Showing 9925 items matching art
Artwork, other (1213) Ceramic (746) Decorative object (661) Drawing (4552) Mixed media (471) Painting (2349) Print (1648) Sculpture (394) Textile (1022) Work on paper (2002)-
Kew Historical Society Inc
Drawing - Property Illustration, Margaret Picken, 91 Studley Park Road, Kew, 1998
After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 22 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view. (Margaret Picken, 2020)This drawing is one of a series created by Margaret Picken for a number of real estate agents in Melbourne between 1983 and 2005. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020Pen and ink architectural drawing on drafting film of 91 Studley Park Road, Kew by Margaret Picken.91 STUDLEY PARK RD., KEW / MARGARET PICKEN ~98 / WOODARDS ~ HAWTHORNartist -- margaret picken 1950-, architectural drawings -- houses -- kew (vic.), 91 studley park road - kew (vic) -
Federation University Art Collection
Work on paper, 'Tree' by Bob Jenyns
bob jenyns, tree -
Moorabbin Air Museum
Drawing (Item) - Pilatus PC XII, Drawings
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Bayside Gallery - Bayside City Council Art & Heritage Collection
Painting - oil on canvas, John Ford Paterson, Ti-tree, Brighton Beach, 1895
John Ford Paterson, Ti-tree, Brighton Beach 1895, oil on canvas, 25.5 x 40.5 cm. Bayside City Council Art and Heritage Collection. Purchased 2022.brighton, beach, ti-tree, john ford paterson, bayside, coast -
City of Whittlesea Art Collection
Painting - Gouache on paper, Mandy Nicholson, Yan Yean and Mernda
Born in Healesville, Many Nicholson is a Wurundjeri-willam (Wurundjeri-baluk patriline) artist and Traditional Custodian of Melbourne and surrounds. Mandy also has connections to the Dja Dja wurrung and Ngurai illam wurrung language groups of the Central/Eastern Kulin Nation on her fathers side and German on her mothers.wurundjeri, aboriginal, kulin -
Camberwell Historical Society
Drawing (series) - Architectural drawing, 58B Lynden Street, Camberwell, 2000
artist, architectural drawings, margaret picken, camberwell, housesartist, architectural drawings, margaret picken, camberwell, houses -
The Beechworth Burke Museum
Drawing, Ernest Marcuse, Bank of Victoria – Yackandandah II, c1982
Ernest Heinrich Marcuse was born on the 1st of December 1900 to Hedwig and Siegmund Marcuse in Berlin Germany. While Marcuse's artistic talent was apparent from a younger age, his earliest existing artwork was from when he was approximately 20 years old. Ernest's formal art training commenced in 1918 with a three year course at the Berlin school of Interior design. After completion he found work until 1924 when Germany's Great Depression took effect. To broaden his career opportunities he undertook a further 12 months study of fashion, drawing and advertising at Berlin's Reiman school of art. From 1925 to 1934 Ernest was primarily a freelance press artist specialising in industrial, architectural and figurative drawing. Prominent newspaper The Berliner Morgenpost was his largest client along with Gross Deutsche Rundfunaustellung (Germany's organisation for major trade shows). During this period he would create many significant works. Two months after Hitler and the Nazi part came to power in 1933, Ernest received a life changing letter stating that being Jewish he could no longer continue employment in Germany. Up until 1938 he would only be able to undertake private commissions and occasional unofficial work as a book illustrator and games designer. This was by arrangement with non Jewish artists who claimed his work as their own, they would then share the income with Ernest. With increasing unrest in Germany during late 1938 Ernest decided to move to London and there he married his girlfriend Lotte. In late 1939 Ernest and Lotte Marcuse embarked on an eight week journey to their new home in Australia where they had been accepted as refugees. Shortly after arriving in Australia Ernest presented his portfolio to an editor at the Argus newspaper and gained employment as a war events illustrator. He soon became well respected and known in particular for his detailed illustrations and cross sections of ships , artillery and aircrafts. His detailed depictions of battles were displayed on the front pages of The Argus newspaper on a number of occasions. In May 1940 as the war intensified Ernest was dismissed from The Argus newspaper due to his Australian government classification of 'stateless person of enemy origin' and was considered a potential security risk. The editor of the time commented "don't blame us, blame Hitler". Marcuse then began to establish himself as a commercial artist. Ernest was de-classified as a 'stateless person of enemy origin' and in early 1942. The Australian army heard of Ernest's artistic abilities and began to utilize his designs for visual training aids and posters. Ernest became Private E.H Marcuse V377746, his first army posting was as staff artist at The infantry officer's training school at Bonegilla. When off duty he was inspired by the beauty of the surrounding area creating the works in North east Victoria 'Kiewa river bridge', 'Hume weir', ' Dried up river bed' and 'Hawksview gold reef mine' from his 1942-1943 period at Bonegilla Victoria. Ernest returned to the area to create drawings and paintings from 1948 to 1983 in locations including Bright, Wandilligong, Bogong High plains and Wallace's Hut, Mt Buffalo, Beechworth, Pretty valley, Kiewa Hydro, Yackandandah and Bontherambo homestead. These sketches were often completed on location, photographs were also taken onsite to assist the works back at the studio. Occasionally Marcuse also painted in the field. Ernest's preferred choice of medium was pencil and ink. Up until 1952 he would often incorporate watercolour into his work. Later into his career he began introducing pastels, acrylic and mixed media. In earlier years Ernest Marcuse often signed his work Mar, later on the signing of works ranged from Marcuse, E.Marcuse, Ernest Marcuse, EHM or simply EM . If a work was considered incomplete or Marcuse did not like the work it would remain unsigned. From Bonegilla Marcuse was transferred to Woodside South Australia before his final posting in Melbourne until the end of 1945. Ernest's work from within his army posting 'Troop Train at Night' from his 1945 exhibition Australia at War are part of the permanent collection at Canberra's War Museum. Between 1946 and 1969 Ernest largely worked from home and concentrated on a career as a freelance commercial artist and graphic designer. During that time he created work for well known household names including CRA/Conzinc, Vacuum oil (Caltex), Cottee's Brand (Schweppes and Heinz), Home Beautiful magazine Fulton garden supplies, International Iveco trucks, Ego pharmaceuticals, QV and Sunsense. After retirement Ernest concentrated on his true love of fine art and focused on painting images of personal interest both across Australia and Internationally. Earnest never drove a car. He would often walk or use public transport or enlist in the help of family or artist friends to drive him. Throughout his career Ernest Marcuse's artworks were purchase by private collectors these included ACTU, Melbourne City council, Holland Constructions, Melbourne Metropolitan Tramways Board, GJ Coles and Australian Resources Bank. Ernest Marcuse permanent collections can be viewed at The National Gallery of Victoria , Sydney Jewish Museum, Jewish Holocaust Centre Melbourne, Canberra's War Museum, City of Melbourne, Shire of Yarra ranges and now the Burke Museum. © 2020 Art by Marcuse https://www.artbymarcuse.com.au/aboutDonated to the Burke Museum through the Australian Government's Cultural Gifts Program by Peter and Evelyn MarcusePen and pencil landscape drawing on paper.Obverse: BANK OF VICTORIA / YACKANDANDAH / ERNEST MARCUSE / Reverse: Y 4 / 015 ernest marcuse, marcuse, art, artbymarcuse, beechworth, burke museum, indigo shire, landscape, illustration, drawing, pen and pencil, australian army, war events illustrator, the age, the sun, the argus, germany, refugee, industrial drawing, architectual drawing, figure drawing, berliner morgenpost, grosse deutsche rundfunaustellung, berlin’s reiman school of art., cultural gifts program -
Federation University Art Collection
Drawing - Drawing - Charcoal & Conte on paper, Sanders, Sarah, "Study III" by Sarah Sanders, 2010
Sarah SANDERS (16.06.1943 - ) Born Salisbury, Wiltshire, England Arrived 1969 Federation University Bachelor of Arts (Fine Arts Sculpture), Grad Dip Visual Arts . This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.Framed abstract drawing.art, artwork, sarah sanders, abstract -
Kew Historical Society Inc
Drawing - Property Illustration, Margaret Picken, 2/552 Barkers Road, Kew, 1990
After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 23 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view. (Margaret Picken, 2020)This drawing is one of a series created by Margaret Picken for a range of real estate agents in Melbourne between c.1983 and c.2005. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020Pen and ink drawing on drafting film of 2/552 Barkers Road, Kew by Margaret Picken.2/552 BARKERS RD., KEW / MARGARET PICKEN '90 / WOODARDS ~ KEWartist -- margaret picken 1950-, architectural drawings -- houses -- kew (vic.), 2/552 barkers road -- kew (vic.) -
Clunes Museum
Work on paper (collection) - LANDCARE 2011-2013, CLUNES LANDCARE GROUP
HISTORICAL PRESERVATIONlandcare, clunes landcare grouplandcare, clunes landcare group -
Castlemaine Art Museum
Painting, Tom Roberts, Alexander Anderson Snr, 1889
Purchased with the assistance of the Caltex-Victorian Government Art Fund and Public Appeal, 1979 -
Kew Historical Society Inc
Drawing - Property Illustration, Margaret Picken, 1/6 Marshall Avenue, Kew, 1993
After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 23 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view. (Margaret Picken, 2020)This drawing is one of a series created by Margaret Picken for a number of real estate agents in Melbourne between 1983 and 2005. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020Pen and ink architectural drawing on drafting film of 1/6 Marshall Avenue, Kew by Margaret Picken.1/6 MARSHALL AVE., KEW / MARGARET PICKEN ~ 93 / WOODARDS ~ KEWartist -- margaret picken 1950-, architectural drawings -- houses -- kew (vic.), 1/6 marshall avenue - kew (vic). -
Tatura Irrigation & Wartime Camps Museum
Painting - Sketch, Figure sketches of internees
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Camberwell Historical Society
Drawing (series) - Architectural drawing, 7 Middle Road, Camberwell, 1989
artist, architectural drawings, margaret picken, camberwell, housesartist, architectural drawings, margaret picken, camberwell, houses -
Bayside Gallery - Bayside City Council Art & Heritage Collection
Painting - oil on board, Ramon Horsfield, Eildon landscape
ramon horsfield, rural, landscape, bush, gum, tree, eildon, lake, lake eildon, hill -
Port Melbourne Historical & Preservation Society
Painting - Painting, Public convenience, Sinclair Parade, Port Melbourne, Ray Johnstone, 1998
One of several Port Melbourne watercolours painted by Ray Johnstone just before his departure to France. Framed watercolour of public convenience in Sinclair Parade by Ray Johnstone, 1998Port Melbourne Prints and Framing sticker on backarts and entertainment - visual arts, built environment - civic, ray johnstone -
Melbourne Tram Museum
Drawing, "Resistance Diagram for Dick Kerr Boxes", c1960
Drawing in ink on paper, titled "Resistance Diagram for Dick Kerr Boxes", showing the set out of the resistance grids, the steps and the values in Ohms, of resistance for trams fitted with this type of equipment.trams, tramways, electrical engineering, electrical equipment, resistance grids, dick kerr -
Friends of Ballarat Botanical Gardens History Group
Work on paper - The Gods and Goddesses' of Ancient Greece and Rome, Statues Representing Famous Mythological Figures
john garner collection, ballarat botanical gardens, gardens, ballarat, mythology, statues -
Kew Historical Society Inc
Drawing - Property Illustration, Margaret Picken, 2/27 Asquith Street, Kew, 2003
After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 23 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view. (Margaret Picken, 2020)This drawing is one of a series created by Margaret Picken for a range of real estate agents in Melbourne between c.1983 and c.2005. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020Pen and ink drawing on drafting film of 2/27 Asquith Street, Kew by Margaret Picken.2/27 ASQUITH ST., KEW / PICKEN (c) 2003 / 'FLETCHERS'artist -- margaret picken 1950-, architectural drawings -- houses -- kew (vic.), 2/27 asquith street -- kew (vic.) -
Wonga Park Community Cottage History Group
Work on paper - Newspaper cutting, Wonga Park: 7 Oct 1981 Ringwood Croydon Mail: "Hopes held for funds" re Proposed Brushy Creek Drainage Scheme
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Glenelg Shire Council Cultural Collection
Painting, Joshua Black, c. 1850
UnknownPortrait of a man against a blank brown and black background. He is in formal attire, with black jacket, high-collared white shirt and black cravat. His hair (black) is parted on the left and he has side burns descending past his cheekbones. Framed in a black frame with gilding.Front: (no inscriptions) Back: (no inscriptions) Conservation Centre, Melbourne - label. -
Federation University Historical Collection
Drawing - Architectural Drawing, Plans for the Ballarat School of Mines New Classrooms, c1899 (print), c1899
The new classrooms at the Ballarat School of Mines were started in 1899 and completed in 1901. In 2014 this building is known as The Administration Building on the Federation University Australia SMB Campus.Framed print of original plans for new double storey classrooms at the Ballarat School of Mines. The plans include the front elevation and a side section.ballarat school of mines, buildings, administration building, new classrooms, prov, plans, architecture, architectural drawings, a building -
National Wool Museum
Textile - Blanket, Challenge Woollen Mills
Part of a collection of three blankets donated by Emily McNeight.Pink, blue and cream chequered blanket with aqua blue edging.label: Challenge / LAMBSWOOL / SUPER GRADE BLANKET / pure new woolwool, blankets, challenge woollen mills -
Whitehorse Historical Society Inc.
Textile - Lace Piece
Cream lace piece used for demonstration purposes.On display stand of dark red velvet 'C. R. Eichhom' plaven I. V.handcrafts, lacemaking -
Ringwood RSL Sub-Branch
Work on paper - Morning mission, Picture
Wooden framed picture -
Moorabbin Air Museum
Drawing (Item) - RAAF Hercules Exterior Markings
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Latrobe Regional Gallery
Drawing, BELLANY, John b. 1942, Port Seton d. 2013, Untitled, 1983
Charcoal on paperSigned and dated 'Bellany '83' in lower right corner of drawing. -
Moorabbin Air Museum
Drawing (Item) - Douglas Dolphin A35, drawings, Douglas Dolphin A35
Douglas Aircraft Co., Inc. -
Melbourne Tram Museum
Drawing - Illustration, The Anti-Cancer Council, "Collins Street - Melbourne", c1992
Illustration - colour printed onto white card, titled "Collins Street - Melbourne" from a painting by Donald Cameron. Shows a tram arriving west bound at corner of Swanston and Collins St, with the Town Hall in the background. Card produced by The Anti-Cancer Council for sale. Produced as a Christmas Card, two fold vertical with details of the artist and the producer on the rear. Also a second copy of just the illustration only. Card used by Clive Mottram for 1992.trams, tramways, collins st, town hall, illustrations, greetings cards -
Kew Historical Society Inc
Drawing - Property Illustration, Margaret Picken, 9 Laver Street, Kew, 1996
After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 23 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view. (Margaret Picken, 2020)This drawing is one of a series created by Margaret Picken for a number of real estate agents in Melbourne between 1983 and 2005. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020Pen and ink architectural drawing on drafting film of 9 Laver Street, Kew by Margaret Picken.9 LAVER ST., KEW / MARGARET PICKEN '96 / WOODARDS ~ HAWTHORNartist -- margaret picken 1950-, architectural drawings -- houses -- kew (vic.), 9 laver street -- kew (vic.)