Showing 2245 items in the category Art with item type Painting
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Latrobe Regional Gallery
Painting, VERHEESEN, Ludouicus, Fransicus (Franz) b. 1928, Holland d.1983, Latrobe Valley, VIC, Aus, Untitled, 1967
Oil on composition boardSigned 'F. Verheesen 67', underlined in felt tipped pen - lower right corner -
Bendigo Art Gallery
Painting, Thomas Sheard, The Arab Blacksmith, circa 1900
Signed, l.r., brown oil, "T.F.M. Sheard". Not dated. -
Benalla Art Gallery
Painting, E. Phillips FOX, Autumn morning, 1900
Born: Fitzroy, Victoria, Australia 1865; Died: 1915ImpressionismBennett Bequest, 1998 Rural landscape with hill, trees, voluminous white clouds in the sky.Recto: Signed and dated "E. Phillips Fox / 1900" in blue paint l.l.c of composition; Not titledlandscape, rural, hillside, colonial, australian art -
Swan Hill Regional Art Gallery
Painting, CAVELL, Paul Francis Louis, Archives, 1989
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Wangaratta Art Gallery
Painting, Doris Flockart, Meriwa Park Wangaratta, 1916
Rural City of Wangaratta CollectionA landscape painting of cows grazing at Merriwa Park, Wangaratta.Obverse: D. H. Flockart/ (bottom left corner)wangaratta art gallery, doris flockart, painting, pastoral, landscape -
Swan Hill Regional Art Gallery
Painting, ROBINSON, John, Streams I, 1986
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Bendigo Art Gallery
Painting, Thomas Clark, Ulysses and Diomed Capturing the Horses of Rhesus, King of Thrace, circa 1851
Signed l.r., red oil, "T. Clark". Not dated -
Benalla Art Gallery
Painting, George W. LAMBERT, Shearer's Sunday, 1899, 1899
Born: St Petersburg, Russia 1873; Arrived: Sydney, New South Wales, Australia 1887; Lived and worked: England, France, Wales, Egypt, Palestine 1900-1921; Died: Cobbity, New South Wales, Australia 1930NationalismGift of Mrs E.E. Ledger, 1982Rural landscape with four horses and riders jumping a fence. Image is in black and white colour. Dark stained, gold and grey brushed timber frame.Recto: Signed "GEO.W.LAMBERT" in black watercolour in l.r.c of composition; Not dated; Not titledpainting, rural, horses, animals, figures, fence, jump, tree -
City of Greater Geelong
Painting - Oil on Hardboard, Agnes Szetay, Unnamed - Bush Track, Olinda
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Bendigo Historical Society Inc.
Painting - RELIGIOUS PRINT
Religious print of white flowers and fern, framed in a cream wooden frame with brass adornments in corners, under glass with wording, for this God is our God for ever and ever, Psa 48.14artwork, print, religious -
Federation University Historical Collection
Painting, Student artwork from Horsham TAFE
Ewen Ross was lecturing in Visual Art at Horsham TAFE when these works were undertaken. Various examples of artwork undertaken by TAFE student at Horsham. Many of them relate to exercises relating to the Elements and Principles of Design. .1) An exercise in the Elements and Principles of Design by David McGennesken .2) Banksia by Walsh .3) Portraits in Colour by Erica Hein .4) Scaling (Owl) by David McGennesken .5) Subjective Colour by David McGennesken .6) Texture by Michael Rudolph .7) An exercise in the Elements and Principles of Design by Michael Rudolph .8) Shape by Michael Rudolph .9) Shape by David McGennesken .10) Texture by David McGennesken .11) Design Value by David McGennesken .12) An exercise in the Elements and Principles of Design by Michael Rudolph .13) Texture by Erica Hein .14) Design by Erica Hein .15) Design by Erica Hein .16) Tonal .17) Cross Hatching by Erica Hein .18) An exercise in the Elements and Principles of Design .19) Shape by Kris Young .20) Tone by Michael Rudolph .21) Colour by Michael Rudolph .22) texture by Michael Gromm .23) Cross Hatching by Michael Gromm .24) Cross Hatching by Nicholas Stevens .25) Birds Eye .26) a and B Relief Print .27) Colour .28) Still life relief Printtafe, visual arts, alumni, horsham, wimmera campus, elements of design, principles of design, ewen ross, nicholas stevens, erica heim, michael gromm, michael rudolph, david mcgenneskin -
Bendigo Historical Society Inc.
Painting - CAROL HOLSWORTH COLLECTION: 1970 NATIONAL BANK PAINTING REPRODUCTION 'PENGUIN SILVER MINES' TASMANIA
1970 National Bank watercolour painting reproduction Penguin Silver Mines , Tasmania signed Á.G'1871 Below the picture title the words - Reproduced by the National Bank in 1970 from the engraving in the national library of Australia by permission of the Trustees A sail / steamship is seen off the coast .The centre of the painting shows a mine shaft , frame and wheels connected to a horse-powered mechanism .There are various other buildings , horses and carts and people .The mine was only to last a year.painting, watercolour, 'penguin silver mines , tasmania / national bank reproductions / -
Federation University Art Collection
Painting - Artwork - Painting, 'Procession Along the Todd River' by Wesley Pemberthy
Wesley PEMBERTHY (1920- ) Born Broken Hill, New South Wales Wesley Pemberthy spent his childhood in Adelaide, South Australia. As an adult he lived in Bendigo, Ballarat, Clunes, Creswick, Daylesford and Perth. While in Perth he studied at Perth Technical School (1933-1937), followed by studies under the tutorship of Norman Lindsay in New South Wales (1938-1941). After service during World War Two Wes Pemberthy became the first Rehabilitation student at the National Gallery School, Victoria, undertaking research into the techniques of the Old Masters. He was the winner of the Sulman Award in 1955. The Sulman Prize is awarded for the best subject painting, genre painting or mural project by an Australian artist.Framed painting showing a number of brightly dressed people in a treed landscape. artists, artwork, wes pemberthy, wesley pemberthy, aborigines, aboriginal -
Queenscliffe Maritime Museum
Painting - Painting of Pilot Vessel Alvina, A V Gregory
Painting donated by Mr P Boyle, grandson of former pilot Harry Trueman who served on the PV Alvina. The Sydney Morning Herald 29 July 1903 THE NEW MELBOURNE PILOT STEAMER. ALVINA The new pilot steamer Alvina, which was recently purchased by the Port Phillip Sea pilots, was inspected on Thursday last by the members of the Victorian Marine Board and a number of gentlemen representing the leading shipping companies in Melbourne. The Alvina was formally the private yacht of Mr Marmaduke Fox a wealthy Yorkshire gentleman and is a trim craft of 145 tons register and a length of 18ft overall. Hitherto the sea pilots have managed to do their work with one steamer, the Victoria but it has long been apparent that a second vessel was required. The pilots upon whom the obligation of providing and maintaining their vessels devolves, thereupon made a successful bid for the yacht and, by an additional outlay of 700 pound, had her overhauled and refitted in Deane's Dock, Williamstown. On Thursday last the vessel made a trial trip to Point Cook for the purpose of satisfying the Marine Board and the underwriters as to her fitness for the work. She showed a speed of 11 knots and steamed smoothly and satisfactorily. During the trip the visitors assembled in the saloon and drank success to the new steamer. Captain Carrie, president of the Marine Board, congratulated the pilots on their acquisition, and said that the service was now second to none in the world. The new vessel which has been in the charge of Captain Wills is handsomely fitted up and contains two staterooms and four cabins for the pilots and sleeping accommodation for a crew of eight. In future one steamer will remain on the pilot grounds inside the Heads while the other will steam about outside Queenscliff. A framed and mounted water colour painting of the Pilot Vessel Alvina under glasspainting, alvina, pilot vessel -
Swan Hill Regional Art Gallery
Painting, HART, Pro, The cyclists, unknown
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Tatura Irrigation & Wartime Camps Museum
Painting - Painting - Watercolour, Near Dunkeld, Victoria
Done by Leonhard Adam, Tatura interneeleonhard adam, dunkeld victoria -
Federation University Art Collection
Painting, Wojciechowski, Noirin, 'Homage to Delacroix' by Noirin Wojciechowski, 2009
Noirin WOJCIECHOWSKI Noirin Wojcjiechowski completed a Bachelor of Art (Fine Arts) in 2010 at the University of Ballarat (later Federation University. This item is part of the Federation University Art Collection. The Art Collection features over 1000 works and was listed as a 'Ballarat Treasure' in 2007.Painting of a still life, including a female bust.art, artwork, noirin wojciechowski, alumni, still life, available -
Kew Historical Society Inc
Painting - Rose study, Vida May Wing, 1908-19
The French Collection was donated to the Society in 2022. This collection includes documents, artworks, books, costumes and artefacts belonging to two families. A number belonged to, or were made by the grandparents of the donor: Vida May Wing and her husband Hubert Charles McDonald. [Other items belonging to Vida and Hubert are in the collections of the Australian Performing Arts Museum and Museum Victoria.] A second significant group of objects were gifts made to the donor's family by Lucy (Jean) Hornby of Queen Street, Kew whose family had been early settlers in the district. Vida May Wing was born in Richmond in 1882. A noted teacher of plain, fancy and step dancing, during the first two decades of the twentieth century she held annual fancy dancing and floral balls, where her pupils were the performers. In 1916, she married Hubert Charles McDonald. She died in 1959.Rose Study on board, by Vida May McDonald (nee Wing). Pink and red roses on wooden panel.Reverse: "Vida Wing / 1908-19?"still lifes, vida may wing, roses -
Bayside Gallery - Bayside City Council Art & Heritage Collection
Painting - oil on linen, Dani McKenzie, Camp, 2019
Winner of the Bayside Acquisitive Art Prize 2019. oil on linendani mckenzie, camp, figures, painting, bayside acquisitive art prize, tent -
Castlemaine Art Museum
Painting, Arthur Streeton, Blue Hydrangeas, 1900-1943
Gift of Burnell Family in memory of John G. Burnell and his wife Adele, 1989 -
Bendigo Art Gallery
Painting, Lucy Walker, Cactus and Jar, 1884
Signed and dated, l.r., brown oil, "L. Walker 1884". -
Castlemaine Art Museum
Painting, Walter Withers, The Old Farm, c. 1906
Purchased 1918 -
Darebin Art Collection
Painting, Francesca Pezzimenti, Leon Loves Montserrat, 2008
montserrat -
Benalla Art Gallery
Painting, Joseph BACKLER, Caroline Johnson (portrait pair), c. 1843
Born: London, Middlesex, England 1813; Arrived: Sydney, New South Wales, Australia 1832; Died: Sydney, New South Wales 1895VictorianBennett Bequest, 1999 Oil on canvas depicting portrait of seated Caroline Johnson in grey dress. Polished timber frame with gold gesso inlayRecto: Not signed, not dated, not titled painting, portrait, colonial, woman, face, dress, flower, figure -
Federation University Art Collection
Painting - landscape, Sydney Pern, [Seascape] by Sydney Pern, Pre 1967
Sydney PERN (c1876-1967) Dr Sydney Pern began practicing medicine in Yarram before setting up practice in Ballarat. He was a competent artist, and as an amateur anthropologist collection Aboriginal artefacts during travels in Central and Northern Australia. Dr Sydney Pern died aged 91 on 23 October 1967, and is buried in the Ballaarat New Cemetery. The ethnographic collection was housed at his home, 10 Raglan Street North, before being donated to the Ballarat School of Mines Museum. When the museum was closed in the 1960s Dr Pern requested that the collection pass to the City Council, and from there it was housed at the Gold Museum. An artwork by Sydney Pern was exhibited in the 1958 Crouch Prize at the Ballarat Fine Art Gallery. This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.Framed oil on sketching paper seascape by Dr Sydney Pern Gift of David Alexander, 2013Signed lower right corner "S. Pern"art, artwork, pern, sydney pern, landscape, available -
Federation University Art Collection
Painting, Panke, Birgit, [landscape] by Birgit Panke, c1971
This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.A painted landscapeart, artwork, painting, acrylic on canvas, birgit panke, micich -
Ballarat Heritage Services
Painting, Millie Okai, Painting by Millie Okai, c2019
Millie OKAI Country: AnanguPainting on canvasaboriginal, millie okai -
Federation University Art Collection
Painting - Artwork, 'Ovens River' by Veronica Drum, 2019
I conceive my work as unfinished fragments of memory and childhood rituals, and through the art making process, I build and then peel back the layers of these memories and early influences, to reveal my personal dreamscape. Through the fusion of colour, texture, mark making and rubbing back, my intuitive rendering of the media creates layers that like memories, can be stacked up, hidden, peeled away, rubbed out, etched back in, and the process of layering and building up of a tactile textured surface, reflects memory itself; with its elusiveness and hard to grasp impressions that are more like ingrained watermarks. As I work, layering the surface then taking it back; rebuilding, adding marks and burnishing back, I feel into the textures, and through this tactile rendering I often discover something unintended and the end result is not quite how I perceived it in the planning. Perhaps something of a happy accident, which again reflects the arbitrariness of memory. I see my artworks less as paintings, but assemblages, with the layering technique creating a sculptural effect that reflects my great interest in the landscape and its beautiful and varied colours, shapes and textures. Part of my process is to take long drives into the country where I grew up, photographing along the way, to create a visual documentary that then informs my practice. The wide paddocks of the Victorian wheatbelt, beneath the endless blue of the horizon evokes very early memories so that a singular Bullock, a fencepost, a hay roll or corrugated iron wall, is so uniquely resonant to me, I am compelled to create this in my work. My connection to the land, to farming practices; the poplars, oaks and elm trees of my childhood holidays, is a mindscape that I return to again and again as I try to recreate that early sense of wonder, love and familiarity, grief and joy, that forms my unique vision. Veronica DRUM (1967 - ) Born Donald, Victoria A student at Federation University Arts Academy from 2015 until 2019, Veronica Drum is committed to establishing regular studio practice. Veronica Drum made this work in the final studio semester of the Bachelor of Visual Arts at the Federation University Arts .Academy.Framed Mixed media artwork depicting the Ovens Rivers, Victoria. Artists' Statement: Through the fusion of colours, textures, mark-making and a 'rubbing back' process, my intuitive rendering of the chosen media creates layers in my artwork that reflect and build upon cherished childhood memories. This work won the 2019 Federation University DVC 2D Art Acquisition Award.veronica drum, mixed media, alumni, oven river, dvc art acquisition award, trees, landscape, treescape -
Glenelg Shire Council Cultural Collection
Painting, Tina Saunders, Bushfire, 2013
Always wanting to paint the bushfire. Seen heaps of things with burning of heath land for Alcoa and went running through it like we were in the fire. It was beautiful but we were crying as we didn’t want them to do it. We were right in the middle of it as it was all glowing everywhere. Always fascinated by that fire when I think about it as we tried to stop it but they bought the police out and we couldn’t get in there as they had security and we were surrounded. We camped out there for four years we had the camp and would come and go from the house in town. Zac Martin and heaps of people in and out and good times with Uncle Banjo and newspaper journalists. 30 years ago this was, late 70’s and took 6 years to get them to court. Flew a guy out from America (the equaliser) who interviewed us about why we were doing it. They burnt right along the cliff whilst we were camped there and we had seen the seasons and got into the spirit of the land with native blossom and it was beautiful – and they burnt it all, all the little animals, it was incredible as the heathland was absolutely beautiful, it was magic and they could not see that. They pegged it out to do it all and we would sneak out and move the pegs and we tried to fight them every which way. Amy was there with all her kids in a massive striped tent but she moved them out when the police came to move us out. They had us surrounded, police from everywhere. We had no water and people would bring us water and food. Another time a big bushfire came through and we had to get in the dam at Lake Condah Mission. I was aged around 10 or 11.” June 2014 As recorded by Anna Louise Sheba for the entry in the Victorian Indigenous Arts Award Ballarat. Ms. Christina Isabel Saunders Traditional Landowner Elder Gundij Mara Tribe (South Western Victoria, Australia) Descendant of Kilcarer – Cape Bridgewater Clan and Gilgar - Lake Condah Mission Clan A depiction of bushfire. Red, yellow, orange and black paint. Swirls and shapes to represent the flames.Tina Saunders (bottom right in orange paint)aboriginal art, first nations, bushfire, bush, landscape -
Bendigo Historical Society Inc.
Painting - HAND PAINTED TIN PANEL, 1900
Tin panel hand painted with oil paint depicting fruits and blossom, edges curled over and signed C Timms bottom left corner. Enclosed note from donor Mrs.E.Young. 18 Bateman St Hampton 3188 stating artist was wife of Bendigo miner & was painted over 100 years ago.C.Timmsperson, bendigo, c timms, tin painting, c timms