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Artwork, other (1266)
Ceramic (766)
Decorative object (715)
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Mixed media (518)
Painting (2482)
Print (1658)
Sculpture (402)
Textile (1394)
Work on paper (2050)
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Swan Hill Regional Art Gallery
Painting, GRAHAM, Anne-Marie, Sunflower stall, 1992
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Bayside Gallery - Bayside City Council Art & Heritage Collection
Painting - oil on canvas, I.M. Stone, Sandringham Beach, 1924
I.M. Stone, Sandringham Beach 1924, 43.6 x 90 cm. Bayside City Council Art and Heritage Collection.sandringham, beach, coast, port phillip bay, yacht -
Castlemaine Art Museum
Painting, Ethel Carrick Fox, (Luxembourg Gardens)
Gift of Major Basil R.F. Macnay -
Darebin Art Collection
Painting - Olive Bertram, Olive Bertram, Rivergums, 1990
rivergum -
Gippsland Art Gallery
Painting, Pelchen, Bob, The Rosedale Hotel, 1985
Acquired, 2013Watercolour on papergippsland, artwork, permanent collection -
Swan Hill Regional Art Gallery
Painting, SMITH, Ernest Walter, Standing form, 1987
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Glenelg Shire Council Cultural Collection
Painting, DEB, Julia Street, n.d
CEMA Art Collection Previously located in History HouseThe painting depicts a street scene with ten buildings in a line. The foreground represents a road and is depicted in various shades of brown, green and yellow. The row of buildings is a mixture of double and single storeys. The most prominent building is a double storey grey building with four top storey windows and a chimney. The top half of the work is a blue and yellow sky. The work has a gold and black frame and exposed canvas.Front: DEB Back: (No inscriptions) -
Darebin Art Collection
Painting - J Colin Angus, J Colin Angus, Tawonga Countryside, 1975
landscape -
Gippsland Art Gallery
Painting, Payne, Harold T, Midnight Blooming Cereus of Honolulu, 1977
Purchased, 1978Watercolour on papergippsland, artwork, permanent collection -
Benalla Art Gallery
Painting, Lucien PISSARRO, Mt Tourris, Toulon, 1939
Born: Paris, France 1836; Died: London, England 1944ImpressionismLedger Bequest, 1993Rural landscape with stonewall, trees and mountains. Cream, green, gold and blue wood moulding frame.Recto: Signed with a monogram in blue paint l.r.c of composition; Dated 1939; Not titledlandscape, trees, mountains, pastoral, stone wall, europe -
Geelong Gallery
Painting - Joy Hester's house, BLACKMAN, Charles, 1955
Oil on paper on composition board -
Benalla Art Gallery
Painting, George W. LAMBERT, The garden at St Luke's Hospital, 1922-23
Born: St Petersburg, Russia 1873; Arrived Australia 1887; Died: 1930InterwarLedger Gift, 1980Garden setting with seated figures and a standing figure depicting a nurse. Bronze brushed gesso frame.Recto: Signed “G.W. LAMBERT.” in black paint l.r.c of composition; Not dated; Not titledgarden, figures, shrubs, chairs, australian art -
Federation University Art Collection
Painting - Artwork, Trudi Harley, 'Fallen' by Trudi Harley, 2009
Trudi HARLEY Born Korumburra, Victoria Born in country Victoria Trudi Harley graduated with a Bachelor of Education (Art and Craft) at Victoria College, Burwood. After teaching for 10 years in both Government and Independent schools in Melbourne she worked as a Sales Executive and Art Educator for Cavalier Art Supplies for 16 years. Recently Trudi Harley completed a Bachelor of Arts (Visual Arts) (Honours) with Distinction between 2008 – 2009, and a Master of Arts (Research), Visual Art between 2010 – 2012 at the University of Ballarat (now Federation University). Maintaining an artistic practice while in a business partnership Trudi Harley owns and runs Atelier Art Supplies in Williamstown, Victoria, which is a major supporter of the arts in the western suburbs of Melbourne/ This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.Artist's Statement: As an artist am continually drawn to ‘what makes us who we are’ and as a result the work, whatever it may be, is a reflection on what makes me who I am. In this I refer to perception, experience and memory as aspects that contribute to our sense of reality. By using these references I intend to engage the audience and develop a sense of connection and community through the visual image. ‘Fallen’ was not necessarily a reflection on my own life but of life in general as I recall at the time I had a family member who was struggling to cope with their own reality. I can also recall at the time reflecting on the adage ‘walk a mile in my shoes’ and the pressures we all face in life. Added to this were my own influences of upbringing, I have always been particularly drawn to fabrics and patterns as my mother was/is (getting a little old now) a seamstress and my father was a bit of a ‘perfectionist’. During my honours study I came across the term ‘Esperpento’ which included such visual elements as exaggeration and unusual viewpoints. Fallen was a comment on the psychology associated with expectations in life, or more importantly those expectations placed on offspring by their parents. This painting reflected the consequences of not living up to those expectations. It is unfortunate that in life, by the time you get to the point of realising that you have the opportunity to set your own standards, that you’ve probably embodied a great many set of values by osmosis and that you’ve now claimed them as your own. The view is from above to dramatize the subject, the figure placed compositionally in the top right hand corner to open up the picture plane and allow for the narrative to continue outside the visual area of the canvas. It was also in this painting that I rubbed back some of the darker oil paint to allow the lighter underpainting to show through.art, artwork, trudi harley, harley, carpet, portrait, self-portrait, alumni -
Federation University Art Collection
Painting - Artwork, Obst, Melanie, Untitled, 1991
This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.Abstract paintingart, artwork, melanie obst, abstract, horsham campus art collection, horsham student collection -
Gippsland Art Gallery
Painting, Piggott, Owen, 4 Moons Quartet, 2002
Donated by the artist, 2016Oil on canvasgippsland, artwork, permanent collection -
Tatura Irrigation & Wartime Camps Museum
Painting - Painting - Watercolour, Tatura Camp 4 Victoria, 19/12/1941
Leonhard Adam was a Dunera internee in Camp 2 Tatura.RomanticismWatercolour painting of Tatura Internment Camp 4 barracks with brilliant blue sky.Leonhard Adam. Tatura Camp 4 Victoria 19.xii.41tatura, dunera, internee camps, illustrations, watercolour -
Swan Hill Regional Art Gallery
Painting, PATERSON, Jim Robert, Telecom 1989, 1989
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Latrobe Regional Gallery
Painting, MARTIN, Mandy b. 1952, Adelaide, South Australia, Briquette Factory Site, 1989
Oil on canvasSigned, titled and dated versofactory, industry, power, landscape, industrial -
Gippsland Art Gallery
Painting, Lawrence, George, Street in North Sydney, 1961
Esso Collection of Australian Art. Donated by Esso Australia Pty Ltd, 2018Oil on boardgippsland, artwork, permanent collection -
Gippsland Art Gallery
Painting, Piggott, Owen, Horizontals in Variation, 1970
Donated from the estate of the artist, 2016Perlite and acrylic on boardgippsland, artwork, permanent collection -
Darebin Art Collection
Painting - Phil Harris, Phil Harris, Ideas Man, 2015
painting -
Glenelg Shire Council Cultural Collection
Painting, DEB, Ettrick, n.d
CEMA Art Collection Previously located in History HouseThe painting depicts four buildings within a bush setting. Within the foreground is a body of water with various plants lining it's banks. The midsection of the painting is defined by a wooden fence which extends across the centre of the work. In the background are two sets of two houses. The houses are surrounded by various trees and both sets of houses have roads which extend down to the fenceline. The top half of the work is a yellow and blue sky. The work has a black and gold frame and exposed canvas.Front: DEB Back: (No inscriptions) -
Queenscliffe Maritime Museum
Painting - MV Castel Felice, Dacre Smyth, Castel Felice
Owned by the Sitmar Line, the 'Castel Felice' operated on the Australia migrgant route from the 60s to the 70s prioir to air travel in the mid 70s. Mrs B SmythA framed oil painting of the migrant ship 'MV Castel Felice'Castel Felicemv castel felice, migrant ships -
Darebin Art Collection
Painting - Giuseppe Calcagno, Giuseppe Calcagno, Untitled, 2008
Showcasing the diversity of creative talent inspired by the visual arts and community art networking programmes offered at the studio of Northern Support Services for people with disabilities. -
Gippsland Art Gallery
Painting, Walsh, Judith, Heritage, c.1970s
Donated from the estate of John Leslie OBE, 2017Oil on boardgippsland, artwork, permanent collection -
Darebin Art Collection
Painting - Patrick Francis, Patrick Francis, Untitled, 2014
painting -
Gippsland Art Gallery
Painting, Gibbs, Linda, Yellow Hoddle, 2009
Purchased with the assistance of the Gippsland Art Gallery Society, 2011Oil on linengippsland, artwork, permanent collection -
Wangaratta Art Gallery
Painting, Maggie Mezaks, Stone Council, 1971
Rural City of Wangaratta Collection.A costal landscape of a group of stones painted in oil using a colour palette of blue, green, white, black, yellow, and orange.Obverse: Mezaks/ (bottom right corner)wangaratta art gallery, maggie mezaks, painting, landscape, costal -
Gippsland Art Gallery
Painting, Frazer, David, The Good Old World, 1999
Purchased, 2000Gouache, watercolour and coloured pencil on papergippsland, artwork, permanent collection -
Wangaratta Art Gallery
Painting, V. R. Watt, Untitled (Pastoral landscape with sheep), unknown
Rural City of Wangaratta Collection. Gift of Leslie Morrison. Donated in memory of Bruce Morrison, Shire Engineer.A realistic pastoral landscape, painted in watercolour using a colour palette of green, blue, brown, yellow, and white.Obverse: VR WATT/ (bottom left corner)wangaratta art gallery, v. r. watt, landscape, pastoral, painting