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Melbourne Tram Museum
Ephemera - Ticket/s, Metropolitan Transit Authority (MTA), Set of five Scratch type tickets, 1989 and 1990
Set of five Scratch type tickets, with black printing on yellow / blue printed card or pink card and areas where a person could scratch out the month and day of the month areas to validate the ticket. Has the number on the base of the ticket. .1 - 3 hour adult, zone 1, has been scratched for Jan 2, 6 pm - W00168998 .2 - 3 hour zone 2 concession, used April 14 at 5pm, CB 01404734, expired 31/7/1990 .3 - 2 hour adult zone 1+2, used 8 April at 4pm, C00266652 .4 - Daily 60 plus, Jan 28, expired Jan 1991, Y00351725 .5 - Daily Concession 60 plus, unused, for 1989/90. CN03338507 On the rear of three are the conditions of travel for both types of tickets with information about the ticket type, The Met logos, Transport Information and Transit Patrol telephone numbers. The other two have similar information, with a statement that "The Met supports Olympics for Melbourne 1996" with the Olympics logo. See also Reg Item Nos. 574, 1069 and 979, 1661 for other examples.trams, tramways, the met, scratch tickets, olympics -
Robin Boyd Foundation
Magazine, The Australian, The Australian Magazine: 3-4 October 1998, 1998
MagazineIssue has and article on the 1998 Royal Australian Institute of Architects Awards. 2 photocopies of article on the monarchy from The economist Oct 22 1994walsh st library -
Ballarat Tramway Museum
Ephemera - Timetable, Dept of Government Transport - NSW, Sydney Tramway Timetable - 1953 Sydney, 1953 and 1954
Paper - black and white. Alterations on separate pieces of paper in the book - 5 pages. 120.1 - Tramway timetable for Circular Quay - Canterbury - Cooks Rivers - Dulwich Hill - Earlwood lines, 1953. 120.2 - Altered journey for route, Circular Quay - Cooks River line - 1954 120.3 - Altered journey - Dulwich Hill, Glebe Point, Balmain, Lilyfield and Darling St. wharf - Canterbury lines - 1954. 120.4 - Altered journey (on trail) Circular Quay and Darling St. wharf and Canterbury lines - 1954. 120.5 - Additional and altered journeys - Circular Quay and Darling St. wharf lines - 1954 120.6 - Tram time table for Circular Quay - North Bondi line (via Bellevue Hill) including running times, sections and fares - July 26 1954.sydney, timetables -
Bendigo Historical Society Inc.
Magazine - GOLDEN SQUARE SECONDARY COLLEGE COLLECTION: YEAR BOOK 1972, 1972
Golden Square High School Indicator Magazine 1972. 31 pages.bendigo, education, golden square secondary history, 258, y86 -
St Kilda Historical Society
Ephemera - Flyer, Juvenile Fairy Tale Fancy Dress Ball, 1917
For juvenile Fairy Tale Fancy Dress Ball held on 11 August 1917 to aid the Red CrossSingle sheet of white paper that has discoloured with age, printed in dark bluest kilda patriotic committee, wwi fund-raising, victorian red cross, st kilda balls -
Moorabbin Air Museum
Magazine (item) - Magazines various 1935<>2009 incl. "Frog", "Model Airplane News", "Windsock", "Scale model aircraft that fly", Magazines various 1935<>2009 incl. "Frog", "Model Airplane News", "Windsock", "Scale model aircraft that fly"
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Bendigo Historical Society Inc.
Newsletter - LYDIA CHANCELLOR COLLECTION: GOLDEN SQUARE METHODIST CHURCH PASTORATE BULLETIN 1972, 1972
LYDIA CHANCELLOR COLLECTION: GOLDEN SQUARE METHODIST CHURCH Pastorate Bulletin 1972 Sunday 16th April 1972 Welcome and diary of events -
Marysville & District Historical Society
Ephemera (Item) - Treasure's Report, Treasurer's Report 27/1/82, 27-01-1982
Marysville Tourist & Progress Association-Treasurer's Report-27/1/82Marysville Tourist & Progress Association-Treasurer's Report-27/1/82 The Association was formed in November 1907 to promote tourism within the area. This included the physical creation of signage, parklands, roads and walks to various attractions. marysville, victoria, lake mountain, marysville tourist and progress association, treasurer's report -
Moorabbin Air Museum
Magazine (item) - Aviation Letter June/July 70 September 70 through July 71, Editor B.G. Lundkvist
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Moorabbin Air Museum
Magazine (Item) - Gloster Gauntlet - drawings & article
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Robin Boyd Foundation
Magazine - Clipping, Life Magazine, Up Close: Walter Gropius at 85, 07.06.1968
The first piece in the 'Life' magazine titled "All-Purpose Old Master of Design" is a close-up look at Walter Gropius at 85. The second piece titled "'Grope' brought everything in the range of his vision" is by Peter Blake, Editor of Architectural Forum. Blake argues that Gropius was a true universalist, in contrast to Frank Lloyd Wright, Le Corbusier, Mies van der Rohe. who were all specialists.Two articles pp 49-54; pp 58-64.gropius, bauhaus, weimar, harvard, walsh st library -
Hume City Civic Collection
Magazine - Directory, "Sunbury Times" 1st Edition, c1994
A local community magazine.A commercial publication issued by the local Sunbury community, featuring stories of people and events in Sunbury as well as advertising local businesses. It has been printed on glossy paper with a colourful cover with 8 small photos and the title written in different colours on the front and the rest of the cover contains advertisements. The inside pagesw are in black and white.non-fictionA local community magazine.community magazines, sunbury times -
Kew Historical Society Inc
Ceremonial object, Unknown, Commemorative Trowel in Presentation Box, 1971, 1982
WADE, Ivan Mayor 1969-70, 1970-71 Ivan Wade grew up in Bendigo and Brunswick, one of eight children. After his marriage, he moved with his wife and young family to Kew in 1951. In 1959, he took a year’s sabbatical in 1959 to build a new family home for his wife and four children at 222 Cotham Road, Kew. He worked professionally in the Meat Industry, successfully building a small chain of retail butcher shops, and a meat exporting business. He worked for improvements in the Trade through involvement in the Meat and Allied Trades Federation, of which he was the first State, and then Federal President. He was to be awarded an OBE for his services to the Meat Industry in 1979. Having been a long-time member of Melbourne Lions Club, he helped start Chadstone Lions’ Club as an inaugural tenant of the Chadstone Shopping Centre in 1979. He was also a tireless worker for charity, making his home available for functions raising funds for local groups. His passion for the community led him to stand for Kew Council as a representative of College Ward. As a councillor, he was elected mayor for two terms. During his term of office, new Kew Municipal Offices were constructed in Cotham Road. An active worker for the Kew Elder Citizens Association, he was involved in the establishment of an Opportunity Shop in Walpole Street to raise funds for the development of a new Centre in High Street. The Opportunity Shop was used to train locally unemployed youth skills such as furniture repair. (GW)Silver presentation trowel associated with the opening of significant civic projects in the former City of Kew.Commemorative, inscribed silver-plated presentation trowel given by the City of Kew to the Mayor, Cr Ivan Wade, on the occasion of the laying of the foundation stone of the new Kew Civic Centre on the corner of Cotham Road and Charles Street, now part of Trinity Grammar School. The silver trowel was presented in a black leather case lined with blue velvet. The trowel was to be used a second time in 1982 when Cr Wade and his wife laid the foundation stone of Hamer Court. The trowel was later donated to Kew Historical Society Inc by Gwlad Wade, the wife of Cr Ivan Wade, on 20 August 2000. Front: "Presented to Cr Wade J.P. / Mayor of / the City of Kew / at the laying of the / foundation stone / of the / Kew Civic Centre /20-8-1971." Reverse: This trowel was also used / by / Cr Ivan Wade OBE JP & Mrs Gwlad Wade / at the laying / of the foundation stone / of / "Hamer Court" / Hostel for the Aged / 22nd August 1982"cr ivan wade, hamer court, commemorative trowels, kew civic offices, city of kew 1860-1993 -
Ruyton Girls' School
Magazine, Ruyton Girls' School, The Ruytonian, 1921
In July 1909, a modest 12-page booklet was put together by members of the fledgling Old Ruytonians Association (ORA) and distributed to the Ruyton Girls' School community. It was one of their first projects, and their aim was to nurture continuing interest in the School among former and current students. They named it "The Ruytonian." At first, The Ruytonian was produced twice yearly, and always bore a plain cover with a simple name banner. Initially, it was the work of volunteer editors from the ORA, but in 1913 they handed the publication over to the first student editors, Esther Gibson and Lucy Tickell. Since that time, the style and content of The Ruytonian has continuously evolved. The biggest shifts occurred in 1942 when it transitioned to a yearly publication, and in 1969 when it moved to a larger A4 format with a cover image specifically selected for that year.The record has strong historic significance as it pertains to the fourth oldest girls' school in Victoria, Australia. Ruyton was founded in 1878 in the Bulleen Road, Kew, home of newly widowed Mrs Charlotte Anderson (now High Street South). Due to the age of the record dating back to 1921, we can infer it is one of the few remaining complete, intact and original examples of The Ruytonian from this period. Therefore, it can be considered an outstanding representation of its type, and is a reference example for research in early Victorian school history. The record's significance is further enhanced by its exceptionally well-documented provenance, having remained the property of Ruyton Girls' School since its production.Colour publication printed on papyrus coloured paper. 30 pages.Front Cover: THE / RUYTON / IAN / RECTE ET FIDELITER. / DECEMBER, 1921 /ruyton girls' school, the ruytonian, kew, old ruytonians association, yearbook, school, publication, girls school, junior school, senior school, journal, students, teacher -
Federation University Historical Collection
Magazine, Evening Echo Historical Edition 1904, 1904
03 December 1904 was the 100th anniversary of the Eureka Stockade. A special Eureka 100th anniversary magazine supplement to the Evening Echo. The soft cover is predominately red, with many black and white images throughout. Images include Ballarat Benevolent Asylum, Ballarat Hospital and Ballarat Mechanics' Institute, Ballarat Mining Exchange Call Room, Stockbrokers.eureka stockade, eureka, ballarat hospital, aborigines, ames long, eureka iron works, cameron and sutherland, william little, craigs royal hotel, james scobie, peter lalor, ballaarat old cemetery, sturt street, prince alfred, city flour mill, bridge street, bakery hill, orphan, gong gong, victoria streets, pioneer, ballarat school of mines, mining exchange, holst, benevolent asylum, ballarat benevolent asylum, call room, ballarat mining exchange, sturt street without gardens, stock exchange, share trading, stockbrokers, pioneers, craig's hotel, craig's royal hotel, ballarat mining exchange call room, ballaarat mechanics' institute -
Melbourne Tram Museum
Sign, "HAIL CARS HERE", 1960's
Sign - Piece of sheet steel folded to give an upstand or method of attachment to a pole, enamelled with red, white and black paint for use at tram stops. Small red band at top, white band with letters "HAIL CARS HERE" and small red band underneath, on both sides to indicate to drivers a non-compulsory stop. Same sign used for same purpose in Ballarat. Has three holes for screws on the upstand or fold section.trams, tramways, tram stops, signs -
Federation University Historical Collection
Magazine, G.H. Lockwood, Art and Life Magazine, 1907
Magazine with 1/2 naked statue of a lady on the white front cover, picture gallery included insideart and life, g.h. lockwood, dan jacobson, e.z. mangum, prof. richmond, may murray, viola danna, gustav boulanger, w. bougureau, poets corner, samuel e. schofield, maurice h. johnson, townsend howes, harold l. reichart, carrington callaway -
Ringwood and District Historical Society
Flyer, Land Sale Brochure, Heathmont Estate, Vic. - circa 1960
Advertisement for sale of residential lots - Heathmont Estate, opposite Heathmont Railway Station, with map and locality plan.Subdivision includes Canterbury Road, Royal Avenue, Coleman Street, Stoda Street, Herman Street, and Campbell Street. Agent - A.W. Dickson, opposite Station, Ringwood. Phone WU6007. -
Ringwood and District Historical Society
Flyer, Subdivision advertisement - Railway Park Estate, Ringwood, Victoria - circa 1887
Photocopy of advertisement for auction sale of township allotments in Railway Park Estate, Ringwood, on Saturday 30th April (1887?), with terms of sale and location map.Subdivision map includes Pitt Street and Main Ferntree Gully Road (later Bedford Road). (Agents) Greig & Murray, Thompson Moore & Son, Auctioneers. -
Bendigo Historical Society Inc.
Ephemera - RANDALL COLLECTION: PAPER BAG ADVERTISING, 1950's
Object. Brown paper cake or lolly bag from Favaloro's Cafes Bendigo. Printed on one side "Favaloro's Cafes'' Confectioners Bendigo. Luncheon,Afternoon Tea and Supper Rooms, Ices and Soda Fountain Drinks a Specialty. Bolton Bros Bendigo (Manufacturer).Phones 267, 201,536,1216, Postal Box 44.ephemera, mementoes, brown paper bags -
Vision Australia
Sign - Object, Carols by Candlelight pass, 2005-2009
Carols by Candlelight pass attached to a purple Vision Australia lanyard. The pass is on a red background with musical notes and small flames in a lighter red tone, and the letters 'AAA' and 'No: 39'. A white background dominates the pass, and contains white flames with red or green flame hearths against a purple circular background, with one white musical note against a red circular background. 'vision australia's carols by candlelight' is beneath this, in purple (the first two words) and green lettering. 'presented by the city of melbourne' is below this in gray lettering with the City of Melbourne logo.1 laminated pass with Vision Australia purple lanyardcarols by candlelight, vision australia, fundraising -
Uniting Church Archives - Synod of Victoria
Ceremonial object - Gavel
The Methodist Girls' Comradeship was formed in 1918 with the first Branch being in Bondi, NSW. There were three sections: Junior Rays, 8 - 11 years; Senior Rays, 11 - 15 years and Comrades, 15 years and over. The aims of the MGC was to "challenge young people with the saving power of Jesus Christ and provide avenues of christian service" and "to provide for the spiritual, social, physical and educational welfare of the members". The MGC's motto was "The Utmost for the Highest". A gavel was part of the MGC Branch equipment. Small wooden handmade gavel.methodist girls' comardeship -
Bendigo Historical Society Inc.
Ephemera - MERLE HOULDEN COLLECTION: YELLOW RIBBON GOLDEN WEDDING HORSE SHOE, 1942
Lemon coloured ribbon, 2.5 cm wide, hand stitched and gathered, over a horseshoe shape - possibly a cardboard shape. A narrow .5cm lemon ribbon bow is attached at the centre top and extends into a 70cm (total length then folded in half) to make a 35cm loop, to hang over the arm. Merle's Grandmother was married in 1892. She celebrated her Golden Wedding in 1942. This horseshoe was a gift on this occasion - Grandparents,Alice and Charles Geuer.costume accessories, clothes accessories, golden wedding celebration horseshoe -
Falls Creek Historical Society
Magazine - This Week in Falls Creek
A4 size photocopy of first edition of 'This Week in Falls Creek' magazine, July 1980 -
Ballarat Tramway Museum
Ephemera - Ticket/s, State Electricity Commission of Victoria (SECV), SEC 7d, 1955 - 1965?
Yields information about the style and printing of tickets used in Ballarat and Bendigo tramways and how they were presented.Block with ten remaining tickets - black ink on off white paper, denomination 7d, numbered B494390 -99, headed State Electricity Commission of Victoria, Provincial Tramways. Originally a block of 100 tickets been stapled onto a off white, partially ruled cardboard back with a heavy metal staple and a off white coloured cardboard retaining strip at the top of the ticket. The ticket price is in black ink while the ticket number itself is in black ink. On rear in black ink is a diagonal criss cross or tartan pattern. See Alan Bradley's notes "Fares in Ballarat" trams, tramways, secv, tickets -
The Beechworth Burke Museum
Ceremonial object - Ushabti of Taweret-Khaiti, Circa 1292 BC
Ushabti are tiny anthropoid (human-shaped) figures placed in the tombs of wealthy Egyptians. They were intended to do the work of the deceased in the afterlife. This purpose is implied through their name, which may have derived from the Egyptian word “to answer”. The Burke Museum in Beechworth is home to a particular ancient Egyptian Ushabti figure. This artefact was donated to the Museum in 1875. No details about how it left Egypt, arrived in Australia, and where it was located before this donation are known. The Nineteenth Century, when this artefact was donated, was a period when many museums acquired items of ancient Egyptian heritage. Many of these items were procured in less than desirable circumstances, having often been looted from ancient tombs and sold to tourists without documentation as to their original location and/or accompanying grave goods. These artefacts were also divested through partage (the trading of artefacts for funds); however, the latter is unlikely to have been the case for this artefact. Since the Ushabti was donated by an unknown donor, it is likely to have been in a private collection rather than an institution. Ushabti can be dated using iconographic analysis which is non-invasive and provides a comprehensive study of the artefact. The later period of the 18th Dynasty marked the beginning of an increase in both the inclusion of Ushabti as essential funerary items and the creation of Ushabti with tools. From this period, they are no longer depicted without tools. Depictions of tools including gardening hoes are frequently depicted grasped in the Ushabti’s hands whilst items like the seed-bag are depicted hanging on the back rather than in an alternative position. This Ushabti figure grasps a gardening hoe and a mattock and a small seed bag surrounded by a yoke bearing water jars are depicted on the upper back of the Ushabti. These features are essential in helping narrow this dating to the late 18th and before the early 20th Dynasty. The position of this seed bag also provides dating information. In the early 18th Dynasty this bag was consistently drawn on the front of the figurine; however, by the reign of Seti I, this feature moved to the back. Thus, since the seed bag is located on the back of this Ushabti, it cannot date to the early 18th Dynasty. By the 19th Dynasty, Ushabti’s were increasingly made from either faience or terracotta. The availability of these materials in Egypt resulted in the increase of Ushabti production with tombs containing many more figurines than previously seen. The Ushabti held by the Burke collections is made from terracotta. Terracotta was rarely used for Ushabti before and during the early 18th Dynasty with only the odd appearance until the late 18th Dynasty and becoming common through that period until the late Third Intermediate Period. Whilst the face has been damaged, there is no evidence for the Ushabti having been provided with an Osirian false beard. This omission rules out a dating of later than the 25th Dynasty when beards became prominent. The inscriptions also date the Ushabti to the New Kingdom. This is because of the use of sḥḏ (“to illuminate”) with Wsjr (“Osiris”) which only occurs in these periods. Therefore, considering all these elements, the Ushabti can be confidently be dated to between the late 18th to early 19th dynasty.Artefacts like this Ushabti are no longer exclusively representative of their origins in burial assemblages and significance in the mythology of the Egyptian afterlife but are also significant for the accumulated histories they have gained through travel. The movement of this artefact from Egypt to Australia allows insight into the collecting habits of the 19th century, and in particular, the reception of ancient Egyptian artefacts in small rural museums. The procurement of Egyptian artefacts was a social trend around the late 1800s to early 1900s. Egyptian artefacts were considered curiosities and recognised for their ability to attract public attention to museums. They were also utilised in Australian museums, like the Burke Museum, to connect the collection to one of the oldest civilisations known to man and since Australia was considered a “young” country by European settlers, this was vital and derived from an interest in Darwin’s “Origin of the Species” 1859. Furthermore, there was a culture of collecting in the 1800s amongst the affluent in English society which led to the appearance of many Egyptian artefacts in private collections. The acquisition of this Ushabti figure is not certain, but it was likely donated from a private collection rather than an institution. This particular artefact is significant as an example of a high-quality Ushabti representative of those produced during the late 18th or early 19th century. It provides insight into the individualism of an Ushabti and the mythology of ancient Egypt. It also provides an example of the types of items required in the tomb assemblages of this period and reinforces the importance of ensuring the successful afterlife of the deceased through art. This Ushabti belonged to a woman named Taweret-Khaiti, Chantress of Amun, in the late 18th Dynasty or early 19th Dynasty (c.1292 BC) of the Egyptian New Kingdom. It likely comes from an undetermined tomb in the locality of Thebes. This figure is made from Nile silt clay (a polyester terracotta; clay sourced from the banks of the Nile River) which was a popular material for Ushabti construction in the early 19th Dynasty. It is in a fair state of preservation (with the exception of a break through the centre) and originally made to a high quality. The face has been damaged but the eyes and eyebrows are clearly marked with black ink and the sclera painted white. The Ushabti is painted a light brown/yellow colour and features a vertical line of inscription down the lower front. The Ushabti wears a large wig and and a schematic collar. The arms are painted light brown and depicted crossed with bracelets around the wrists. It grasps a hoe and mattock. A yellow seed-basket is depicted on the Ushabti’s back. These features represent the likelihood that this particular Ushabti was intended to complete farm work for the deceased in the next life. There would have been additional Ushabti of similar design within the tomb who worked under the supervision of a foreman Ushabti. The foreman Ushabti would be depicted dressed in the clothing of the living. The inscriptions are painted freehand in black ink and written in a vertical column from the base of the collar to the foot pedestal on the front of the Ushabti. The owner of the Ushabti could elect to have the figures inscribed with their name, the Ushabti spell and any other details they deemed necessary. In the case of this example, the Ushabti is inscribed with the owner’s details and is an abbreviated version of the standard Ushabti formula. This formula ensured that the Ushabti would complete the desired task in the afterlife when called upon by the deceased. Ushabti which were not inscribed would represent their intended purpose through design; however, this Ushabti, like most made in the late 18th Dynasty, conveys its purpose both through both design and inscription. The inscription is as follows: sHD wsir nbt pr Smayt imn tA-wr(t)-xai(ti) mAa xrw which translates to: "The illuminated one, the Osiris (the deceased), the mistress of the household, Chantress of Amun, Taweret-Khaiti, true of voice (justified)"ancient egypt -
Melbourne Tram Museum
Magazine, "Melbourne", 1970
Book/ Magazine - A4 - 24 pages plus light card covers, full colour, centre stapled titled "Melbourne", published by the Offset Printing Coy. Pty. Ltd. Front and back covers contains image with tram No 409, Route 44 with destination Balwyn in Collins St at Russell St with the T&G building in the view.trams, tramways, w2 class, route 44, collins st, russell st, tram 409 -
Port Melbourne Historical & Preservation Society
Magazine - Periodical, Port of Melbourne Quarterly, January-March 1972, 1972
Port of Melbourne Quarterly January to March 1972melbourne harbor trust - port of melbourne authority, transport - shipping, the melbourne harbour commissioners, v g swanson, a s mayne -
Ballarat Tramway Museum
Ephemera - Envelope/s, NSW Tramway Historical Assn, "Last Trammail Cover", 10/2/1961
"Last Mail carried by tram in NSW Special Commemorative Trip Operated by the NSW Tramway Historical Assn. during last week of Trams in NSW 19 February 1961". Also has a hand stamp in purple ink "Last tram mail City Railway La Perouse Maroubra Beach Randwick 19 February 1961" The stamp is a 1/- stamp featuring a Melbourne street scene for the 1956 Olympics. Addressed to "Wally Jack 31 York St., Ballarat East Victoria". The post office cancellation stamp "Last Tram Mail Sydney NSW Aust 19FE61"Yields information about the type of materials that a local Ballarat tramway enthusiast collected and reflects the closure of the Sydney tram system in 1961. Envelope - preprinted in dark green and red ink - titled "Last Day Cover" - with a colour stamp in top left hand corner. On rear is another small hand stamp about details of the last tram mail and in the bottom right hand corner the number "1422".trams, tramways, sydney, last tram, post office, postage stamps -
Ringwood and District Historical Society
Flyer, Brochure for Land Sale By Public Auction, Pratt's Junction Estate, Ringwood, Victoria - 1923
Folded double-sided brochure advertising 86 residential lots for sale by Public Auction at 3pm, Saturday, November 24th, 1923, with town photographs, map of subdivision and summary of local features and services. Subdivision plan includes Whitehorse Road, Oliver Street, Georges Road, Junction Street, and six room weatherboard villa for sale. Local Agent - F.V. Parker, Ringwood.