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Artwork, other (1266)
Ceramic (766)
Decorative object (715)
Drawing (4607)
Mixed media (518)
Painting (2482)
Print (1658)
Sculpture (402)
Textile (1395)
Work on paper (2052)
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Gippsland Art Gallery
Print, Unknown Artist, The Gipps Land Lakes: General View from Jemmy's Point, 1878
Purchased with the assistance of the Caltex Victorian Government Art Fund, 1984Hand-coloured wood engraving on papergippsland, artwork, permanent collection -
Bendigo Historical Society Inc.
Textile - Linen Tablecloth, 1920s 1930s
This tablecloth was possibly used in Favaloro cafes. An unbleached linen tablecloth made from three widths of fabric sewn together.favaloro, tablecloth -
Camberwell Historical Society
Drawing (series) - Architectural drawing, 19 Mills Street, Burwood, 2002
artist, architectural drawings, margaret picken, camberwell, housesartist, architectural drawings, margaret picken, camberwell, houses -
Camberwell Historical Society
Drawing (series) - Architectural drawing, 208 Burke Road, Glen Iris, 1991
artist, architectural drawings, margaret picken, camberwell, housesartist, architectural drawings, margaret picken, camberwell, houses -
Friends of Ballarat Botanical Gardens History Group
Work on paper - Charles Francis Summers, Father and Son, Two Sculptors of Ballarat Botanical Gardens' Sculptures
john garner collection, ballarat botanical gardens, gardens, ballarat, sculptors, summers, father & son -
Swan Hill Regional Art Gallery
Print, BOWEN, Dean, The Child, 1997
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Hawthorn Historical Society
Drawing - Property Illustration, 2 Vivian Grove, Hawthorn, 1993
'After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 23 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view.' (Margaret Picken, 2020)This property illustration is one of a series created by Margaret Picken for a range of real estate agents in Melbourne between c. 1983 and c. 2006. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020pen and ink architectural drawing on drafting film.2 VIVIAN GROVE HAWTHORN Margaret Picken ~93 WOODARDS -HAWTHORNartist - margaret picken 1950- -
Eltham District Historical Society Inc
Work on paper (Sub-Item) - Photograph, Tunnel erosion 220 m upstream from Ramptons Road
Colour photograph of tunnel erosion 220 metres upstream from Ramptons Road, Eltham North eltham, erosion, eltham north, drain -
Bayside Gallery - Bayside City Council Art & Heritage Collection
Sculpture, Jeffery Wilkinson, The swimmer, c.1950s, cast 1999
Jeffery Wilkinson, The swimmer c.1950s, cast 1999, bronze, 162 x 250 x 46 cm. Bayside City Council Art and Heritage Collection. Commissioned 1999.bronze Public Art Commission located on Beach Rd, north of Hampton Life Saving Club, Hampton, Victoria.swimmer, female, sculpture, public art, bronze, hampton, beach road, jeffery wilkinson, coastal art trail -
Gippsland Art Gallery
Print, Viney, Wayne, Clearing Storm, 2000
Donated by the artist, 2014Monotype on papergippsland, artwork, permanent collection -
Bialik College
Mixed media (Sub-series) - Parents' Association, 1960s-2000s
1970s, 1980s, 1990s, fundraising1970s, 1980s, 1990s, fundraising -
Hawthorn Historical Society
Drawing - Property Illustration, 3 Yarra Street, Hawthorn, 1993
'After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 23 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view.' (Margaret Picken, 2020)This property illustration is one of a series created by Margaret Picken for a range of real estate agents in Melbourne between c. 1983 and c. 2006. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020pen and ink architectural drawing on drafting film.3 YARRA ST HAWTHORN Margaret Picken ~93 WOODARDS -HAWTHORNartist - margaret picken 1950- -
Friends of Ballarat Botanical Gardens History Group
Work on paper - Horse Chestnut, Aesculus hippocastanum, Details and Uses of These Trees, 9/2/2016
There are Horse Chestnut Trees in the Ballarat Botanical Gardens and Gregory Street, Wendouree, as well as other parts of Ballarat.This large handsome deciduous tree is not only part of Ballarat's history but often found in parks and streets in temperate parts of the world.1 page, printed 1/2 way down, with the names of the FBBG Guiding Group at the top of the page. The bottom of the 3rd line of the text is missing but is still legible.BBG Trees is written at the top of the page in blue biro.john garner, doctor john garner, ballarat botanical gardens, horse chestnuts, aesculus hippocastanum, friends of ballarat botanical gardens, guiding friends, traditional chinese medicine -
Stawell Historical Society Inc
Drawing, MR L.C. Phillips, Tailor & Clothier in Main Street Stawell c1890 -- Sketch
L.C. Phillips Tailor & Clothier Main Street From Sketch series Circa 1890stawell businesses -
National Wool Museum
Textile - Blanket, 1960s
Collector says: Once I had gathered a dozen or so blankets, I started noticing the many different labels; where they were made, by who, the logos and fonts used. Then the labels became a thing, then the blankets had to have a label to join the collection. My favourite labels are by Physician, they had at least 4 different labels over the decades but the best has to be the Lady In Bed logo. Physician, Onkaparinga, Eagley and others matched the colour of the label to the colour of the blanket - a nice touch. Strangely, Castlemaine labels were always sewn on the back of the blanket where all the other mills sewed theirs on the front. To this day I always roll or fold a blanket with its label on display.Collector's note: "For more than 100 years blankets were made all over Australia in over 100 woollen mills. My aim, is to preserve 100 examples of these wonderful pieces of history. Ten years ago I started collecting the iconic Onkaparinga travel rugs, so that on movie nights at home there would be plenty to go around. Everyone had their favourite; even the cat had his own – a small red tartan one. Keeping an eye out for those travel rugs at op-shops and markets, collectable stores and bazaars, led to noticing vintage blankets. I'd never really thought about them before or paid much attention though of course I had grown up with them at my grandmother's. When I discovered my first Laconia cream blanket with blue stripes, my eyes just went gaga. Well that was it, I was hooked and since then over 500 blankets have passed through my hands. These common, everyday items, found in all households for so many decades, were traditional engagement gifts. Pairs were prized wedding presents turning into family heirlooms. They were fashionable dressers of beds, givers of warmth, bestowers of security and reliability. The comfort found in these objects resonates with almost all of us; we grew up with them ourselves or fondly recall them in a grandparent’s home. There is no modern replacement with the integrity of these old blankets, many of them now older than most of us. They are romantic, sensible, special, familiar, nostalgic and nothing else feels so appropriate in so many situations. No offense to the great Aussie doona, but from hippie to hipster, at a music festival, picnic, campsite or couch, a vintage blanket is something coveted by all. This industry that employed tens of thousands and must have been such a huge contributor to the economy is almost completely lost now. Blanket Fever is an ode to everything that came before: the land, the sheep, the shearers, the hands, the mills, the weavers, the designers, the distributors, the department stores. To the grandparents that gave them, the people that received them, the families that kept them; thank you. I’m passionate about my collection of Australian blankets manufactured in mostly Victoria, South Australia and Tasmania from the 1930s to the end of the 1960s. The collection has blankets from each of these four decades representing the styles and fashions of their time and includes dated advertisements which help determine the eras the blankets are from."Queen sized checked blanket in corn, beige and green 'Mareeno' /Pure Australian Wool/Export Quality/Made in Australiawool, blanket, blanket fever, mareeno -
Moorabbin Air Museum
Drawing (item) - CAC Collection - Galley Assembly Compete No.1 EX2811001
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Bass Coast Shire Council - Robert Smith Collection
Work on paper - Man with Wheelbarrow, Allan Baker, 1950s
Australia 1922-2004Ink on paper -
Moorabbin Air Museum
Drawing (Item) - Cut away Drawings of various aircraft, space modules - from Eagle magazine
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Stawell Historical Society Inc
Drawing, Stawell Brewery in Stawell West with Flag flying on Mast and several carts in front c1890
Stawell Brewery Stawell West with Flag flying on Mast and several carts in front. From Sketch series Circa 1890stawell businesses -
National Vietnam Veterans Museum (NVVM)
Drawing, Eric R. Garrett, 1974
Wooden framed (handmade) etching of a depot depicting many buildings set our on an open field. Road bordering complex sandy beach & ocean waves. All coloured & etailed. Artist Eric R. Garrett.2nd advanced ordance depot, vung tau 1974 -
Glenelg Shire Council Cultural Collection
Mixed media - Oral History Interview - Borthwick's, Col Parsons Interview - Borthwick's, c. 2014
DVD - unedited. Interview with Col Parsons. Unedited interviews with former Borthwicks workers. These interviews appear in the DVD on Borthwicks, launched 5 DEC 2014. Interviews conducted by Gary Kerr and filmed by Noel Waugh.thomas borthwick and sons, oral history interview -
Friends of Ballarat Botanical Gardens History Group
Work on paper - City Father, George SMITH died 1896, Ballarat Star, 1st August 1896, page 4, 1 August, 1896
George Smith was a noted nurseryman and seedsman who founded the Royal Exotic Nurseries at Lake Wendouree. He gave technical advice in the laying out of the Ballarat Botanical Gardens, the planting of street trees and in advancing numerous municipal works around Ballarat.George Smith advanced the interests of Ballarat and its inhabitants in numerous ways, especially in agriculture and horticulture. He was also instrumental in making Ballarat famous in the other Colonies as well as overseas. Three pages of photocopied newsprint in heavy black print. National Library of Australia reference number at the bottom of each pagejohn garner collection, garner, dr, smith, ballarat star, newspaper, 1896, ballarat botanical gardens, ballarat, gardens, george smith j.p., city father, baron von mueller, kew gardens, goldfields, city councillor, magistrate -
Ringwood and District Historical Society
Mixed media - Video, RDHS Guest Speaker Presentation - "Gathering Heathmont's History" - Gerry Robinson
Digitised video (4.06GB). Duration: 48 minutes. Recorded February, 2019. (Video is available for viewing at Ringwood & District Historical Society Archives by appointment)Presenter: Gerry Robinson is the convenor of the Heathmont History Group (HHG). Heathmont has changed over the years and this has been detailed in HHG’s award-winning books, The 48 Courts of Heathmont, From apples to Coffee, Heathmont Street Names, and many more. This talk draws a line in the sand, looking back where we’ve been and where Heathmont is today. -
Mission to Seafarers Victoria
Drawing, XMAS 1946, 1946
Drawing (0341.C1) by Allan Quinn of South America. Titled 'XMAS 1946'. south america, brazil, argentina, allan quinn, letter, 1946, christmas, sketch, drawing, sailors, seamen, seafarers, tourism -
Queenscliffe Maritime Museum
Print - Reproduction print, framed, AV Gregory, Ormus 1887
In 1883 The Orient Steam Navigation Co. Ltd., of London signed a contract with the Government of New South Wales, Australia to carry emigrants from the United Kingdom. The Company would be paid £15 per head for up to four hundred persons and £14 and 10 Shillings for numbers between four and six hundred persons per voyage.A reproduction print of a painting by AV Gregory of the vessel Ormus, 1887. The print is mounted under glass and framed in a dark brown timber frame.rms ormuz, reproduction print -
Hawthorn Historical Society
Drawing - Property Illustration, 40 Barkers Road, Hawthorn, 1992
'After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 23 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view.' (Margaret Picken, 2020)This property illustration is one of a series created by Margaret Picken for a range of real estate agents in Melbourne between c. 1983 and c. 2006. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020Pen and ink property illustration on drafting film of 40 Barkers Road, Hawthorn by Margaret Picken.40 Barkers Road, Hawthorn, Margaret Picken '92. Woodards - Hawthorn.artist - margaret picken 1950- -
Swan Hill Regional Art Gallery
Drawing, MATASSONI, Terry, The city party, 1989
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Port Melbourne Historical & Preservation Society
Mixed media, History of a Street Precinct
A cultural grant was given to Margaret BRIDE to implement this study, which she did with the help of her husband Graham and several residents of the study area including PMH&PS members Emily LOCK, David THOMPSON, Jack BOLT and Kerrie MATHEE.History of a Street Precinct, documenting 80 years plus of the history of the area bounded by Williamstown Road and Evans, Bridge and Farrell Streets, since 1880. One of two products of a 2005 project (which subsequently won the 2007 Victorian Local History Awards for research). An interactive CD containing information and photographs. This was packaged with a brochure (2148.01) containing a map of the area and photos and information on key properties and individuals on 91 buildings and their occupants over time.built environment -
Bayside Gallery - Bayside City Council Art & Heritage Collection
Sculpture, Lisa Waup, Chosen before birth, 2016
It is known that we choose our family before we are born, for me I get a great deal of comfort knowing this, for me it is very true. I was adopted at birth, I have always known this. My mum is my best friend, she is my confidant in times of sadness and pain. She is my guiding light in times when I have lost my way. I share everything with her as she does me. She is my hero, especially now that I have my own children, seeing the sacrifices she has made along the way and is still sacrificing so much for our wellbeing. I celebrate her daily for all she does, we celebrate together the wonderful things that we achieve on a daily basis no matter how small they appear to be. She is always there for me – how privileged I am to have her in my life. I met my birth mother once I had children of my own, I understood what a sacrifice it must have been to give me up. The first words that I muttered out of my mouth when I met her was, “I am so proud of you, and thank you”. She was quite baffled by this and then I explained. Through your unconditional sacrifice I have been given a wonderful life, the doors have been opened to me in so many ways. I have been loved unconditionally and have had the devotion of my mum and dad behind me all the way – how blessed I have been. The dual figures that I have weaved signify my mothers, my mum is holding a babe in arms a gift from the universe. My birthmother is present within this figure, her face is at the back of my mums head. She wasn’t physically there during my many years without her, yet spiritually she never left. This figure is a homage to my mothers, a recognition of respect and admiration, to hold them in great esteem, adulation and worship. Lisa Waup, 2016emu feathers, parrot feathers, ostrich feathers, tapa cloth, fibre, crow’s feet, parrot feet, parrot wings, possum fur, seeds, raffia, woodmother and child, sculpure, weaving, lisa waup, torres strait islander, gunditjmara, indigenous, handcraft, chosen before birth, adoption, emu, feather, possum, mother, child -
Ballarat Heritage Services
Work on paper - Image, Joseph Banks
Botinit Joseph Banks who voyaged to Australian on the vessel 'Endeavour' with Captain James Cook. james cook, botany bay, endeavour, tall ship, explorers, joseph banks