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Artwork, other (1260)
Ceramic (763)
Decorative object (698)
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Mixed media (514)
Painting (2472)
Print (1654)
Sculpture (401)
Textile (1393)
Work on paper (2040)
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Horsham Regional Art Gallery
Painting, Scott PENDLEBURY, Mack Jost, 1982
Gift of Mack Jost, 1986 -
Vision Australia
Sculpture - Object, Urban Cycle, 1975
Eva Fisher was a valued member of the AFB and wished to commission a sculpture for the grounds in the front of Paterson Hall. Noted sculptor Ian Bow was commissioned and created Urban Cycle, a seven panel metal sculpture that follows the development of the local area. Prior to receiving the commission, Ian Bow went through a period of temporary vision loss, which gave him insight into how the sculpture could be appreciated by the blind and low vision community. The different stages are: Harmony - Two pelicans amongst reeds. Intrusion - Frog, kookaburra, mice, fish, lizard and butterfly. Expansion - Doors, windows and roofs under tree canopies. Industry - A factory with large chimney blowing smoke. Density - Multiple boxes, some with figures inside, are crowded beneath a bridge and dome. Decay - Boxes with broken doors and unfinished concrete. Renewal - A church with a Calvary cross over roughened surface.Heptagonal cast aluminium sculpture with seven panels arranged around a central metal pole.Thanks to the generosity of Evangeline Annie Fisher this sculpture, entitled 'Urban Cycle', was created by Ian Bow in 1975 and depicts stages of development of a city through the use of tactile forms. Further information is available at Reception. Vision Australia. Blindness, Low Vision, Opportunity.association for the blind, eva fisher, ian bow, sculpture -
National Wool Museum
Textile - Blanket, Godfrey Hirst, 1950s
Note from collector: I would stack plain blankets of the same base colour and arrange them by shade to make up a colour palette. It showed how particular colours were in fashion in the early decades, based mostly around depths of pastel pinks, mints, lemons and baby blues with brighter colours arriving in the 1960s then the browns and oranges in heavier tones in the 1970s. Note from collector- "For more than 100 years blankets were made all over Australia in over 100 woollen mills. My aim, is to preserve 100 examples of these wonderful pieces of history. Ten years ago I started collecting the iconic Onkaparinga travel rugs, so that on movie nights at home there would be plenty to go around. Everyone had their favourite; even the cat had his own – a small red tartan one. Keeping an eye out for those travel rugs at op-shops and markets, collectable stores and bazaars, led to noticing vintage blankets. I'd never really thought about them before or paid much attention though of course I had grown up with them at my grandmother's. When I discovered my first Laconia cream blanket with blue stripes, my eyes just went gaga. Well that was it, I was hooked and since then over 500 blankets have passed through my hands. These common, everyday items, found in all households for so many decades, were traditional engagement gifts. Pairs were prized wedding presents turning into family heirlooms. They were fashionable dressers of beds, givers of warmth, bestowers of security and reliability. The comfort found in these objects resonates with almost all of us; we grew up with them ourselves or fondly recall them in a grandparent’s home. There is no modern replacement with the integrity of these old blankets, many of them now older than most of us. They are romantic, sensible, special, familiar, nostalgic and nothing else feels so appropriate in so many situations. No offense to the great Aussie doona, but from hippie to hipster, at a music festival, picnic, campsite or couch, a vintage blanket is something coveted by all. This industry that employed tens of thousands and must have been such a huge contributor to the economy is almost completely lost now. Blanket Fever is an ode to everything that came before: the land, the sheep, the shearers, the hands, the mills, the weavers, the designers, the distributors, the department stores. To the grandparents that gave them, the people that received them, the families that kept them; thank you. I’m passionate about my collection of Australian blankets manufactured in mostly Victoria, South Australia and Tasmania from the 1930s to the end of the 1960s. The collection has blankets from each of these four decades representing the styles and fashions of their time and includes dated advertisements which help determine the eras the blankets are from." Queen Sized, dusty pink blanketGodfrey Hirst/Pure Wool Pelage Blanket/Mothproofed/Made in Australiawool, blanket, blanket fever, godfrey hirst, geelong -
Kew Historical Society Inc
Drawing - Property Illustration, Margaret Picken, 101 Stevenson Street, Kew, 1989
After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 22 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view. (Margaret Picken, 2020)This drawing is one of a series created by Margaret Picken for a number of real estate agents in Melbourne between 1983 and 2005. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020Pen and ink architectural drawing on drafting film of 101 Stevenson Street, Kew by Margaret Picken.101 STEVENSON ST., KEW / MARGARET PICKEN '89 / WOODARDS ~ KEWartist -- margaret picken 1950-, architectural drawings -- houses -- kew (vic.), 101 stevenson street - kew (vic) -
Castlemaine Art Museum
Painting, Harold Herbert, Gum Trees, 1907-1930
Gift of the artist, 1930 -
Southern Sherbrooke Historical Society Inc.
Mixed media - Original St Martins Anglican Church and Hall, Belgrave South and Belgrave Heights
The Original St Martins Anglican Church and Hall, Belgrave South and Belgrave Heights are two buildings originally part of the Anglican Diocese of Belgrave but now under the care of the Southern Sherbrooke Historical Society and utilised as their premises. -
Melbourne Tram Museum
Drawing, Melbourne & Metropolitan Tramways Board (MMTB), "Proposed W5 Car with sliding doors", Aug. 1937
Print of drawing R4664, "Proposed W5 Car with sliding doors" - lower ventless roof, hopper windows and modified front - side elevation has two separate sliding doors.trams, tramways, sw6 class, w5 class, bogie trams, new tramcars, tramcar construction, proposals -
Wangaratta Art Gallery
Textile, Sharon Peoples, Lake Tuggeranong 2, 2019
In 2019 Peoples undertook a residency at the Tuggeranong Arts Centre, Canberra. The original proposal was to explore the suburban gardens. However, it was the man-made lake with a different bloom, blue-green algae that held her attention. The still waters of the lake in the early mornings are tranquil. Becoming more familiar with the Lake, details caught Peoples’ eye. However, she realised the only interaction by humans with the Lake were two men who motored a small boat to the centre of the Lake, a hint as to the connection between tranquility and blue/green algae.Wangaratta Art Gallery Collection. Donated by June Brown.A small embroidery using a colour palette of green, orange, blue and brown depicting a scene of Lake Tuggeranong mounted into a purple spectacle case.sharon peoples, textile, embroidery, lake tuggeranong, landscape -
Friends of Ballarat Botanical Gardens History Group
Work on paper - Draft Commentary re Documentary Ballarat Botanical Gardens, Annotations to the Commentary and Pictures
john garner collection, ballarat botanical gardens, gardens, ballarat -
Kew Historical Society Inc
Drawing - Property Illustration, Margaret Picken, 2/13 Irymple Avenue, Kew East, 2002
After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 23 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view. (Margaret Picken, 2020)This drawing is one of a series created by Margaret Picken for real estate agents in Melbourne between 1983 and 2006. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020Pen and ink drawing on drafting film of 2/13 Irymple Avenue, Kew East by Margaret Picken.2/13 IRYMPLE AVE., KEW . E / MARGARET PICKEN 2002 / WOODARDS ~ FLETCHERS REAL ESTATEartist -- margaret picken 1950-, property illustrations — buildings — kew east (vic.), 2/13 irymple avenue -- kew east (vic.) -
Moorabbin Air Museum
Work on paper (Item) - Aircraft comparisons - notes, Boeing 767 A300B
Not relevant -
Friends of Ballarat Botanical Gardens History Group
Work on paper - Details of Inscriptions, Inscriptions on the base of the statue, "Flight of Pompeii"
Details of inscription on base of "Flight from Pompeii" statue.john garner collection, garner, dr, statues, flight from pompeii, inscription, ballarat botanical gardens, ballarat, gardens -
Geelong Gallery
Sculpture - Some kinds of duration (Cartridge edition), MANGAN, Nicholas, 2011
Concrete and reinforced steel -
Friends of Ballarat Botanical Gardens History Group
Work on paper - Swans on Lake Wendouree, Ballarat, Victoria, The Black Swans of the Lake
john garner collection, ballarat botanical gardens, gardens, ballarat, swans, lake wendouree -
Melbourne Tram Museum
Drawing - air brake system on a Melbourne tram using a self lapping brake and relay valve, Melbourne & Metropolitan Tramways Board (MMTB), 1960's?
Drawing of the air brake system on a Melbourne tram using a self lapping brake and relay valve - the charging and release positions. 89.1 - shows the relay valve in the exhaust position 89.2 - shows the valve in the applied position. Has been drawn in ink on a piece of paper, and the coloured red or green as necessary to show the various positions and state of the valves, reservoir, brake cylinder and pipes.trams, tramways, mmtb, braking, brake valves -
Ringwood RSL Sub-Branch
Work on paper - Japanese newspaper, document
printed document -
Kew Historical Society Inc
Drawing - Property Illustration, Margaret Picken, 42 Molesworth Street, Kew, 1988
After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 23 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view. (Margaret Picken, 2020)This drawing is one of a series created by Margaret Picken for a number of real estate agents in Melbourne between 1983 and 2005. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020Pen and ink architectural drawing on drafting film of 42 Molesworth Street, Kew by Margaret Picken.42 MOLESWORTH ST., KEW / MARGARET PICKEN '88 / WOODARDS ~ KEWartist -- margaret picken 1950-, architectural drawings -- houses -- kew (vic.), 42 molesworth street - kew (vic) -
Swan Hill Regional Art Gallery
Mixed media, CRAIG, Caroline, Words between bodies - swearing as social capital, 2019
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Castlemaine Art Museum
Painting, Leslie Wilkie, The Pink Hat, 1920-1935
Gift of Miss F.A. Wilkie, 1963 -
Moorabbin Air Museum
Mixed media (Item) - USAF In Camera - over 800 quality photos on CD
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Gippsland Art Gallery
Mixed Media, Wolseley, John, Total Solar Eclipse 23rd October 1976, 1976
Purchased, 1978Oil, wallpaper, mixed media and found objects on boardgippsland, artwork, permanent collection -
Castlemaine Art Museum
Painting, Rupert Bunny, Flower Study, 1879-1938
Purchased 1938 -
Swan Hill Regional Art Gallery
Painting, SUMNER, Alan, Buildings, unknown
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Dandenong/Cranbourne RSL Sub Branch
Work on paper - Waiting for our loved ones to come home, Waiting for our loved ones
Medium pencil drawing. People mainly women looking forlornly for their love ones to return from war. Drawing by Pamela Moulson 6 Cooma Crt Dandenong. -
Melbourne Tram Museum
Drawing, Melbourne & Metropolitan Tramways Board (MMTB), "Car Templates", c1920 onwards
Set of 14 tram car templates contained within Reg Item 356, cut from card board to indicate the over all dimensions of the various type of tramcars. Would have been used in the drawing office for checking clearances on buildings, trackwork, junctions. Cut with holes in the centre to enable this to be done. Scale 1/2" = 1 foot. .1 - Marked "A" - for a combination car - 30' 11.25" long, 7'6" wheelbase .2 - "B" - for a combination car - 32' long, 6'6" wheel base to drawing R489 and summer or straight sill car to drawing R820. .3 - "C" - Straight Sill combination car - 33' long, 7'6" wheelbase. .4 - "D" - Combination car, length 31'11", 7'6" wheelbase .5 - "E" - Combination car, length 35', 7' wheelbase .6 - "F" - DC Bogie car, to Drawing 112, length - 44' 3.5", truck centres 22 '4" .7 - "G" - ditto length 44' 5.5", truck centres 23' 7.5" .8 - "H" - ditto length 44' 5.5", truck centres 24' 7.5" .9 - "J" - four motor bogie, to drawing 854, length 45' 6", truck centres 24'6" .10 - "K" - Combination car, length 35', 12' Radiax truck. .11 - Bogie tramcar, W class length 48', truck centres 26' 6" .12 - ditto, W2 534, length 48', truck centres 26' 0" .13 - W4 class tram, .14 - W5 730, length 46' 6', truck centres 28'trams, tramways, mmtb, plans, drawings, templates -
Moorabbin Air Museum
Drawing (Item) - Boston Drawing , Connection Diagram For Boston III Oxygen Cylinders Drawing No. G-3720
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Gippsland Art Gallery
Textile, Dyer, Tony, Confined to the Foreshore (Stage 2), 1980
Purchased with the assistance of the Crafts Board of the Australia Council, 1980Batik textile on woodgippsland, artwork, permanent collection -
Camberwell Historical Society
Drawing (series) - Architectural drawing, 41 Spencer Road, Camberwell, 1988
artist, architectural drawings, margaret picken, camberwell, housesartist, architectural drawings, margaret picken, camberwell, houses -
Ringwood and District Historical Society
Painting - Oil, Charles Wheeler, Orchard In Wantirna Road - oil on board. Unsigned, reportedly by Charles Wheeler (1881-1977), c.1900
Charles Wheeler biography link http://www.portrait.gov.au/people/charles-wheeler-1881 Painted by a prominent artist. Refer to Sir Ronald East's history of the Greenwood family pp. 336-371, noteably page 343 that mentions about Henrietta Carr, only daughter on George F. Carr, who married AV Greenwood in 1896. Also reference to The Wattle Club pp. 356-7. Thus giving the connection of the Greenwood and Carr families, the subjects of Charles Wheeler's painting.Painting in glass-fronted frame.Typewritten notation behind the frame - "Greenwood oral family history says that this unsigned painting was done by Charles Wheeler as a demonstration for Rose Greenwood, (A.V. Greenwood's sister). They shared a studio at the Wattle Club Hall at Box Hill circa 1890s. The subject matter was said to be Grandfather Carr's orchard in Wantirna Road (Ringwood - Still standing in 2003). Source: Mary Greenwood, youngest Granddaughter of A.V. Greenwood." -
Swan Hill Regional Art Gallery
Drawing, MACLEOD, Euan, Night Couple, 2016