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Artwork, other (1266)
Ceramic (766)
Decorative object (715)
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Painting (2482)
Print (1658)
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Work on paper (2050)
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National Vietnam Veterans Museum (NVVM)
Print, OOW MANOUVERS
A black and white laminated etching of two escorts ships at sea. Numbers on ships are 53 and 50. At the top of the etching reads "Vietnam Escorts Limited Edition Series. At the bottom right hand side is the No:001Bottom left hand of the etching is Randall Wilson 1998etching, cerberus collection, vietnam escorts limited edition series -
Swan Hill Regional Art Gallery
Print, NOLAN, Sir Sidney, Wildflowers, unknown
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Glenelg Shire Council Cultural Collection
Print - Contact Print - Dutton Way, 1960-1970
Black and white contact print from glass plate negataive. View of Dutton Way, looking east from Caledonian Hill. -
Gippsland Art Gallery
Print, Orszag, Becc, Dive Fest, 2011
Donated by the artist, 2013Lithograph on papergippsland, artwork, permanent collection -
Federation University Art Collection
Print - Artwork - printmaking, 'Messenger' and 'Woe' by David Frazer, 2002
David FRAZER (1966- ) Born Foster, Victoria, Australia David Frazer works in painting, wood engraving, etching, lithography and bronze. He studied a B.A. Fine Arts (Painting) at Phillip Institute of Technology, followed by a Diploma of Education (Secondary- Art/Craft) at Latrobe University in 1991. He completed an Honours Degree in Fine Art (Printmaking (at Monash University in 1996, and between 1998 and 2000 Frazer undertook a Master of Arts (Visual Arts) by research: “Pastoral Melancholia”, at Monash University. One of Austalia's foremost printmakers David Frazer's highly detailed woodblock and linocut prints often explore the emotional and fragile state of the human condition. His work offers a nostalgic image of Australia through its examinations of landscape, Australian buildings, sheds, and itinerant travellers. He has held seven solo exhibitions between 1996-2006 in Melbourne, Sydney and a survey show curated by the Horsham Gallery, which toured Victorian regional galleries from 2004-2005. David Frazer’s work was seen in 37 group exhibitions between 1996-2006 including the 5th British International Miniature Print Exhibition in the UK, in the 2003. He more recently held a solo exhibition with Rebecca Hossack in London 2011. (http://www.thestockrooms.com/, accessed 06/03/2015) David was awarded the Keith Wingrove Bookplate Design and in 2002. These two wood engravings are the subject of the forthcoming Private Press book: ‘The Bookplates of David Frazer’ written by Robert C. Littlewood, The Lytlewode Press, Chateau Bosgouet, Normandie, France, 2014/2015. Two limited edition prints by David Frazer using the wood engraving technique. They have been framed together. .1) Messenger Wood Engraving Plate 10.0cm x 7.5cm Paper 29.0cm x 19.3cm Edition: 32/40 .2) Woe Wood Engraving Plate 10.0cm x 7.5cm Paper 29.0cm x 19.3cm Edition: 32/40 Donated through the Australian Government Cultural Gifts Programme by Katherine N. Littlewood, 2014artist, artwork, frazer, david frazer, wood engraving, framed bookplate, printmaking, bookplates, churchill, gippsland campus -
Queenscliffe Maritime Museum
Print - Print of a Sloop - un-named, Print of a Sloop by Time-Life Books- un-named, Printed by Time-Life Books in 1984
Time-Life Books insert of typical Sloop style boatsColoured print of a typical Sloop by Time-Life Books- un-named boatRefer Notes section for detailstypical sloop drawing -
Ballaarat Mechanics' Institute (BMI Ballarat)
Print - Photograph by Herb Richmond. ca 1971, Ballarat aerial view
Ballarat HistoryOld matte printballarat, ballaraat, aerial -
The 5th/6th Battalion Royal Victoria Regiment Historical Collection
Print - Piper playing during battle
A print of a Piper playing during the battle -
Bendigo Military Museum
Print - PRINT, FRAMED, COAT of ARMS
Seven point star represents 6 states and 7th for Territorial shield has 6 symbols for each of 6 states. Wreath colours of gold and blue are colours of Australia's livery and shield held up by native animals of Kangaroo and Emu.Gold ornate metallic frame with a coloured print of Australian Coat of Arms (Wreath of gold and blue with Kangaroo and Emu holding a shield and at top a 7 pointed star). Is in colour on a white background. Image has glass protection and frame has hard cardboard backing with a hook on either side connected with a length of copper hanging wire. Coat of Arms with "Australia" at bottom. Stamp on back stating "Passchendaele Barracks Trust".coat of arms, passchendaele barracks trust -
Gippsland Art Gallery
Print, Wicks, Arthur, Blue Craze, 1969
Donated from the estate of Patricia Marie White, 2017Screenprint on papergippsland, artwork, permanent collection -
Latrobe Regional Gallery
Print, KITAJ, Ronald Brooks b.1932 Ohio, United States d. 2007 California, United States, Robert Duncan, 1981
EtchingSigned and edition 'Kitaj 25/150' in bottom right corner under printed image. -
Gippsland Art Gallery
Print, Turner, J.M.W. (after), Dutch Boats in a Gale, c.1859-78
Purchased, 2013Engraving on papergippsland, artwork, permanent collection -
Gippsland Art Gallery
Print, Looby, Keith, Massacre of Tasmanians, 1975
Donated by Rodney Scherer through the Australian Government Cultural Gifts Program, 2004Etching on papergippsland, artwork, permanent collection -
Gippsland Art Gallery
Print, Von Guerard, Eugene, Junction of the Buchan and Snowy Rivers (Gipps Land), c.1866-68
Purchased with the assistance of the Caltex Victorian Government Art Fund, 1982Coloured lithograph on papergippsland, artwork, permanent collection -
Gippsland Art Gallery
Print, Unknown Artist, Sale, Gipps Land, c.1881
Donated by John Leslie OBE, 1984Hand-coloured wood engraving on papergippsland, artwork, permanent collection -
Federation University Historical Collection
Print - Print - Lettering, ZILLES COLLECTION: Letraset Instant Lettering
Zilles Printers was begun by Lewis Zilles in the early 1930s. It was in McKenzie Street Ballarat. His son Jeffrey also became a printer - letterpress, offset and screen printer. The business became Zilles Printers/Graphics and was in Armstrong Street and later Bell Street Ballarat. Items are examples of print available. Instructions are included. Letter from Jeff Zilles gives helpful information to staff. It explains things to do and not to do..1 A4 typed sheet - instructions to staff .2 Instant lettering sheet. Printed section peels off backing .3 Yellow sticker advertising Jeff Zilles .4 Letraset information paper - 4 pages .8 Green sample packet - 2 sheets enclosed .10 Sheets inside folder - 3 zilles printers, letraset, ballarat -
Swan Hill Regional Art Gallery
Print, SIBLEY, Andrew, Roses with Love, 1993
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Latrobe Regional Gallery
Print, BELLANY, John b. 1942, Port Seton d. 2013, Colchester Lil, 2000
ScreenprintSigned 'Bellany' under right corner of printed image. Edition 25/34, numbered under left corner of printed image. -
Latrobe Regional Gallery
Print, COLEING, Tony b. 1942, Dollars 39, 1979
Two coloured lithographSigned and dated 'T. Coleing '79' in lower right under printed image. Edition 11/22 lower left under printed image. -
Bendigo Military Museum
Print - PRINT RAAF, FRAMED, Echuca Frame Workshop & Gallery, Possibly post WW2
Coloured print of a WWII RAAF Sunderland, 4 engine sea plane mounted with grey border. Brown wooden frame with gold inner edge, glass front, fawn paper backing & white cord hanging strap attached.Underneath print: “A World War II RAAF Sunderland on patrol from an original by Peter Connor” Handwritten in black ink on backing: “Donated by Rick Hattam”print, sunderland, raaf -
Kew Historical Society Inc
Print - Walmer Street Foot Bridge
A bridge to Walmer Street, Kew, from Abbotsford was located at the northern end of Burnley Street. It was a foot bridge.Photographic print of the Walmer Street Bridge. The view of the Bridge is from the Abbotsford side of the Yarra. A section of pipe on the near side of the bridge is a remnant of the irrigation pipes that carried water from above Dight's falls to the Melbourne Botanic Gardens. The former bridge, constructed in 1896 was swept away in the 1901 Flood. It has two major brick piers while the remainder of the trestle supports are metal. The original photograph from which this copy was made was taken after 1901 as it shows the second bridge under construction. Houses in Young Street, Kew, can be seen on the far side of the river.Written on reverse: "Walmer St. Bridge. Erected 1896. Being rebuilt after 1901 flood damaged it. Houses on left are in Young St."bridges -- kew (vic.), walmer street bridge, melbourne botanic gardens -
Gippsland Art Gallery
Print, Duxbury, Lesley, Echo - 11 September 1821, 2017
Purchased, 2017Inkjet print and blind embossing on papergippsland, artwork, permanent collection -
Horsham Regional Art Gallery
Print, Clifton PUGH, The run of the emus, 1980
Gift of the Davidson family in memory of Jean Davidson, 2022etchings on paper -
Federation University Art Collection
Print - Artwork - Printmaking, Bowen, Dean, 'The Peaks of Lyell' by Dean Bowen, 1989
Dean BOWEN (1957- ) Born Maryborough, Victoria, AustraliaFramed limited edition lithograph, printed in colour from various stones.2/15artwork, artist, dean bowen, gippsland campus, lithograph -
Glenelg Shire Council Cultural Collection
Print - Print - Impression of Ultimate Development of Port of Portland, Victoria, n.d
Port of Portland Authority archives.Front: (no inscriptions) Back: 'Impression of Ultimate Development of Port of Portland, Victoria.' 'Bruce Ormandy' 1977-port of portland archives, portland harbour -
The 5th/6th Battalion Royal Victoria Regiment Historical Collection
Print - Book, Mark of the Lion
The story of the New Zealand War Hero Captain Charles UphamWhite and blue cover with VC on the front. White yellow and black writing on the front.Mark of the Lion5/6 rvr, officer's mess, sergeant's mess -
Kew Historical Society Inc
Print - Subdivision Plan (copy), Plan of Section 79 Parish of Boroondara (Clifton Estate), Nineteenth Century
This work forms part of the collection assembled by the historian Dorothy Rogers, that was donated to the Kew Historical Society by her son John Rogers in 2015. The manuscripts, photographs, maps, and documents were sourced by her from both family and local collections or produced as references for her print publications. Many were directly used by Rogers in writing ‘Lovely Old Homes of Kew’ (1961) and 'A History of Kew' (1973), or the numerous articles on local history that she produced for suburban newspapers. Most of the photographs in the collection include detailed annotations in her hand. The Rogers Collection provides a comprehensive insight into the working habits of a historian in the 1960s and 1970s. Together it forms the largest privately-donated collection within the archives of the Kew Historical Society.A photographic reproduction of a plan in the Vale Collection of the State Library of Victoria. The numbered lots represent the first land sales in Kew in the area north of Studley Park Road.maps (kew), plan of section 79 parish of boroondara -
Melbourne Legacy
Print, Soren Hawkes, Brooding Digger - Ypres 1917, 2012
TBCPrint on A4 paper of a digger standing by a grave.world war one, soldiers -
Bendigo Military Museum
Print - CHART, FRAMED
This chart displays unit colour patches worn by members of the Australia Military forces during World War 11. The Australian Military Forces consisted of the 2nd Australian Imperial Force, The Citizens Military Forces and the Permanent Military Force.Chart: Paper, colour illustrations of the " Colour Patches" with black printed numbers 1 - 630. Information on "Colour Patches" printed below illustrations in black ink. Mount: - cardboard, black with gold inner edge. Frame: Timber, mid brown colour with varnish finish. Decorative edge with perspex front. Backing: timber plywood, paper delivery docket adhered to backing. Small adhesive labels on front and back.Printed in red ink on chart, COLOUR PATCHES/ OF THE/ AUSTRALIAN MILITARY FORCES - WORLD WAR 11. Small adhesive labels, white, printed back ink "74".print, ww11, military, uniforms -
Latrobe Regional Gallery
Print, TRAILL, Jessie b. 1881 Brighton, Victoria d. 1967 Emerald, Victoria, Meccano House, 1923
Drypoint etchingTitled, edition 1/25, signed and dated 1923 under printed imagefactory, industrial, etching, architectural