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Artwork, other (1312)
Ceramic (770)
Decorative object (722)
Drawing (4630)
Mixed media (540)
Painting (2490)
Print (1673)
Sculpture (407)
Textile (1402)
Work on paper (2110)
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Gippsland Art Gallery
Print, Webber, John (after), A View of the Town and Harbour of St Peter and St Paul, in Kamtschatka, 1779
Donated by Charles Nodrum, 2019Engraving on papergippsland, artwork, permanent collection -
Friends of Ballarat Botanical Gardens History Group
Work on paper - Two Talks by Peter Butters, Yuille's Swamp and Our Botanical Gardens
Both articles give valuable brief histories of Lake Wendouree and Ballarat Botanical Gardens.These 2 articles explain how Lake Wendouree and the Ballarat Botanical Gardens came to be highly regarded for leisure time activities, for the study of flora and fauna and the parks and gardens.The 1st article, Yuille's Swamp is 31/2 pages of print with Peter Butters name added on p.4. The 2nd article, Our Botanical Gardens, is also 31/2 pages of print with Peter Butters name added on p.4.With the 1st article "Roy and then Peter Butters Talk, Guiding Group, 24/9/97" is written in blue biro, top righthand corner. Nothing is written in longhand on the 2nd article.john garner, doctor john garner, ballarat botanical gardens, friends of ballarat botanical gardens, yuille's swamp, lake wendouree, black swamp, tourism, eugene von guerard, gnarr creek, ballarat water supply, gong reservoir, view point, trams, fry's mill, .mining, english birds, acclimatization society, fish, carp, cormorants, reeds in lake wendouree, acquatic sports, steam boats, george longley, marble statues, trees, fernery, john garner collection, gardens, ballarat -
Melbourne Legacy
Work on paper, Widow and Children statue
The Widow and Children statue was installed in the Legacy Garden of Appreciation at the Shrine of Remembrance on 29 September 1988. Sculptured by Louis Laumen a Melbourne artist. It symbolises the work that Legacy does with the families of deceased veterans since 1923. The artwork is a sketch of the statue and does not have a artist name on it. Put on display on Level 1 reception when Legacy House was remodelled in 2020.A record that the statue is a symbol of Legacy's work with the families of veterans.Black and white sketch of the widow and children statue in a black and gold frame.statue, widow and children statue -
Camberwell Historical Society
Drawing (series) - Architectural drawing, 4 Malvern Avenue, Glen Iris, 1999
artist, architectural drawings, margaret picken, camberwell, housesartist, architectural drawings, margaret picken, camberwell, houses -
Gippsland Art Gallery
Work on Paper, Struss, Elsie, Untitled, Undated
Donated from the estate of Wemyss Struss, 2016Marker on papergippsland, artwork, permanent collection -
Gippsland Art Gallery
Print, Sandby, Paul (after), Battle Abbey in Sussex from Mr Wyndhams, 1780
Purchased, 2013Copper-line engraving on papergippsland, artwork, permanent collection -
Federation University Art Collection
Print - Printmaking - Lithograph, Tulloch, David, 'Forest Creek, Mt Alexander' by Thomas Ham, 1852
This work is part of Ham's five views of the gold fields of Mount Alexander and Ballarat in the colony of Victoria , drawn on the spot by David Tulloch , and engraved and engraved and published by Thomas Ham. This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.Coloured imaged of Forest Creek Diggings on Mount Alexanderlower centre "Forest Creek, Mt Alexander" lower left side "Drawn By D. Tulloch" lower right side "Engraved by Thomas Ham"art, artwork, forest creek, mount alexander, thomas ham, ham, david tulloch, tulloch, gold mining, bark hut, castlemaine -
Camberwell Historical Society
Drawing (series) - Architectural drawing, 34 Ward Street, Ashburton, 1995
artist, architectural drawings, margaret picken, camberwell, housesartist, architectural drawings, margaret picken, camberwell, houses -
Hawthorn Historical Society
Drawing - Property Illustration, 100 Elgin Street, Hawthorn, 1999
'After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 23 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view.' (Margaret Picken, 2020)This property illustration is one of a series created by Margaret Picken for a range of real estate agents in Melbourne between c. 1983 and c. 2006. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020Pen and ink property illustration on drafting film of 100 Elgin Street, Hawthorn by Margaret Picken.100 Elgin Street, Hawthorn, Margaret Picken '99. Woodards - Hawthorn. artist - margaret picken 1950- -
Kew Historical Society Inc
Drawing - Property Illustration, Margaret Picken, 35 Spruzen Avenue, Kew East, 1998
After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 23 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view. (Margaret Picken, 2020)This drawing is one of a series created by Margaret Picken for real estate agents in Melbourne between 1983 and 2006. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020Pen and ink drawing on drafting film of 35 Spruzen Avenue, Kew East by Margaret Picken.35 SPRUZEN AVE., KEW E / MARGARET PICKEN ~98 / WOODARDS ~ HAWartist -- margaret picken 1950-, property illustrations — buildings — kew east (vic.), 35 spruzen avenue -- kew east (vic.) -
Ringwood and District Historical Society
Mixed media, Ringwood CWA death of Irene Hodges in 2019 and other member gatherings in 2018
Kindly scanned from Ringwood Branch archival collection -
Federation University Art Collection
Drawing, Wes Walters, 'Towards' by Wes Walters, 1991
Wes WALTERS (06 August 1928 - 19 August 2014) Born Mildura, Victoria From 1940 t0 1945 Wes Walters attended the Ballarat High School. He then studied architecture at the Gordon Institute in Geelong, followed by art at the Ballarat School of Mines (a division of the Ballarat School of Mines). During his time at the Ballarat Technical Art School (later Federation University Australia) Walters studied under Neville Bunning and Taylor Kelloch, and was awarded the Ballarat Ladies Art Association Scholarship in 1948. He next moved to Melbourne to work as a commercial artist with the George Patterson advertising agency. Each evening Walters studied life drawing at the Victoria Artists’ Society and taught himself anatomy. Wes Walters excelled in both abstract and realist art. He won the Art Gallery of Ballarat’s Minnie Crouch Prize for watercolour art in 1953 and 1956. He won the prestigious Archibald Prize in 1879 for his portrait of Phillip Adams, and the sketch was completed tin preparation for that portrait. This item is part of the Federation University Art Collection. The Art Collection features over 1000 works and was listed as a 'Ballarat Treasure' in 2007.Framed and mounted abstract artwork wes walters, artist, artwork, drawing, walters, available -
Moorabbin Air Museum
Drawing (Item) - Gypsy Major Engine - Detail Of Joints Drawing No. A2733/3
Installation Of D H Gypsy Major Engine Into Avro Cadet Type 368 -
Eltham District Historical Society Inc
Work on paper (Sub-Item) - Photograph, The Kinglake escarpment. View from Bald Spur lookout across Arthurs Creek to Mount Sugarloaf, 1980
kinglake, blad spur, arthurs creek, mount sugarloaf -
Moorabbin Air Museum
Work on paper (Item) - ASTA industrial relations, ASTA Industrial Relations Bulletin March 1989
ASTA -
Wodonga & District Historical Society Inc
Decorative object - Sarah Coventry jewellery pin for 10 years service, c. 1970s - 1980s
Sarah Coventry Pty. Ltd. was a North American jewellery company that was established in 1949 by the Stuart family as part of Emmons Jewelry, Inc. It began operations in England and Australia in 1968, and in Australia it moved from Carlton in Melbourne to Wodonga in 1969. The premises were originally on High St. in Wodonga, but a new warehouse was built in Melbourne Rd. later in 1969. It was a direct selling jewellery business using a party-plan model similar to Tupperware and Avon. The sales reps or 'Hostesses' were provided with jewellery samples in demonstration kits, which they displayed at jewellery parties in their homes. The designs for jewellery such as brooches, necklaces, earrings, chokers and bracelets were purchased from freelance designers and jewellery manufacturers rather than in-house designers. In 1979 Sarah Coventry Pty. Ltd. in Wodonga was bought by three Australian businessmen, including Wodonga local Jim Sawyer, and continued to sell jewellery under the name "Sargem Pty. Ltd”, for several more years in the 1980s. As part of the Sarah Coventry collection, the pin has local significance with the decentralised commercial development of regional centres such as Wodonga in NE Victoria, as well as national and international significance from the perspective of social and economic developments for women after World War II. The direct selling party-plan business model Sarah Coventry was based on is also considered the first of its kind for jewellery.Small rectangular gold metal pin with a faceted pink stone inlay on the proper left side and a faceted clear stone on the proper right side. Two raised flower motifs on the proper right side. The 10k stamped on the back surface suggests it is made of 10 karat gold.The abraded areas on the clasp on the back expose underlying silver coloured metal indicating that the clasp is plated."Sarah / SC / 10 YRS / Coventry" raised inscription on the front surface. "® cTo / 10 K" stamped on the lower proper left side of the back surface, indicating 10 karat gold. The ® symbol indicates that the manufacturer's mark is federally registered with the US Patent and Trademark Office. The 'cTo' is the trademark by O. C. Tanner Jewelry Co. in Salt Lake City, U.S.sarah coventry, jewellery, wodonga, costume jewellery, vintage fashion jewellery, pin, jewellery pin -
Moorabbin Air Museum
Drawing (Item) - A3 photocopies from Aviation News for Canberra Demon Lancaster CT-4 Nomad Wirraway Shorthorn Winjeel Stinson Sentinel Vigilant DH50 Proctor DH60 Beaufighter
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Federation University Art Collection
Drawing - Artwork, Wes Walters, Life Drawing by Wes Walters, 1980, 1980
Wes WALTERS (06 August 1928 - 19 August 2014) Born Mildura, Victoria From 1940 t0 1945 Wes Walters attended the Ballarat High School. He then studied architecture at the Gordon Institute in Geelong, followed by art at the Ballarat School of Mines (a division of the Ballarat School of Mines). During his time at the Ballarat Technical Art School (later Federation University Australia) Walters studied under Neville Bunning and Taylor Kelloch, and was awarded the Ballarat Ladies Art Association Scholarship in 1948. He next moved to Melbourne to work as a commercial artist with the George Patterson advertising agency. Each evening Walters studied life drawing at the Victoria Artists’ Society and taught himself anatomy. Wes Walters excelled in both abstract and realist art. He won the Art Gallery of Ballarat’s Minnie Crouch Prize for watercolour art in 1953 and 1956. He won the prestigious Archibald Prize in 1879 for his portrait of Phillip Adams. This item is part of the Federation University Art Collection. The Art Collection features over 1000 works and was listed as a 'Ballarat Treasure' in 2007.Large charcoal drawing framed behind acrylic.Signed lower right side 'Walters '80'wes walters, artist, artwork, drawing, available -
Moorabbin Air Museum
Drawing (Item) - Noorduyn Aviation Ltd Drawing , Install - Ski Undercarriage Main Ski Drawing No. NH 33902
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Swan Hill Regional Art Gallery
Print, NOLAN, Sir Sidney, Wildflowers, unknown
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Bayside Gallery - Bayside City Council Art & Heritage Collection
Work on paper - ink and watercolour, Annette Meikle, Black Rock House, 1977
In 1977, artist Annette Meikle undertook a commission to illustrate a book recording stories of places and people in the Bayside area. It was published in 1978 as Sandringham Sketchbook, with text by Elizabeth Waters. The sketches were intended to record remaining examples of Bayside’s early architecture and environment, as well as reflect newer architectural changes. Meikle went on to donate 22 of these sketches to Bayside City Council in 2003. Black Rock House was built in 1858 by wealthy land dealer and politician Charles Hobson Ebden as a holiday home on 112 acres of virgin scrub, taking in the area of present day Balcombe Road, Beach Road and the line of Keating Street. The house included four bedrooms, a cellar, stables and a courtyard enclosed in castle-like sandstone walls. It was named Black Rock House after Black Rock Castle near Dublin, associated with Mrs Ebden’s childhood.Annette Meikle, Black Rock House 1977, ink and watercolour, 33 x 53.5 cm. Bayside City Council Art and Heritage Collection. Donated by the artist, 2003annette meikle, sandringham sketchbook, elizabeth waters, black rock house, black rock, charles hobson ebden, architecture, historic house -
Moorabbin Air Museum
Drawing (Item) - Drawing Assembly - Installation Of DH Gypsy Major Engine Into Avro Cadet Type 366 Drawing No. A2733
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Port Fairy Historical Society Museum and Archives
Decorative object - Mantle hanging
This item was on loan now part of our collection as all members of the family are now deceased. (Mrs H. Dunbar TalaraMacrame mantlepiece decoration. 2 bands at the top which beomes triangular areas with tassles descending from themlocal history, handcrafts, macrame, mrs h. dunbar, talara -
Moorabbin Air Museum
Drawing (item) - Drill Jig Bracket BK2278 MS776
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Camberwell Historical Society
Drawing (series) - Architectural drawing, 33 Sycamore Street, Camberwell, Unknown
artist, architectural drawings, margaret picken, camberwell, housesartist, architectural drawings, margaret picken, camberwell, houses -
Kew Historical Society Inc
Drawing - Property Illustration, Margaret Picken, 38 Argyle Road, Kew, 2000
After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 23 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view. (Margaret Picken, 2020)This drawing is one of a series created by Margaret Picken for a range of real estate agents in Melbourne between c.1983 and c.2005. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020Pen and ink drawing on drafting film of 38 Argyle Road, Kew by Margaret Picken.38 ARGYLE RD, KEW / MARARET PICKEN '90 / WOODARDS ~ KEWartist -- margaret picken 1950-, architectural drawings -- houses -- kew (vic.), 38 argyle road -- kew (vic.) -
Swan Hill Regional Art Gallery
Drawing, O'DONNELL, Catherine, Torn #1, 2020
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Swan Hill Regional Art Gallery
Mixed media, NANKIN, Harry, Syzygy 8, 2011
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Gippsland Art Gallery
Print, Partos, Paul, The Source, 1986
Donated by Lesley Duxbury through the Australian Government Cultural Gifts Program, 2017Etching and engraving on copper on papergippsland, artwork, permanent collection -
Camberwell Historical Society
Drawing (series) - Architectural drawing, 8/217A Highfield Road, Camberwell, 1994
artist, architectural drawings, margaret picken, camberwell, housesartist, architectural drawings, margaret picken, camberwell, houses