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Phillip Island and District Historical Society Inc.
Print, At Cowes, Phillip Island
Very early scene of Cowes showing the jetty, Isle of Wight Hotel and jetty shed. Charles Turner was an English mezzotint engraver and draughtsman who specialized in portraiture. HistoricalA4 colour photocopy of a print of a wood engraving by Charles Turner of the Cowes jetty. Large beige frame around print.At Cowes, Phillip Island. from the commemorative work, Victoria in 1880, published in Melbourne to mark the International Exhibition held that year. Fine prints of notable buildings and street scenes, as well as views of the country and suburban areas of the colony. Wood engraving.cowes jetty, charles turner, isle of wight hotel, jetty shed, wood engraving -
Swan Hill Regional Art Gallery
Print, HEFFERNAN, Edward, Mother was a model, 1986
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Gippsland Art Gallery
Print, Macpherson, Adelaide, Cliff Tops Tambo River, 2017
Purchased, 2017Etching on papergippsland, artwork, permanent collection -
Wangaratta RSL Sub Branch
Print - Frame Print
An imaginary gathering of the nine Australian Ships which at different times served the United Nations Forces fighting the North Koreans and Chinese during the Korean War of 1950-53. The item belonged to Clarence Stanley FLENTJAR R38429 who enlisted in the Royal Australian Navy. He served on HMAS Cerebus, Tobruk and Melville and a veteran of the Korean War. The Korean War was a war fought between North Korea and South Korea from 25 June 1950 to 27 July 1953. The war began on 25 June 1950 when North Korea invaded South Korea following clashes along the border and rebellions in South Korea.North Korea was supported by China and the Soviet Union while South Korea was supported by the United Nations, principally the United States. The fighting ended with an armistice on 27 July 1953.Black frame with cream mount containing a screen print on silk depicting 9 naval ships and 4 airborne aircraft at sea Australia's Navy in the Korean War 1950-53 An imaginary gathering of the nine Australian Ships which at different times served the United Nations Forces fighting the North Koreans and Chinese during the Korean War of 1950-53. The aircraft carrier HMAS Sydney, in the centre, is being screened in close order by (clockwise from top centre) the frigates Condamine, Culgoa, Shoalhaven and Murchison, and the destroyers Tobruk, Warramunga, Anzac and Bataan. Airborne overhead are Firefly and Sea Fury aircraft from HMAS Sydney. White Plaque - mounted on glass - C S FLENTJAR 38429 HMAS Tobruk D37 Korea 1951-1952ran, korean war, hmas tobruk, hmas cerebus, hmas melville -
Swan Hill Regional Art Gallery
Print, SIBLEY, Andrew, Red Roses, 1993
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Swan Hill Regional Art Gallery
Print, KAHAN, Louis, Reflections, 1992
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Gippsland Art Gallery
Print, Leach-Jones, Alun, Cypress and Acacia [III], 1986
Donated by Lesley Duxbury through the Australian Government Cultural Gifts Program, 2017Linocut print on papergippsland, artwork, permanent collection -
Whitehorse Historical Society Inc.
Print - Article, Carving up the Eastern Suburbs, 8/11/1972 12:00:00 AM
Photocopy of book review of Michael Cannon's 'Land Boom and Bust' describing the work of land speculators in the 1880's.Photocopy of book review of Michael Cannon's 'Land Boom and Bust' describing the work of land speculators in the 1880's. The involvement of senior politicians is discussed. Sir Matthew Davies and the Freehold Investment Company in Blackburn and the sale of the Blackburn Park Estate is mentioned. A copy of a Queen's Park, Box Hill 10 pound deposit receipt is illustrated.Photocopy of book review of Michael Cannon's 'Land Boom and Bust' describing the work of land speculators in the 1880's. davies, matthew henry, sir, bent, thomas, benjamin, freehold investment and banking company of australia ltd., blackburn and tunstall property co., queens park estate, box hill, residential development -
8th/13th Victorian Mounted Rifles Regimental Collection
Print - VMR 2nd Contingent
Second Contingent Victorian Mounted Rifles commanded by Colonel Tom Price sailed for South Africa 13 January 1900.Framed print showing a section of the Victorian Second Contingent to the South African War 1899-1902.military, vmr, south africa, boer war, recruits, victoria, price -
Clunes Museum
Print, BREAKING THE NEWS, 1887
ORIGINAL PAINTING HANGING IN WESTERN AUSTRALIAN ART GALLERY - PICTURE DEPICTS MINING TRAGEDIES IN THE LAST CENTURY. JOHN LONGSTAFF LIVED IN CLUNES IN HIS EARLY DAYS.FRAMED PRINT OF JOHN LONGSTAFF'S "BREAKING THE NEWS" OIL ON CANVAS, LIGHT COLOURED WOOD FRAME"BREAKING THE NEWS" OIL ON CANVAS. ORIGINAL IS IN THE COLLECTION OF THE ART GALLERY OF WESTERN AUSTRALIA.COPYRIGHT RESERVED.print, longstaff sir john, breaking the news -
Bayside Gallery - Bayside City Council Art & Heritage Collection
Print - lithograph, Deborah Tate, Once a week, 2010
Created at Billilla Mansion when Deborah Tate was a Bayside Artist in Residence in 2009-10.Deborah Tate, Once a week 2010, lithograph. Bayside City Council Art and Heritage Collection. Donated by the artist, 2010lithographdeborah tate, lithograph, billilla, billilla mansion, artist in residence, rubbish bin, bayside artist in residence -
National Vietnam Veterans Museum (NVVM)
Print, HMAS Hobart
Black plastic framed coloured print of HMAS Hobart passing landprint, hmas hobart -
Federation University Art Collection
Print - Printmaking - linoprint, Loris Button, 'Fragments of Time' by Loris Button, 2002
Loris BUTTON (27/02/1951- ) Born Melbourne Dr Loris Button grew up in Melbourne, completing undergraduate studies in painting and drawing at the Phillip Institute of Technology, followed by a Master of Fine Arts degree at the University of Tasmania. Her PhD thesis employed self portraiture as a means for reflecting on the self, time and ageing in contemporary culture. From 1981 – 1986 Loris lived and studied in Hobart before returning to Melbourne. She lectured at the University of Ballarat Arts Academy from 1987. Since 1990 she has lived and worked in Ballarat and the nearby town of Creswick. Loris retired from an academic career at the Arts Academy, University of Ballarat (now Federation University) at the end of 2010. Loris has continued a post-retirement association with the Arts Academy through her role as an Honorary Research Fellow. Working with prints, paintings and drawings on handmade paper, her work is regularly shown in both solo and group exhibitions throughout Australia and overseas. This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.Twenty Five unique state linoprints on handmade abaca and cotton rag papers mounted together with insect pins. This work formed part of the Artist's PhD research.art, artwork, loris button, printmaking, linoprint, doctorate, alumni, handmade paper, linocut -
Gippsland Art Gallery
Print, Turner, J.M.W. (after), Lulworth Castle, c.1859-78
Purchased, 2013Engraving on papergippsland, artwork, permanent collection -
Gippsland Art Gallery
Print, Turner, J.M.W. (after), Approach to Venice, c.1859-78
Purchased, 2013Engraving on papergippsland, artwork, permanent collection -
Bendigo Military Museum
Print - PRINT HMAS, MOUNTED, Post 1966
Coloured print of HMAS ANZAC by Tom Freeman 1996. Ship is powering forward firing forward gun turret & 2 missiles from aft. Ground troops with weapons are pictured in top background. Print is mounted on chipboard with white border & black edging. Laminated in clear plastic with small white hanging strap at rear.Above print in black type: “HMAS ANZAC” Below print in black type: “Commissioned 18 May, 1996 Port Melbourne, Victoria” Handwritten in blue ink either side of print: “Signatures” Emblem RHS bottom of print: “ANZAC UNITED WE STAND” Signatures print, anzac, mounted, hmas -
Beechworth RSL Sub-Branch
Print - Print AND THE BAND PLAYED WALTZING MATIDA, TOP CAT CALLIGRAPHICS - 1998 / from the original by Vanessa Crisp. Eric Bogle - Larrikin Music, 1998 - the original by Vanesa Crisp honours Roderick 'George' McLennon - fixed forever in his time
Print was purchased because of the popularity of the song that was written by Eric Bogle in 1971 following his attendance at an ANZAC Parade in CanberraABSTRACT The anti-war song “And the Band Played Waltzing Matilda” has become a cultural icon in Australia, and elsewhere has been recorded over 130 times in 10 different languages. The song was written in 1971 by Eric Bogle, a Scottish immigrant to Australia, who has penned more than 250 powerful compositions, which, among other things, focus on the failure of history to impress upon youth the futility of war. Appropriately, Bogle was named Australian Humanist of the Year in 2001 for capturing “the ethos of humanism through his perceptive and individualistic song writing with its exposure of racism, bigotry, war mongering and injustice of all kinds”. Additionally, he was awarded the United Nations Peace Medal (1986), and was made Member of the Order of Australia (1987). This article asks why a song written by a Scot in Australia, fifty-six years after the Dardanelles campaign, feels as if it has “always existed. That it belongs to culture and country”. It questions what the appeal imbued within the lyrics of those five short verses might be and recounts the story behind the creation of what Pete Seeger referred to as “one of the world’s greatest songs”. Through interviews with the writer, and an examination of the relevant historiography, this article presents a study of “the most potent ballad of the age”. It also examines what Bogle meant when he said that it was a song that “came into its time” Wooden framed glass front print - The Band Played Waltzing MatildaPrint contain the lyrics of the song -
Darebin Art Collection
Print - Victor Majzner, Victor Majzner, Images of Tanya (Chapter 12), 2001
Gift of Iris Snirscreenprint -
Glenelg Shire Council Cultural Collection
Print, Steampacket Inn, 1983-1984
CEMA Art Collection. Part of "A Community View" 150 years in Portland Screenprint Exhibition. Part of Angela Gee Residency 1983 and 1984.Laminated screenprint of a drawing of a building. The details of the building are done in thick black lines with patches of green, yellow and brown. The background has been left as the plain paper.Front: Darren Pumpa (lower left) Steam Packet Inn (upper centre) (pencil) Back: 50 -
Gippsland Art Gallery
Print, Todd, Valmai, Coastal Connections, 2015
Donated by the artist, 2015Colour reduction linocut print on papergippsland, artwork, permanent collection -
Gippsland Art Gallery
Print, Klein, Deborah, Sometimes Jenny took long and lonely walks along the long and lonely beach, 1988
Donated from the estate of Patricia Marie White, 2013Linocut on papergippsland, artwork, permanent collection -
Gippsland Art Gallery
Print, Unknown Artist, On the Road to Dark River, Hauling Machinery up the Gibbo Range, c.1883
Donated by the Friends of the Sale Regional Arts Centre, 1984Hand-coloured wood engraving on papergippsland, artwork, permanent collection -
Swan Hill Regional Art Gallery
Print, DeROSA, Chris, Drowned World, 2012
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Gippsland Art Gallery
Print, Ryan, Karin, An Ancient Embrace, 2006
Purchased, 2019Copper-plate etching on papergippsland, artwork, permanent collection -
Gippsland Art Gallery
Print, Krausmann, Rudi, Who Can Run…, 1979
Donated by Charles Nodrum, 2019Screenprint on papergippsland, artwork, permanent collection -
Gippsland Art Gallery
Print, Leach-Jones, Alun, Cypress and Acacia [II], 1986
Donated by Lesley Duxbury through the Australian Government Cultural Gifts Program, 2017Linocut print on papergippsland, artwork, permanent collection -
Bendigo Historical Society Inc.
Print - Photocopies of Cheques in the 1880s, abt 1970-1990s
The Commercial Bank of Australia was established in 1866. In Bendigo it was initially in Pall Mall but in 1875 a new building was designed by Vahland and Getzschmann in the Renaissance revival style and was erected at 11 View Point. In 1982 the CBA merged with the Bank of NSW to become Westpac.Photocopy of Cheques used in Bendigo in the 1880s. 20 assorted cheques on plain blue paper. Amounts on cheques vary - Commercial Bank of Australia - on the rear 'amounts in gold, notes, silver and copper to be listed. Purpose of these unknown.history, bendigo, cheques, commercial bank of australia -
Mission to Seafarers Victoria
Print - Wood engraving, F.A. Sleap, A Bird's-eye View Of Melbourne From Sandridge, 2 September 1885
The illustration published in the Illustrated Australian News (Melbourne, Vic. : 1876 - 1889), p. 144, on 2 September 1885, depicts Sandridge now Port Melbourne in 1885 from a seamen's point of view on board a ship.This engraving is a rare depiction fo the Bethel church as there is no early photograph. The Sailors' Rest is located at the back. In 1887, the church was demolished to erect the building still standing on the corner of Nott Street and Beach Road.Copy of an engraving depicting a sailor sitting on the mast of the ship and looking at the shore from the sea. A Bird's-eye View Of Melbourne From Sandridge.nott street, sandridge, melbourne, port melbourne, beach road, seamen, ships, sails, sailing ships, customs house, bethel church -
Gippsland Art Gallery
Print, Shimmen, Heather, Swamp Lady, 2011/2018
Donated by the artist, 2019Linocut print on paper and organzagippsland, artwork, permanent collection -
Federation University Historical Collection
Print - Artwork - Portrait, Sir Redmond Barry KCMG, 1881
The original of this portrait is held by Melbourne University Art Collection. Redmond Barry was the first President of the Ballarat School of Mines. Until 2020 this was exhibited at the Ballarat School of Mines Administratin building, outside Founders Room. Artist George Folingsby died in 1891.Framed reproduction of a painting of edmond Barry by George Folingsby.His HOnour Sir Redmond Barry K.C.M.G., M.A., LL.D 1813-1880 Foundation Presidet of the S.M.B., 1870-1876 Trustee of the S.M.B., 1870-1880 Chancellor of the University of Melbourne, 1853-1880redmond barry, george folingsby, available