The former Kew Lunatic Asylum, was commenced in 1856 and opened in 1872. At various stages of the institution's history it was named the Kew Lunatic Asylum (1872-1956), Kew Mental Hospital (1956-1960s), Willsmere Mental Hospital (c.1960s-1982), and the Willsmere Unit (1982-1989). Most of the records relating to this former institution are held by the relevant Government Department or by the Public Record Office Victoria. Due to the location of this institution in Kew, the Kew Historical Society also holds an extensive photographic archive as well as significant collections of personal papers collected by staff who worked there.This photograph is one of a series donated to the Society by the photographer, taken following the closure of the Willsmere Unit, and before its redevelopment as a private residential complex. The series is historically significant in that it depicts interior and exterior views of the former institution that were subsequently altered or demolished during redevelopment. A number of the 'views' are socially significant as they allow us to examine the ways in which public institutional architecture in the 19th and 20th centuries responded to the needs of those with perceived mental health issues. Colour snapshot of a part or section of the former Willsmere (Kew) Mental Hospital, taken following its decommissioning and before its sale and redevelopment.kew lunatic asylum, kew mental hospital, willsmere mental hospital, willsmere unit, health & human services, mental health, institutional architecture

The Wesleyan Church, Denham Street in Lower Hawthorn, as the area was then called, was opened on 2 May 1886. The building was designed by Geelong architect William Henry Cleverdon and was built of brick in the Gothic style. Its dimensions were 55 x 33 ft and the façade incorporated a rose window and spire 50 ft high. A wooden vestry was placed to the rear. The building and the organ were seriously damaged by fire on 1 April 1970, started by a painter's blowtorch. The church was not rebuilt.B & W photograph of the interior of the Denham St. Methodist Church Hall, Hawthorn. The photograph is taken from the seating area towards the stage, which is furnished with an organ, an upright piano, a table and chairs.denham street methodist church, organ, hall

Black and white photograph. "Written on back of photograph" Ringwood Bowling Club L to R: W. Wademan, J. Archbold, H. Dowsing, A.J. Roberts, Sec. W. Bamford, S.H. Hunt, Moulder, G. Young, Tom Roberts, J Tancoe, Pres. Webber (?).

Black and white photographTyped below photograph, "Capt. E.T. Miles, Mr. Trethowan (Supervisor of Works), W. Everard, M.P., A.T. Miles - At Maroondah Dam construction 1923-1924".

Black and White Photographrts, ringwood tech

(1) The plaque which commemorates the seventy-fifth anniversary of the opening of the College in 1966. It was designed by Joseph Swift and unveiled by T.H. Kneen on 26 October 1969 (on reverse.) It reads, "Burnley College of Horticulture 1891-1996." Hangs in the Administration Building. Appears as an illustration in, "Green Grows Our Garden," A.P. Winzenried p 102. Attached to the wall on the inside of the entrance to the Administration Building on the left as you walk in.(1) 2 black and white photographs of a plaque which commemorates the seventy-fifth anniversary of the opening of the College in 1966. (2) Newspaper cutting, "College plaque is Joe Swift epitaph," descrption of the unveiling of the plaque on 26 October 1969 in Nunawading Gazette 1969. (3) Memorandum dated 28 October 1969 for Chief of the Division of Agricultural Education re: Plaque Commemorating the 75th Anniversary of the College signed by E.B. Littlejohn (Principal). Describes the history of the making of the plaque, paid for by the Past Students Association, and a description of the unveiling.(1) The caption reads, "Bronze plaque presented by the Past Students' Association to mark the seventy-fifth anniversary of the college. It shows both the pavilion and the 1951 administration building, and includes one of the keys from the Pavilion."plaque, seventy-fifth anniversary, 1966, joseph swift, t.h. kneen, burnley college of horticulture, 1891-1996, administration building, green grows our garden, a.p. winzenried, pavilion, e.b. littlejohn, principal, unveiling, burnley past students association

Black and white image of H.R.H. The Duke of Edinburgh and and his brother, in Mining Costume after descending the Band of Hope Gold Mine, Ballarat. R.M. Serjeant stands to the left. ballarat, band and albion gold mine, mining, duke of edinburgh, royal visit, princes, robert malachi serjeant, r.m. serjeant, royalty

Coloured photograph mounted on board. Student names printed under photographpre service teachers, primary education, ballarat college of advanced education

Sepia photograph showing the SS Despatch sinking outside the piers. Shows three row boats with three or four men standing in each boat and a glimpse of the hull of the Despatch just showing the name. Actual picture in oval shape on card. Lakes Entrance VictoriaLast sight of the Dispatch Cunningham Sept 22nd 1911shipwrecks, ocean rescue

QUEENSCLIFFE boat channel being dug out c1934-36Boat channel for fishing fleet protectionBlack & white photo of men with shovels digging the channel, aka The Cut, at the Bay end.Reverse - NILcommunity information, boat channel c1934-36, the cut

Stephanie Johnson 1988 Entrant No. 128 Ref: Series 34, Items 99, 100 SHIRE OF ELTHAM COMMUNITY PHOTOGRAPHIC SURVEY Photography is an artform which many of us practice, sometimes purely for artistic pursuit, sometimes to record the people and events in our lives. In 1988, as part of a local Bicentennial project, the Shire of Eltham conducted the Eltham Community Photographic Survey. Up to 100 entries were to be selected by a panel of photographers for entry into the Eltham Photographic Survey Exhibition. Entries had to be submitted by May 13, 1988. Entrants whose images were selected for the exhibition were contacted and requested to further submit an entry form providing entrant’s name, area of residence, age, and proposed captions. These details were then used to produce labels for the exhibition mounts. Where negatives had not been supplied, these were requested to support the display of printed enlargements mounted on 10” x 8” cardboard. The mounted prints were made available post exhibition for sale at $8.50 each for colour prints and $7.00 for B&W prints. Residents in the Shire were invited to collect a free roll of film and take a photograph of what they either liked or did not like about the area. A total of 160 entrants submitted multiple entries for the exhibition. Of those selected for exhibition, entrants ranged in age from 9 to 70 years. All custom colour and black and white printing for the exhibition was completed by Wattle Studios of Eltham. The Eltham Photographic Survey was jointly auspiced by the Shire of Eltham and Wattle Studios, of 953 Main Road, Eltham. The project was greatly assisted by: • David McRitchie, Media Studies Lecturer Victoria College, Rusden Campus. • Ian and Annette Toohill of Wattle Studios • Tracy Naughton, Eltham Community Arts Officer • Neville Emerson Pty. Ltd. • Superior Press, Eltham • Kodak Australasia Pty. Ltd. • Agfa Gevaert Ltd. • Townsend Colourtech Pty. Ltd. • The Australian Bicentennial Authority • Eleanor Bowers, Secretary, Eltham Arts Council The exhibition was placed on display in the Woolworths Arcade, Eltham between Monday June 6th and Saturday June 11, 1988. It was also intended to hold the exhibition at a venue in the Shire’s North Riding from Monday, June 20 to Friday June 24. It was then displayed at the Were Street Theatre, Montmorency from Friday, June 24 to Thursday, July 7. Series 34: Eltham Community Photographic Survey 1988 - Prints & Documentation Series consists of 117 photographs of Shire scenes taken by members of the community. Items I - 41 are larger photographs mounted on card, which were exhibited. Items 42 - 117 are unmounted copies, alternative takes and other entries. Corresponding negatives contained in Series 35: Eltham Community Photographic Survey 1988 – Negatives which consists of 267 colour and B&W negatives and one colour slide of Shire scenes taken by members of the community. The negatives are arranged by the entrant number of the photographer. The Eltham Community Photographic Survey collection is significant to the local community as it was curated by the local community - ordinary people of all ages - representing what they liked and did not like in the area where they lived. It represents an unfiltered representation of the Shire of Eltham as it was in 1988. It also represents one of many projects as part of the national programme of events and celebrations to commemorate the bicentenary. It is a time capsule of life in the 1980s of this urban and rural municipality in Melbourne's north. Front: Entrant No. and name on printed label Rear: Entrant No., name and address on printed label; also 'Series 34' and the 'Item No.' in pencilshire of eltham archives, bicentennial project, eltham, eltham community photographic survey, eltham photographic survey exhibition, series 34, series 35, scan - 35mm negative, stephanie johnson, film - kodak ga 100 5095

Demonstrates the way the Australian Bi-Centenary and other celebrations were carried out with souvenir prints.Framed print of a horse drawn tram (3 horses) see Reg Item 699 at the corner of Sturt and Lydiard St, within a wooden frame, with non-reflective glazing. The print by the Harris House of Photography has been mounted onto a piece of Masonite. On rear are picture hanging metal loops and a wire hanging strip. In the bottom right hand corner of the print are "Celebrating Australia's Bi Centenary / Ballaarat's 150th Anniversary / Ballaarat's Tramways Centenary" and in the bottom left hand corner "Reproduced by Harris House of Photography 1988".trams, tramways, horse trams, sturt st, lydiard st nth, ballaarat tramway company, town hall

The newspaper clipping caption is incorrect. The Club Hotel featured in the article was located on the north side of Mount Dandenong Road. It was destroyed by fire in 1890 prior to re-opening later on the south side where it operated until sale and demolition in 2020 to make way for a retirement village. (See PDF attached - "SS0067 Vic Collections 3754b - Club Hotel Fire 1890").Early View of Club Hotel, Ringwood East. Weatherboard with iron roof. Single chimney on one end. Picket fence on RHS. Two horse-drawn vehicles standing out front including three adults and two children. Source/date of newspaper unknown. Later newspaper item also attached reporting hotel being destroyed by fire in 1890.Caption: There was 'antimony in them thar hills' at Ringwood when this picture was taken in the 1890s. At that time the Club Hotel in Mt Dandenong Road, East Ringwood was owned by a George Wiggin. There were antimony mines operating nearby. The present-day Club Hotel is on this site.

Daylesford is a tourist town in Central Victorian, known for its mineral water springs.View of the Daylesford Primary SchoolDaylesford, Victoria, Australia This famous holiday resort is famous for its up-to-date facilities, as well as for its natural attractions. The mineral Springs are renowned for their high medicinal elements. The visitor finds ample to amuse, in excellent fishing, boating, Boating, Swimming, golfing, hiking and riding. The district provides a wide range of typical Australian bush scenery, and the altitude of 2,000 feet above sea level as a tonic effect on all. Daylesford has modern hotels, guest houses, shops and places of amusement, also many other places of interest within short travelling distance. Bendigo, 50 miles, Ballara 30 miles, and Melbourne 75 miles, bring Daylesford within easy reach of many parts of Victoria. daylesford, daylesford primary school, primary state school

Photos documenting this address as part of a photographic series undertaken by volunteer photographers during 2013 and 2014 for The Street Where You Live Project. This was organised through the Surrey Hills Neighbourhood Centre and covered the postcode 3127 in the cities of Boroondara and Whitehorse.These photos provide a snapshot of real estate in the suburbs of Mont Albert and Surrey Hills during a period of rapid change with many properties on large blocks demolished to create higher density residential development or renewal of single dwellings. At particular risk were properties not covered by heritage overlays, in particular interwar housing and post 1950's housing.

Written on back of photograph, "'Mail' 8/3/1956'. Norwood State School opening, 13th February 1956". Digitised copy of newspaper article attached - Ringwood Mail, 23 February, 1956

The Great Kantō Earthquake of 1 September 1923 devastated the major cities of Tokyo and Yokohama, as well as five other surrounding prefectures and was one of the world’s worst natural disasters of the early twentieth century. In terms of loss of life and material damage, with an estimated 140,000 deaths and countless homeless, it is still Japan’s worst national disaster. Nearly 90% of the newspaper printers were destroyed in the earthquake. These postcards were not produced for aesthetics but as a major tool for the spread of information. Seeing how newspaper companies were left with their offices in shambles, postcard publishers tried to fill the gap hence some were in three languages. A very small number of publishing companies were fortunate enough to survive, one of them being Mitsumura Printing, which took advantage of its remaining resources to churn out postcards. When the Ōsaka Mainichi Shinbunsha published its bilingual three-volume photographic pictorial of the Great Kantō Earthquake just two weeks after the event, the calamity had already been captured in thousands of images that circulated on a national and international media highway. Commercial photographers and photojournalists produced the most abundant and immediate images of the quake, which were transmitted in newspapers, special-issue newspaper pictorials, commemorative photography collections, illustrated survivors’ accounts, and sets of commemorative postcards. These photographic images functioned as both news and souvenirs, rendering their consumers/viewers, inside and outside the devastated locale, into both witnesses and voyeurs. Images in the news media and those issued by respected publishing houses carried the visual authority of supposed facticity. As such they both produced and became the historical record of the event. Since the vast majority of 1923 disaster postcards that survive have no writing on them, they were likely treated more as collectibles than as a form of postal communication. Many were put into albums, creating new ways to combine images and create visual cultures of disaster for home viewing. Accordion-style albums allowed for personalized, serial organization of images that produced unique, imagistic narratives of the event. The album pages were also two-sided and could be stretched out to view a series of images on recto and verso. References: Imaging Disaster: Tokyo and the Visual Culture of Japan’s Great Earthquake of 1923 震災をイメージ化する　東京と1923年関東大震災のヴィジュアルカルチャー - The Asia. (2024, March 31). Retrieved from https://apjjf.org/2015/13/6/gennifer-weisenfeld/4270 The Great Kanto Earthquake: Postcards of Tragedy. (2024, March 31). Retrieved from https://www.tokyoweekender.com/art_and_culture/japanese-culture/the-great-kanto-earthquake-postcards/ See also: Postcards from Hell – Glimpses of the Great Kantō Earthquake; M. William STEELE (International Christian University, Japan) 14th Conference of the European Association of Japanese Studies: Visual Culture and Postcard Research Papers – East Asia Image Collection Blog. (2024, March 31). Retrieved from https://sites.lafayette.edu/eastasia/2014/09/01/14th-conference-of-the-european-association-of-japanese-studies-visual-culture-and-postcard-research-papers/] And https://icu.repo.nii.ac.jp/record/4503/files/ACS44_01Steele.pdfThis item, a souvenir from Japan from between the wars (circa 1923) was brought home to Research, Victoria by Bill Teagle who was serving in the Royal Australian Navy (1919-1945). Bill Teagle's sister Violet Amelda Teagle had married Theodore (Curly) Feldbauer in 1933. Bill's brother-in-law Curly was taken as a Prisoner of War by the Japanese and died at Sandakan in March 1945. The family did not learn of Curly’s death till months later and Bill's sister, Violet, herself could never forgive the Japanese for what happened to Curly. Curly is remembered on the Eltham Roll of Honour Board and his son, Albert Feldbauer (Bill’s nephew and youngest child of the children of the soldier fathers attending a school in the district), was given the honour of turning the first sod for the Eltham War Memorial Infant Welfare Centre Building. Despite this, the family maintained this cherished souvenir from a time of previous foreign friendship with Japan. The item was possibly given by Bill Teagle to his sister Margaret Rose (formerly Ingram) who later married Richard Edward (Eddie) Fielding in early 1948. (Eddie had been engaged to someone else before he went to war, but his fiancée broke it off before his return to Australia.) It was cared for by the Teagle/Fielding family for approximately one hundred years. It is of particular significance given the family's connection to the Eltham War Memorial and the significance of that memorial to the local community and represents that despite the horrors of war, former friends then foes can become friends again.tom fielding collection, japanese postcard, postcard, 1923, great kanto earthquake, japan, tokyo, yokohama

Aerial photo of the RVIB St Kilda Road buildings and grounds, scanned from an unknown printed source. On the image are written descriptions of buildings, including the width and length of those erected in 1920's, the isolation hospital and the segregation of boys and girls playing areas. 1 scanned image of RVIB St Kilda Road from airGirls playground School & residential buildings Boys playground Isolation hospital This building, erected in 1926 - is 200 ft long & 40 ft wide Each floor of this new two storied building erected in 1926 is 100 ft long & 40 ft wide These recently erected factories measure 20,000 sq ft Ormond Hall for socials, etc. St Kilda Road frontageroyal victorian institute for the blind, buildings

Photograph. Commercial Bank 1960s. Originally Bank of Victoria, 12 View street. Bendigo first large trading bank. Two storey brick structure erected in 1863-64 by architect A.L. Smith. Rendered façade face Pall Mall and View Street. Intersect Chartered corner. Classically designed and richly decorated.bendigo, banks, commercial bank

Grey Truck with flags Boy Scouts in on top with others on top of wooden structure.

Stawell Golf/Bowls Yellow Albumstawell

Black & white photograph, Bert Graham Collection, Alwyn Nelson is presenting a Life Membership Cetificate to Bert Graham on 18 April 1959. The men have on their Bendigo East Swimming Club blazers.bendigo, clubs, bendigo east swimming club

Photos documenting this address as part of a photographic series undertaken by volunteer photographers during 2013 and 2014 for The Street Where You Live Project. This was organised through the Surrey Hills Neighbourhood Centre and covered the postcode 3127 in the cities of Boroondara and Whitehorse.These photos provide a snapshot of real estate in the suburbs of Mont Albert and Surrey Hills during a period of rapid change with many properties on large blocks demolished to create higher density residential development or renewal of single dwellings. At particular risk were properties not covered by heritage overlays, especially interwar housing and post 1950's housing.