Showing 6027 items matching art
Artwork, other (1199) Ceramic (742) Decorative object (665) Drawing (4548) Mixed media (467) Painting (2346) Print (1640) Sculpture (386) Textile (1012) Work on paper (1996)-
Port Melbourne Historical & Preservation Society
Drawing - Property sketches, Frank Gordon Real Estate, 1990s
Property sketches done for Frank Gordon Real Estate in the 1990s. 172 Dow St built environment - domestic, frank gordon real estate, dow street -
Camberwell Historical Society
Drawing (series) - Architectural drawing, 20 Callanish Street, Burwood, 2002
artist, architectural drawings, margaret picken, camberwell, housesartist, architectural drawings, margaret picken, camberwell, houses -
Camberwell Historical Society
Drawing (series) - Architectural drawing, 56 Brinsley Street, Camberwell, 2002
artist, architectural drawings, margaret picken, camberwell, housesartist, architectural drawings, margaret picken, camberwell, houses -
Kew Historical Society Inc
Drawing - Property Illustration, Margaret Picken, 2A Maxwell Street, Kew, 1994
After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 23 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view. (Margaret Picken, 2020)This drawing is one of a series created by Margaret Picken for a number of real estate agents in Melbourne between 1983 and 2005. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020Pen and ink architectural drawing on drafting film of 2A Maxwell Street, Kew by Margaret Picken.2A MAXWELL ST., KEW / MARGARET PICKEN ~94 / WOODARDS ~ BALWYNartist -- margaret picken 1950-, architectural drawings -- houses -- kew (vic.), 2a maxwell street - kew (vic). -
Camberwell Historical Society
Drawing (series) - Architectural drawing, 46 Glencairn Avenue, Camberwell, 1988
artist, architectural drawings, margaret picken, camberwell, housesartist, architectural drawings, margaret picken, camberwell, houses -
Kew Historical Society Inc
Drawing - Property Illustration, Margaret Picken, 31 Rowland Street, Kew, 1990
After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 22 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view. (Margaret Picken, 2020)This drawing is one of a series created by Margaret Picken for a number of real estate agents in Melbourne between 1983 and 2005. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020Pen and ink architectural drawing on drafting film of 31 Rowland Street, Kew by Margaret Picken.31 ROWLAND ST., KEW / MARGARET PICKEN '90 / WOODARDS ~ KEWartist -- margaret picken 1950-, architectural drawings -- houses -- kew (vic.), 31 rowland street -- kew (vic.) -
Camberwell Historical Society
Drawing (series) - Architectural drawing, 81 High Street, Glen Iris, 1990
artist, architectural drawings, margaret picken, camberwell, housesartist, architectural drawings, margaret picken, camberwell, houses -
Kew Historical Society Inc
Drawing - Property Illustration, Margaret Picken, 8/54 Sackville Street, Kew, 1991
After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 22 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view. (Margaret Picken, 2020)This drawing is one of a series created by Margaret Picken for a number of real estate agents in Melbourne between 1983 and 2005. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020Pen and ink architectural drawing on drafting film of 8/54 Sackville Street, Kew by Margaret Picken.8/54 SACKVILLE ST., KEW / MARGARET PICKEN~91 / WOODARDS ~ KEWartist -- margaret picken 1950-, architectural drawings -- houses -- kew (vic.), 8/54 sackville street - kew (vic) -
Camberwell Historical Society
Drawing (series) - Architectural drawing, 21 Howard Street, Glen Iris, 1992
artist, architectural drawings, margaret picken, camberwell, housesartist, architectural drawings, margaret picken, camberwell, houses -
Port Melbourne Historical & Preservation Society
Drawing - Property sketches, Frank Gordon Real Estate, 1990s
Property sketches done for Frank Gordon Real Estate in the 1990s. 368 Williamstown Road .built environment - domestic, built environment - commercial, frank gordon real estate, williamstown road -
Camberwell Historical Society
Drawing (series) - Architectural drawing, 15 Ward Street, Ashburton, 1992
artist, architectural drawings, margaret picken, camberwell, housesartist, architectural drawings, margaret picken, camberwell, houses -
Camberwell Historical Society
Drawing (series) - Architectural drawing, 2 Kerferd Road, Glen Iris, 1996
artist, architectural drawings, margaret picken, camberwell, housesartist, architectural drawings, margaret picken, camberwell, houses -
Robin Boyd Foundation
Drawing - Architectural, Robin Boyd, 290 Walsh Street, South Yarra, 14-Jan-58
This reproduction of the 1958 architectural drawings for 290 Walsh Street gives insight into Boyd's design. The finished building differs from these plans in some interesting ways - for example, the upstairs balcony cantilevers twice as far as originally drawn.Working Drawing, Colour copy, Paper type A1 -
Moorabbin Air Museum
Drawing (Item) - Gypsy Major Engine - Detail Of Joints Drawing No. A2733/3
Installation Of D H Gypsy Major Engine Into Avro Cadet Type 368 -
Kew Historical Society Inc
Drawing - Property Illustration, Margaret Picken, 30 Hartington Street, Kew, 1989
After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 23 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view. (Margaret Picken, 2020)This drawing is one of a series created by Margaret Picken for a number of real estate agents in Melbourne between 1983 and 2005. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020Pen and ink architectural drawing on drafting film of 30 Hartington Street, Kew by Margaret Picken.30 HARTINGTON ST., KEW / MARGARET PICKEN '89 / WOODARDS ~ KEWartist -- margaret picken 1950-, architectural drawings -- houses -- kew (vic.), 30 hartington street - kwe (vic). -
Kew Historical Society Inc
Drawing - Property Illustration, Margaret Picken, 7 Tregarron Avenue, Kew, 1989
After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 22 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view. (Margaret Picken, 2020)This drawing is one of a series created by Margaret Picken for a number of real estate agents in Melbourne between 1983 and 2005. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020Pen and ink drawing on drafting film of 7 Tregarron Avenue, Kew by Margaret Picken.7 TREGARRON AVE., KEW / MARGARET PICKEN '89 / WOODARDS ~ KEWartist -- margaret picken 1950-, 7 tregarron avenue -- kew (vic.), property illustrations — buildings — kew (vic.) -
Whitehorse Historical Society Inc.
Textile - Doyley
Round ecru crochet doyley.handcrafts, crocheting or crochet work, manchester, table linen -
Whitehorse Historical Society Inc.
Textile - Tape Lace in large illustrated envelope
White tape lace on a card which is enclosed in a large illustrated envelope. The mid 19th century 'Renaissance Lace' is wound around cardboard which is in the large envelope. The lace depicts five petaled daisies with an eyelet on each side. The envelope is illustrated with drawings of snowdrops. It opens on the front with small snowdrops drawn around the square opening. On the right hand top corner there is a drawing of mountains with a village in the valley.'Snow-Bleach Embroidery' Man. in Switzerland. Guaranteed to retain its Snow-Whiteness. 'All Cotton' No. 83177 20yds E600handcrafts, lacemaking, documents, envelopes -
Glen Eira Historical Society
Drawing - St Aloysius Church, Caulfield
Two Photocopies of a pamphlet from May 1924 signed A. L Kenny about the newly built St Aloysius Catholic Church on Balaclava Road, Caulfield. The pamphlet features a detailed description of the architectural features of the interior and exterior, including Gothic spire and nuns tubrine. The pamphlet is across 6 A4 pages for both copies. Included within are several photographs, of varying sizes, of the interior and exterior of the church, a photograph of the architect Bart Moriarty and an illustration of the proposed Presbytery. Within is a list of benefactors, their gifts to the church and the value of each gift.st aloysius’ church, o’ brien fr., parish of caulfield, returned soldiers and nurses caulfield, balaclava road, altar society, moriarty bart, caulfield., kenny a. l., popular summer girls, kehoe miss, rattray mrs, power mr., power mrs., kelly mrs., gleeson t. mr., gleeson t. mrs, foley m., guilfoyle, beth mr., murphy i. l mrs., killorn mr., walsh mr, radcliffe mrs., klaer d. miss, hogan a. miss, hennessy lady, pilkington m. miss, pilkington e. miss, connolly mr., hogan brothers, o’ loughlin count, o’ loughlin mrs, levers miss, burke t. m. mr, burke t.m. mrs, confoy t. j. mr, confoy t. j. mrs., harrington mrs., eccles e. mr., eccles e. mrs., dorgan d. mr, dorgan d. mrs, wren j. mr, wren j. mrs., kisby mrs, charlton h. miss, foulshan w mr., pilington mrs, mcgrath m. mr., mcnamara mrs, cornack mrs., connolly e. a. mr., malone mrs., wharton mr., wharton mrs., donoghue d. mr, foulsham w. mrs, sweeney p. mr., sweeney p. mrs., adams h. m mr, adams h. m mrs., vaughan d. e. mr, vaughan d. e. mrs., mclennan mrs, morgan myra miss, boland catherine miss, hennessy n. mr., casey s.p. mr, casey s.p. mrs., mclntyre e. miss, mannion mr., bennett mrs., drummond mrs., lectie mrs., catholic church, churches, gothic (revival) architecture, architectural features, architectural styles, architects, clergy residences, church furniture, religious ceremonies, nuns, communion rails, altars, fonts, pulpits, pews, stained glass, windows, organs, sculpture, cast iron work -
Federation University Art Collection
Mixed media - artwork, [Untitled] by Wes Walters
Wes WALTERS (06 August 1928 - 19 August 2014) Born Mildura, Victoria From 1940 t0 1945 Wes Walters attended the Ballarat High School. He then studied architecture at the Gordon Institute in Geelong, followed by art at the Ballarat School of Mines (a division of the Ballarat School of Mines). During his time at the Ballarat Technical Art School (later Federation University Australia) Walters studied under Neville Bunning and Taylor Kelloch, and was awarded the Ballarat Ladies Art Association Scholarship in 1948. He next moved to Melbourne to work as a commercial artist with the George Patterson advertising agency. Each evening Walters studied life drawing at the Victoria Artists’ Society and taught himself anatomy. Wes Walters excelled in both abstract and realist art. He won the Art Gallery of Ballarat’s Minnie Crouch Prize for watercolour art in 1953 and 1956. He won the prestigious Archibald Prize in 1879 for his portrait of Phillip Adams. This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.Framed abstract mixed media artwork featuring natural timberwes walters, artwork, artist, available, abstract -
Moorabbin Air Museum
Drawing - CAC Commonwealth Aircraft Corporation, Avon Sabre AAP
-
National Wool Museum
Textile - Quilt, Domestic Wagga, 1950s
Part of the Running Stitch collection, possibly made in BallaratDomestic wagga, unfilled, consisting of two machine sewn layers of woollen garment pieces both knitted and woven. The front pieces are predominantly red, blue and yellow, the back is mostly brown red and blue.WAGGA/ Maker unknown 154cm long X 90cm wide/ Made of parts of wool garments, knitted and woven.....handicrafts quilting quilting - history, running stitch collection, running stitch group, handicrafts, quilting, quilting - history -
Glenelg Shire Council Cultural Collection
Drawing - Drawing, botanical, Collin Elwyn Woolcock, Olearia speciosa (Netted Daisy-bush), 1984
Part of "Woolcock Gallery Collection". Exhibited CEMA 1989.Drawings of a cutting and flower and leaf details of plant with pale orange and green stems, large green crinkle-edged foliage and white daisy-like flowes with orange centres. Six drawings include one branch with foliage and flowers, one flower head detail in orange, white and green (side view), one flower detail (above) one stamen detail (orange and grey) (sideview) and two leaf details, one front (green) and one back (grey). The work is on white paper mounted in a double matt (off-white on pale apricot), framed under glass in a gold and grey-green frame.Front: CEW/84 (lower left in image, next to stem) (maroon pencil) Olearia speciosa (Netted Daisy-bush) (lower left) (pencil) Back: 17 (upper left) (pen)collin woolcock, botanical, woolcock collection, cema -
Kew Historical Society Inc
Drawing - Property Illustration, Margaret Picken, 130A Parkhill Road, Kew, 2002
After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 22 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view. (Margaret Picken, 2020)This drawing is one of a series created by Margaret Picken for a number of real estate agents in Melbourne between 1983 and 2005. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020Pen and ink architectural drawing on drafting film of 130A Park Hill Road, Kew by Margaret Picken.130A PARK HILL ROAD., KEW / PICKEN ©2002 / WOODARDSartist -- margaret picken 1950-, architectural drawings -- houses -- kew (vic.), 130a parkhill road -- kew (vic.) -
Camberwell Historical Society
Drawing (series) - Architectural drawing, 18 Gowar Avenue, Camberwell, 2003
artist, architectural drawings, margaret picken, camberwell, housesartist, architectural drawings, margaret picken, camberwell, houses -
The Beechworth Burke Museum
Drawing, Ernest Marcuse, Yackandandah IV, c1983
Ernest Heinrich Marcuse was born on the 1st of December 1900 to Hedwig and Siegmund Marcuse in Berlin Germany. While Marcuse's artistic talent was apparent from a younger age, his earliest existing artwork was from when he was approximately 20 years old. Ernest's formal art training commenced in 1918 with a three year course at the Berlin school of Interior design. After completion he found work until 1924 when Germany's Great Depression took effect. To broaden his career opportunities he undertook a further 12 months study of fashion, drawing and advertising at Berlin's Reiman school of art. From 1925 to 1934 Ernest was primarily a freelance press artist specialising in industrial, architectural and figurative drawing. Prominent newspaper The Berliner Morgenpost was his largest client along with Gross Deutsche Rundfunaustellung (Germany's organisation for major trade shows). During this period he would create many significant works. Two months after Hitler and the Nazi part came to power in 1933, Ernest received a life changing letter stating that being Jewish he could no longer continue employment in Germany. Up until 1938 he would only be able to undertake private commissions and occasional unofficial work as a book illustrator and games designer. This was by arrangement with non Jewish artists who claimed his work as their own, they would then share the income with Ernest. With increasing unrest in Germany during late 1938 Ernest decided to move to London and there he married his girlfriend Lotte. In late 1939 Ernest and Lotte Marcuse embarked on an eight week journey to their new home in Australia where they had been accepted as refugees. Shortly after arriving in Australia Ernest presented his portfolio to an editor at the Argus newspaper and gained employment as a war events illustrator. He soon became well respected and known in particular for his detailed illustrations and cross sections of ships , artillery and aircrafts. His detailed depictions of battles were displayed on the front pages of The Argus newspaper on a number of occasions. In May 1940 as the war intensified Ernest was dismissed from The Argus newspaper due to his Australian government classification of 'stateless person of enemy origin' and was considered a potential security risk. The editor of the time commented "don't blame us, blame Hitler". Marcuse then began to establish himself as a commercial artist. Ernest was de-classified as a 'stateless person of enemy origin' and in early 1942. The Australian army heard of Ernest's artistic abilities and began to utilize his designs for visual training aids and posters. Ernest became Private E.H Marcuse V377746, his first army posting was as staff artist at The infantry officer's training school at Bonegilla. When off duty he was inspired by the beauty of the surrounding area creating the works in North east Victoria 'Kiewa river bridge', 'Hume weir', ' Dried up river bed' and 'Hawksview gold reef mine' from his 1942-1943 period at Bonegilla Victoria. Ernest returned to the area to create drawings and paintings from 1948 to 1983 in locations including Bright, Wandilligong, Bogong High plains and Wallace's Hut, Mt Buffalo, Beechworth, Pretty valley, Kiewa Hydro, Yackandandah and Bontherambo homestead. These sketches were often completed on location, photographs were also taken onsite to assist the works back at the studio. Occasionally Marcuse also painted in the field. Ernest's preferred choice of medium was pencil and ink. Up until 1952 he would often incorporate watercolour into his work. Later into his career he began introducing pastels, acrylic and mixed media. In earlier years Ernest Marcuse often signed his work Mar, later on the signing of works ranged from Marcuse, E.Marcuse, Ernest Marcuse, EHM or simply EM . If a work was considered incomplete or Marcuse did not like the work it would remain unsigned. From Bonegilla Marcuse was transferred to Woodside South Australia before his final posting in Melbourne until the end of 1945. Ernest's work from within his army posting 'Troop Train at Night' from his 1945 exhibition Australia at War are part of the permanent collection at Canberra's War Museum. Between 1946 and 1969 Ernest largely worked from home and concentrated on a career as a freelance commercial artist and graphic designer. During that time he created work for well known household names including CRA/Conzinc, Vacuum oil (Caltex), Cottee's Brand (Schweppes and Heinz), Home Beautiful magazine Fulton garden supplies, International Iveco trucks, Ego pharmaceuticals, QV and Sunsense. After retirement Ernest concentrated on his true love of fine art and focused on painting images of personal interest both across Australia and Internationally. Earnest never drove a car. He would often walk or use public transport or enlist in the help of family or artist friends to drive him. Throughout his career Ernest Marcuse's artworks were purchase by private collectors these included ACTU, Melbourne City council, Holland Constructions, Melbourne Metropolitan Tramways Board, GJ Coles and Australian Resources Bank. Ernest Marcuse permanent collections can be viewed at The National Gallery of Victoria , Sydney Jewish Museum, Jewish Holocaust Centre Melbourne, Canberra's War Museum, City of Melbourne, Shire of Yarra ranges and now the Burke Museum. © 2020 Art by Marcuse https://www.artbymarcuse.com.au/aboutDonated to the Burke Museum through the Australian Government's Cultural Gifts Program by Peter and Evelyn MarcusePen and pencil landscape drawing on paper.Obverse: Marcuse / YACKANDANDAH / Reverse: YACKANDANDAH / Y 8 / 020 ernest marcuse, marcuse, art, artbymarcuse, beechworth, burke museum, indigo shire, landscape, illustration, drawing, pen and pencil, australian army, war events illustrator, the age, the sun, the argus, germany, refugee, industrial drawing, architectual drawing, figure drawing, berliner morgenpost, grosse deutsche rundfunaustellung, berlin’s reiman school of art., cultural gifts program -
Kew Historical Society Inc
Drawing - Property Illustration, Margaret Picken, 9 Rockingham Close, Kew, 1991
After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 22 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view. (Margaret Picken, 2020)This drawing is one of a series created by Margaret Picken for a number of real estate agents in Melbourne between 1983 and 2005. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020Pen and ink architectural drawing on drafting film of 9 Rockingham Close, Kew by Margaret Picken.9 ROCKINGHAM CLOSE, KEW / MARGARET PICKEN '91 / WOODARDS ~ C'WELLartist -- margaret picken 1950-, architectural drawings -- houses -- kew (vic.), 9 rockingham close -- kew (vic.) -
Hawthorn Historical Society
Drawing - Property Illustration, 9 Harts Parade, Hawthorn East, 1993
'After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 23 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view.' (Margaret Picken, 2020)This property illustration is one of a series created by Margaret Picken for a range of real estate agents in Melbourne between c. 1983 and c. 2006. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020pen and ink architectural drawing on drafting film. Dimension 226x160 Inscription: 9 HARTS PDE, HAW E Margaret Picken ©2004 FLETCHERS 9 HARTS PDE, HAW E Margaret Picken ©2004 FLETCHERS artist - margaret picken 1950- -
Kew Historical Society Inc
Drawing - Property Illustration, Margaret Picken, 16 Edgecombe Street, Kew, 1997
This architectural drawing is one of a series created by Margaret Picken for a range of real estate agents in Melbourne between c.1983 and c.2005. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020Pen and ink architectural drawing on drafting film of 16 Edgecombe Street, Kew by Margaret Picken.16 EDGECOMBE ST., KEW / MARGARET PICKEN ~97 / WOODARDS ~ HAWTHORNartist -- margaret picken 1950-, architectural drawings -- houses -- kew (vic.), 16 edgecombe street --kew-(vic.) -
Swan Hill Regional Art Gallery
Drawing, KEMPF, Franz, A letter to Theo (homage to Van Gogh), 1990