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Artwork, other (1263)
Ceramic (765)
Decorative object (713)
Drawing (4607)
Mixed media (517)
Painting (2478)
Print (1657)
Sculpture (402)
Textile (1394)
Work on paper (2050)
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Bendigo Historical Society Inc.
Painting - SMALL PRINT
Small print of a child with a doll in a pull along cart standing in the garden of a thatched roofed cottage.artwork, print, landscape, u5749 old cat ref -
Bendigo Art Gallery
Painting, Friedrich Ortlieb, The Postilion, circa 1888
Signed, l.l., red oil, "F. Ortlieb/Munchen" Not dated -
Camberwell Historical Society
Drawing (series) - Architectural drawing, 2/18 Yeovil Road, Burwood, 2002
artist, architectural drawings, margaret picken, camberwell, housesartist, architectural drawings, margaret picken, camberwell, houses -
Camberwell Historical Society
Drawing (series) - Architectural drawing, 14A Kerr Crescent, Camberwell, 1999
artist, architectural drawings, margaret picken, camberwell, housesartist, architectural drawings, margaret picken, camberwell, houses -
Port Fairy Historical Society Museum and Archives
Painting, 1872
Used in the rites of the Port Fairy Masonic Lodge for the second degreeOil Painting of second degree elements in the rites of the Port Fairy Masonic Lodge 67local history, societies, freemasons, second degree, masonic lodge, staircase -
Hawthorn Historical Society
Drawing - Property Illustration, 24 Elm Street, Hawthorn, 1994
'After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 23 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view.' (Margaret Picken, 2020)This property illustration is one of a series created by Margaret Picken for a range of real estate agents in Melbourne between c. 1983 and c. 2006. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020Pen and ink property illustration on drafting film of 24 Elm Street, Hawthorn by Margaret Picken.24 Elm Street, Hawthorn, Margaret Picken '94. Woodards - Hawthorn. artist - margaret picken 1950- -
Gippsland Art Gallery
Painting, Scheltema, Jan Hendrik, Early Morning Start, Gippsland, c.1895
Purchased with the assistance of the John Leslie Foundation, 2018Oil on canvasgippsland, artwork, permanent collection -
Camberwell Historical Society
Drawing (series) - Architectural drawing, 13 Alma Road, Camberwell, 2002
artist, architectural drawings, margaret picken, camberwell, housesartist, architectural drawings, margaret picken, camberwell, houses -
Hawthorn Historical Society
Drawing - Property Illustration, 26 Lyndhurst Crescent, Hawthorn, 1993
'After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 23 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view.' (Margaret Picken, 2020)This property illustration is one of a series created by Margaret Picken for a range of real estate agents in Melbourne between c. 1983 and c. 2006. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020pen and ink architectural drawing on drafting film.27 LYNDHURST CRESCENT, HAW Marg Picken ~88 WOODARDS- C'WELLartist - margaret picken 1950- -
Federation University Historical Collection
Drawing - Pencil Design, Scroll design, c1900
Scroll like pencil designdrawing, ballarat technical art school, charles lamb -
Kew Historical Society Inc
Drawing - Property Illustration, Margaret Picken, 2 Kingsley Grove, Kew East, 1990
After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 23 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view. (Margaret Picken, 2020)This drawing is one of a series created by Margaret Picken for real estate agents in Melbourne between 1983 and 2006. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020Pen and ink drawing on drafting film of 2 Kingsley Grove, Kew East by Margaret Picken.2 KINGSLEY GVE., KEW EAST / MARGARET PICKEN '90 / WOODARDS ~ KEWartist -- margaret picken 1950-, property illustrations — buildings — kew east (vic.), 2 kingsley grove - kew east (vic) -
Camberwell Historical Society
Drawing (series) - Architectural drawing, 36 Celia Street, Burwood, 1995
artist, architectural drawings, margaret picken, camberwell, housesartist, architectural drawings, margaret picken, camberwell, houses -
Swan Hill Regional Art Gallery
Print, TROVA, Ernest, Untitled, unknown
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Merri-bek City Council
Print, Noel Counihan, THE BROADSHEET: 6 A Time For Peace: For The Vietnam Moratorium 8-9-10 May 1970, 1970
From the estate of Jack Svendsen, a long time Moreland resident, dedicated volunteer and social activist. Donated by his family in keeping with his generous spirit. Administered through the Australian Government's Cultural Gifts Program. -
Bayside Gallery - Bayside City Council Art & Heritage Collection
Print - etching, Vicki Couzens, Yams and eels, 2010
As part of the redevelopment of the Indigenous Coastal Trails, this work was commissioned by Bayside City Council as one of four prints produced in a limited edition of ten. This etching was produced in response to stories of the Boon wurrung people as written by Carolyn Briggs, Boon wurrung elder.Vicki Couzens, Yams and eels 2010, etching, 28 x 19.5 cm. Bayside City Council Art and Heritage Collection. Commissioned 2010. etchingetching, yams, eels, vicki couzens, bayside indigenous coastal trail, carolyn briggs, bayside -
Glenelg Shire Council Cultural Collection
Drawing, Jenny Ward, K.S. Anderson, 1981
Sketch of a man wearing a suit jacket, shirt and tie. Hair is roughly sketched above a high forehead and heavy eyebrows.Front: K.S. Anderson (signature, lower right) (blue pen). 13 November 1981 (lower right). Jenny Ward (signature, lower left in image) (pen). Back: 1996 (upper left) (pencil) -
Horsham Regional Art Gallery
Painting, Charles BLACKMAN, Nocturnal landscape, 1976
Gift of Mack Jost, 1993 -
Port Melbourne Historical & Preservation Society
Drawing - Property sketches, Frank Gordon Real Estate, 1990s
Property sketches done for Frank Gordon Real Estate in the 1990s. 48 Edwards Street (1997) .built environment - domestic, built environment - commercial, frank gordon real estate, edwards street -
Gippsland Art Gallery
Painting, Struss, Elsie, Head Study - Young Woman, c.1929-33
Donated from the estate of the artist, 1987Oil on canvasgippsland, artwork, permanent collection -
Swan Hill Regional Art Gallery
Painting, MATASSONI, Terry, Before the performance, 2014
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Whitehorse Historical Society Inc.
Painting - Schwerkolt Cottage, Autumn Schwerkolt Cottage '88, 1988
Painting of Schwerkolt Cottage by Barbara Rogalski, member of WHS "Autumn" is one of 4 paintings.Oil painting of end of building in treed setting with autumn tree in foreground on grass. Schwerkolt Cottage - Mitcham Painting mounted on beige fabric with inner beige plastic frame. Outer frame of brown wood with gold rim.Signed by B. Rogalskipainting, schwerkolt cottage - autumn, barbara rogalski -
Kew Historical Society Inc
Drawing - Property Illustration, Margaret Picken, 14 Kilby Road, Kew East, 2001
After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 23 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view. (Margaret Picken, 2020)This drawing is one of a series created by Margaret Picken for real estate agents in Melbourne between 1983 and 2006. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020Pen and ink drawing on drafting film of 14 Kilby Road, Kew East by Margaret Picken.14 KILBY RD., KEW EAST / MARGARET PICKEN 2001 / FLETCHERS REAL ESTATEartist -- margaret picken 1950-, property illustrations — buildings — kew east (vic.), 14 kilby road -- kew east (vic.) -
Kew Historical Society Inc
Decorative object - Velvet mantel hanging embroidered with chenille thread, c. 1890
Variably described as mantel hangings, pelmets or valances, these became a common form of Victorian interior decoration in the second half of the 19th century. The hanging uses arrasene embroidery which was introduced for artistic embroidery c.1883. Arrasene embroidery was a variation of chenille embroidery and was mainly used for curtain borders, mantel hangings and screens. When used to embroider flowers on velvet or plush, it was sewn upon the surface without being ‘drawn through’. Madonna lilies, irises, daffodils and narcissi were commonly used in designs of mantel hangings.Velvet mantel hanging embroidered with chenille thread. The scalloped edge of the pelmet is bordered by multicoloured silk cording. This example was owned by Netty Cornish of 15 Peel Street, Kew, and donated by her daughter, Mrs F Plumridge in 1980. The embroidered flowers in this example include narcissi and roses.mantel pelmet, peel street, kew, nettie cornish, mary plumridge -
Clunes Museum
Painting - WATERCOLOUR, WILLIAM TIBBITS, CLUNES TOWN HALL, THIS IMAGE WAS PAINTED IN 1874
IT IS ON PERMAMENT LOAN FROM HEPBURN SHIRE PAINTING BY WILLIAM TIBBITS, CIRCA 1870. HE WAS A WELL KNOWN FIGURE TO BE SEEN RIDING HIS BICYCLE FROM ONE GOLDFIELD TO ANOTHER WHERE HE PAITED MANY OF HIS FAMOUS PAINTINGS.OWNERSHIP TRANSFERRED FROM SHIRE OF TALBOT AND CLUNES TO HEPBURN SHIRE COUNCILWATERCOLOUR PAINTING OF CLUNES TOWN HALL BY ARTIST WILLIAM TIBBITS - FRAMEDTOWN HALL CLUNES BALLARAT 1874local history, illustration, watercolour, hepburn shire -
Bendigo Historical Society Inc.
Painting - Sand Pit Fortuna, Norman Penrose
Born in 1903, Norman Penrose studied at the Bendigo School of Mines. A painter and a teacher, he lived in Bendigo most of his life.Watercolour painting by Norman Penrose titled "Sand Pit Fortuna." It shows a mining sand pit and the Fortuna mine in the background. The painting is signed on the bottom right-hand side. The painting is under glass in a dark brown wooden frame. On the back: Penrose Norman William 14 Barkly Terrace east Bendigo. Price: - guineas. Title: Sand Pit Fortuna. For: drawing, watercolour and graphic art exhibition. Victorian Artista Society 430 Albert Street, East Melbourne bendigo, mining, norman penrose, artist, teacher, fortuna -
Darebin Art Collection
Painting - Barry Dickins, Barry Dickins, Untitled, 2007
painting -
Gippsland Art Gallery
Print, Turner, J.M.W. (after), Rain, Steam and Speed, c.1859-78
Purchased, 2013Engraving on papergippsland, artwork, permanent collection -
Horsham Regional Art Gallery
Painting, Scott PENDLEBURY, Mack Jost, 1982
Gift of Mack Jost, 1986 -
Glenelg Shire Council Cultural Collection
Print, The Groom, 1983-1984
CEMA Art Collection. Part of "A Community View" 150 years in Portland Screenprint Exhibition. Part of Angela Gee Residency 1983 and 1984.Screenprint of seated male in black suit. Background is a pale pink covered with an ornate orange and dark pink vine-like pattern. This pattern is continued in the man's suit by using two shades of black. No Matt. Wooden and gold frame with glass glazing.Front: Portland Commemorative Print (lower left) (stamp) 1/20. A Gee The Groom (Lower centre) (pencil) John Cain (signature, brown ink) Premier of Victoria (black in stamp) (lower right) Back: (no inscriptions) -
Gippsland Art Gallery
Print, Waters, Pat, Rape, 1997
Purchased, 1997Monotype on papergippsland, artwork, permanent collection