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Clunes Museum
Poster, THE WEEKLY TIMES ANNUAL, WEEKLY TIMES ANNUAL, NOV. 1911
WEEKLY TIMES ANNUAL, NOV. 1911 - A SUMMER MORNING AT ALBERT PARK BEACH.weekly times, poster -
Bendigo Historical Society Inc.
Ephemera - MISS G ALICE JONES COLLECTION: WWII FUEL 1 GALLON RATION TICKETS, 1948
WWII Fuel 1 Gallon Ration Tickets: WWII One Gallon Fuel Tickets: 2 x cream cards with blue flecks, perforated edges and red print. At the top in the centre is the Commonwealth Emblem and Motor Spirit Ration Ticket. Commonwealth Of Australia. Underneath is 1 One Gallon and Valid only until 31st May 1948. Not Transferable. This ticket must be endorsed in ink by consumer with name, licence number and vehicle registration number. The back ground is circle shapes with Department of Supply and Shipping. On the back hand printed is "2(e)/4652, Car 153772, G. Alice Jones".Commonwealth of Australiagovernment, federal, fuel ration ticket, ww11. miss g. alice jones -
Bendigo Historical Society Inc.
Newspaper - JENNY FOLEY COLLECTION: TOUGH GUYS
Bendigo Advertiser ''The way we were'' from 2001. Tough guys: Matthew Brothers Emporium football team, circa 1933. The clip is in a folder.newspaper, bendigo advertiser, the way we were -
Whitehorse Historical Society Inc.
Newspaper - Article, Mitcham Road, Mitcham, 1/09/1993
Article on 476 Mitcham Road, Mitcham, built in 1958, for auction, 11 September 1993. Nunawading Gazette, 1 September 1993.mitcham road, mitcham, no. 476, auctions -
The Beechworth Burke Museum
Ceremonial object - Ushabti of Taweret-Khaiti, Circa 1292 BC
Ushabti are tiny anthropoid (human-shaped) figures placed in the tombs of wealthy Egyptians. They were intended to do the work of the deceased in the afterlife. This purpose is implied through their name, which may have derived from the Egyptian word “to answer”. The Burke Museum in Beechworth is home to a particular ancient Egyptian Ushabti figure. This artefact was donated to the Museum in 1875. No details about how it left Egypt, arrived in Australia, and where it was located before this donation are known. The Nineteenth Century, when this artefact was donated, was a period when many museums acquired items of ancient Egyptian heritage. Many of these items were procured in less than desirable circumstances, having often been looted from ancient tombs and sold to tourists without documentation as to their original location and/or accompanying grave goods. These artefacts were also divested through partage (the trading of artefacts for funds); however, the latter is unlikely to have been the case for this artefact. Since the Ushabti was donated by an unknown donor, it is likely to have been in a private collection rather than an institution. Ushabti can be dated using iconographic analysis which is non-invasive and provides a comprehensive study of the artefact. The later period of the 18th Dynasty marked the beginning of an increase in both the inclusion of Ushabti as essential funerary items and the creation of Ushabti with tools. From this period, they are no longer depicted without tools. Depictions of tools including gardening hoes are frequently depicted grasped in the Ushabti’s hands whilst items like the seed-bag are depicted hanging on the back rather than in an alternative position. This Ushabti figure grasps a gardening hoe and a mattock and a small seed bag surrounded by a yoke bearing water jars are depicted on the upper back of the Ushabti. These features are essential in helping narrow this dating to the late 18th and before the early 20th Dynasty. The position of this seed bag also provides dating information. In the early 18th Dynasty this bag was consistently drawn on the front of the figurine; however, by the reign of Seti I, this feature moved to the back. Thus, since the seed bag is located on the back of this Ushabti, it cannot date to the early 18th Dynasty. By the 19th Dynasty, Ushabti’s were increasingly made from either faience or terracotta. The availability of these materials in Egypt resulted in the increase of Ushabti production with tombs containing many more figurines than previously seen. The Ushabti held by the Burke collections is made from terracotta. Terracotta was rarely used for Ushabti before and during the early 18th Dynasty with only the odd appearance until the late 18th Dynasty and becoming common through that period until the late Third Intermediate Period. Whilst the face has been damaged, there is no evidence for the Ushabti having been provided with an Osirian false beard. This omission rules out a dating of later than the 25th Dynasty when beards became prominent. The inscriptions also date the Ushabti to the New Kingdom. This is because of the use of sḥḏ (“to illuminate”) with Wsjr (“Osiris”) which only occurs in these periods. Therefore, considering all these elements, the Ushabti can be confidently be dated to between the late 18th to early 19th dynasty.Artefacts like this Ushabti are no longer exclusively representative of their origins in burial assemblages and significance in the mythology of the Egyptian afterlife but are also significant for the accumulated histories they have gained through travel. The movement of this artefact from Egypt to Australia allows insight into the collecting habits of the 19th century, and in particular, the reception of ancient Egyptian artefacts in small rural museums. The procurement of Egyptian artefacts was a social trend around the late 1800s to early 1900s. Egyptian artefacts were considered curiosities and recognised for their ability to attract public attention to museums. They were also utilised in Australian museums, like the Burke Museum, to connect the collection to one of the oldest civilisations known to man and since Australia was considered a “young” country by European settlers, this was vital and derived from an interest in Darwin’s “Origin of the Species” 1859. Furthermore, there was a culture of collecting in the 1800s amongst the affluent in English society which led to the appearance of many Egyptian artefacts in private collections. The acquisition of this Ushabti figure is not certain, but it was likely donated from a private collection rather than an institution. This particular artefact is significant as an example of a high-quality Ushabti representative of those produced during the late 18th or early 19th century. It provides insight into the individualism of an Ushabti and the mythology of ancient Egypt. It also provides an example of the types of items required in the tomb assemblages of this period and reinforces the importance of ensuring the successful afterlife of the deceased through art. This Ushabti belonged to a woman named Taweret-Khaiti, Chantress of Amun, in the late 18th Dynasty or early 19th Dynasty (c.1292 BC) of the Egyptian New Kingdom. It likely comes from an undetermined tomb in the locality of Thebes. This figure is made from Nile silt clay (a polyester terracotta; clay sourced from the banks of the Nile River) which was a popular material for Ushabti construction in the early 19th Dynasty. It is in a fair state of preservation (with the exception of a break through the centre) and originally made to a high quality. The face has been damaged but the eyes and eyebrows are clearly marked with black ink and the sclera painted white. The Ushabti is painted a light brown/yellow colour and features a vertical line of inscription down the lower front. The Ushabti wears a large wig and and a schematic collar. The arms are painted light brown and depicted crossed with bracelets around the wrists. It grasps a hoe and mattock. A yellow seed-basket is depicted on the Ushabti’s back. These features represent the likelihood that this particular Ushabti was intended to complete farm work for the deceased in the next life. There would have been additional Ushabti of similar design within the tomb who worked under the supervision of a foreman Ushabti. The foreman Ushabti would be depicted dressed in the clothing of the living. The inscriptions are painted freehand in black ink and written in a vertical column from the base of the collar to the foot pedestal on the front of the Ushabti. The owner of the Ushabti could elect to have the figures inscribed with their name, the Ushabti spell and any other details they deemed necessary. In the case of this example, the Ushabti is inscribed with the owner’s details and is an abbreviated version of the standard Ushabti formula. This formula ensured that the Ushabti would complete the desired task in the afterlife when called upon by the deceased. Ushabti which were not inscribed would represent their intended purpose through design; however, this Ushabti, like most made in the late 18th Dynasty, conveys its purpose both through both design and inscription. The inscription is as follows: sHD wsir nbt pr Smayt imn tA-wr(t)-xai(ti) mAa xrw which translates to: "The illuminated one, the Osiris (the deceased), the mistress of the household, Chantress of Amun, Taweret-Khaiti, true of voice (justified)"ancient egypt -
Ballarat Tramway Museum
Newspaper, The Courier Ballarat, "Tram No. 40 was the last to run", 18/09/1976 12:00:00 AM
Newspaper clipping from The Courier, Ballarat titled Tram No. 40 was the last to run"18/9/1976, about the proposals of the BTPS to celebrate the closure of the Ballarat system in 1971. The Society proposed to operate No. 40 all day. Gives a brief history of the tram, the Ballarat system and the BTPS.btps, closure, celebrations, anniversary -
Federation University Historical Collection
Poster, The Flow of Population, c1920
This posters advertises reasons for the migration of European (or white) people to Australia.Coloured poster on canvas showing the flow of World population around 1920 from Europe to Australia, Canada, the United States of America and South America. The poster appears to be pro the White Australia Policy with statements such as 'Will we draw from the stream of white migration from Britain, Ireland and Europe, or will we wait til the dams holding back the flood tides of the yellow, brown and black races burst, and we are overwhelmed?'migration, population, race, population statistics, migrations statistics, european immigration policy, white australia policy, racism, immigration, poster -
Marysville & District Historical Society
Ephemera (Item) - Advertisement, The Blacks' Spur Hotel and Narbethong House, Unknown
A copy of an advertisement for The Blacks' Spur Hotel and Narbethong House in Narbethong.A copy of an advertisement for The Blacks' Spur Hotel and Narbethong House in Narbethong.narbethong, victoria, australia, advertisement, blacks' spur hotel, narbethong house, black spur hotel, black spur inn -
Ballarat Tramway Museum
Newspaper, The Age, Image of Bendigo steam tram No. 2 and trailer, July 10, 1943
Newspaper Clipping from The AGE, Saturday July 10, 1943 of a reproduction of a photograph of Bendigo Steam tram No. 2 and Bendigo Tramways Co. Ltd. bogie trailer. Caption "Bendigo's steam tramway at the close of last century." Same photo as that in Keith Kings "The Bendigo Tramways" but the roof ad board on the trailer has been altered to cover the advertisers name. Keith Kings gives the trailer as No. 6, rebuilt from the unsuccessful battery tram No. 1.trams, tramways, steam trams, bendigo, trailers, bendigo tramways co. ltd. -
Melbourne Tram Museum
Newspaper, The Herald, "Electrifying Bourke St tram route", 29/11/1963 12:00:00 AM
Newspaper clipping from The Argus, Thursday 18/1/1945, titled "Electrifying Bourke St tram route", about the MMTB plans for conversion of the Bourke St route and costs. Approved by the National Works Council, but the Deputy Premier Hollway said it had not be considered by cabinet. Gives project costs and scope of works.. On the other side of the cutting - front page - are reports of the WW2 in Europe and the advance of the Allies forces.trams, tramways, bourke st, conversion, electrification, world war 2 -
University of Melbourne, Burnley Campus Archives
Newspaper - Newspaper Cutting, The Argus, The Experimental Gardens of the Horticultural Society of Victoria, 1862
Horticultural Society short of funds so W. Phillips, manager of the gardens, permitted to grow tobacco in exchange for keeping the gardens in proper order. Description of ornamental gardens and proposal for orchard plantings.Photocopy of article in "The Argus" 8 October, 1862 p6. the argus, w. phillips, tobacco -
Clunes Museum
Poster - POSTER / CERAMIC AWARD, 2010
THE POSTER SHOWS ALL ITEMS AND THE NAMES OF THE ARTISTSPOSTER - SHOWING CLUNES CERAMIC AWARD 12TH SEPTEMBER - 3RD OCTOBER 2010local history, documents, poster, ceramic award -
Melbourne Tram Museum
Ephemera - Ticket/s, Metropolitan Transit Authority (MTA), "City concession check ticket", early 1980's
Set of two MTA or Metropolitan Transit Authority City Concession check tickets, issued to passengers who had a City Concession card when it was punched. All printed on off white paper, with numbers and the words "Not Cash" on both sides in red ink. Ticket itself printed in black ink. Nos. P 793381 and P876118trams, tramways, mmtb, check ticket, city section, concession fares -
University of Melbourne, Burnley Campus Archives
Newspaper - Newspaper Cutting, The Australian, Horticultural Society of Victoria Opening Day, 1862
The Survey Paddock eventually became part of the Burnley Horticultural College.Photocopy of the top half of the front page of The Australian, December 27, 1862. In the top right corner is a notice of the opening day of a grand flower show in the gardens of the Horticultural Society in the Survey Paddock, Richmond.the australian, flower show, survey paddock, horticultural society of victoria, opening of burnley gardens, advertisement -
Camberwell Historical Society
Ephemera (Item) - Memorabilia, Impact 28 Club memorabilia
camberwell -
Ballarat Tramway Museum
Newsletter, Ballarat Tramway Museum (BTM), "Fares Please!", 2008
Yields information about the operations of the BTM in 2008 and has a strong association with those involved., Yields information about the operations of the BTM in 2008 and has a strong association with those involved.Set of 6 "Fares Please!" Each page prepared as an A4 full size, photocopied reduced, copied and then folded into A5. Consolidated from other items or holdings from donations into a single year set of newsletters. All produced during 2008 .1 - Fares Please! - February 2008 .2 - Fares Please! - April 2008 .3 - Fares Please! - June 2008 .4 - Fares Please! - August 2008 .5 - Fares Please! - October 2008 .6 - Fares Please! - December 2008 All documents scanned as pdf images. museums btm, publicity -
St Kilda Historical Society
Ephemera - Ticket, The Zenda Social Club Social Evening, 1906
Green coloured card printed in black on one side onlyThe Zelda Social Club will hold a Social Gathering on Wednesday ... 1906. At the Prince of Wales Hall, Duke Street, Balaclava, Op. Tram Terminus. Under the strict supervision of Mr. C TROY, Hon Secretary. Visitors only admitted by invitation of Club Members. Recommended by Mr. .....zenda social club, prince of wales hall, balaclava, 20th century, st kilda - history -
Whitehorse Historical Society Inc.
Newspaper - Article, Smithfield Walk, Vermont, 23/11/1988
Advertisement for auction of Lot 1 Smithfield Walk, Vermont, 3 December 1988. Home built c1900 on the Farmilo orchard estate.smithfield walk, vermont, auctions, farmilo, peter henry, sutton-mattocks family -
Bendigo Historical Society Inc.
Newspaper - Cramming in a City's Past, Bendigo Advertiser
Bendigo Advertiser. Three colour photos. Main, Richard Lethlean holding an old piece of mining equipment. Smaller right top Barbara Poustie places box on shelf. Old furniture piling up in a shipping container. container. Critical shortage of space for Bendigo Historical Society Collection.bendigo historical society, nolan street, richard lethlean, brac storage -
Bayside Gallery - Bayside City Council Art & Heritage Collection
Ceremonial object - Badge, City of Brighton Mayoral robe badges
This pair of embroidered badges were worn on the sleeves of the red City of Brighton Mayoral robes until Coat of Arms were granted in 1970 by the British College of Heraldry. Brighton was first incorporated as a borough on 18 January 1859, it became a town on 18 March 1887 and was proclaimed a city on 12 March 1919.Two oval shaped City of Brighton mayoral robe badges, embroidered and mounted on red felt. The badges have a black border with CITY OF BRIGHTON embroidered on the top and the British Coat of Arms on the bottom. The centre image depicts the City of Brighton seal of the Brighton coastline with a pier extending to the water, sail boats in the distance, a train on the right of the pier, and buildings on the left and right sides. coat of arms, mayoral robe badges, badge, mayoral robe, city of brighton, ceremonial wear, mayoral regalia, bayside, crest, british coat of arms, brighton, seal -
Melton City Libraries
Newspaper, 'Call for new members or society maybe be history, 2003
Mary Tolhurst M&DHS - March 29th Dunvegan Willows Park Melton 1992 Ladies Oral History Day Graham Minns President Ray Radford MC Sound recording transfer to CD 2011 by Tom Wood Edited typescript by Wendy Barrie 2013 I was born in Rockbank, and when I was five years old moved to Toolern Vale and started and finished school there. Toolern Vale only consisted of the Store, Post Office and shop, where you could buy your fodder, and pollard supplies, the Hall, the little Church and the bluestone School. The School changed shape three times from the 1800s[1869] til the time I went there. There was four generations of my family that went there and it was destroyed by fire in 1965. Marjorie nee Myers Butler. Yes, I remember along with it your lovely Ronisch piano. Mary, quite true! Marj what you say about the Ronisch piano. When I came the age to learn music my mum and dad couldn’t really afford it, but still what parents do for their children. They had Marj go along with them and pick this lovely Ronisch piano. It was known round the district. Everyone commented about the loss that lovely piano. After leaving school it was war time, 1939, then it was work, When I was 7 year old I was put out into the cow yard. In 1940 when the soldiers were going away our milk was confiscated it had to go to Bacchus Marsh. It used to go the Sunbury to be brine cooled and then go to Melbourne. Then they took it then to the Lifeguard Milk Factory at Bacchus Marsh. It had to go as condensed milk to the soldiers. This year is 50 years of the Land Army. I was an unofficial Land Army but they still kept check on me. I went onto married life and I followed the cows right through [howls of laughter] and we went on until the 1965 fire. That’s when we got out of the cows. Marjorie asks, was Granny Watts your grandmother or great grandmother? Mary: She was my great grandmother, the midwife of Melton. The 1965 fire started ¾ of a mile above our place, Frank Ryan’s sheds were burnt and his house was saved, then it wiped the School out, the Hall, the Church the Post Office and Store and little house that was Charlie Charlton’s in the early days. Mrs Wilson’s place was saved by the Fire Brigade by pulling boards off the side, and from there it went over the hill and it was stopped at the Rockbank Railway Station. If it had of got over the railway they said it would have gone into Werribee. A lot was burnt out in that strip. Mary nee Nixon Collins: 18 houses burnt that day. Audience question, did Melton get burnt that day? Ray: No. It came down through the Toolern Vale road and cut across about a mile and a half from the cross roads at Toolern Vale from north westerly to the south east and cut through over the Keilor road. Mary: It came in across the creek at Funstons in Toolern, then through Jim Minns. Dorothy was it your place then [nee Knox Beaty] to Ken Beatty’s and from there it went through to Doug McIntosh’s and to Cockbills and the wind changed and it came across to the railway line, and that is where they stopped it. [the cause of the fire was controversial, they had been burning off the night before and there was some talk of someone starting it. It was very hot and very strong wind, it was a terrible day] Ray: When the fire went through McIntosh’s they had a haystack on the north side of their house and the haystack got caught and the fire burnt a hole through the side of the house and the boys pyjamas on the bed. The house was saved. It came through like and express train roaring at you, I was at McIntosh’s when it went roaring past. You couldn’t see, dust and ash and tremendous heat. The fire started about 12 o’clock Jack [husband] said to me, fire, I said where, where? Just up the road, what have I got to do? and he went out and he had gone to the fire and left me. I tried to get the animals and I put out buckets of water, putting the buckets of water out saved my life. Chas Jones and another friend of his came in and they picked up the buckets of water, I thought I had better get out because the fire was on the haystack up the paddock and when I went to go out through the north side of the house and couldn’t get out, I’ll go through the front gate so I went around the other side of the house. I got caught there and Chassy Jones and his friend came round carrying the bucket of water and I panicked. He threw the bucket of water over me. Well that is what saved my life because I was damp, whenever we tried to leave the ball of fire came over me and over my shoulder and my hair was scorched. Chassy Jones lost his truck and Keith Watt his big truck because he had the water tank on it and they couldn’t get out of the yard. Granny Watt’s house, the first private hospital had condemned and Jack and I pulled it down and had it moved up to Toolern and had it in the yard a fortnight and it was all burnt and we didn’t get the shed we wanted. Every 13 years right up until Ash Wednesday fires, there has always been fire close at hand. The 1952 fire went down the back of the house, the 1965 fire took the house, and the house that I live in now, it is the third house that has been on that spot. When the Hunters owned it, Mrs Hunter was nearly burnt in her bed. They had a 13 roomed house. In 1924 the house burnt down, and there was another house was built there and that was the one that burnt down. Edna: So Mary built a brick veneer house. Marjorie: like the three little pigs [laughter] Mary Tolhurst member of the Melton & District Historical Society in the Melton and Moorabool Leader local identities, local special interest groups -
Uniting Church Archives - Synod of Victoria
Ceremonial object - Commemorative Trowel, c1918
Silver commemorative trowel with a turned wood handle in a worn cardboard box."PRESENTED TO W.R.Little AT THE LAYING OF THE FOUNDATION STONE OF THE MOONEE PONDS METHODIST SUNDAY SCHOOL. FEBY 23rd 1918"moonee ponds methodist sunday school, little, w.r. -
Greensborough Historical Society
Newsletter, Greenhills and North Greensborough Progress Association, Community News: official journal of the Greenhills and Nth. Greensborough Progress Association.1st November,1974. Edition No. 7/74, 01/11/1974
This edition includes a report on the Progress Association's September 1974 meeting, Councillor's report, Yandell rally cross, Loyola Detention Centre ??, Open letter to the Shire Engineer, From the Council Chamber, Meet the natives, School and kinder news, Letter to the Editor, Planning prospects, For the environmentalists. Newsletter, 24 p., illus.greenhills and north greensborough progress association, greenhills -
Whitehorse Historical Society Inc.
Newspaper - Article, 519 Mitcham Road, Vermont, 8/03/1989
Article in Nunawading Gazette re sale of early 1900s home at 519 Mitcham Road, Vermont. One of the original homes in the area. In the early days the land was primarily used as a poultry farm.mitcham road, vermont, real estate, auctions -
Port Melbourne Historical & Preservation Society
Poster, John KIRBY, Bayside Barber Shop, June 2010
Dated 1886 on it's facade, the first listing in Sands & MacDougall Directories for O'Brien's Terrace does not occur until 1891. However, Mr A BROWN is noted as running his hairdressing business at this address from 1887. In 1896 Port Melbourne streets were renumbered and the address of his premises became 149 Bay Street. From that period it has been used as a hairdressing establishment by a number of people & companies. In 1901 the second in a series of hairdressers occupied the premises and the CODESPOTI brothers [see updated information below] continued the tradition when they took over the premises in 1985, naming their business, Bayside Barber Shop. Update July 2024: Reza SABAHI, who currently operates as a barber from the same shop, contacted us with updated information. Domenic CODESPOTI was Tony CODESPOTI's father. Reza SABAHI took over the premises in September 2017 and operates it as Barbers of Port Melbourne proudly continuing the history of barbers at O'Brien's Terrace.A4 copy of poster for Bayside Barber Shop in O'BRIEN's Terrace, Port Melbourneo'brien's terrace, bayside barber shop, domenic codespoti, tony codespoti, mr a brown, charles skegg, a.c. fitzgerald, james burke, v clifford, b wilkins, a dowling, j r willoughby, mrs n wooding, charlie goldfarb, barbers of port melbourne, reza sabahi -
Greensborough Historical Society
Poster, Banyule City Council, Banyule's wildlife corridors, 2000c
This poster shows the habitat and wildlife corridors within the City of Banyule, including the Darebin Creek catchment and Plenty and Yarra river catchments.Colour poster, folded, printed on bot sides.native fauna, wildlife corridors, wildlife habitat -
Bendigo Historical Society Inc.
Newspaper - JENNY FOLEY COLLECTION: PICNIC TIME
Bendigo Advertiser "The way we were" from Monday, August 30, 2004. Picnic time: the North Bendigo Progress Youth Group on a Sunday picnic in August, 1947newspaper, bendigo advertiser, the way we were -
Ballarat Tramway Museum
Newspaper, The Courier Ballarat, "Council to count cost of saving some trams", 6/08/1971 12:00:00 AM
Newspaper clipping from The Courier, Ballarat, dated Thursday 6/8/1971, titled "Council to count cost of saving some trams". Item reports on the request by the Ballarat Tramway Preservation Society (BTPS) to approve in principle, the operation of a working tramway museum in the Gardens Reserve and the use of Wendouree Parade. Notes which tramcars had been allocated to the BTPS by the SEC. Report from the tourism committee, Cr. J. A. Chisholm. Also noted work by Mr. Tom Evans MLA in Securing the SEC depot for temporary storage of the trams. One of large group of newspaper cuttings from John Bainbridge, 7/4/02. Item has been folded for inclusion within a scrap book. Has a piece of plain paper Secured to the back of the portion that was not Secured to the scrap book itself.btps, off site storage, sec depot, city of ballarat, wendouree parade -
Melton City Libraries
Newspaper, Fred Makes History, 2005
Born in October 1915 The life of Fred Hunter, a Melton resident, article featured in Fairfax community Newspapers local identities -
Ballarat Tramway Museum
Newspaper, The Age, "Reimagining the Australian dream may be a gold mine for growing city", 10-10-2023
One of a series of articles from The Age at the time about Albury-Wodonga, Ballarat, Bendigo and Geelong - the four largest regional cities. Both the Ballarat and Bendigo items featured images of the historical trams. Item looks at Ballarat, housing, employment and its future development including the possibility of a light rail system. Quotes John Hearsch of the Rail Futures Institute and Des Hudson, Ballarat Mayor. Looks at the issue of a cycle lane in Sturt St.Yields information about the possibilities of future development directions for Ballarat.Newspaper cutting from The Age 10-10-2023ballarat, the age, light rail, development