Showing 2243 items in the category Art with item type Painting
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Churchill Island Heritage Precinct
Painting - Oil, Margaret Amess, Untitled, C. 1900
N/AThe Churchill Island collection includes several artworks, both original and printed, from the late 1800s. The collection is presented in sets and series, of which this painting belongs to the Artworks series. Early nineteeth centuryPainted scene of an island shore with sailing boat heading inland, c.1900s. The painting is framed in elaborate gold gilt and is orginal.churchill island, oil painting, margaret amess -
Castlemaine Art Museum
Painting, May Vale, Sea Jewels, 1894
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Horsham Regional Art Gallery
Painting, John OLSEN, Wattletree and the Clarendon Hill, n.d
Gift of Mack Jost, 1995 -
Bendigo Historical Society Inc.
Painting - OIL PAINTING BY HARRY CLARKE
Original oil painting, by Harry Clarke of mud brick house & outbuildings near Eaglehawk Golf Course, in a timber frame, signature bottom right corner, with note stuck on rear. Harry Clark lived in Lobb St North Bendigo with his wife and son Max in 1940s. He moved around working for thre mines including Central Deborah (managing or as an inspector). he lived in Alice Springs for a while. He shifted to Wangaratta where he died aged in his 80s. H eloved painting buildings and old houses and landscapes in Central and Goldmines Districts. Information from note attached to painting. Note not signed.Harry Clarkeartwork, oil painting, landscape, victoria-history-eaglehawk -
Latrobe Regional Gallery
Painting, MEYER, Mary b. 1878, d. 1975, Door in the Brick Wall, Not dated
Oil on canvas board.Not signed. Not dated. -
Federation University Art Collection
Painting - Artwork, Rodney Forbes et al, [Printery], c1982
Rodney FORBES (1951- ) Born Melbourne Rodney Forbes' work is figurative narrative painting and uses autobiographical and incident-as-metaphor methods to explore wider issues of knowing and belonging in oral traditions such as working class, children’s and artisan subcultures. His practice draws on pop, cartooning and joke narrative structures within contemporary culture. (http://www.australiangalleries.com.au/artists/rodney-forbes/, accessed 07 April 2017)A large painting showing aspects of a printery. Rodney Forbes and fellow student Linda Karklins worked on this painting as an undergraduate student at the Gippsland School of Art (Gippsland Institute of Advanced Education, now the Gippsland Centre for Art and Design, Federation University Gippsland Campus). The painting hung for many years in the campus printery. The Gippsland Gippsland Centre for Art and Design is now part of Federation University Gippsland Campus.rodney forbes, printery, gippsland campus, churchill, linda karklins, gippsland school of art, gippsland institute of advanced education, printing -
Federation University Art Collection
Painting, Neville Bunning, 'Young Boy' Neville Bunning
This item is part of the Federation University Art Collection. The Art Collection features over 1000 works and was listed as a 'Ballarat Treasure' in 2007.art, artwork -
City of Greater Geelong
Painting - Acrylic on Canvas, Ammie Howell, On Country, 2019
This piece represents the landscapes of Wadawurrung Country. It involves the oceans, the cliffs, the river, the mighty You Yangs. The circles depict gathering on Country. Be this Indigenous, Non Indigenous or both entwined.Painting of series of mountains and rivers. Brown, blue, green, yellow, white used.On bottom right-side of canvas - AJ Howellwadawurrung country, you yangs -
Bayside Gallery - Bayside City Council Art & Heritage Collection
Painting - oil on canvas, Elizabeth Prior, The anchorage, 1979
elizabeth prior, anchorage, boats, sailing, bay, water -
Marysville & District Historical Society
Painting (Item) - Oil painting, William Beckwith McInnes, Near Marysville, Unknown
A copy of an oil painting titled "Near Marysville".A copy of an oil painting titled "Near Marysville" by W.B. McInnes. William Beckwith McInnes (1889–1939) was an Australian portrait painter, winner of the Archibald Prize seven times for his traditional style paintings. He was acting-director at the National Gallery of Victoria and an instructor in its art school. william beckwith mcinnes, archibald prize, marysville, victoria -
Horsham Regional Art Gallery
Painting, John RUSSELL, Village in France, n.d
Gift of Mack Jost, 1987watercolour on paper -
Glenelg Shire Council Cultural Collection
Painting - Painting - [Moonlight Trees], Pro Hart, untitled [Moonlight Trees], 1967
Included in the 1999 "Salvage" Exhibition at CEMA Arts CentreThe painting depicts numerous leaf-less trees in the moonlight. The trees are painted in shades of brown, black and cream with the main focus on those in the centre foreground. The surrounding trees are completed in darker shades and are hazy and out of focus. The glow of the moon is depicted in white which dissipates into the dark blue/green sky. In contrast to this, a burnt orange is used as the background for the trees. The work has a gold and black frame with no mount or glass.Front: 67 PRO HART (black and gold paint, lower corners) Back: PRO HART "UN-NAMED" (1967) Donated by the Artist (typed label) White Sticker: 2 (in a circle) -
Latrobe Regional Gallery
Painting, CHRISTENSEN, Nadine b. 1970 Melbourne, The Weather, 2004
Synthetic polymer paint on board- -
Bendigo Trades Hall Council & Literary Institute Inc.
Painting - Connections
Mary Leunig painting of two women with hands gripped and bandaged. -
Castlemaine Art Museum
Painting, Hugh Ramsay, (Landscape with fence), c. 1904
Estate of J.O. Wicking, 2003 -
Glenelg Shire Council Cultural Collection
Painting, Ruth Denny, Gardens Cottage Portland 1857, 1967
CEMA Art collectionThe painting depicts a blue stone building with green door. On either side of the door is a window and there is a chimney at either end of the roof. The side of the house closest to the viewer is overgrown with vegetation which extends up to and covers the chimney. To the right of the building is a green fence with a leaf-less tree behind. To the left of the building is a smaller green fence with several green trees behind. The work has a plain wooden frame with a mount and glass.Front: Gardens Cottage Portland 1857 Ruth Denny 1967 (black, handwritten) Back: Sticker: DEANS MU 8291 FOR FRAMING 346 LT. COLLINS ST., MELB. NO. 20438 Yellow sticker: 3033portland, female artist, female, women, botanic gardens, curator's cottage -
Whitehorse Historical Society Inc.
Painting - Picture, 1920
Framed Print - Picture of a girl dressed in white with blue scarf - in wooden frame. See Supplementary File for NA248.illustrations, prints -
Federation University Art Collection
Painting - Gouache, Albino Paganetti, 'Journal of Agriculture', c1935
Albino PAGANETTI (1915-1974) Born Victoria. This work won Albino Elvezio (Albert) Paganetti won third place in the Department of Agriculture’s poster competition for their official journal in 1937. The previous year, he took home several prizes at the Wiltshire Poster Contest, including first for ‘Bryant and May’; first for ‘Healing’s Batteries’, and second for the Royal Melbourne Show. A MacRobertson prize-winner, when Paganetti, completed his commercial art course at the Ballarat Technical Art School, he accepted a design position at Morshead and Co., Ballarat. Albert’s farming family lived at Italian Hill, near Daylesford, where his father was a vigneron. This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.commercial artFramed original poster, gouache on paper, c1935 In the 1936 Ballarat School of Mines Annual Report it was stated: "It is my pleasure to report a most successful year in the Technical Art School. I the Annual Poster Competition for Technical Schools, organised by Wiltshires Pty Limited, 16 prized valued at 33 pounds 8 shillings - out of 23 prizes valued at 56 pounds - were won by our students.art, artwork, paganetti, poster, ballarat technical art school, farmer, jourmal -
Federation University Art Collection
Painting, Adam Rish, Anjing Gila, 2007
Adam RISH (1953-) Sydney based artist Adam Rish completed a BA (Hons) in Fine Art at MFA and has exhibited in Australia since 1975. He has been the recipient of a Visual Arts Board Studio Residency in 1981 and 1984 and an Asialink Residency in Indonesia in 1997. He is interested in cross-cultural collaboration as 'world art' to affirm indigenous culture and regional diversity.Timber Sculpture of a dog like firm.available, adam rish, sculpture -
Bendigo Historical Society Inc.
Painting - CAROL HOLSWORTH COLLECTION: 1970 NATIONAL BANK PAINTING REPRODUCTION 'PENGUIN SILVER MINES' TASMANIA
1970 National Bank watercolour painting reproduction Penguin Silver Mines , Tasmania signed Á.G'1871 Below the picture title the words - Reproduced by the National Bank in 1970 from the engraving in the national library of Australia by permission of the Trustees A sail / steamship is seen off the coast .The centre of the painting shows a mine shaft , frame and wheels connected to a horse-powered mechanism .There are various other buildings , horses and carts and people .The mine was only to last a year.painting, watercolour, 'penguin silver mines , tasmania / national bank reproductions / -
Broadmeadows Historical Society & Museum
Painting - House Painting, Jean Jackson, "Langdale", c 1990's
Painting of "Langdale" by Jean Jackson.Painted by Jean JacksonOil painting on board in a wooden frame.Label on back: "Langdale"/Now Glenroy Private Hospital/by Jean Jackson/36 Acacia Street/Enjoy/$280painting, "langdale", houses of broadmeadows, jean jackson -
City of Greater Geelong
Painting - Watercolour, Joan Crawley, Morning Light Geelong Town Hall, 1992
geelong, city hall -
Diamond Valley Vietnam Veterans Sub-Branch
Painting - On Patrol, n/a, c2002
Painting depicts a typical patrol by Australian soldiers, this time in open grasslands.Item is a realistically accurate picture of Australian Soldiers in the field.Original painting, in two pieces depicting Australian soldiers on patrol; also give an insight as to vegetation common within patrol areas at this particular place and time.Signature of painter.vietnam, vietnam war, diamond valley vietnam veterans sub branch -
Horsham Regional Art Gallery
Painting, Franco PAISIO, To my dearest friend Ernest, n.d
Gift of Dr Ernest Smith, 1993gouache on paper -
Horsham Regional Art Gallery
Painting, Donald LAYCOCK, Floating, c. 1972
Gift of Mack Jost, 1993oil on canvas -
Federation University Art Collection
Painting, Tim Vagg, L'Australie Pittoresqe, 2011
Tim VAGG (15 February 73 - ) Born Canberra, A.C.T. Between 1991 and 1996 Tim Vagg completed a Bachelor of Fine Arts (Painting) at the University of Ballarat (now Federation University). His work themes often relate to stories of Australian history and its people. Painting of blindfolded man boxing a kangaroo. This work is from 'The Boxer Paintings' inspired by the era of Jimmy Sharman,s Boxers (early 1900s.Verso TIM VAGG 2011alumni, kangaroo, fauna, boxing kangaroo -
Wangaratta Art Gallery
Painting, Ellen Michel, Stockman's Outfit, c. 1989
Rural City of Wangaratta Collection, Wangaratta Art Prize Grand Winner 1989.A still life oil painting of objects associated with a stockman, painted in shades of brown with some details in green and yellow.Obverse: E MICHEL/ (bottom left corner) WANGARATTA ART SHOW/ GRAND WINNER 1989/ STOCKMANS OUTFIT/ BY ELLEN MICHEL/ (plaque mounted on frame)wangaratta art gallery, ellen michel, still life, stockman, painting -
City of Whittlesea Art Collection
Painting - Watercolour on Arches paper, Yan Yean Swampwater, 1995
“A nature painting commenced on site and completed in the studio. More of a morass lying to the west of Yan Yean Reservoir in Dunnets Road, this intriguing site has nevertheless all the primeval qualities associated with swamps in general. The rhythmic movements of the old red gums dominate the surrounding bush with the tranquility of the water from recent rains. Painted directly onto a saturated sheet of rough paper, the large masses of foliage and integrated sky areas determine the tonal and colour key of the painting, while the strong horizontality of the lower water area stabilizes the design and contrasts with the vertical and oblique rhythms of tree trunks. The white of trunks and branches have largely been achieved by the lifting of colour with a stiff wet brush although slight touches of bodycolour are added for a few critical accents. Such a subject and its execution demands a sound concept and plan before any painting is commenced as the wayward nature of the medium demands great control. The painting must be bold and decisive. Sometimes the qualities of the medium should be allowed to take over in its wateriness and its soft and hard edge properties.” John BorrackPart of the John and Gillian Borrack Federation Bequest, donated to the City of Whittlesea in December 2001 by Gillian and John BorrackJohn Borrackyan yean -
Swan Hill Regional Art Gallery
Painting, ROBINSON, John, Streams I, 1986
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Horsham Regional Art Gallery
Painting, Scott PENDLEBURY, Seagulls, n.d
Gift of Mack Jost, 1991