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Artwork, other (1265)
Ceramic (766)
Decorative object (714)
Drawing (4607)
Mixed media (518)
Painting (2482)
Print (1657)
Sculpture (402)
Textile (1394)
Work on paper (2050)
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Swan Hill Regional Art Gallery
Print, HEALY, Christine, Songlines, 1988
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Swan Hill Regional Art Gallery
Print, CROOKE, Ray, Sandstone cliffs - Cape York, unknown
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Swan Hill Regional Art Gallery
Print, BOWEN, Dean, Spotted Cat, 1998
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Tramways/East Melbourne RSL Sub Branch - RSL Victoria Listing id: 27511
Print, The Landing at Anzac
Print of painting showing the landing of ANZAC soldiers at Gallipoli. The Landing at Anzac, Anzac Day, April 25 1915 printed on the bottom. Artist signature in print is C Cuneo anzac, gallipoli, 1915, painting -
Gippsland Art Gallery
Print, Leti, Bruno, Bolung, 1995
Donated by the artist, 1997Etching and aquatint on papergippsland, artwork, permanent collection -
Gippsland Art Gallery
Print, Macpherson, Adelaide, Land & Water - Lakes, 2018
Purchased, 2019White ground etching on papergippsland, artwork, permanent collection -
Charlton RSL Sub Branch
Print - Framed print Major General Harold Edward 'Pompey" Elliott, Framed print
Wood framed print -
Gippsland Art Gallery
Print, Lindsay, Lionel, Untitled, Undated
Bequeathed by Oswald Stuart Green, 1993Etching on papergippsland, artwork, permanent collection -
Gippsland Art Gallery
Print, Gardiner, Ian, Untitled, 1970
Gift of Judith Gardiner, 2017Coloured linocut on papergippsland, artwork, permanent collection -
Latrobe Regional Gallery
Print, HOS, Kees. Born 1916, The Hague, Holland, Between the Sun and the Moon, 1963
PrintTitled and edition 'Between Sun and Moon 2/25' lower left corner under printed image. Signed and dated 'Kees Hos '63' lower right corner under printed image. -
Bendigo Military Museum
Print - PRINT, FRAMED WW1, Reader's Digest (Australia) Pty Limited, 2015
From information book - " Reader's Digest/ Gallipoli/ 25th April 1915 - 9th January 1916/ Centenary Commemorative Prints". Collection of 20 prints. Refer Cat No. 7300.Framed print. Print - colour print on paper. Copy of an oil painting on canvas. This painting depicts Anzac Cove - with soldiers going about various activities, some unloading crates, stacking crates and moving supplies. Background of sea, sand and hills. Frame - Black plastic framing with glass front and MDF board backing with adhered black paper.Details below print - in black ink. " FRANK CROZIER (1883 - 1948) The Beach at Anzac 1919". Frank Crozier - enlisted with the Australian Imperial Force, 22nd Battalion in March 1915. Trained in Egypt before serving in Gallipoli. Appointed an official war artist in 1918.framed accessories, prints, ww1, gallipoli, centenary -
Bendigo Military Museum
Print - PRINT WW1, FRAMED, Post WW1
The soldier in the photo is Nr 1366, Dvr Donald GILLIES of the 4th Field Artillery Brigade. The grey horse, Bess, was blinded by shell fire. The bay horse was Lady. Photo was taken near Villers-Bretonneux. For photo of the four Gillies brothers, refer to Cat No 3531. For book refer to Cat No 3534.Photographic print in colour of a soldier smoking a pipe. He is in uniform - slouch hat, jacket, trousers, puttees & boots, alongside 2 horses. Print is mounted in wooden decorative frame with floral arrangements at top, bottom & both sides. Frame is rounded at top & at each corner with curved glass front. Wire hanging strap on back.Written in black texta on back: “Donated by J Gillies” Stamped on back: “Empire Art Company Ltd”photographs, framed -
Old Colonists' Association of Ballarat Inc.
Print, Ballarat School of Mines Administration Building
Framed copy of a plan of the Ballarat School of Mines Administration Building.ballarat school of mines, administration building, a building, architecural plan -
Latrobe Regional Gallery
Print, HAMM, Treahna b. 1965, Melbourne, Paradise Overkill, 1995
Hand coloured etching Edition 26/50 in lower left corner. Titled 'Paradise Overkill' on bottom centre. Signed and dated 'Treahna Hamm '95' lower right corner.etching, land, spiritual, environment, connection to land, disruption -
Kew Historical Society Inc
Print, Rose Stereograph Company, Sacred Heart Church, Kew, Vic, Twentieth Century
The history of the church goes back to 1872 when Jesuits purchased land in Walpole Street. By 1875 Archbishop Gould had laid a foundation stone on 14 February for a school. Early services for local Catholics were held in Richmond, Collingwood and later Hawthorn. By 1899 the land for the current church was purchased after a donation by Mr James Crotty of 3,000.00. The foundation stone was laid on 15 December 1918 by Archbishop Mannix. The dimensions of the church were to be 139 feet long by 77 feet wide with seating for 850 people. The cost of construction was 15,000.00. (Source: www.churchhistories.net.au )Sacred Heart Church, Kew, Vic., circa 1920-54. Photographic print of a Rose Stereograph Co. postcard in the State Library of Victoria collection.Inscription: The Rose Series P. 13053, Sacred Heart Church, Kew, Vic." Annotation in pencil: "KH-5. Foundation Stone laid 1918, completed 1921."churches -- kew (vic.), sacred heart church -- cotham road -- kew (vic.), catholic churches -- melbourne (vic.) -
Gippsland Art Gallery
Print, Dunlop, Brian, Untitled, c.1985
Donated by Lesley Duxbury through the Australian Government Cultural Gifts Program, 2017Etching on papergippsland, artwork, permanent collection -
Gippsland Art Gallery
Print, Kline, Gillian, Journey - Coming Home, 2013
Purchased with the assistance of the Gippsland Art Gallery Society, 2013Colour etching on papergippsland, artwork, permanent collection -
National Vietnam Veterans Museum (NVVM)
Print, Plane Guard
A coloured print of HMAS Perth escorting HMAS Melbourne at sea. Bottom right hand is the signature of Peter Blenkinsopp 1993. At the bottom of the print reads from an original iol painting by Peter Blenkinsopp.print, hmas perth, hmas melbourne, cerberus collection -
Horsham Regional Art Gallery
Print, Nicholas CHEVALIER, Union Bank of Australia, Melbourne, 1862
Gift of Mack Jost, 1983steel engraving on paper -
Darebin Art Collection
Print - Luke Cummins, Luke Cummins, Mooki (Mother Nature), 2001
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Latrobe Regional Gallery
Print, Night Garden, 2001
LithographSigned and dated 'Lanceley 2001' lower right corner under printed image. Edition A/P 9/12, numbered on bottom centre under print. Titled 'Night Garden' in bottom left corner under printed image. -
Latrobe Regional Gallery
Print, LANCELEY, Colin b. 1938 Dunedin, New Zealand, Some are More Equal than Others, 1969
ScreenprintSigned 'Lanceley 69' in lower right corner of print. Edition 141/150, numbered under printed image towards bottoms right corner. Titled 'Some are more equal than other' in centre bottom edge of print. -
Gippsland Art Gallery
Print, Dorber, Judy, Woolamai Waters, 2017
Purchased, 2017Perspex drypoint print on papergippsland, artwork, permanent collection -
Swan Hill Regional Art Gallery
Print, RICARDO, Geoffrey, Visitation, 2001
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Gippsland Art Gallery
Print, Duxbury, Lesley, Echo - 11 September 1821, 2017
Purchased, 2017Inkjet print and blind embossing on papergippsland, artwork, permanent collection -
Latrobe Regional Gallery
Print, SIBLEY, Andrew b. 1933 London, England d. 2015 Melbourne, Australia, Paper Guru, 1985
LithographSigned 'Sibley '85' in lower right corner under printed image. Titled "PAPER GURU" centred bottom under printed image. Edition A/P, lower left corner under printed image. -
Gippsland Art Gallery
Print, Leach-Jones, Alun, Cypress and Acacia [V], 1986
Donated by Lesley Duxbury through the Australian Government Cultural Gifts Program, 2017Linocut print on papergippsland, artwork, permanent collection -
Swan Hill Regional Art Gallery
Print, SANKEY, Olga, Forked tongue, 2007
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Flagstaff Hill Maritime Museum and Village
Print - Lithograph Picture, Madagascar Indiaman, Unknown
Madagascar was a large British merchant ship built for the trade to India and China in 1837 that disappeared on a voyage from Melbourne to London in 1853. The disappearance of Madagascar was one of the great maritime mysteries of the 19th century and has probably been the subject of more speculation than any other 19th-century maritime puzzle, except for the Mary Celeste. Madagascar, the second Blackwall Frigate, was built for George and Henry Green at the Blackwall Yard, London, a shipyard that they co-owned with the Wigram family. A one-eighth share in the vessel was held throughout her 16-year career by her first master Captain William Harrison Walker Walker. Madagascar carried freight, passengers, and troops between England and India until the end of 1852. In addition to her normal crew, she also carried many boys being trained as officers for the merchant marine. Known as midshipmen from naval practice, their parents or guardians paid for their training, and they only received a nominal wage of usually a shilling a month. Due to the Victorian Gold Rush, Madagascar, under the command of Captain Fortescue William Harris, was sent to Melbourne with emigrants. She left Plymouth on 11 March 1853 and, after an uneventful passage of 87 days, reached Melbourne on 10 June. Fourteen of her 60 crew jumped ship for the diggings, and it is believed only about three replacements were signed on. She then loaded a cargo that included wool, rice, and about two tonnes of gold valued at £240,000, and took on board about 110 passengers for London. On Wednesday 10 August, just as she was preparing to sail, police went on board and arrested a bushranger John Francis, who was later found to have been one of those responsible for robbing on 20th July the Melbourne Private Escort between the McIvor goldfield at Heathcote, Victoria and Kyneton. On the following day, the police arrested two others, one on board the ship and the other as he was preparing to board. As a result of these arrests, Madagascar did not leave Melbourne until Friday 12 August 1853. After she left Port Phillip Heads Madagascar was never seen again. When the ship became overdue many theories were floated, including spontaneous combustion of the wool cargo, hitting an iceberg and, most controversially, being seized by criminal elements of the passengers and/or crew and scuttled, with the gold being stolen and the remaining passengers and crew murdered. There have been many rumors as to what happened to Madagascar over the years but what really happened is still a mystery. The lithograph was made around 1950 from an original painting of Madagascar a Vessel with a notorious past and is interesting and a significant item for the ships part in early Victorian history. The picture is it’s self not valuable or can be associated with a significant person in history. The interest lies in the events that are linked to the ship in the mid 19th century.Lithograph of the ship Madagascar, in a wooden frameThe Madagascar East Indiaman 1000 tonsflagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, lithograph, the madagascar, east indiaman -
Numurkah & District Historical Society
Print - King George VI Print
Image - a coloured painted portrait of 'His Majesty King George VI' in full uniform, mounted in gold painted wooden frame with decorative trim along rim. Copy print of paintingPrinted at base image on mounting "His Majesty King George VI/From Original by W.B. McInnes."