Heath $80 (Leucopogon montanus) CE Woolcockcema, botanical, collin woolcock

Sculptor and jeweller Matcham Skipper at work in his studio working on a medallion. The second image is a 'mandella' style decorative metal work inspired by a Native American traditional ceremonial shield.Black and white print with two imagesmontsalvat, jeweller, workshop, studio, silversmith, sculpting, medallion, mandela, metalwork, wall-art, matcham skipper

Brown Framed Caricature of Alan R Reed standing against a map of Vietnam in his Flying Uniform with his helmet tucked under his arm. He has completed one hundred combat missions RF 4C AircraftSquadron Leader Alan R Reed 100 Combat missions. RF 4C Aircraftalan reed, framed picture