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Artwork, other (1304)
Ceramic (767)
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Print (1671)
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Textile (1400)
Work on paper (2105)
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Churchill Island Heritage Farm
Textile - Hall Runner, 'Manor House', c. July 2013
This rug was woven at the Geelong Wool Museum in an elephant print pattern developed in the 1920s. Part of a working exhibit, it was created on a Jacquard loom manufactured in Kidderminster, UK in 1910s, and assembled in Australia. From the pamphlet: This rug was designed by Brinton's Carpets, a company that produced carpets in Geelong until 2008. The design was produced exclusively for the National Wool Museum, and came from an earlier design housed in Brinton's UK Persian Rug Archive and was recoloured for the Australian market. This Rug was produced on a 1910-built Axminster Jacquard Carpet Loom, donated to the Museum by Brintons. It forms the centrepiece of the National Wool Museum, where visitors daily experience this extraordinary machine in operation. Using Jacquard technology which is over 200 years old, individual coloured yarns of 80% wool and 20% nylon blend are used to produce high quality and long lasting durability.'Manor House' Hall runner. Elephant print pattern.amess house, churchill island, geelong wool museum, hall runner, joseph jacquard -
Hawthorn Historical Society
Drawing - Property Illustration, 20 Callantina Road, Hawthorn, 2002
'After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 23 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view.' (Margaret Picken, 2020)This property illustration is one of a series created by Margaret Picken for a range of real estate agents in Melbourne between c. 1983 and c. 2006. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020Pen and ink property illustration on drafting film of 20 Callantina Road, Hawthorn by Margaret Picken.20 Callantina Rd, Haw, Realtor, M Picken, c2002. artist - margaret picken 1950- -
Camberwell Historical Society
Drawing (series) - Architectural drawing, 3 Water Street, Camberwell, 1987
artist, architectural drawings, margaret picken, camberwell, housesartist, architectural drawings, margaret picken, camberwell, houses -
Glenelg Shire Council Cultural Collection
Drawing, Middle Pier Portland, n.d
CEMA Art CollectionThe drawing depicts a pier with three boats in the foreground and a building and light poles on the pier. The boats are various size and are all moored/anchored in the water below the pier. The boat on the right is the largest one and is a sailing boat. The work is framed in a brown wooden frame with glass and is not mounted.Front: (No inscriptions) Back: Middle Pier Portland (black pen) C. Woolcock (signature) (pound sign)4- 4 - 0 yellows sticker: H/H 19 1999 written in pencil -
Friends of Ballarat Botanical Gardens History Group
Work on paper - Commemoration, Sister Elizabeth (Betty) Johnson Rose Garden, Wellingtonia, Winter 2010, page 2, Winter, 2010
Sister Elizabeth (Betty) Johnson Rose Garden, Wellingtonia, Winter 2010, page 2. Betty Johnson was born in Ballarat, and trained at the Ballarat Base Hospital from 1939 to 1942.Sister Johnson made a significant contribution to the health of Ballarat's children for many years. While she was a dedicated professional, she also has a passion for roses, Hence the establishment of the Memorial Rose Garden in her honour in the Botanical GardensShort paragraph of 18 lines headed John's Jottings with a photograph of a plaque below, left hand side of page.Nonejohn garner collection, garner, dr, johnson, plaque, rose garden, childrens' protection society, society, ballarat botanical gardens, ballarat, gardens, ballarat base hospital, pediatrics -
Federation University Historical Collection
Drawing - Architectural Drawing, Plans for the Ballarat School of Mines New Classrooms, c1899 (print), c1899
The new classrooms at the Ballarat School of Mines were started in 1899 and completed in 1901. In 2014 this building is known as The Administration Building on the Federation University Australia SMB Campus.Framed print of original plans for new double storey classrooms at the Ballarat School of Mines. The plans include the front elevation and a side section.ballarat school of mines, buildings, administration building, new classrooms, prov, plans, architecture, architectural drawings, a building -
Camberwell Historical Society
Drawing (series) - Architectural drawing, 7 Lorne Grove, Camberwell, 1988
artist, architectural drawings, margaret picken, camberwell, housesartist, architectural drawings, margaret picken, camberwell, houses -
Gippsland Art Gallery
Print, Kline, Gillian, God of Carnage - Tsunami, 2011
Purchased with the assistance of the Gippsland Art Gallery Society, 2013Colour reduction linocut on papergippsland, artwork, permanent collection -
Glenelg Shire Council Cultural Collection
Print - Contact Prints - Cape Nelson Road; Henty Street, 1960-1979
Sheet of 2 black and white contact prints from glass plate negatives. Top: Cape Nelson Road looking toward Bentinck Street. Bottom: Henty Street looking towards sea, All Saints on left. -
Moorabbin Air Museum
Drawing (Item) - Ansett Lincoln Hydraulic system
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Parks Victoria - Days Mill and Farm
Textile - Textile parcel
Chamois, rolled and tied with coarse string. -
Moorabbin Air Museum
Drawing (Item) - Avon Acceleration Control Unit Altitude Sensitive M.I. 43:11
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Hawthorn Historical Society
Drawing - Property Illustration, 3 Ardene Court, Hawthorn, 1987
'After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 23 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view.' (Margaret Picken, 2020)This property illustration is one of a series created by Margaret Picken for a range of real estate agents in Melbourne between c. 1983 and c. 2006. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020Pen and ink property illustration on drafting film of 3 Ardene Court, Hawthorn by Margaret Picken.3 Ardene Court, Haw, Margaret Picken '87. Woodards - Malvernartist - margaret picken 1950- -
Hawthorn Historical Society
Drawing - Property Illustration, 14 Burton Avenue, Hawthorn, 1994
'After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 23 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view.' (Margaret Picken, 2020)This property illustration is one of a series created by Margaret Picken for a range of real estate agents in Melbourne between c. 1983 and c. 2006. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020Pen and ink property illustration on drafting film of 14 Burton Avenue, Hawthorn by Margaret Picken.14 Burton Ave, Haw, Margaret Picken '94. Woodards - Haw.artist - margaret picken 1950- -
Ringwood and District Historical Society
Work on paper, Hand written and typed notes on Heathmont Railway Station 1889-1927 by Pat Talbot used in the book "Wielands of Heathmont"
These notes were used extensively in the book the "Wielands of Heathmont", pages 18 and 19, written by Pat Talbot and her husband Don. The notes tell how in 1922 a Railway League was formed with Herman Pump as chairman. The Wieland brothers used their horses and plough in 1926 to help build the Heathmont station. Pat was the-great -Granddaughter of Carl Wieland. The notes also include the Heathmont Information League. Short history typed and handwritten of Heathmont Railway station 1889-1927 among other notes for the Wieland history.written by Pat Talbot (nee Wieland). Large pad of note pages. -
Kew Historical Society Inc
Drawing - Property Illustration, Margaret Picken, 77 Fitzwilliam Street, Kew, 1992
This architectural drawing is one of a series created by Margaret Picken for a number of real estate agents in Melbourne between 1983 and 2005. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020Pen and ink architectural drawing on drafting film of 77 Fitzwilliam Street, Kew by Margaret Picken.77 FITZWILLIAM ST., KEW / MARGARET PICKEN ~92 / WOODARDS ~ KEWartist -- margaret picken 1950-, architectural drawings -- houses -- kew (vic.), 77 fitzwilliam street - kew (vic). -
National Wool Museum
Textile - Blanket
Collector says: "As a general rule I only collected blankets with a label, but there are always exceptions. The colour ways of these 3 are just so gorgeous I had to include them - especially as the brown and blue from the Bass Valley op shop was 1 dollar! The cream one with the mint panel + watermelon stripe is one of my favourite blankets ever despite no label - it looks like the blanket version of the Agnes Martin painting called Gratitude which is exactly how I felt finding this simple, beautiful, well kept blanket. Collector's note: "For more than 100 years blankets were made all over Australia in over 100 woollen mills. My aim, is to preserve 100 examples of these wonderful pieces of history. Ten years ago I started collecting the iconic Onkaparinga travel rugs, so that on movie nights at home there would be plenty to go around. Everyone had their favourite; even the cat had his own – a small red tartan one. Keeping an eye out for those travel rugs at op-shops and markets, collectable stores and bazaars, led to noticing vintage blankets. I'd never really thought about them before or paid much attention though of course I had grown up with them at my grandmother's. When I discovered my first Laconia cream blanket with blue stripes, my eyes just went gaga. Well that was it, I was hooked and since then over 500 blankets have passed through my hands. These common, everyday items, found in all households for so many decades, were traditional engagement gifts. Pairs were prized wedding presents turning into family heirlooms. They were fashionable dressers of beds, givers of warmth, bestowers of security and reliability. The comfort found in these objects resonates with almost all of us; we grew up with them ourselves or fondly recall them in a grandparent’s home. There is no modern replacement with the integrity of these old blankets, many of them now older than most of us. They are romantic, sensible, special, familiar, nostalgic and nothing else feels so appropriate in so many situations. No offense to the great Aussie doona, but from hippie to hipster, at a music festival, picnic, campsite or couch, a vintage blanket is something coveted by all. This industry that employed tens of thousands and must have been such a huge contributor to the economy is almost completely lost now. Blanket Fever is an ode to everything that came before: the land, the sheep, the shearers, the hands, the mills, the weavers, the designers, the distributors, the department stores. To the grandparents that gave them, the people that received them, the families that kept them; thank you. I’m passionate about my collection of Australian blankets manufactured in mostly Victoria, South Australia and Tasmania from the 1930s to the end of the 1960s. The collection has blankets from each of these four decades representing the styles and fashions of their time and includes dated advertisements which help determine the eras the blankets are from."Double sized cream blanket with watermelon and mint stripesNo inscriptionwool, blanket, blanket fever, no label -
Bass Coast Shire Council - Robert Smith Collection
Work on paper - L'eau est delicieuse, Honore Daumier
French 1808 - 1879Lithograph -
Hawthorn Historical Society
Drawing - Property Illustration, 9 Majore Street, Hawthorn, 1993
'After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 23 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view.' (Margaret Picken, 2020)This property illustration is one of a series created by Margaret Picken for a range of real estate agents in Melbourne between c. 1983 and c. 2006. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020pen and ink architectural drawing on drafting film.9 MAJORE ST, HAWTHORN Margaret Picken ~99 WOODARDS- HAWartist - margaret picken 1950- -
Federation University Art Collection
Drawing - Artwork, K. McCutchan, [Fish and Foot], by K. McCuthan, 1990
This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.Incised black and white drawing. If you can provide information on this artist or artwork please leave a message in the comment box below.Signature and date lower right corner "K. McCuthan '90"art, artwork, mccutchan, drawing, fish -
Moorabbin Air Museum
Drawing (item) - Type AVT 40/193 Merlin -XX-XXI-XLV: Merlin Diagram of Carburettor, Merlin Diagram of Carburettor
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Moorabbin Air Museum
Drawing (Collection) - Cessna 180 RAAF technical drawings, Cessna 180 A98
RAAFTechnical DrawingsAssorted technical drawings of RAAF Cessna 180 -
Kew Historical Society Inc
Drawing - Property Illustration, Margaret Picken, 29 Davis Street, Kew, 1994
After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 23 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view. (Margaret Picken, 2020)This drawing is one of a series created by Margaret Picken for a range of real estate agents in Melbourne between c.1983 and c.2005. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020Pen and ink architectural drawing on drafting film of 29 Davis Street, Kew by Margaret Picken.29 DAVIS ST., KEW / MARGARET PICKEN ~94 / WOODARDS ~artist -- margaret picken 1950-, architectural drawings -- houses -- kew (vic.), 29 davis street -- kew (vic.) -
Camberwell Historical Society
Drawing (series) - Architectural drawing, 14 Regent Street, Burwood, 2002
artist, architectural drawings, margaret picken, camberwell, housesartist, architectural drawings, margaret picken, camberwell, houses -
Bendigo Historical Society Inc.
Textile - MAGGIE BARBER COLLECTION: VERY FINE NET NEEDLE WEAVING EMBROIDERED DOYLEY, Early 1900's
Textiles. Oval in shape, with a scalloped edge trimmed with a fine picot edged braid. The floral ''needle weaving'' embroidery comprises two petalled flowers, with raised bulliow stitch embroidered centres. Leaves and buds on either side of the flowers are also fine examples of needle weaving. Eight tiny buds complete the centrepiece.textiles, domestic, needle weaving embroidered doyley -
Friends of Ballarat Botanical Gardens History Group
Work on paper - Bunya Pine, Unknown. No reference or page number given. [Research very likely done by Doctor John Garner C 2011.]
There is Bunya Pine in the Ballarat Botanical GardensThis is another example of an important Australian native to be found in the Ballarat Botanical Gardens1 photocopied page taken from a book. Print on lefthand side and coloured picture on righthand side with sketches of seed and cone beneath.Nonebunya pine, araucariaceae, subtropical softwood, john garner, doctor, ballarat botanical gardens, trees in ballarat, john garner collection, gardens, ballarat -
Federation University Art Collection
Work on paper, Alun Leach-Junes, 'Untitled' by Alun Leach Jones, 1970
Alun LEACH-JONES (1937- 24 December 2017) Born Maghull, Lancashire, United Kingdom Arrived Australia 1960 Alun Leach-Jones is recognised as one of Australia's leading abstract colour painters. He spent his childhood in the Welsh village of Glasfryn, Denbighshire. At the age of 14 he started a three year apprenticeship with the Solicitors Law Society, Liverpool illuminating manuscripts and hand copying legal documents. While working with the law society Leach-Jones studied painting and drawing in the evenings at the Liverpool College of Art between the years 1955-57. He immigrated to Australia in 1960, settling in Adelaide and attending the South Australian School of Art, after which he travelled and exhibited throughout Australia and abroad. In 1966 Leach-Jones celebrated Noumenon series was shown with Australian Galleries in Melbourne and he was immediately recognised as being part of what was then labelled as ‘the New Abstraction’ in Australian art. Later in 1968 his work was included in the influential exhibition "The Field" held at the National Gallery of Victoria. This item is part of the Federation University Art Collection. The Art Collection features over 1000 works and was listed as a 'Ballarat Treasure' in 2007.art, artwork, alun leach-jones, leach-jones, printmaking, screenprint -
Camberwell Historical Society
Drawing (series) - Architectural drawing, 58 Rowen Street, Burwood, 2002
artist, architectural drawings, margaret picken, camberwell, housesartist, architectural drawings, margaret picken, camberwell, houses -
Camberwell Historical Society
Drawing (series) - Architectural drawing, 176 Warrigal Road, Burwood, 2002
artist, architectural drawings, margaret picken, camberwell, housesartist, architectural drawings, margaret picken, camberwell, houses -
Moorabbin Air Museum
Drawing (item) - CAC Mirage Drawings tooling