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Work on paper (2071)
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Ringwood and District Historical Society
Mixed media - Video, RDHS Guest Speaker Presentation - "Rambles Amongst Melbourne's Parklands Walking Group" - Simon Elliston
Digitised video (2.52GB) Duration: 46 minutes. Recorded July, 2023 (Video is available for viewing at Ringwood & District Historical Society Archives by appointment)Presenter: Simon Elliston talks about his walking group visits to historic sites around Victoria, including an overview of Wombolano Park in Heathmont, once visited by acclaimed celebrities such as Dame Nellie Melba and Agatha Christie. -
Benalla Art Gallery
Painting, Walter WITHERS, Sheep in shadows, 1910
Born: Birmingham, England 1854; Arrived Australia 1882; Died: 1914Heidelberg SchoolLedger Gift, 1980Rural landscape with grazing sheep and trees. Gold brushed grey painted timber frame. Recto: Signed "Walter Withers" in brown paint l.r.c of composition; Dated: "~ 10 ~" in brown paint; Not titledlandscape, animals, trees, sheep, australian art -
Melbourne Tram Museum
Drawing, Melbourne & Metropolitan Tramways Board (MMTB), MMTB Head Office at 616 Little Collins St Melbourne, 1964
Plans of Basement, Ground Floor, First Floor, Second Floor, Third Floor, Fourth Floor, Fifth Floor and Roof. Gives the layout of each floor, room name and the use of each room, along with the assigned user. See item 7384 for a photo of the building.Yields information on the 1964 use and layout of the MMTB Head Office building.Set of 8 drawings or prints, secured by two Arnos fasteners at the top of the layout of the MMTB Head Office at 616 Little Collins St Melbourne.Each printed dated "18.3.64" in each bottom right hand corner in red ink.trams, tramways, mmtb, head office, plans, administration -
Federation University Art Collection
Painting - Artwork, Bruer, Grant, [Untitled]
This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.Painting If you can provide information on this artist or artwork please use the email link below.art, artwork, abstract, horsham campus art collection, grant bruer -
Kew Historical Society Inc
Print - Framed Fashion Plate, 'The Newest French Fashions', from the Young Englishwoman, 1864
The first issue of The Young Englishwoman was published in December of 1864 and was directed toward a young, female, middle-class audience and treated mostly household matters such as needlework, recipes, house-hold management tips and fashion. The Young Englishwoman started out as a weekly magazine but, as editors and publishers changed over time, it became a monthly periodical.This items is used to illustrate the popularisation of fashion styles in the 19th centuryFramed fashion plate - 'The Newest French Fashions': modelled for the Young Englishwoman. fashion illustration, young englishwoman -
Kew Historical Society Inc
Textile - Bicentennial tapestry, 5. Kew Railway Station (1887-1958), 1988
This is one of eight embroidered panels, completed during the 1988 Australian Bi-Centennial, and carried out under the auspices of City of Kew Council and the Kew Historical Society. Nearly 600 residents, including many children, participated in their production by adding a few or more stitches. A book records their names and the panels upon which they worked. Artist: Joy Stewart / Co-ordinator: Dorothy Benyei.5. Kew Railway Station (1887-1958). A framed embroidery created by adults and children of the City of Kew as a Bicentennial project, based on a design by the artist Joy Stewart. Other completed embroideries created in the project are/were displayed in the Kew Library. Inscription: "KEW RAILWAY STATION (1887-1958). Established to transport passengers and produce too and from the city ... Kew developed as a residential suburb which included cottages and large homes such as Villa Alba". Embroidered signature of the artist "(c) JStewart, 1988"bicentennial project (kew), joy stewart, australian bicentennial, kew railway station -
Kew Historical Society Inc
Drawing - Property Illustration, Margaret Picken, 1 Stevenson Street, Kew, 1993
After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 22 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view. (Margaret Picken, 2020)This drawing is one of a series created by Margaret Picken for a number of real estate agents in Melbourne between 1983 and 2005. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020Pen and ink architectural drawing on drafting film of 1 Stevenson Street, Kew by Margaret Picken.1 STEVENSON ST., KEW / MARGARET PICKEN ~93 / WOODARDS ~ KEWartist -- margaret picken 1950-, architectural drawings -- houses -- kew (vic.), 1 stevenson street - kew (vic) -
Benalla Art Gallery
Painting, John Ford PATERSON, Miner’s cottage, 1884
Born: Dundee, Forfarshire,Scotland 1851; Arrived: Melbourne, Victoria, Australia 1872; Lived and worked: Scotland 1875-1884; Died: Carlton, Victoria, Australia 1912VictorianLedger Bequest, 1993Oil on canvas on composition board, depicting a rural landscape and miner's commune off a dirt road. Gold brushed timber frame with decorative gesso edges and corners Recto: Signed and dated “J FORD PATERSON / 1884” in blue oil in l.r.c of composition; Not titledpainting, landscape, house, trees, path, road -
Kew Historical Society Inc
Drawing - Property Illustration, Margaret Picken, 25 Ridgeway Avenue, Kew, 1983-2005
After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 22 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view. (Margaret Picken, 2020)This drawing is one of a series created by Margaret Picken for a number of real estate agents in Melbourne between 1983 and 2005. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020Pen and ink architectural drawing on drafting film of 25 Ridgeway Avenue, Kew by Margaret Picken.25 RIDGEWAY AVE., KEW / MARG PICKENartist -- margaret picken 1950-, architectural drawings -- houses -- kew (vic.), 25 ridgeway avenue -- kew (vic.) -
Wangaratta Art Gallery
Textile, Valerie Kirk, Tree + Roots
I draw inspiration from the world around me and from particular aspects of life. Previously my work dealt with my experience as a Scottish migrant – looking back and forward, north and south, here and there, between two countries. This ‘in-between-ness’ of the migratory experience, while not unique to me or other Australians, contributes to my sense of being made up of many parts, a kind of fragmentation where certain components come into play at different times. There is an eternal mismatch or sense of being out of place in my world as I am recognized as Scottish in Australia when people hear me speak but in Scotland people comment on my Australian accent. In a wider sense Australia’s history and culture is made up of many examples of people and things brought together without a good likeness or fit. Woven tapestry allows me to combine my interests in textiles and visual art using the tactile qualities of materials in the highly complex woven form. It allows be to create realistic images, but change format, composition and placement to create images which invite the viewer to question. The intricate nature of multiple wefts twined between warps parallels the complexities of life and tapestry’s building /constructed process embodies the advancement of time.Wangaratta Art Gallery CollectionA small tapestry of a tree and its root system handwoven using a colour palette of black, grey, and white.valerie kirk, tapestry, textile -
Horsham Regional Art Gallery
Painting, Leonard FRENCH, Christian sun, 1963
Gift of Mack Jost, 1994 -
Swan Hill Regional Art Gallery
Drawing, SANTRY, John, Figure study with beret, unknown
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Darebin Art Collection
Painting - Robert Doreian, Robert Doreian, Lyrical Notation, 2012
painting -
Camberwell Historical Society
Drawing (series) - Architectural drawing, 9 Muswell Hill, Glen Iris, 1992
artist, architectural drawings, margaret picken, camberwell, housesartist, architectural drawings, margaret picken, camberwell, houses -
Hawthorn Historical Society
Drawing - Property Illustration, 145 Power Street, Hawthorn, 1993
'After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 23 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view.' (Margaret Picken, 2020)This property illustration is one of a series created by Margaret Picken for a range of real estate agents in Melbourne between c. 1983 and c. 2006. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020pen and ink architectural drawing on drafting film.145 POWER ST, HAWTHORN Margaret Picken `99 WOODARDS - HAWTHORNartist - margaret picken 1950- -
Moorabbin Air Museum
Drawing (Item) - Mirage III Drawing ,Markings MIR III D 091F3 ( In French)
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Darebin Art Collection
Print - Polixeni Papapetrou, Polixeni Papapetrou, The Provider, 2012
photograph -
Hawthorn Historical Society
Drawing - Property Illustration, 89 Illawarra Road, Hawthorn, 1993
'After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 23 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view.' (Margaret Picken, 2020)This property illustration is one of a series created by Margaret Picken for a range of real estate agents in Melbourne between c. 1983 and c. 2006. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020pen and ink architectural drawing on drafting film.89 ILLAWARRA ROAD, HAWTHORN Margaret Picken -2000 WOODARDS - HAWTHORNartist - margaret picken 1950- -
Hawthorn Historical Society
Drawing - Property Illustration, 87 Pleasant Road, Hawthorn East, 1993
'After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 23 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view.' (Margaret Picken, 2020)This property illustration is one of a series created by Margaret Picken for a range of real estate agents in Melbourne between c. 1983 and c. 2006. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020pen and ink architectural drawing on drafting film.87 PLEASANT RD, HAWTHORN Eartist - margaret picken 1950- -
Dutch Australian Heritage Centre Victoria
Decorative object - Wooden Buffalo Model
Wooden -
National Wool Museum
Textile - Wagga Quilt, c.1945
This wagga was made during World War Two from disused patterned rayon patches. The wagga is filled with jute bags. The maker of the quilt is unknown. The wagga was a necessity given the austerity of war, it shows the persistence of wagga quilt making right through the 1940s.Quilt/wagga, patterned rayon cover in mixed patches in blues and greens, with jute lining.quilting history, running stitch group, running stitch collection, quilting - history, world war two, wagga, jute -
Bayside Gallery - Bayside City Council Art & Heritage Collection
Painting - oil on linen, Stieg Persson, Duck and quail eggs, Italian herbs, 2015
With a career spanning over 30 years as a painter, Stieg Persson is a well known figure within the Australian and international art world. Persson’s work is celebrated for his distinct (yet eclectic) style, which consists of elements associated with abstraction, figuration and decorative art, as well as the artist’s deeply intellectual interrogation of Australian culture and society. In this work titled, Duck and quail eggs, Italian herbs, Persson reflects on contemporary parallels in changes of taste and the desire for decadence as a political and social drive. Inspired by Brighton’s iconic Church and Bay Streets, the artist addresses the social currency of luxury and high-end cuisine by depicting rococo style blackboards which offer the latest in fine dining, alcohol, exercise classes, skin treatments and lavish linens. Persson is presenting a subtle critique of the contemporary obsession with food; as contemporary society places greater significance on the connoisseurship of eating, it does so in lieu of engagement with culture as it is traditionally conceived (music, theatre, literature and art).oil on linenstieg persson, brighton, signage, graffiti, food, chalkboard, bayside, painting -
Kew Historical Society Inc
Drawing - Property Illustration, Margaret Picken, 40 Belford Road, Kew East, 1988
After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 23 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view. (Margaret Picken, 2020)This drawing is one of a series created by Margaret Picken for real estate agents in Melbourne between 1983 and 2006. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020Pen and ink drawing on drafting film of 40 Belford Road, Kew East by Margaret Picken.40 BELFORD RD., KEW EAST/ MARG. PICKEN '88 / WOODARDS ~ BALWYN - 'B'artist -- margaret picken 1950-, property illustrations — buildings — kew east (vic.), 40 belford road - kew east (vic) -
City of Greater Geelong
Painting - Watercolour, Wallace, Drysdale Village Shopping Complex
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Falls Creek Historical Society
Decorative object - Medallion - Falls Creek and Ullr, Patron Saint of Skiers
This medallion was donated by Hayley Martin. Throughout the 1960s and early 1970s the six members of the Martin Family generally spent at least a week each year at Falls Creek, staying at Spargo's Lodge. The Martins then bought a share in Diana Lodge and stayed there frequently until the late 1970s. Medallions such as this one purchased at Cuming's Ski Hire, were commonly worn by skiers attached to an item of their ski apparel with the leather strap. The reverse side features an image from Nordic mythology. Ullr was the God of Snow, Patron Saint of Skiers, the son of Sif and stepson of Thor, the God of Thunder. Ullr was said to be an expert skater, skier and hunter who would glide around the world and cover the land with snow. Skiers hoped Ullr would ensure them of a good snow season and also protect them from injury.This item is significant because variations of medallions such as this were worn by many skiers and also advertised Falls Creek.A metal medallion decorated with wildflowers on one side and the image of Ullr, Patron Saint of Skiers on the reverse side.ullr patron saint of skiers, cuming's ski hire, spargo lodge, diana alpine lodge -
Australian Lace Guild - Victorian Branch
Textile - Cluny Lace, Late 19th or early 20th Century
Use: Domestic. Household trimmingBobbin lace insertion. Sample -
Horsham Regional Art Gallery
Painting, Elspeth VAUGHAN, Afternoon light, Flinders Island, 1984
Gift of Mack Jost, 1994watercolour on paper -
Melbourne Tram Museum
Drawing, H. S McComb, "M&MTB Essendon System", 1922
Drawing - ink of linen, titled "M&MTB Essendon System", showing the Essendon Tram lines and loops with High Voltage and underground power cables shown in red ink with a reference note to the relevant SEC document. Does not show Puckle St. Drawing No. P379dated 2-8-22 Note: This item is part of the H. S. McComb papers - was located in box 8 rolled up. Relocated to a flat file at the time of cataloguing. Number in the McComb collection series.trams, tramways, tramways, mmtb, drawings, essendon, maribyrnong, keilor rd, racecourse rd, victoria st, flemington bridge, secv -
Hawthorn Historical Society
Drawing - Property Illustration, 847 Toorak Road, Hawthorn East, 1993
'After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 23 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view.' (Margaret Picken, 2020)This property illustration is one of a series created by Margaret Picken for a range of real estate agents in Melbourne between c. 1983 and c. 2006. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020pen and ink architectural drawing on drafting film.847 TOORAK RD, HAW E Margaret Picken ~99 WOODARDS -HAWTHORNartist - margaret picken 1950- -
Moorabbin Air Museum
Drawing (Item) - Painting Instructions Regulator Housing Oxygen Recharging Trolley W11141A RAAF