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Artwork, other (1265)
Ceramic (766)
Decorative object (713)
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Mixed media (518)
Painting (2482)
Print (1657)
Sculpture (402)
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Work on paper (2050)
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Glenelg Shire Council Cultural Collection
Print, Portland Its All On Your Plate, 1983-1984
CEMA Art Collection. Part of "A Community View" 150 years in Portland Screenprint Exhibition. Part of Angela Gee Residency 1983 and 1984.Laminated screenprint which features: a pink plate with a fish, abalone and flower sitting on it; a silver spoon with a rose sitting on it; and a white vessel with a rose painted on it. Background is pink with various patterns and text "it's all on your plate at PORTLAND".Front: (no inscriptions) Back: 29 -
Gippsland Art Gallery
Print, Turner, J.M.W. (after), The Death of Nelson, c.1859-78
Purchased, 2013Engraving on papergippsland, artwork, permanent collection -
Swan Hill Regional Art Gallery
Mixed media, CONNELLY-NORTHEY, Lorraine, Dilly bag, 2004
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Swan Hill Regional Art Gallery
Work on paper, BONNEY, Geoff, Parachilna Gorge, 1987
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Federation University Art Collection
Work on paper - Artwork - Printmaking, Ricardo, Geoffrey, 'Rapunzel II (infinity)' by Geoffrey Ricardo, 2002
Framed limited edition print. Donated through the Australian Government's Cultural Gifts Programme by Katherine Littlewood.geoffey ricardo, printmaking, rapunzel -
Gippsland Art Gallery
Print, Gittoes, George, Portrait of Larry Smith, 1991
Donated from the estate of Patricia Marie White, 2013Etching on papergippsland, artwork, permanent collection -
Federation University Art Collection
Work on paper - Bookplate, 'Ex Libris Josie Pollard'
After a quiet period, interest in bookplates in Australia began to increase in the early 1970s, Entrepreneurial art and book collectors such as Edwin Jewell and others commissioned multiple Bookplate designs from a range of well known fine artists. At a 1997 meeting in Melbourne of the Ephemera Society of Australia Edwin Jewell and others announced the formation of the Australian Bookplate Society. The society was instrumental in promoting the art of the bookplate through establishment of the Australian Bookplate Design competition. The competition includes a design award for secondary schools students.A sailing boat is depicted on mosaic tiles by a window and door2/10 Sharon Tourplus 2001bookplate, printmaking, australian bookplate design award, keith wingrove memorial trust -
Gippsland Art Gallery
Print, Ryrie, John, Untitled, 1988
Purchased, 1998Woodcut print on papergippsland, artwork, permanent collection -
Swan Hill Regional Art Gallery
Print, FOX, Belinda, Bloom II, 2008
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Friends of Ballarat Botanical Gardens History Group
Work on paper - John Young McDonald 1837-1917. Sketch of his Life and Passenger Manifest, J.Y. McDonald, Benefactor, Ballarat Botanical Gardens
john garner collection, ballarat botanical gardens, gardens, ballarat, john young mcdonald, mcdonald, benefactor -
Gippsland Art Gallery
Print, Turner, J.M.W. (after), Dartmouth, c.1859-78
Purchased, 2013Engraving on papergippsland, artwork, permanent collection -
Kew Historical Society Inc
Print, E. Reilly's Red Lion Family Hotel, Nineteenth Century
This work forms part of the collection assembled by the historian Dorothy Rogers, that was donated to the Kew Historical Society by her son John Rogers in 2015. The manuscripts, photographs, maps, and documents were sourced by her from both family and local collections or produced as references for her print publications. Many were directly used by Rogers in writing ‘Lovely Old Homes of Kew’ (1961) and 'A History of Kew' (1973), or the numerous articles on local history that she produced for suburban newspapers. Most of the photographs in the collection include detailed annotations in her hand.The Rogers Collection provides a comprehensive insight into the working habits of a historian in the 1960s and 1970s. Together it forms the largest privately-donated collection within the archives of the Kew Historical Society.Small, black and white copy of a photo of E. Reilly's Red Lion [Family] Hotel, in Hawthorn.hotels -- hawthorn (vic.), red lion hotel -- hawthorn, e reilly -- publican -
Swan Hill Regional Art Gallery
Mixed media, PICKUP, Pat, Dress with skipping rope, 1977
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Gippsland Art Gallery
Print, Dunlop, Brian, Locomotive, 1983
Donated by Lesley Duxbury through the Australian Government Cultural Gifts Program, 2017Etching on papergippsland, artwork, permanent collection -
Friends of Ballarat Botanical Gardens History Group
Work on paper - Climbing Frame Adjacent to the Claxton Memorial, Framing the Claxton Memorial in the Ballarat Botanical Gardens
john garner collection, ballarat botanical gardens, gardens, ballarat, claxton, monument, frame -
Swan Hill Regional Art Gallery
Mixed media, CONNELLY-NORTHEY, Lorraine, Dilly bag, 2004
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Creswick Campus Historical Collection - University of Melbourne
Mixed media - Moisture control samples board, Kiln Seasoning & Reconditioning: specimens illustrating process control and finished product
Specimens illlustrating process control & finished product.Timber demonstration wall panelMunitions Supply Laboratories. Munitions Supply Board. Department of Defence -
Gippsland Art Gallery
Print, Lanceley, Colin, Embrace: No.4, 1966
Purchased with the assistance of John Leslie OBE, 2015Screenprint on papergippsland, artwork, permanent collection -
Friends of Ballarat Botanical Gardens History Group
Work on paper - The Story of Ballarat's Botanical Gardens and its Statues, From Bush to Begonias
The Story of Ballarat's Botanical Gardens and its Statues. "From Bush to Begonias". Front page.john garner collection, ballarat botanical gardens, statues, gardens, ballarat -
Clunes Museum
Work on paper (collection) - LANDCARE 2011-2013, CLUNES LANDCARE GROUP
HISTORICAL PRESERVATIONlandcare, clunes landcare grouplandcare, clunes landcare group -
Kew Historical Society Inc
Work on paper, Joy Stewart, 6. War Memorial: Unveiled 1925, 1988
Kew Tapestry The eight panels depict the history of Kew. This was a 1988 Australian Bi-Centennial Project carried out under the auspices of City of Kew Council and the Kew Historical Society Incorporated. Nearly 600 citizens including many children participated in the production by adding a few or more stitches. A book records their names and the panels upon which they worked. Artist: Joy Stewart Co-ordinator: Dorothy BenyeiSydney Joy (Joy) Stewart was born in Melbourne 1925. She studied at Swinburne Technical College Art School from 1941-1945, then the National Gallery Art School 1946-1948. Her career included employment positions as a display artist, designer/painter, gallery assistant, and art teacher. Joy relocated to Cairns in 1981. Solo exhibitions in Melbourne and Cairns, including 'Done By Me' at Cairns Regional Gallery in 1999. Group exhibitions at Cairns Regional Gallery, 'The Fish John West Regrets, 1993' and 'Facets of Life' 1994. Joy Stewart died in Cairns in 2018.6. War Memorial: Unveiled 1925. A Handcoloured cartoon created by the artist Joy Stewart as a template for the sixth of a series of embroidered panels depicting the history of Kew. Wool colour codes at left. Inscription: "WAR MEMORIAL: Unveiled 1925. Post Office, Court House and Police Station erected 1888. ... The Junction of High Street and Cotham Road became the commercial heart of Kew." Signed by the artist "(c) JStewart, 1988"bicentennial project (kew), joy stewart, wwi, kew war memorial -
Kew Historical Society Inc
Print - Subdivision Plan, F Price, Plan of Mr William Derrick's Land, Kew being Subdivision of Part of Section 86, Parish of Boroondara, County of Bourke, 1872, 1872 [Original]
This work forms part of the collection assembled by the historian Dorothy Rogers, that was donated to the Kew Historical Society by her son John Rogers in 2015. The manuscripts, photographs, maps, and documents were sourced by her from both family and local collections or produced as references for her print publications. Many were directly used by Rogers in writing ‘Lovely Old Homes of Kew’ (1961) and 'A History of Kew' (1973), or the numerous articles on local history that she produced for suburban newspapers. Most of the photographs in the collection include detailed annotations in her hand.The Rogers Collection provides a comprehensive insight into the working habits of a historian in the 1960s and 1970s. Together it forms the largest privately-donated collection within the archives of the Kew Historical Society.A photographic reproduction of a plan in the Vale Collection of the State Library of Victoria showing William Derricks land in the area bordered by Bulleen Road (High Street); Cotham Road and Union Street. The plan dates from 1872.william derrick, subdivision plans -- kew (vic.) -
Swan Hill Regional Art Gallery
Print, NEWMAN, Nicole, A Lek Un a Shmek, 1999
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Gippsland Art Gallery
Print, Shimmen, Heather, Falconer, 2013
Purchased, 2015Linocut print and ink on papergippsland, artwork, permanent collection -
Federation University Art Collection
Work on paper - Artwork - bookplate, Ex Libris Edwin Jewell
framed bookplateedwin jewell, bookplate, framed bookplate, available, available framed bookplate, keith wingrove memorial trust -
Friends of Ballarat Botanical Gardens History Group
Work on paper - Trees in the Ballarat Botanical Gardens, A 1983 Listing, 1983
Given climate change, the millenial drought and other developments in the Gardens, this listing contributes to assessing various changes.This 1983 listing of Trees in the Ballarat Botanic Gardens gives perspective and enables comparisons to be made with the trees in the Gardens today.3 Photocopies. One old yellowed typed copy dated 1983 and two more recent copies of 5 pages. Page 1. is missing, front page is numbered 2 and consecutive numbers from there in all 3 copies.There is inconsistent numbering on the left hand side of some items in black and annotations against some items throughout.john garner, doctor, ballarat botanical gardens, trees, classification of trees in the bbg, 1983, description of trees, numbering of trees., john garner collection, gardens, ballarat -
Glenelg Shire Council Cultural Collection
Print, Belfast Port Fairy, n.d
Port of Portland Collection.Depiction of a boat with furled sails on choppy waters, sailing towards land. The landscape includes a hill and several buildings, including a wind mill and a church spire. Mounted in cream matt. Framed under glass in wooden frame.Front: Belfast Port Fairy (lower centre) (printed). Published by Sands & Kenny, Melbourne & Sydney 1857. Back: 19 Upper left pencil. 1996 upper right pencil. -
Ringwood and District Historical Society
Mixed media - Video, RDHS Meeting Presentation - "Ringwood's Irish Immigrants" - Russ Haines
Digitised video (2.68GB). Duration: 85 minutes. Recorded October, 2023 (Video is available for viewing at Ringwood & District Historical Society Archives by appointment)In this presentation, Ringwood and District Historical Society President Russ Haines talks about Ringwood's Irish Immigrants - a brief overview of their ancestry, why they came here, and how these pioneers added to our culture. -
8th/13th Victorian Mounted Rifles Regimental Collection
Mixed media - Lt Col AH White, April 2024
Alexander Henry White, born 9 May 1882 was educated at Greenville College Ballarat. He enlisted in the Victorian Mounted rifles in 1899 and continued to serve in the Light Horse followinh Federation. Following the outbreak of World War One he applied for a commission in the AIF 19 November 1914 and was appointed as Commanding Officer 8th Light Horse regiment. He was 32 yers of age, married with one child. He sailed with the regiment to Egypt in December 1914, and in May 1915 landed at Gallipoli. Lieutenant Colonel received a shrapnel wound to the scalp 27June, was treated at the Casualty Clearing Station, and returned to duty 4 July. In the Charge at the Nek, 7 August, White chose to lead the first wave of the 8th Light Horse. He was killed in action and his body never identified. His name is recorded on Lone Pine Memorial, Gallipoli Peninsula. He was posthumously mentioned in dispatches for his leadership in commanding the 8th Light Horse. Framed case containing portrait of Lieutenant Colonel Alexander Henry White, together with his medals (replica) and colour patches of 8th Light Horse.On plaque under portrait 'Lt Col Alexander White / Commanding Officer 8 Light Horse Regiment' and under medals 'Lt. Col. Alexander White borne 9 May 1882 / K.I.A. 7 August 1915 at the NEK Gallipoli'gallipoli, white, wwi, 8lh, ballarat -
Ararat Gallery TAMA
Mixed media, Inga Hunter, Iboriis Robe of the Keeper of the Dead, 1986-1989
“The Keeper looks after the shrines of the dead and he is responsible for their wellbeing, to make sure that their spirits do not return to make trouble for the living. Beyond their grave there is no blame, so he keeps all the dead, criminal, foreign etc. Keepers are not often seen because they live well away from all social groups, being supposed to spend most of their time in the nether world. The Keeper’s Robes carry complex amulets or protection from the dead, who he both guards and fears. He must also stop the living from using his charges against one another. His life is almost totally ritual, given over to chants and spells. He will never marry, but will breed by impregnating a selected mate in order to carry on the line, the office is hereditary. When his children are old enough, they are apprenticed to him and must live apart from the community, looked after by a nurse and taught all the rituals necessary for their future career. Very occasionally, a child is chosen from the community because of some special characteristic - precognition, albino colouring, special interest in the dead etc. At any time there might be up to twelve apprentices of various ages who assist the Keeper in his work. These children are taboo to all others, who must close their eyes if they accidentally catch sight of an apprentice.” -Inga Hunter