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Artwork, other (1260)
Ceramic (763)
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Print (1654)
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Work on paper (2040)
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Port Melbourne Historical & Preservation Society
Drawing - Property sketches, Frank Gordon Real Estate, 1990s
Property sketches done for Frank Gordon Real Estate in the 1990s. 114 Raglan St .built environment - domestic, frank gordon real estate, raglan street -
Ballarat Tramway Museum
Drawing - Illustration/s, Printed on an envelope Ballarat 14, 1980's?
Demonstrates illustrating an envelope with a image of a tram. Source not known.Illustration on part of a lined window envelope of Ballarat Tram 14 at the Wendouree Parade Gardens crossing loop. Tram has the destination of Sturt St West. Appears to have been photocopied onto the envelope. Purpose not known.trams, tramways, envelopes, wendouree parade, gardens loop -
Wangaratta Art Gallery
Sculpture, Rose Wedler, Gentle Giant 2, 2013
Wangaratta Art Gallery CollectionA sculpture of a steel gum tree silhouette on a stained red gum base.rose wedler, sculpture, gum tree -
Melbourne Tram Museum
Drawing, Megafun, "Trams on Parade - Swanston St - 13/3/00 - Draft Assembly Map - Schematic Only", 2000
A4 sheet drawing - titled "Trams on Parade - Swanston St - 13/3/00 - Draft Assembly Map - Schematic Only" showing the proposed layout for trams between Lonsdale and Latrobe Street - prepared 2/2/00 by MM (Megafun)trams, tramways, moomba, swanston st, events, parades -
Glenelg Shire Council Cultural Collection
Print - Print - Bentinck Street, 1984
CEMA Art Collection Part of "A Community View" 150 years in Portland Screenprint Exhibition Part of the Angela Gee Residency 1983 and 1984Laminated screenprint depicting an early street scene of Bentinck Street in Portland. The left side of the work depicts the row of buildings along Bentinck Street with the 'Gordon Hotel' in the foreground. In the centre of the image two figures on horses ride away from the viewer. On the right is a large tree with with two figures walking below it.Front: Karina Fredericks 84' (lower right) (pencil) Back: 9 -
Gippsland Art Gallery
Print, Gittoes, George, The Tower, 1991
Donated from the estate of Patricia Marie White, 2013Etching on papergippsland, artwork, permanent collection -
Port Melbourne Historical & Preservation Society
Drawing - Property sketches, Frank Gordon Real Estate, 1990s
Property sketches done for Frank Gordon Real Estate in the 1990s. 37 Poolman Street built environment - domestic, built environment - commercial, frank gordon real estate, poolman street -
Glenelg Shire Council Cultural Collection
Print, The Organist, 1984
CEMA Art Collection. Part of "A Community View: 150 years in Portland Screenprint Exhibition". Part of Angela Gee residency 1983 and 1984.Screenprint of torso and head of a woman. The woman is wearing a long-sleeved top, a large necklace, and a brown hat with large feathers. The background is yellow wit light brown wallpapered patterning. No Matt. Wooden frame with gold edging and glass glazing.Front: 1834 1984 Portland Commemorative Print (lower left, stamp) 1/20 A Gee The Organist (lower centre) John Cain (lower right) (signature, brown ink) Premier of Victoria (black ink stamp) Back: (no inscriptions) -
Port Melbourne Historical & Preservation Society
Print - Print, Drawing of Unilever House under construction, "Construction : Unilever House", 1929
Print of black and white drawing of Unilever House under construction including four workmen, wheelbarrow, ladder and scaffolding; on yellow/brown paper.industry, manufacturing, built environment - industrial, workers, unilever australia (holdings) ltd, j kitchen & sons pty ltd -
Darebin Art Collection
Painting - Adriana Cosshall, Adriana Cosshall, Not All That Glitters is Gold, 2010
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Wangaratta Art Gallery
Sculpture, Tulla Carson, Gathering - How to Walk in Two Worlds, 2017
Gathering is a series of contemplative sculptural objects that represent a visual continuity between the Australian landscape and the city. They embody totemic beings which hold the beliefs, values and attitudes of an individual who resides within the urban context, yet has a deep connection to place through their engagement with temporal moments and meaningful interactions. They aim to facilitate dialogue between the viewer and the viewed, seeking to re-orient an individual's perception, awareness and values surrounding the importance of fostering a connection and sense of place with the land we walk on.Wangaratta Art Gallery Collection. Purchased with funds from the Friends of Wangaratta Art Gallery.A contemporary sculpture made using weaving techniques to create a mesh-like linen cylinder tuft with raw cotton fibre mounted upon a limestone base.sculpture, textile, tulla carson -
Hawthorn Historical Society
Drawing - Property Illustration, 6 Lyall Street, Hawthorn, 1993
'After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 23 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view.' (Margaret Picken, 2020)This property illustration is one of a series created by Margaret Picken for a range of real estate agents in Melbourne between c. 1983 and c. 2006. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020pen and ink architectural drawing on drafting film.6 LYALL ST, HAWTHORN Margaret Picken ~98 WOODARDSartist - margaret picken 1950- -
Gippsland Art Gallery
Painting, Veal, Hayward, Portrait of Ron Kingerly, c.1945-50
Donated by Charles Nodrum, 2008Oil on canvasboardgippsland, artwork, permanent collection -
Port Fairy Historical Society Museum and Archives
Drawing - Post Card, Stag Hotel
This is one of a series of post cards drawn by artist Mrs Irene Bartlett of Port Fairy. This one depicts the Stag Hotel on the corner of Cox Street and Sackville Street. Now known as Seacombe Houseblack and white drawing of the Stag Hotel and Cottages drawn showing Sackville and Cox street aspects to be used as a post cardStag Hotelhotel, sketch, i.bartlett, post card, sackville street, cox street, seacombe house, stag inn, irene bartlett, stag hotel -
Kew Historical Society Inc
Print, Gainsborough, Bride and Groom, Marjorie Dean & Alg. Garlick, 1928
Marjorie dean's wedding dress is part of the Society's Fashion & Design collectionWedding photo of Marjorie Dean & Alg. Garlick. The bride is wearing a knee-length wedding dress and a medium length veil.Handwritten text: "February 1928. Wedding photo of Marjorie Dean and All. Garlick. Gift together with Marjorie's wedding dress, to Kew Historical Soc from their daughter Val Neilson **** on 5/8/98.wedding photographs, bridal fashion - 1920s, marjorie dean -
The 5th/6th Battalion Royal Victoria Regiment Historical Collection
Sculpture - Best soldier, C Company Best Soldier Award
a statute of a modern Australian Infantry soldier holding a F-88 with NVG, it recorded the best soldier of C Company 5/6 RVR of each year -
Hawthorn Historical Society
Drawing - Property Illustration, 10 View Street, Hawthorn, 1993
'After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 23 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view.' (Margaret Picken, 2020)This property illustration is one of a series created by Margaret Picken for a range of real estate agents in Melbourne between c. 1983 and c. 2006. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020pen and ink architectural drawing on drafting film.10 VIEW ST HAWTHORN Margaret Picken ~87 WOODARDS -HAWTHORNartist - margaret picken 1950- -
Camberwell Historical Society
Drawing (series) - Architectural drawing, 10 Martin Crescent, Glen Iris, 1988
artist, architectural drawings, margaret picken, camberwell, housesartist, architectural drawings, margaret picken, camberwell, houses -
Gippsland Art Gallery
Painting, Franks, Arthur, Haze, 1970
Donated by the artist, 1970Oil on boardgippsland, artwork, permanent collection -
Kew Historical Society Inc
Drawing - Property Illustration, Margaret Picken, 3 Denmark Street, Kew, 1995
After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 23 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view. (Margaret Picken, 2020)This drawing is one of a series created by Margaret Picken for a range of real estate agents in Melbourne between c.1983 and c.2005. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020Pen and ink architectural drawing on drafting film of 3 Denmark Street, Kew by Margaret Picken.3 DENMARK ST., KEW / MARGARET PICKEN ~95 / WOODARDS ~ HAWTHORNartist -- margaret picken 1950-, architectural drawings -- houses -- kew (vic.), 3 denmark street -- kew (vic.) -
Hawthorn Historical Society
Drawing - Property Illustration, 35 Currajong Street, Hawthorn East, 1994
'After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 23 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view.' (Margaret Picken, 2020)This property illustration is one of a series created by Margaret Picken for a range of real estate agents in Melbourne between c. 1983 and c. 2006. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020Pen and ink property illustration on drafting film of 35 Currajong Street, Hawthorn East by Margaret Picken.35 Currajong Road, Haw E, Margaret Picken '94. Woodards - Haw.artist - margaret picken 1950- -
Camberwell Historical Society
Drawing (series) - Architectural drawing, 2/13 Gilbert Parade, Camberwell, 1992
artist, architectural drawings, margaret picken, camberwell, housesartist, architectural drawings, margaret picken, camberwell, houses -
Kew Historical Society Inc
Drawing - Property Illustration, Margaret Picken, 18 Yarra Street, Kew, 1996
After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 23 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view. (Margaret Picken, 2020)This drawing is one of a series created by Margaret Picken for a range of real estate agents in Melbourne between c.1983 and c.2003. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020Pen and ink drawing on drafting film of 18 Yarra Street, Kew by Margaret Picken.18 YARRA ST., KEW / MARGARET PICKEN ~96 / WOODARDS ~ HAWTHORNartist -- margaret picken 1950-, architectural drawings -- houses -- kew (vic.), 18 yarra street -- kew (vic.) -
Queenscliffe Maritime Museum
Print - Print of a Sloop - un-named, Print of a Sloop by Time-Life Books- un-named, Printed by Time-Life Books in 1984
Time-Life Books insert of typical Sloop style boatsColoured print of a typical Sloop by Time-Life Books- un-named boatRefer Notes section for detailstypical sloop drawing -
Kew Historical Society Inc
Drawing - Property Illustration, Margaret Picken, 12 Molesworth Street, Kew, 1998
After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 23 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view. (Margaret Picken, 2020)This drawing is one of a series created by Margaret Picken for a number of real estate agents in Melbourne between 1983 and 2005. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020Pen and ink architectural drawing on drafting film of 12 Molesworth Street, Kew by Margaret Picken.12 MOLESWORTH ST., KEW / MARGARET PICKEN ~98 / WOODARDS ~ HAWTHORNartist -- margaret picken 1950-, architectural drawings -- houses -- kew (vic.), 12 molesworth street - kew (vic). -
Kew Historical Society Inc
Drawing - Property Illustration, Margaret Picken, 9 Cradley Avenue, Kew, 1992
After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 23 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view. (Margaret Picken, 2020)This drawing is one of a series created by Margaret Picken for a range of real estate agents in Melbourne between c.1983 and c.2005. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020Pen and ink architectural drawing on drafting film of 9 Cradley Avenue, Kew by Margaret Picken.9 CRADLEY AVE., KEW / MARGARET PICKEN ~92 / WOODARDS ~ artist -- margaret picken 1950-, architectural drawings -- houses -- kew (vic.), 9 cradley avenue - kew (vic.) -
Kew Historical Society Inc
Drawing - Property Illustration, Margaret Picken, 36 Argyle Road, Kew, 2000
After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 23 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view. (Margaret Picken, 2020)This drawing is one of a series created by Margaret Picken for a range of real estate agents in Melbourne between c.1983 and c.2003. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020Pen and ink drawing on drafting film of 36 Argyle Road, Kew by Margaret Picken.36 ARGYLE RD, KEW / MARARET PICKEN (c) 1993 / WOODARDS ~ HAWTHORNartist -- margaret picken 1950-, architectural drawings -- houses -- kew (vic.), 36 argyle road -- kew (vic.) -
Camberwell Historical Society
Drawing (series) - Architectural drawing, 1/15 Allambee Avenue, Camberwell, 2002
artist, architectural drawings, margaret picken, camberwell, housesartist, architectural drawings, margaret picken, camberwell, houses -
Queenscliffe Maritime Museum
Painting - 'SS Roma', Dacre Smyth, Roma
SS Roma was laid down in 1942 at the Seattle-Tacoma SB Corporation plant and was launched as “Glacier” on September 7, 1942. Like quite a few ships, it was during her building as a C3 cargo ships that she was transferred under the “Lend Lease Agreement” to the Royal Navy and redesigned and built as the escort aircraft carrier HMS Atheling. After the war she was purchased by the Lauro Lines and rebuilt as the modern passenger liner Roma. She departed on her maiden voyage from Genoa bound for Australia in August 1951 arriving in Fremantle on October 1, continuing to Melbourne and arriving in Sydney on the 17th. She then went north to Brisbane before returning home. Mrs B SmythA framed oil painting of the migrant ship SS Roma.Romass roma, migrant ships -
Moorabbin Air Museum
Drawing (Item) - Canberra Colour Markings (multiple)