Showing 6673 items matching art
Artwork, other (1225) Ceramic (747) Decorative object (666) Drawing (4560) Mixed media (478) Painting (2384) Print (1653) Sculpture (397) Textile (1238) Work on paper (2028)-
National Wool Museum
Textile - Travel Rug, Albany Woollen Mills, c1960s
Collector says - "I can still recall one of my earliest childhood memories, of my nana's bright aqua shoes against the checks of our family travel rug on summer picnics. Maybe that's when this collection planted its seed in me - 40 years later I start my first blanket collection after stumbling across old Onkaparinga travel rugs. I would go to a vintage market in Collingwood every month and almost always found a good one, amassing enough for the entire household. Everyone had their favourite, even the cat had his own – a small red tartan one just for him." Note from collector-"For more than 100 years blankets were made all over Australia in over 100 woollen mills. My aim, is to preserve 100 examples of these wonderful pieces of history. Ten years ago I started collecting the iconic Onkaparinga travel rugs, so that on movie nights at home there would be plenty to go around. Everyone had their favourite; even the cat had his own – a small red tartan one. Keeping an eye out for those travel rugs at op-shops and markets, collectable stores and bazaars, led to noticing vintage blankets. I'd never really thought about them before or paid much attention though of course I had grown up with them at my grandmother's. When I discovered my first Laconia cream blanket with blue stripes, my eyes just went gaga. Well that was it, I was hooked and since then over 500 blankets have passed through my hands. These common, everyday items, found in all households for so many decades, were traditional engagement gifts. Pairs were prized wedding presents turning into family heirlooms. They were fashionable dressers of beds, givers of warmth, bestowers of security and reliability. The comfort found in these objects resonates with almost all of us; we grew up with them ourselves or fondly recall them in a grandparent’s home. There is no modern replacement with the integrity of these old blankets, many of them now older than most of us. They are romantic, sensible, special, familiar, nostalgic and nothing else feels so appropriate in so many situations. No offense to the great Aussie doona, but from hippie to hipster, at a music festival, picnic, campsite or couch, a vintage blanket is something coveted by all. This industry that employed tens of thousands and must have been such a huge contributor to the economy is almost completely lost now. Blanket Fever is an ode to everything that came before: the land, the sheep, the shearers, the hands, the mills, the weavers, the designers, the distributors, the department stores. To the grandparents that gave them, the people that received them, the families that kept them; thank you. I’m passionate about my collection of Australian blankets manufactured in mostly Victoria, South Australia and Tasmania from the 1930s to the end of the 1960s. The collection has blankets from each of these four decades representing the styles and fashions of their time and includes dated advertisements which help determine the eras the blankets are from. " Tan and brown plaid fringed travel rug. Albany Woollen Mill/Travel Rug/All Pure Wool/Emblem: A, Albany blanket, blanket fever, wool, rug, albany, albany woollen mills -
Bendigo Art Gallery
Sculpture, Tony ALBERT, We come in Peace, 2013
sculpture, first nations, australian artist, playing cards, peace, game, australiana, southern cross -
Camberwell Historical Society
Drawing (series) - Architectural drawing, 3/20 Prospect Hill Road, Camberwell, 1997
artist, architectural drawings, margaret picken, camberwell, housesartist, architectural drawings, margaret picken, camberwell, houses -
Flagstaff Hill Maritime Museum and Village
Textile - Tray Cover, Sarah Lees or daughter Ann Dale (nee Lees), ca 1910
This decorative embroidered tray cover or tray cloth is beautifully handmade and includes eyelet or Broderie Anglaise embroidery. It was made by either Sarah Lees or her daughter Anne Dale (nee Lees). In the Words of donor, Betty Stone, … “These crocheted and embroidered articles cover a period of three generations- ie. Sarah (nee Chamberlain) Lees, Ann (nee Lees) Dale, and Daisy Elvena (nee Dale) Welsh. All three were accomplished needlewomen; also, both Sarah Lees (born 1844) and her daughter, Ann (b 1865) crocheted a wide variety of articles for use in their homes. A few examples of these items have survived the years.” It was a tradition for brides to have a 'glory box' containing linen and embroidered articles to take to their new home. Many of the items were made by Daisy, a skilled dressmaker. Daisy began her apprenticeship at two shillings and sixpence per week at Miss A. E. Emery's dressmaking establishment at 150-152 Liebig Street, Warrnambool. Considered to be the leading house of fashion in Warrnambool, Miss Emery employed about eight young women who worked long hours to sew elaborate gowns for clients, including wives of graziers who would attend the race carnivals and social functions in Warrnambool. (NOTE: For additional information please refer to my book Pioneer and Places- A History of Three Warrnambool Pioneering Families ie. Chamberlain, Dale and Lees families)This item is associated with the Warrnambool pioneer families of Chamberlain, Dale and Lees. These families are listed in the Pioneers' Register for Warrnambool Township and Shire, 1835-1900, published by A.I.G.S. Warrnambool Branch. The item is significant for its association with a ‘glory box’ or hope chest’, a tradition of single ladies making and collecting a range of linen and other domestic items in preparation for their future marriage. The item is a fine example of early 20th-century needlework and handmade domestic items.Tray cover, white fabric, elliptical in shape with a scalloped crochet edge, eyelet and white floral embroidery, Part of the Chamberlain Dale Lees Collection.flagstaff hill, warrnambool, flagstaff hill maritime museum and village, great ocean road, chamberlain family, dale family, lees family, betty stone, warrnambool pioneer, warrnambool genealogy, wangoom, chamberlain dale lees collection, glory box, handmade, craft, manchester, linen, haberdashery, needlework, crochet, tray cover, tray cloth, tea service, eyelet embroidery, sarah lees, ann dale (nee lees) -
Kew Historical Society Inc
Drawing - Property Illustration, Margaret Picken, 92 Normanby Road, Kew, 1999
After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 23 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view. (Margaret Picken, 2020)This drawing is one of a series created by Margaret Picken for a number of real estate agents in Melbourne between 1983 and 2005. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020Pen and ink architectural drawing on drafting film of 92 Normanby Road, Kew by Margaret Picken.92 NORMANBY RD., KEW / MARGARET PICKEN '99 / WOODARDS ~ C'WELLartist -- margaret picken 1950-, architectural drawings -- houses -- kew (vic.), 92 normanby road -- kew (vic.) -
Moorabbin Air Museum
Drawing (Item) - RAAF AESL Airtrainer CT-4 Exterior Finishing Scheme
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Moorabbin Air Museum
Drawing (item) - Avro Lancaster Mark 3 Technical Drawings, Plan and Elevations
Features front-on, side-on and top-down views of the aircraft -
Moorabbin Air Museum
Drawing (Item) - Wessex Drawing , Aircraft Marking & Painting Arrangement , Drawing No. AMR/WESS 2-1
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Australian Lace Guild - Victorian Branch
Textile - Alencon Lace, Mid 18th Century
Fine lace used as a costume trimmingNeedle lace edging. Sample -
Hawthorn Historical Society
Drawing - Property Illustration, 9 Leslie Street, Hawthorn, 1993
'After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 23 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view.' (Margaret Picken, 2020)This property illustration is one of a series created by Margaret Picken for a range of real estate agents in Melbourne between c. 1983 and c. 2006. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020pen and ink architectural drawing on drafting film9 LESLIE STREET, HAWTHORN Margaret Picken ~91 WOODARDS - HAWTHORNartist - margaret picken 1950- -
Camberwell Historical Society
Drawing (series) - Architectural drawing, 4 Radnor Street, Camberwell, 1994
artist, architectural drawings, margaret picken, camberwell, housesartist, architectural drawings, margaret picken, camberwell, houses -
Ararat Gallery TAMA
Textile, Merrill Dumbrell, Sampler for Congo
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Hawthorn Historical Society
Drawing - Property Illustration, 2 Dean Avenue, Hawthorn
'After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 23 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view.' (Margaret Picken, 2020)This property illustration is one of a series created by Margaret Picken for a range of real estate agents in Melbourne between c. 1983 and c. 2006. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020Pen and ink property illustration on drafting film of 2 Dean Avenue, Hawthorn by Margaret Picken.2 Dean Street, Hawthorn, Margaret Picken.artist - margaret picken 1950- -
Kew Historical Society Inc
Drawing - Property Illustration, Margaret Picken, 24 Argyle Road, Kew, 1993
After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 23 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view. (Margaret Picken, 2020)This drawing is one of a series created by Margaret Picken for a range of real estate agents in Melbourne between c.1983 and c.2005. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020Pen and ink drawing on drafting film of 24 Argyle Road, Kew by Margaret Picken.24 ARGYLE RD, KEW / MARARET PICKEN ~ 1993 / WOODARDS ~ C'WELLartist -- margaret picken 1950-, architectural drawings -- houses -- kew (vic.), 24 argyle road -- kew (vic.) -
Melbourne Legacy
Mixed media - Ephemera, This Year of Brian 1937, 1937
A gift made for Brian Armstrong in recognition of his service to Legacy. It was signed by many Melbourne Legatees of the time.Made and signed by members of Melbourne Legacy in recognition of the service of Brian Armstrong.Varnished sketch on two boards hinged with leather strapping.Sketch of Brian Armstrong ( Melbourne Legacy President 1937). Signatures of many Legatees including Harry Chauvel, General WW1, Charge of Beersheba, Stanley Savige, founder of Melbourne Legacy.souvenir, brian armstrong -
Hawthorn Historical Society
Drawing - Property Illustration, 64 Campbell Grove, Hawthorn East, 1997
'After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 23 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view.' (Margaret Picken, 2020)This property illustration is one of a series created by Margaret Picken for a range of real estate agents in Melbourne between c. 1983 and c. 2006. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020Pen and ink property illustration on drafting film of 64 Campbell Grove, Hawthorn East by Margaret Picken.64 Campbell Rd, Haw E, Marg Picken '97. Woodards - Hawthorn. artist - margaret picken 1950- -
Camberwell Historical Society
Drawing (series) - Architectural drawing, 19 Sycamore Street, Camberwell, 1994
artist, architectural drawings, margaret picken, camberwell, housesartist, architectural drawings, margaret picken, camberwell, houses -
Ararat Gallery TAMA
Mixed media, Irusaq Presenter at Arm's Robe, 1986-1989
“All Irusagi robes of office are highly symbolic. Generally black or dark blue, they are richly jewelled and embroidered; each one individually designed for its owner, as he, or she, takes office at the central court. The miniature is a record of this office. This, the Armourer’s Robe is typical of the richly decorated formal styles of the 10” to 12" Centuries Post Imperium. The symbolism is obvious: oversleeves of silver, to indicate one of the metals used in the making of weapons; decorative daggers, indicative of the famous throwing and fighting knives; studs, symbolising protective armour; and touches of red alongside the predominating metal, to represent the shedding of blood, (a minor theme, because bloodshed is undesirable). The Void, the centre of Irusaqu worship is always shown on this Robe, because all fighting men or women have a deep religious responsibility to obey the Voidic code. Lastly, the jewel, with its elongated triangle, forms the ancient symbol of Man, at the base of the Void, but not subordinate to it.” -Inga Hunter -
National Vietnam Veterans Museum (NVVM)
Mixed media - Artwork, framed, Song of Rain: Tears of Loss
Brown framed abstract artwork. Gold coloured lines with a silver horizontal line across the middle.abstract artwork, barbed wire -
Ringwood and District Historical Society
Mixed media - Video, RDHS Meeting Presentation - Royal Historical Society of Victoria Award of Merit - 2019
Digitised video (1.89GB). Duration: 25 minutes. Recorded October, 2019 (Video is available for viewing at Ringwood & District Historical Society Archives by appointment)In this presentation to Russ Haines in recognition of distinguished service to history in Victoria, David Harper - RDHS Vice President, Don Garden - immediate past President of the Royal Historical Society, Jim Connor - Eltham District Historical Society, and Richard Carter - former RDHS President, speak of Russ’ untiring efforts for RDHS and other history groups during his twelve years as RDHS President. -
Kew Historical Society Inc
Drawing - Property Illustration, Margaret Picken, 9,13,14 / 103 Barkers Road, Kew, 2001
After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 23 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view. (Margaret Picken, 2020)This drawing is one of a series created by Margaret Picken for a range of real estate agents in Melbourne between c.1983 and c.2003. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020Pen and ink drawing on drafting film of Units 9, 13 and 14, 103 Barkers Road, Kew by Margaret Picken.9,13,14 / 103 BARKERS RD., KEW / MARGARET PICKEN (c) 2001 / WOODARDS ~ HAWTHORNartist -- margaret picken 1950-, architectural drawings -- houses -- kew (vic.), 103 barkers road -- kew (vic.) -
Hawthorn Historical Society
Drawing - Property Illustration, 9 Harrison Crescent, Hawthorn, 1993
'After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 23 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view.' (Margaret Picken, 2020)This property illustration is one of a series created by Margaret Picken for a range of real estate agents in Melbourne between c. 1983 and c. 2006. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020pen and ink architectural drawing on drafting film. Dimension 238x193 Inscription: 9 HARRISON CRES, HAWTHORN Margaret Picken ~93 WOODARDS -HAWTHORN9 HARRISON CRES, HAWTHORN Margaret Picken ~93 WOODARDS -HAWTHORNartist - margaret picken 1950- -
Melbourne Tram Museum
Drawing, Melbourne & Metropolitan Tramways Board (MMTB), "Wattle Park", c1938
Set of four photocopied plans or drawings on A3 sheets of "Wattle Park" .1 - P8504 - Curator's Lodge, Wattle Park - 1939 .2 - P8503 - Wattle Park Chalet - 20/2/1939 .3 - P8574 - Office and Sheds - 29/6/1939 .4 - P8505 - Golf House - 20/2/1939trams, tramways, drawings, depots, property, wattle park -
National Vietnam Veterans Museum (NVVM)
Sculpture - Souvenir, Paper Mache Mask
Decorated mask. Red, black, white, blue, gold. Used in role playing - Catholic school, Ba Rai, Vung Tao prov. Handcraftedmask, hand crafted -
Hawthorn Historical Society
Drawing - Property Illustration, 10 Falmouth Street, Hawthorn, 1993
'After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 23 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view.' (Margaret Picken, 2020)This property illustration is one of a series created by Margaret Picken for a range of real estate agents in Melbourne between c. 1983 and c. 2006. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020Pen and ink property illustration on drafting film of 10 Falmouth Street, Hawthorn by Margaret Picken.10 Falmouth St, Haw, Margaret Picken '93. Woodards - Hawthorn.artist - margaret picken 1950- -
Latrobe Regional Gallery
Drawing, BELLANY, John b. 1942, Port Seton d. 2013, The Scream, 1983
Charcoal on paperTitled, signed and dated 'The Scream Bellany '83' in top left corner of drawing. -
RMIT Design Archives
Mixed media - Drawings, Design for clothing label featuring map of Australia
Cash's first began manufacturing name tags, woven badges and woven labels in Australia in 1913, and since then countless Cash's labels have been sewn onto school and club jumpers. Point paper design featuring map and flag. Corresponding clothing label attachedtextile design, rmit design archives -
Australian Lace Guild - Victorian Branch
Textile - Carrickmacross lace, 1970-2000
Use: DomesticApplique lace mat -
Geelong Gallery
Sculpture - Salome, MACENNAL, Bertram, c1897
Oil on canvas -
Glenelg Shire Council Cultural Collection
Drawing - Drawing, Botanical, Collin Elwyn Woolcock, Microseris Scapigera (Yam Daisy), Millotia Myosotidifolia (Broad Leaf Millotia), Gnephosis Skirrophora (Woolly Gnephosis), n.d
Part of 'Woolcock Gallery Collection' Exhibited CEMA 1989.Multiple views of multiple plant details. From left-right: flower detail with long petals; a whole plant view with fine roots, bulb, long leaves (grass-like), tall central stem and flower with long petals; but and flower details; (top-bottom) a plant details with root, fine leaves and many flowers (small and round); a detail of above plant. To far right (t-b) flower details and seed details. Mounted in a double matt (white on slate grey), framed under glass in silver detailed wooden frame.Front: L. Microseris sapigera. Upper R. Millotia myosotidifolia. Lower R. Gnephosis skirrophora (lower left) (pencil). Back: 27 (upper left) (pen)cema, botanical, collin woolcock