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Artwork, other (1265)
Ceramic (766)
Decorative object (713)
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Mixed media (518)
Painting (2482)
Print (1657)
Sculpture (402)
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Work on paper (2050)
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Glenelg Shire Council Cultural Collection
Painting, Ruth Denny, Old Cottages Richmond St. Portland, 1967
CEMA Art collectionThe painting depicts a street scene with three buildings and a fenced area. The centre focus of the work is two small buildings. The building on the left is yellow with red roof and green door. Standing in front of the house is a female figure with red shirt and white skirt. Tthe building to the right is pale yellow with green roof, red chimney and green door. The work has plain wooden frame with a mount and glass.Front: Old Cottages Richmond St.Portland Ruth Denny 1967(black, handwritten) Back: Sticker:DEAN'S MU 8291 FOR FRAMING 346 LT.COLLINS ST., MELB. NO. 20438 Yellow sticker: 3034 -
Dandenong/Cranbourne RSL Sub Branch
Painting, Painting of S. Y. Titania R. L. Y. C
The steam yacht Titania of the Royal London Yacht Club depicted in the painting was a luxury steam propelled cruising yacht sailing from London to America and various locations throughout the world. She was captained by Captain Gordon Trent Chambers. During Operation Dynamo the Titania was employed transporting soldiers from Dunkirk and therefore was instrumental for saving many lives. Gilded wooden frame with painting of Steam Yacht Titania.S Y Titania on left front bottom. L. Papaluca (artist) on right front bottom. -
Tatura Irrigation & Wartime Camps Museum
Painting - Painting - Watercolour, Leonhard Adam, No. 4 Internment Camp, December 1941
Leonhard Adam was a Dunera internee Camp 2 Tatura.RomanticismWatercolour painting of internee standing beside eucalypt in Tatura Internment Camp 4. The internee is wearing a dark blue jumper with a white vest underneath. He has on light blue trousers and a white hat. Camp barracks are in the background.Leonhard Adam. No. 4 Internment Camp, Victoria, Australien. 4-7 Dec 41tatura, dunera, internee camps, illustrations, watercolour -
Gippsland Art Gallery
Painting, Feuerring, Maximilian, Amphora, c.1970
Acquired as winner of the Sale Arts Centre Acquisitive Prize, 1965Oil and acrylic on boardgippsland, artwork, permanent collection -
Mission to Seafarers Victoria
Painting, David K Taylor, Marking Time: Melbourne Waterfront, 1989
A period view of later 20th century waterside. Possibly MelbourneFrom the Artist website: "Born in Melbourne Australia in 1941, David’s early career began in etching and a 6-year apprenticeship at the north Melbourne Printing School of Graphic Arts to colour etching assisted in his future career as an artist painter. Many hand skills were learned such as hand engraving, lino and wood cutting also etching with zinc, copper and magnesium, later etching on film in lithography. David’s painting career expands many years of studying the art of watercolour painting and he has been involved in teaching his great love of this medium to painters both in Australia and overseas since the late sixties. He is involved in regularly tutoring for the Australian and International Artist magazine."Maritime ArtMatted framed and glazed watercolour painting of a waterfront with vessels and cranesArtist signature at lwr right corner On verso: number 31 in black ink / name and address of the artist written in black ink (top left corner) / sticker with number AMAA3053, name of artist, title of painting and number GFAM 047/ in pencil : GFAM 047waterside, docks, cranes, shipping, port, david k taylor, artwork, marine art, artwork-paintings -
Tatura Irrigation & Wartime Camps Museum
Painting - Painting - Watercolour, Mitte December, Tatura, Victoria, December 1940
Dr Leonhard Adam was a Dunera internee in Camp 2RomanticismL.A 1940 Mitte December, Tatura, Victoria -
Tatura Irrigation & Wartime Camps Museum
Painting - Painting - Watercolour, Bluhenden, Tasak
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Darebin Art Collection
Painting - Barry Dickins, Barry Dickins, Untitled, 2007
painting -
Federation University Historical Collection
Painting - Image, Perspective Sketch of the Proposed Ballarat School of Mines Gymnasium (Corbould Hall), c1954
A painting of a proposed gymnasium building. ballarat school of mines gymnasium, ballarat school of mines, gymnasium, corbould hall, ballarat school of mines -
Gippsland Art Gallery
Painting, Maas, Marise, Shady, 2003
Donated by Marielle Soni through the Australian Government Cultural Gifts Program, 2016Oil on canvasgippsland, artwork, permanent collection -
Gippsland Art Gallery
Painting, Markham, Arthur, Untitled, c.1970s-80s
Donated, 1983Watercolour on papergippsland, artwork, permanent collection -
Kew Historical Society Inc
Painting - Annie Halfey, c.1882
Annie Halfey (nee Marston) was the daughter of Carlington George E. Marston, a chemist of Smith Street, Collingwood. Marston had extensively speculated on land in Kew and in this way had made his money. Marston was the owner of 'Wimba' in Cotham Road, having purchased the house in 1879. Annie Marston married the eminent Victorian pioneer John Halfey, and together they made their home at Ordsall (later Southesk) in Cotham Road, Kew. She died in March 1909. (Rogers, 1973).Donated by Eileen Grigg, 2017Small, full-length portrait of Annie [Mrs. John] Halfey ( -1909) in an original gilded frame. Annie Halfey is depicted in a high necked black dress with a silver brooch at her throat. She stands in a room by an open window. The detailing of the face is highly rendered by the artist/s.annie halfey, john halfey, ordsall, marston -
Swan Hill Regional Art Gallery
Painting, COLEMAN, Rosemary, Icarus flees the crowd, 1991
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Federation University Art Collection
Painting - Artwork, Wes Walters, [Man in Landscape] by Wes Walters, 1981
Wes WALTERS (06 August 1928 - 19 August 2014) Born Mildura, Victoria From 1940 t0 1945 Wes Walters attended the Ballarat High School. He then studied architecture at the Gordon Institute in Geelong, followed by art at the Ballarat School of Mines (a division of the Ballarat School of Mines). During his time at the Ballarat Technical Art School (later Federation University Australia) Walters studied under Neville Bunning and Taylor Kelloch, and was awarded the Ballarat Ladies Art Association Scholarship in 1948. He next moved to Melbourne to work as a commercial artist with the George Patterson advertising agency. Each evening Walters studied life drawing at the Victoria Artists’ Society and taught himself anatomy. Wes Walters excelled in both abstract and realist art. He won the Art Gallery of Ballarat’s Minnie Crouch Prize for watercolour art in 1953 and 1956. He won the prestigious Archibald Prize in 1879 for his portrait of Phillip Adams. This item is part of the Federation University Art Collection. The Art Collection features over 1000 works and was listed as a 'Ballarat Treasure' in 2007.Framed painting of a man in a landscape. wes walters, artist, artwork, landscape, available -
Tatura Irrigation & Wartime Camps Museum
Painting - Oil Painting, 5 Trees and a River
1 of 2 Oil painting by Charlotte Rippert which were given to Otto Lobert and his wife on the wedding Camp 3 1946.landscape scene with a hill in background and five tall trees and a river in the foregroundBack: 'Oil Painting by ??Charlotte Rippert?? Wedding Gift - in Camp 3. DONOR: Otto Lobert (One of pair C3502) Nov. 1993)charlotte rippert, otto lobert, mrs lobert, camp 3 weddings, oil paintings, internment camp art work -
Bendigo Historical Society Inc.
Painting - GREAT EXTENDED HUSTLERS MINE, 1901
Water colour painting of Great Extended Hustlers mine by C G Robertson 1901 showing mine, poppet head, chimney stack and Boundary Hotel in foreground. Donated by Ian & Katinka Napier 53 Heron Place Tunderup WA 6208 previously owned by Katinkas Grandparents Charles & Grace Strue. Deframed 2022.C G Robertsonartwork, oil painting, gold mines, bendigo-history-gold mines -
Federation University Art Collection
Painting, Panke, Birgit, [Bathers] by Birgit Panke, 1971
This item is part of the Federation University Art Collection. The Art Collection features over 1000 works and was listed as a 'Ballarat Treasure' in 2007.Large painting of bathers in the sea..art, artwork, birgit panke, birgit micich, bathers, water, available -
Horsham Regional Art Gallery
Painting, Peter TYNDALL, Eight verticals, 1974
Purchased through the Horsham Art Gallery Trust Fund, 1975watercolour on paper -
Gippsland Art Gallery
Painting, Johnston, Margaret, Eroded Plateau, c.1966
Acquired as winner of the ALVA Caltex Watercolour Prize, Sale Festival, 1966Watercolour on papergippsland, artwork, permanent collection -
City of Greater Geelong
Painting - Oil on Hardboard, Agnes Szetay, Unnamed - Bush Track, Olinda
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Gippsland Art Gallery
Painting, Tennant, Cherry, Oil Rig—Pipes (Bream Platform), 1989
Esso Collection of Australian Art. Donated by Esso Australia Pty Ltd, 2018Synthetic polymer paint on composition boardgippsland, artwork, permanent collection -
Gippsland Art Gallery
Painting, Jones, Shane, Untitled #77, 2000
Donated by the artist through the Australian Government Cultural Gifts Program, 2005Oil on canvasgippsland, artwork, permanent collection -
Castlemaine Art Museum
Painting, George Coates, The Housekeeper, 1884-1930
Gift of Mrs Coates, 1934 -
Federation University Art Collection
Painting, Jacqueline Sleight, Fire I, 2004
Jacqueline SLEIGHT This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.Two framed abstract paintings.art, artwork, jacqueline sleight, abstract, fire -
Geelong Gallery
Painting - The awakening, BROWNE, Andrew, 2017
Oil on canvas -
Bayside Gallery - Bayside City Council Art & Heritage Collection
Painting - oil on board, Margaret Baskerville, Two children in country, c.1913
oil on boardmargaret baskerville, landscape, bush, children, farm, barn, fence, tree -
Gippsland Art Gallery
Painting, Read-Forsythe, Amelda, Under the Storm, 2016
Purchased, 2016Oil on boardgippsland, artwork, permanent collection -
City of Whittlesea Art Collection
Painting - Gouache on Fabriano Paper on board, John Borrack, East of Mernda. Late Evening, 1995
“A nature painting commenced on site and completed in the studio. More of a morass lying to the west of Yan Yean Reservoir in Dunnets Road, this intriguing site has nevertheless all the primeval qualities associated with swamps in general. The rhythmic movements of the old red gums dominate the surrounding bush with the tranquility of the water from recent rains. Painted directly onto a saturated sheet of rough paper, the large masses of foliage and integrated sky areas determine the tonal and colour key of the painting, while the strong horizontality of the lower water area stabilizes the design and contrasts with the vertical and oblique rhythms of tree trunks. The white of trunks and branches have largely been achieved by the lifting of colour with a stiff wet brush although slight touches of bodycolour are added for a few critical accents. Such a subject and its execution demands a sound concept and plan before any painting is commenced as the wayward nature of the medium demands great control. The painting must be bold and decisive. Sometimes the qualities of the medium should be allowed to take over in its wateriness and its soft and hard edge properties.” John BorrackPart of the John and Gillian Borrack Federation Bequest, donated to the City of Whittlesea in December 2001 by Gillian and John BorrackJohn Borrackmernda -
Gippsland Art Gallery
Painting, Markham, Arthur, Untitled, c.1970s-80s
Donated, 1983Watercolour on papergippsland, artwork, permanent collection -
Castlemaine Art Museum
Painting, Rupert Bunny, Untitled (French Landscape), 1884-1933
Purchased, 1948