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Artwork, other (1260)
Ceramic (763)
Decorative object (698)
Drawing (4601)
Mixed media (514)
Painting (2472)
Print (1654)
Sculpture (401)
Textile (1394)
Work on paper (2040)
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Federation University Art Collection
Work on paper - Artwork - bookplate, Ex Libris Edwin Jewell
framed bookplateedwin jewell, bookplate, framed bookplate, available, available framed bookplate, keith wingrove memorial trust -
Moorabbin Air Museum
Drawing (Collection) - Farman Shorthorn technical drawings, Farman Shorthorn Scale Drawings
Farman AircraftSchematic drawings of Farman Shorthorn WW1 fighter -
Glenelg Shire Council Cultural Collection
Print, Gannets, 1983-1984
CEMA Art Collection. Part of "A Community View" 150 years in Portland Screenprint Exhibition. Part of Angela Gee Residency 1983 and 1984.Laminated screenprint of several birds (gannets). In the foreground is a white seated bird with a peach coloured head. Behind this bird are seven standing birds and one seated. The birds are printed on dark blue background.Front: Leanne Hollis (lower left) Back: 21 -
Flagstaff Hill Maritime Museum and Village
Decorative object - Vase
Vase glass clearflagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village -
Camberwell Historical Society
Drawing (series) - Architectural drawing, 8/217A Highfield Road, Camberwell, 1994
artist, architectural drawings, margaret picken, camberwell, housesartist, architectural drawings, margaret picken, camberwell, houses -
Gippsland Art Gallery
Print, Duxbury, Lesley, Wonder (Between Eye and Sun), 2005
Purchased with the assistance of Brian and Raynor Castles and the Friends of the Gallery, 2019Archival inkjet prints and screenprint on papergippsland, artwork, permanent collection -
Ringwood RSL Sub-Branch
Work on paper - Argus newspaper articles, Special War Edition
NewspaperAugust 5, 1914 -
Bass Coast Shire Council - Art Collection
Work on paper - Dune Shadows, Adrian Johnson
AustraliaOil on linen with steel frameSigned -
The 5th/6th Battalion Royal Victoria Regiment Historical Collection
Decorative object - 5/6 RVR miniature rifle and badges, 5/6 RVR miniature rifle and patch and badges
1/4 scale EF-88 rifle in plastic materials, with a rising hat badge, 5/6 RVR hat badge, AUS flag colour patch and 5/6 unit patchall the items are fixed onto the board -
Hawthorn Historical Society
Drawing - Property Illustration, 9 Ryburne Avenue, Hawthorn East, 1993
'After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 23 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view.' (Margaret Picken, 2020)This property illustration is one of a series created by Margaret Picken for a range of real estate agents in Melbourne between c. 1983 and c. 2006. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020pen and ink architectural drawing on drafting film.9 RYBURN AVE HAW Margaret Picken ~98 WOODARDS - C'WELLartist - margaret picken 1950- -
Friends of Ballarat Botanical Gardens History Group
Work on paper - Plants as Medicines, History Part 1, Plants as Medicines Part 2
There are plants in the Ballarat Botanical Gardens that are medicinal especially in the Sensory Garden section.The background to plants used by people from earliest times is outlined, as well plants used for medicinal purposes. How these plants were used is valuable information, in terms of the plants already found in the Gardens and any future planting.Part 1 consists of 3 pages printed in black ink with green sub-headings. Part 2 consists of 8 pages printed in black ink with headings in red, sub-headings in green; in italics on gloss paper.Nonejohn garner, doctor, ballarat botanical gardens, history of medicinal plants, medicinal plants, plants as medicines, sensory garden, types of medicinal plants, uses of medicinal plants, john garner collection, ballarat, friends of the ballarat botanical gardens -
Working Heritage Crown Land Collection
Decorative object - Wallpaper, Horticultural Hall wallpaper
Sample of wallpaper from the "west wall" of Horticultural Hall.Sample section of wallpaper from Horticultural Hall. Flora design with red and yellow flowers wallpaper, horticultural hall -
Friends of Ballarat Botanical Gardens History Group
Work on paper - Thomas Stoddart, Stockbroker, Mining Shareholders Index 1857-1886, Not given
Clear evidence is given in this document of Stoddart's business activities.The Mining Shareholders Index indicates how Stoddart became a wealthy benefactor2 pages, 8 columns per page.Nonedoctor john garner, ballarat botanical gardens, thomas stoddart, stockbroker, statues, mining shareholders index, benefactor, stoddart and binnie, mining exchange, occupation, miner, john garner collection, gradens, ballarat -
Camberwell Historical Society
Drawing (series) - Architectural drawing, 4A Avenue Road, Camberwell, 2002
artist, architectural drawings, margaret picken, camberwell, housesartist, architectural drawings, margaret picken, camberwell, houses -
Swan Hill Regional Art Gallery
Print, MacQUEEN, Mary McCartney, Hattah Lakes, 1979
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Australian Lace Guild - Victorian Branch
Textile - Tatting lace
Use: Domestic: Household trimmingTatted lace edging -
Swan Hill Regional Art Gallery
Drawing, MAKIN, Jeffrey, Near Parachilna, 1987
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Moorabbin Air Museum
Work on paper (Item) - Australian Aircraft Restorations Group annual reports, 1973 to 1974 Annual Report of the Australian Aircraft Restoration Group
Australian Aircraft Restoration Group -
Bass Coast Shire Council - Robert Smith Collection
Work on paper - [Untitled Reclining Female Nude] 1984, Stephen Strahle
Charcoal on paperSigned and dated -
Camberwell Historical Society
Drawing (series) - Architectural drawing, 1/22 Russell Street, Camberwell, 2000
artist, architectural drawings, margaret picken, camberwell, housesartist, architectural drawings, margaret picken, camberwell, houses -
Hawthorn Historical Society
Drawing - Property Illustration, 11/176 Power Street, Hawthorn, 1993
'After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 23 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view.' (Margaret Picken, 2020)This property illustration is one of a series created by Margaret Picken for a range of real estate agents in Melbourne between c. 1983 and c. 2006. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020pen and ink architectural drawing on drafting film.11/176 POWER ST, HAW Margaret Picken `97 WOODARDS - HAWartist - margaret picken 1950- -
Port Melbourne Historical & Preservation Society
Mixed media - Placard, Anti-amalgamation protests, 1993
Made by the City of Port Melbourne for the demonstrations before and after the forced amalgamation by the Jeff Kennett State Government of the City of Port Melbourne with the Cities of South Melbourne and St Kilda to form the City of Port Phillip. First demonstation was against the City of Melbourne Act which excised 42% of Port Melbourne's rate base (Fishermens Bend) and so laid the groundwork for amalgamation afterwards because Port Melbourne could not survive on the remaining rates. Refer to Pat Grainger, Liana and David ThompsonWhite cardboard attached to a wooden stick with hand lettered anti-amalgamation slogan in black. "Vintage Port Worth Preserving"public action campaigns, amalgamation, local government - city of port melbourne -
Ringwood and District Historical Society
Mixed media - Video, RDHS Guest Speaker Presentation - "Shadow of a Bulldozer" - Heathmont History Group
Digitised video (4.05GB). Duration: 40 minutes. Recorded June, 2019. (Video is available for viewing at Ringwood & District Historical Society Archives by appointment)Presentation: Members of Heathmont History Group address a meeting of RDHS with a reading of a play telling of destruction of orchards in the 1950s/60s and the resistance of change to the landscape and family lifestyles with the onset of residential developments. -
Australian Lace Guild - Victorian Branch
Textile - Cutwork lace, 1600-1700
Use: Domestic. Household trimmingCutwork lace edging -
Swan Hill Regional Art Gallery
Print, O'DOHERTY, Chris (Reg Mombasa), Sheepwalk, 2015
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Glenelg Shire Council Cultural Collection
Textile - Tapestry, Portland Fibre Group, Tall Ships Tapestry, 1989-1992
Funding from Bicentenary Committee. Valerie Kirk assisted with cartoon, PFG did the rest. Presented to Cr. Bernard Wallace, 11 December 1992, and unveiled at Portland Library.Large tapestry with central image depicting people, animals, landmarks and activities on the foreshore of Portland harbour. Surrounded by a yellow border with symbols of history, industry and immigration on both sides. Hung by a wood panel across top.Back: VKIRK RT JH RS DA - - (tapestry letters in varied colours, lower right edge) PS GWEC ODME OK MS (Tapestry letters in varied colours, lower left edge)textile, tapestry, tall ships, bicentenary -
National Wool Museum
Textile - Blanket, Castlemaine Woollen Mill, c1950s
Collector says - "Once I had gathered a dozen or so blankets, I started noticing the many different labels; where they were made, by who, the logos and fonts used. Then the labels became a thing, then the blankets had to have a label to join the collection. My favourite labels are by Physician, they had at least 4 different labels over the decades but the best has to be the Lady In Bed logo. Physician, Onkaparinga, Eagley and others matched the colour of the label to the colour of the blanket - a nice touch. Strangely, Castlemaine labels were always sewn on the back of the blanket where all the other mills sewed theirs on the front. To this day I always roll or fold a blanket with its label on display." Note from Collector - "For more than 100 years blankets were made all over Australia in over 100 woollen mills. My aim, is to preserve 100 examples of these wonderful pieces of history. Ten years ago I started collecting the iconic Onkaparinga travel rugs, so that on movie nights at home there would be plenty to go around. Everyone had their favourite; even the cat had his own – a small red tartan one. Keeping an eye out for those travel rugs at op-shops and markets, collectable stores and bazaars, led to noticing vintage blankets. I'd never really thought about them before or paid much attention though of course I had grown up with them at my grandmother's. When I discovered my first Laconia cream blanket with blue stripes, my eyes just went gaga. Well that was it, I was hooked and since then over 500 blankets have passed through my hands. These common, everyday items, found in all households for so many decades, were traditional engagement gifts. Pairs were prized wedding presents turning into family heirlooms. They were fashionable dressers of beds, givers of warmth, bestowers of security and reliability. The comfort found in these objects resonates with almost all of us; we grew up with them ourselves or fondly recall them in a grandparent’s home. There is no modern replacement with the integrity of these old blankets, many of them now older than most of us. They are romantic, sensible, special, familiar, nostalgic and nothing else feels so appropriate in so many situations. No offense to the great Aussie doona, but from hippie to hipster, at a music festival, picnic, campsite or couch, a vintage blanket is something coveted by all. This industry that employed tens of thousands and must have been such a huge contributor to the economy is almost completely lost now. Blanket Fever is an ode to everything that came before: the land, the sheep, the shearers, the hands, the mills, the weavers, the designers, the distributors, the department stores. To the grandparents that gave them, the people that received them, the families that kept them; thank you. I’m passionate about my collection of Australian blankets manufactured in mostly Victoria, South Australia and Tasmania from the 1930s to the end of the 1960s. The collection has blankets from each of these four decades representing the styles and fashions of their time and includes dated advertisements which help determine the eras the blankets are from." Checked blanket, pink, blue and creamCastlemaine/100 pure virgin wool blanket, blanket fever, wool, castlemaine, castlemaine woollen mill -
Geoffrey Kaye Museum of Anaesthetic History
Textile - Academic Bonnet
This academic bonnet belonged to Dr Mary Burnell. Mary Taylor Burnell was born on 21 February 1907, in Norwood, South Australia. She graduated with her MBBS in 1931. In 1932, Burnell served as a resident medical officer at Adelaide Children’s Hospital. By 1934 she was their Honorary Anaesthetist. It was also during this period that Burnell became the first female member of the Australian Society of Anaesthetists. One year later, in 1935, she worked as Secretary for the South Australian Section of the Society. Although resigning from her position at the Children’s Hospital in 1937, Burnell returned in 1942. The outbreak of World War II meant hospital staff and resources were drained. During her work, Burnell lobbied for a Department of Anaesthetics in the Children’s Hospital. Through working at both hospitals, she became aware of the great differences between administering anaesthesia to children and administering it to adults. In 1953 she was elected President of the Australian Society of Anaesthetists. She was the first female to be elected to this position. Two years later in 1955, Burnell was elected as a member of the Board of Faculty of Anaesthetists, Royal Australasian College of Surgeons. In 1966 she was elected Dean of the Faculty of Anaesthetists. Again, she was the first female to be elected to this position. Burnell worked tirelessly to promote the importance of anaesthetics in Australia. Burnell’s contributions to anaesthetics were recognised with Honorary Fellowships to both the Australian Faculty of Anaesthetists and Royal College of Surgeons. Navy blue velvet cloth bonnet with stiffened brim covered in same fabric as bonnet. Around the hat is tied a gold cord with tassels.burnell, mary, academic bonnet, australian society of anaesthetists, faculty of anaesthetists, royal australasian college of surgeons, royal college of surgeons, fellowship -
Darebin Art Collection
Drawing - Helen Semmler, Helen Semmler, Book Illustration for Ghost Ride by Rosemary Hayes; Page 49, 2010
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Latrobe Regional Gallery
Print, TAJIMA, Hiroyuki b. 1911 d. 1984, Qu Qu, 1964
Coloured woodblock print.Signed and dated bottom right corner beneath image, pencil 'Hiroyuki Tajima '64' Titled bottom left corner beneath printed image 'Ququ' Edition 20/20, written in pencil to the left of signature and date.