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Artwork, other (1281)
Ceramic (766)
Decorative object (717)
Drawing (4608)
Mixed media (526)
Painting (2482)
Print (1665)
Sculpture (405)
Textile (1395)
Work on paper (2071)
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Australian Lace Guild - Victorian Branch
Textile - Milanese style lace, 1880-1920
Use: Domestic: Household trimmingBobbin lace edging -
Camberwell Historical Society
Drawing (series) - Architectural drawing, 20 Kasouka Road, Camberwell, 2001
artist, architectural drawings, margaret picken, camberwell, housesartist, architectural drawings, margaret picken, camberwell, houses -
Darebin Art Collection
Painting - Kennedy Edwards, Kennedy Edwards, Echuca Blacks, 2006
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Hawthorn Historical Society
Drawing - Property Illustration, 33 Shakespeare Grove, Hawthorn, 1993
'After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 23 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view.' (Margaret Picken, 2020)This property illustration is one of a series created by Margaret Picken for a range of real estate agents in Melbourne between c. 1983 and c. 2006. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020pen and ink architectural drawing on drafting film.33 SHAKESPEARE GVE HAWTHORN Marg Picken ~87 artist - margaret picken 1950- -
Federation University Art Collection
Painting - Acrylic on Canvas, 'Rain' by Page (Terry) Weaver
This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.A blue abstract painting.art, artwork, page weaver, terry weaver, school of business collection, alumni -
Federation University Art Collection
Painting, Proverbs 11 : 14
This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.A large painting on canvasart, artwork, painting, landscape -
Camberwell Historical Society
Drawing (series) - Architectural drawing, 2/2 Spencer Road, Camberwell, 2001
artist, architectural drawings, margaret picken, camberwell, housesartist, architectural drawings, margaret picken, camberwell, houses -
Moorabbin Air Museum
Drawing (Item) - Installation - Canopy External Unlocking Mechanism Drawing No. DA77089000
CT4 Mod No 7212.005-125 -
Kew Historical Society Inc
Drawing - Property Illustration, Margaret Picken, 43 Atkins Street, Kew, 1989
After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 23 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view. (Margaret Picken, 2020)This drawing is one of a series created by Margaret Picken for a range of real estate agents in Melbourne between c.1983 and c.2005. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020Pen and ink drawing on drafting film of 43 Atkins Street, Kew by Margaret Picken.43 ATKINS ST., KEW / MARGARET PICKEN ~89 / WOODARDS ~ HAW.artist -- margaret picken 1950-, architectural drawings -- houses -- kew (vic.), 43 atkins street -- kew (vic.) -
Robin Boyd Foundation
Drawing - External perspective, Tower Hill Lake Reserve Museum, Jun-61
In 1961 Robin Boyd designed the Tower Hill Reserve Visitors Centre to fit naturally within the surrounding terrain. The building’s shape reflects a volcanic cone. The windows allow a 360-degree view of the park. The Centre opened just after Robin Boyd’s death in October 1971. Project: Tower Hill Lake Reserve Museum drawn by Robin Boyd of Grounds, Romberg & Boyd. Drawing no 2. General view and external perspective. Watercolour on dyeline. tower hill, robin boyd, ohm2022, ohm2022_15 -
Whitehorse Historical Society Inc.
Painting - Illustration, Station Masters Residence, Mitcham, 2006
Copy of painting by Shirley C Jones (1989) .Copy of painting by Shirley C Jones (1989) of the now demolished Stationmasters residence in Mitcham.Copy of painting by Shirley C Jones (1989) . stationmasters houses, mitcham railway station -
Kew Historical Society Inc
Drawing - Property Illustration, Margaret Picken, 46 Willsmere Road, Kew, 1991
After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 22 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view. (Margaret Picken, 2020)This drawing is one of a series created by Margaret Picken for a number of real estate agents in Melbourne between 1983 and 2005. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020Pen and ink architectural drawing on drafting film of 46 Willsmere Road, Kew by Margaret Picken.46 WILLSMERE RD., KEW / MARGARET PICKEN ~91 / WOODARDS ~ KEWartist -- margaret picken 1950-, architectural drawings -- houses -- kew (vic.), 46 willsmere road - kew (vic) -
Ararat Gallery TAMA
Textile, Joy Smith, Metal Zips x 3, 2002
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Federation University Art Collection
Painting - Artwork, Wes Walters, [Untitled] by Wes Walters
Wes WALTERS (06 August 1928 - 19 August 2014) Born Mildura, Victoria From 1940 t0 1945 Wes Walters attended the Ballarat High School. He then studied architecture at the Gordon Institute in Geelong, followed by art at the Ballarat School of Mines (a division of the Ballarat School of Mines). During his time at the Ballarat Technical Art School (later Federation University Australia) Walters studied under Neville Bunning and Taylor Kelloch, and was awarded the Ballarat Ladies Art Association Scholarship in 1948. He next moved to Melbourne to work as a commercial artist with the George Patterson advertising agency. Each evening Walters studied life drawing at the Victoria Artists’ Society and taught himself anatomy. Wes Walters excelled in both abstract and realist art. He won the Art Gallery of Ballarat’s Minnie Crouch Prize for watercolour art in 1953 and 1956. He won the prestigious Archibald Prize in 1879 for his portrait of Phillip Adams. This item is part of the Federation University Art Collection. The Art Collection features over 1000 works and was listed as a 'Ballarat Treasure' in 2007.Large painting in oil.wes walters, artist, artwork, woman -
Benalla Art Gallery
Painting, Joseph BACKLER, Caroline Johnson (portrait pair), c. 1843
Born: London, Middlesex, England 1813; Arrived: Sydney, New South Wales, Australia 1832; Died: Sydney, New South Wales 1895VictorianBennett Bequest, 1999 Oil on canvas depicting portrait of seated Caroline Johnson in grey dress. Polished timber frame with gold gesso inlayRecto: Not signed, not dated, not titled painting, portrait, colonial, woman, face, dress, flower, figure -
Hawthorn Historical Society
Drawing - Property Illustration, 3/18 Burton Avenue, Hawthorn, 1989
'After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 23 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view.' (Margaret Picken, 2020)This property illustration is one of a series created by Margaret Picken for a range of real estate agents in Melbourne between c. 1983 and c. 2006. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020Pen and ink property illustration on drafting film of 3/18 Burton Avenue, Hawthorn by Margaret Picken.3/18 Burton Ave, Hawthorn, Margaret Picken '89. Woodards - Hawthorn.artist - margaret picken 1950- -
Tatura Irrigation & Wartime Camps Museum
Textile - Lace Collar
Hand Tatted Lace Collar, Circa 1870. Design is mainly tiny flowers. Fine Cotton in a very dark cream colour. Although collar is round, it seperates in one place to allow it to be attached to the neckline with ease -
Ballarat Tramway Museum
Textile - Framed Tapestry - Zoo Tram, 1980s
Depicts Zoo Horse Tram No. 100. Possibly from a purchased outline of the image which a person then sewed with wool.Demonstrates a hand made item depicting the zoo horse tram that operated in Melbourne.Hand made woolen tapestry (could be machine made) of a Zoo horse drawn Tram framed within a wooden frame. Paper backing with a brass hanging wire and two eye screws on either side of the frame. tramways, zoo tram, tapestry, souvenirs, memorabilia -
Ararat Gallery TAMA
Textile, Frances Burke, Tiger Lily, 1951
Frances Burke: Designer of Modern Textiles Australia’s most influential and celebrated textile designer of the mid-20th century, Frances Burke (1904-1994), employed Australian native flora, garden flowers, marine subjects, Indigenous culture and increasingly, abstract motifs in her stunning modern fabrics. A confident, determined designer and businesswoman; Burke made the shift from fine art to design in 1937. While she began by designing dress fabrics for Melbourne’s fashionable Georges Department store, printing them on linen using lino blocks, she was an early adopter of the screen-printing process and during the war years began printing on cotton. Burke’s furnishing fabrics took their place in influential modern buildings Australia-wide through collaborations with leading architects and interior designers. They included Robin Boyd’s 1949 House of Tomorrow, Roy Grounds’ Quamby flats, Guilford Bell’s Royal Hayman Island Resort for Ansett Airlines, and Yuncken, Freeman Brothers, Griffiths and Simpson’s Canberra Civic Centre Theatre. In the post-war period, Burke made regular trips to the United States and Europe, on her return advising homeowners and manufacturers on the latest trends in products, colours and home design in lectures and interviews. At New Design her fabric showroom and interior design consultancy Burke introduced furniture by emerging designers Clement Meadmore and Grant Featherston in the early 1950s and presented local and imported homewares, mostly from the United States. She was enthusiastic about the convenient and comfortable lifestyle experienced by ordinary American women. Her fabrics and advice were regularly featured in Australian Home Beautiful, Australian House and Garden and the newspapers of the day. Some of Burke’s designs had remarkable longevity. Tiger Stripe (1938) for example, continued to be produced in a wide range of colours until 1970 and Crete (1946) remained a popular choice for interiors into the 1960s. Drawing from a rich variety of sources including Indigenous culture in Goanna (c.1954) and Pacific Island tapa cloth designs in Bird and Tree (1940), Burke also looked to Japan in designs such as Plum Blossom (1948) and Zen (1965). She loved exploring the potential of native flora, seen in designs including Waratah (1955) and Flannel Flower (1955), while garden flowers were the source for many other designs including Belladonna (1940), Periwinkle (n.d.) and Rose (1947). Burke’s clever interplay of a single striking printed colour with lively gestural lines revealing the white base fabric, gave her designs a vibrancy that characterised the optimistic post-war era. This can be seen in Burke’s fabrics for Hayman Island including Angel Fish and Seapiece (both 1949) which expressed the freshness and excitement of the luxurious new tropical resort and led to further commissions. Burke’s three decades in business (1937-1970) were an unparalleled success in the story of Australian design. Her fabrics have been collected by the NGA, the Powerhouse Museum, NGV, RMIT Design Archives and Sydney Living Museums in addition to Ararat Gallery TAMA. Written by Nanette Carter and Robyn Oswald-Jacobs. -
Hawthorn Historical Society
Drawing - Property Illustration, 11 Rathmines Grove, Hawthorn East, 1993
'After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 23 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view.' (Margaret Picken, 2020)This property illustration is one of a series created by Margaret Picken for a range of real estate agents in Melbourne between c. 1983 and c. 2006. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020pen and ink architectural drawing on drafting film.11 RATHMINES GVE HAW E Margaret Picken `95 WOODARDS - HAWartist - margaret picken 1950- -
Falls Creek Historical Society
Decorative object - Medallion - Falls Creek and Ullr, Patron Saint of Skiers
This medallion was donated by Hayley Martin. Throughout the 1960s and early 1970s the six members of the Martin Family generally spent at least a week each year at Falls Creek, staying at Spargo's Lodge. The Martins then bought a share in Diana Lodge and stayed there frequently until the late 1970s. Medallions such as this one purchased at Cuming's Ski Hire, were commonly worn by skiers attached to an item of their ski apparel with the leather strap. The reverse side features an image from Nordic mythology. Ullr was the God of Snow, Patron Saint of Skiers, the son of Sif and stepson of Thor, the God of Thunder. Ullr was said to be an expert skater, skier and hunter who would glide around the world and cover the land with snow. Skiers hoped Ullr would ensure them of a good snow season and also protect them from injury.This item is significant because variations of medallions such as this were worn by many skiers and also advertised Falls Creek.A metal medallion decorated with wildflowers on one side and the image of Ullr, Patron Saint of Skiers on the reverse side.ullr patron saint of skiers, cuming's ski hire, spargo lodge, diana alpine lodge -
Churchill Island Heritage Farm
Textile - Crochet
This small hand crocheted motif is a classic example of Irish crochet. It has been made to look like bobbin lace with the diamond shaped ground but with delicate picots resembling Clones knots and the flower design made with half trebles and trebles. It appears to be one motif of a series to be attached to a fabric to form a decorative edging. The hypotenuse of the triangle has plain loops for attachment whereas the other two sides have the scalloped edges with picots/Clones knots. Irish crochet was developed in the mid-19th century by the Ursuline nuns in County Cork but was soon being taught in every convent in the country. It was taught to women to give relief from poverty.The Amess family owned Churchill Island from 1872 to 1929. This lace collection was owned and contributed to by four generations of Amess women.Small triangle piece of Irish crochet.janet amess lace collection, lace, churchill island, janet, amess, hand, crotchet -
Bayside Gallery - Bayside City Council Art & Heritage Collection
Painting - oil on canvas, Elizabeth Prior, Passage - Dandenongs, 1974
landscape, dandenongs, trees, ferns, hill, vegetation, elizabeth prior -
Kew Historical Society Inc
Drawing - Property Illustration, Margaret Picken, 9 Keystone Crescent, Kew East, 1995
After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 23 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view. (Margaret Picken, 2020)This drawing is one of a series created by Margaret Picken for real estate agents in Melbourne between 1983 and 2006. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020Pen and ink drawing on drafting film of 9 Keystone Crescent, Kew East by Margaret Picken.9 KEYSTONE CRES., KEW E / MARGARET PICKEN ~95 / WOODARDS ~ KEWartist -- margaret picken 1950-, property illustrations — buildings — kew east (vic.), 9 keystone crescent -- kew east (vic.) -
Bass Coast Shire Council - Robert Smith Collection
Sculpture - Ozymandias 1960' s ?, George Luke
Fibreglass with bronze finish -
Port Melbourne Historical & Preservation Society
Drawing - Property sketches, Frank Gordon Real Estate, 1990s
Property sketches done for Frank Gordon Real Estate in the 1990s. 181 Stokes stbuilt environment - domestic, frank gordon real estate, stokes street -
Ballarat Heritage Services
Painting, B. Binovitch, [Portrait], 1978
Framed portrait of a man. If you can provide information on this artist or artwork please use the link below. LRS - {B.R.?] Binovitch '78 Wien 28 Aprilpainting, portrait -
Bendigo Historical Society Inc.
Textile - HANDKERCHIEF BAG
Textiles, pink cotton fabric handkerchief bag. Front has an overlay of cream coloured tapestry fabric embroidered with cross stitch and lines of pattern. Bag has a 4 cm cream coloured frilled lace edge on all sides. One side is hemmed and open. Decorative 2 cm pink ribbon bow in one corner. Hand made.textiles, domestic, pink handkerchief bag -
Federation University Art Collection
Painting, Neville Bunning, 'Scratch Cocky' by Neville Bunning
This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.Framed paintingart, artwork, neville bunning, bird, available -
Moorabbin Air Museum
Drawing (Item) - Ansett General Electric Engine Cross Section CF6-80A Drawing No 4013264-175