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Moorabbin Air Museum
Drawing (Item) - Drawing , Firefly R.A.N.A.M.O General/A8 FIG.3
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Kew Historical Society Inc
Drawing - Property Illustration, Margaret Picken, 1 Westbrook Street, Kew East, 1991
After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 23 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view. (Margaret Picken, 2020)This drawing is one of a series created by Margaret Picken for real estate agents in Melbourne between 1983 and 2006. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020Pen and ink drawing on drafting film of 1 Westbrook Street, Kew East by Margaret Picken.1 WESTBROOK ST., E KEW / MARGARET PICKEN ~91 / WOODARDS ~ KEWartist -- margaret picken 1950-, property illustrations — buildings — kew east (vic.), 1 westbrook street - kew east (vic.) -
Friends of Ballarat Botanical Gardens History Group
Work on paper - On the Trail of the Lone Pine, Pine Cones from the Gallipoli Battlefield, April - June 2011
Sergeant Keith McDowell gave a cone he collected from Gallipoli to his aunt to try and grow. One seed was planted in the Warrnambool Botanic Gardens and another at the Shrine of Remembrance in Melbourne. These pine trees have symbolic importance as a representation of Australian soldiers' "tenacity and fortitude". They are an important link to the remembrance of those men and women from Ballarat who saw action in World War 1.3 pages (pp.44-46). p.44 in black print on white paper, a photograph of the planting of one of the pines in 1934 at the Australian War Memorial, Canberra. p.45 is a coloured picture of the pine in Canberra. p46 has a history of the seeds brought from Gallipoli by Smith and Mcdowell on the right-hand side of the page and a photograph of the Pines being labelled. There is a column about these trees down the left-hand side of the page.None john garner, doctor, john garner collection, ballarat botanical gardens, friends of the ballarat botanical gardens, the lone pine, gallipoli, anzacs, sergeant keith mcdowell, lance corporal benjamin smith, aleppo pine, turkish pine, pinus halepensis, pinus brutia, gardens, ballarat -
Eltham District Historical Society Inc
Drawing, Architectural Concept Plan: Kinloch Gardens proposed development, 93 Arthur Street, Eltham, 1997
Proposed design for Kinloch Gardens project with 12 sites illustrated plus Kinloch Main House. Ian Jelbart owned the entire Woodridge Estate but retained the top of the hill in Arthur Street until this development in 1997-1998, which he developed in conjunction with Graeme Gunn. Ian Jelbart inherited the land from his father who had purchased it cheap during the Great Depression. Kinloch is a castle in Scotland. Ink, wash and pencil on paper adhered to 13mm thick polyurethane boardKinloch Gardensarthur street, eltham, graeme gunn, ian jelbart, jelbart property, kinloch gardens -
Moorabbin Air Museum
Drawing (Item) - Drawing Continental Model 0-470-L Horizontal Opposed Air Cooled 5.00 Bore , 4.00 Stroke , 470 CU IN Wet Sump Casting No. 539897
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Federation University Art Collection
Work on paper - Printmaking, Tji Tji Kutjara [Two Children], c1996
Nyukana BAKER (1943-2016) Born Ernabella, South Australia Country: Kanypi Language: Pitjantjatjara A Pitjantjatjara artist from Ernabella who began painting, designing and weaving in 1963 and producing batik in 1971. Founded in 1949 Ernabella Arts is the longest running Aboriginal arts centre in Australia. It was established o create employment opportunities for young women from the local Pitjantjatjara people. Nyukana Baker died 17 April 2016 at Alice Springs, Northern Territory. This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.Framed limited edition print. 6/20 Tjitji Kutjara Two Children Nyukana Baker Feb 1996art, artwork, printmaking, linoprint, nyukana baker, pitjantjatjara, kanypi, aboriginal, ernabella -
Port Melbourne Historical & Preservation Society
Drawing - Property sketches, Frank Gordon Real Estate, 1990s
Property sketches done for Frank Gordon Real Estate in the 1990s. 20 Davies St built environment - domestic, frank gordon real estate, davies street -
Kew Historical Society Inc
Work on paper, Joy Stewart, Terrace Houses [Doona Avenue], c.1978
Sydney Joy (joy) Stewart (1925-2018) was a founding member of the Kew Historical Society, and during the 1970s its secretary. During her residence in Kew, she completed numerous property illustrations on commission. These ranged from preliminary sketches, including architectural details to finished pen & ink and wash illustrations on paper. On moving to Queensland, Joy Stewart donated the remaining property illustrations in her possession to the Kew Historical Society. In 1987-88, she fulfilled a commission by the Society of designs for a series of embroideries completed by residents during the Australian Bicentennial commemorations.Sydney Joy (Joy) Stewart was born in Melbourne 1925. She studied at Swinburne Technical College Art School from 1941-1945, then the National Gallery Art School 1946-1948. Her career included employment positions as a display artist, designer/painter, gallery assistant, and art teacher. Joy relocated to Cairns in 1981. Solo exhibitions in Melbourne and Cairns, including 'Done By Me' at Cairns Regional Gallery in 1999. Group exhibitions at Cairns Regional Gallery, 'The Fish John West Regrets, 1993' and 'Facets of Life' 1994. Joy Stewart died in Cairns in 2018.Two preliminary sketches of the terrace houses at 7 and 9 Doona Avenue, Kew. See 1980.0024 for a more complete monochrome drawing. Signed: "JStewart".joy stewart, doona avenue (kew) -
The Beechworth Burke Museum
Drawing, Ernest Marcuse, Yackandandah V, c1983
Ernest Heinrich Marcuse was born on the 1st of December 1900 to Hedwig and Siegmund Marcuse in Berlin Germany. While Marcuse's artistic talent was apparent from a younger age, his earliest existing artwork was from when he was approximately 20 years old. Ernest's formal art training commenced in 1918 with a three year course at the Berlin school of Interior design. After completion he found work until 1924 when Germany's Great Depression took effect. To broaden his career opportunities he undertook a further 12 months study of fashion, drawing and advertising at Berlin's Reiman school of art. From 1925 to 1934 Ernest was primarily a freelance press artist specialising in industrial, architectural and figurative drawing. Prominent newspaper The Berliner Morgenpost was his largest client along with Gross Deutsche Rundfunaustellung (Germany's organisation for major trade shows). During this period he would create many significant works. Two months after Hitler and the Nazi part came to power in 1933, Ernest received a life changing letter stating that being Jewish he could no longer continue employment in Germany. Up until 1938 he would only be able to undertake private commissions and occasional unofficial work as a book illustrator and games designer. This was by arrangement with non Jewish artists who claimed his work as their own, they would then share the income with Ernest. With increasing unrest in Germany during late 1938 Ernest decided to move to London and there he married his girlfriend Lotte. In late 1939 Ernest and Lotte Marcuse embarked on an eight week journey to their new home in Australia where they had been accepted as refugees. Shortly after arriving in Australia Ernest presented his portfolio to an editor at the Argus newspaper and gained employment as a war events illustrator. He soon became well respected and known in particular for his detailed illustrations and cross sections of ships , artillery and aircrafts. His detailed depictions of battles were displayed on the front pages of The Argus newspaper on a number of occasions. In May 1940 as the war intensified Ernest was dismissed from The Argus newspaper due to his Australian government classification of 'stateless person of enemy origin' and was considered a potential security risk. The editor of the time commented "don't blame us, blame Hitler". Marcuse then began to establish himself as a commercial artist. Ernest was de-classified as a 'stateless person of enemy origin' and in early 1942. The Australian army heard of Ernest's artistic abilities and began to utilize his designs for visual training aids and posters. Ernest became Private E.H Marcuse V377746, his first army posting was as staff artist at The infantry officer's training school at Bonegilla. When off duty he was inspired by the beauty of the surrounding area creating the works in North east Victoria 'Kiewa river bridge', 'Hume weir', ' Dried up river bed' and 'Hawksview gold reef mine' from his 1942-1943 period at Bonegilla Victoria. Ernest returned to the area to create drawings and paintings from 1948 to 1983 in locations including Bright, Wandilligong, Bogong High plains and Wallace's Hut, Mt Buffalo, Beechworth, Pretty valley, Kiewa Hydro, Yackandandah and Bontherambo homestead. These sketches were often completed on location, photographs were also taken onsite to assist the works back at the studio. Occasionally Marcuse also painted in the field. Ernest's preferred choice of medium was pencil and ink. Up until 1952 he would often incorporate watercolour into his work. Later into his career he began introducing pastels, acrylic and mixed media. In earlier years Ernest Marcuse often signed his work Mar, later on the signing of works ranged from Marcuse, E.Marcuse, Ernest Marcuse, EHM or simply EM . If a work was considered incomplete or Marcuse did not like the work it would remain unsigned. From Bonegilla Marcuse was transferred to Woodside South Australia before his final posting in Melbourne until the end of 1945. Ernest's work from within his army posting 'Troop Train at Night' from his 1945 exhibition Australia at War are part of the permanent collection at Canberra's War Museum. Between 1946 and 1969 Ernest largely worked from home and concentrated on a career as a freelance commercial artist and graphic designer. During that time he created work for well known household names including CRA/Conzinc, Vacuum oil (Caltex), Cottee's Brand (Schweppes and Heinz), Home Beautiful magazine Fulton garden supplies, International Iveco trucks, Ego pharmaceuticals, QV and Sunsense. After retirement Ernest concentrated on his true love of fine art and focused on painting images of personal interest both across Australia and Internationally. Earnest never drove a car. He would often walk or use public transport or enlist in the help of family or artist friends to drive him. Throughout his career Ernest Marcuse's artworks were purchase by private collectors these included ACTU, Melbourne City council, Holland Constructions, Melbourne Metropolitan Tramways Board, GJ Coles and Australian Resources Bank. Ernest Marcuse permanent collections can be viewed at The National Gallery of Victoria , Sydney Jewish Museum, Jewish Holocaust Centre Melbourne, Canberra's War Museum, City of Melbourne, Shire of Yarra ranges and now the Burke Museum. © 2020 Art by Marcuse https://www.artbymarcuse.com.au/aboutDonated to the Burke Museum through the Australian Government's Cultural Gifts Program by Peter and Evelyn MarcusePen and pencil landscape drawing on paper.Obverse: Marcuse / YACKANDANDAH / 83 Reverse: YACKANDANDAH / Y 7 / 019 ernest marcuse, marcuse, art, artbymarcuse, beechworth, burke museum, indigo shire, landscape, illustration, drawing, pen and pencil, australian army, war events illustrator, the age, the sun, the argus, germany, refugee, industrial drawing, architectual drawing, figure drawing, berliner morgenpost, grosse deutsche rundfunaustellung, berlin’s reiman school of art., cultural gifts program -
Latrobe Regional Gallery
Print, FRENCH, Leonard OBE b. 1928 Brunswick, Victoria d. 2017 Melbourne, Victoria, Fish over Landscape, 1964
Silkscreen printSigned and dated lower right corner beneath print, pencil "Leonard French 63" Titled and edition lower left beneath print, "Fish over Landscape" 2/50 -
National Vietnam Veterans Museum (NVVM)
Print, HMAS Parramatta
Black plastic framed black and white photograh of HMAS Parramatta passing Sydney Harbour Bridgehmas parramatta, print -
Moorabbin Air Museum
Drawing (Item) - CAC 04-13040 Rib Assembly Intermediate STA 95 Centre Section
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Federation University Art Collection
Work on paper - Bookplate, 'Ex Libris Emma Parker' by E.K. Parker
After a quiet period, interest in bookplates in Australia began to increase in the early 1970s, Entrepreneurial art and book collectors such as Edwin Jewell and others commissioned multiple Bookplate designs from a range of well known fine artists. At a 1997 meeting in Melbourne of the Ephemera Society of Australia Edwin Jewell and others announced the formation of the Australian Bookplate Society. The society was instrumental in promoting the art of the bookplate through establishment of the Australian Bookplate Design competition. The competition includes a design award for secondary schools students.A bookplate depicting a frog is depicted sitting on a stone.Name E K Parker in pencil on backbookplate, printmaking, australian bookplate design awards, keith wingrove memorial trust -
Federation University Art Collection
Drawing - Artwork - Drawing, 'Jersey Cow' by Christine Rushworth
Unframed realistic drawing of a jersey cow.christine rushworth, drawing, cow -
Federation University Art Collection
Sculpture - Artwork, Beyond Education
This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.art, artwork, caroline sampson, sculpture, horsham campus art collection -
Swan Hill Regional Art Gallery
Print, HOWARD, Susan, Spotted dogs, 1982
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Dandenong/Cranbourne RSL Sub Branch
Print - ANZACS At War
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Port Melbourne Historical & Preservation Society
Drawing - Property sketches, Frank Gordon Real Estate, 1990s
Property sketches done for Frank Gordon Real Estate in the 1990s. 192 Pickles St built environment - domestic, frank gordon real estate, pickles street -
Latrobe Regional Gallery
Print, BLAKE, Peter b. 1932 Britain, England, Ostrich Beach-About Collage: Tourist Attraction, 2000
ScreenprintSigned 'Peter Blake' lower right corner under printed image. Edition 15/60, under printed image. -
Gippsland Art Gallery
Print, Turner, J.M.W. (after), Tintagel Castle, c.1859-78
Purchased, 2013Engraving on papergippsland, artwork, permanent collection -
Camberwell Historical Society
Drawing (series) - Architectural drawing, 23 Oberwyl Road, Burwood, 2002
artist, architectural drawings, margaret picken, camberwell, housesartist, architectural drawings, margaret picken, camberwell, houses -
Swan Hill Regional Art Gallery
Print, SPURRIER, Stephen, Entomorphilatic psychosis, 2004
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Kew Historical Society Inc
Drawing - Property Illustration, Margaret Picken, 13 Gordon Avenue, Kew, 1996
This architectural drawing is one of a series created by Margaret Picken for a number of real estate agents in Melbourne between 1983 and 2005. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020Pen and ink architectural drawing on drafting film of 13 Gordon Avenue, Kew by Margaret Picken.13 GORDON AVE., KEW / MARGARET PICKEN '96 / WOODARDS ~ HAWTHORNartist -- margaret picken 1950-, architectural drawings -- houses -- kew (vic.), 13 gordon avenue -- kew (vic.) -
Moorabbin Air Museum
Drawing (Item) - Noorduyn Aviation Ltd Drawing , Installation Main Ski Leg Drawing No. NH-33905
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Kew Historical Society Inc
Print, FGA Barnard, Kew Pharmacy and Post Office, c.1880
The site of the current Kew Post Office was known as Barnard's corner. Large framed photographic enlargement of Barnard’s Post Office in Kew on the site of the Kew Post Office. The photograph is a copy of a photograph in F.G.A. Barnard's Jubilee History of Kew (1910)Annotation at base reads: 19.2 Kew Pharmacy and Post Office c .1880. F.G.A. Barnard, son of Francis Barnard is in the doorway. The site is that of the present Kew Post Office. Photograph taken from Bulleen Rd (now Kew High St) looking east.francis barnard, f.g.a. barnard, barnard’s post office, kew dispensary, pharmacies -- kew (vic.), post offices -- kew (vic.) -
Port Melbourne Historical & Preservation Society
Drawing - Property sketches, Frank Gordon Real Estate, 1990s
Property sketches done for Frank Gordon Real Estate in the 1990s. 18 Griffin Crescent built environment - domestic, built environment - commercial, frank gordon real estate, griffin crescent -
Swan Hill Regional Art Gallery
Drawing, SIBLEY, Andrew, Study of Albert Tucker, unknown
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Eltham District Historical Society Inc
Work on paper (Sub-Item) - Photograph, The undulating landscape at Kangaroo Ground
kangaroo ground -
Gippsland Art Gallery
Print, Duxbury, Lesley, Carbon, 2013
Donated by Freestone Press, 2016Screenprint on papergippsland, artwork, permanent collection -
Federation University Bookplate Collection
Work on paper - Bookplate, EX LIBRIS Di Bray
After a quiet period, interest in bookplates in Australia began to increase in the early 1970s, Entrepreneurial art and book collectors such as Edwin Jewell and others commissioned multiple Bookplate designs from a range of well known fine artists. At a 1997 meeting in Melbourne of the Ephemera Society of Australia Edwin Jewell and others announced the formation of the Australian Bookplate Society. The society was instrumental in promoting the art of the bookplate through establishment of the Australian Bookplate Design competition. Image of two bookends representing two halves of a fish supporting a volume titled Ex Libris with a feather/fern leaf top and bottom.Signed in pencil lower right beneath image.ex libris, bookplate, australian bookplate design awards, kieth wingrove trust, international bookplate design