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matching domestic-and-leisure
Accessory (1619)
Clothing (3053)
Costume (165)
Craft (188)
Domestic object (2550)
Footwear (174)
Furniture (392)
Headwear (508)
Leisure object (689)
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Kew Historical Society Inc
Clothing - Fur Stole, Ermine Stole, 1950-1965
Large size pale brown ermine stole with tails at ends.costume accessories, furs - ermine, women's clothing -
Bendigo Historical Society Inc.
Accessory - SOLDIER HOUSEWIFE KIT
Soldier's housewife kit in calico bag. The kit comprise: a spoon, a sawing kit wrap in its own cloth with nine needles and three different colours threads (red, white, brown), a razor in its box on the outside Invicta razore manufacturesd by E. M. Dickinson Sheffield England, a shaving brush and a band made of leather for sharpening the razor. -
Trafalgar Holden Museum
Accessory - Brass half buckle with steel tongue, Circa 1900
Used on Horse tackle in the late 19th and early 20th century by Holden and frostUsed and sold by Holden and frost Circa 1900Brass half buckle with steel tongueequine civilian, military, agricultural ca1900, buckle -
Kew Historical Society Inc
Clothing, Black Silk, Lace & Jet Cape, 1980s
The Fashion & Design collection of the Kew Historical Society includes examples of women’s, men’s, children’s and infants’ clothing from the 18th, 19th and 20th centuries. Items in the collection were largely produced for, or purchased by women in Melbourne, and includes examples of outerwear, protective wear, nightwear, underwear and costume accessories.Late Victorian black watered silk cape with a wide border of machine made lace. The cape is extensively adorned with beads of black jet. Two long pieces of black lace fall from the neck at centre front. The cape was owned by one of the donor's maternal ancestors.capes, australian fashion, women's clothing, victorian fashion -
Kilmore Historical Society
Clothing - Cristening underskirt, unknown
One of two underskirts accompanying a christening ensemble. First worn by William Thomas (Tom) Poulter in 1858, eldest surviving child of Mary and James Poulter. Used by generations of Poulter & Chapmans. The robe is reliably dated to 1858 but the two underskirts, shawl & bonnet may have been added to the ensemble at a later date.Early christening underskirt related to early Kilmore families.White cotton christening underskirt with pintuck & broderie anglaise detail to skirt. Excellent condition.poulter, chapman, christening -
Flagstaff Hill Maritime Museum and Village
Domestic object - Spoon, c.1878
This tea spoon is from the wreck of the LOCH ARD, a Loch Line ship of 1,693 tons which sailed from Gravesend, London, on 2 March 1878 with 17 passengers and a crew of 36 under Captain George Gibbs. “The intention was to discharge cargo in Melbourne, before returning to London via the Horn with wool and wheat”. Instead, on 1 June 1878, after 90 days at sea, she struck the sandstone cliffs of Mutton Bird Island on the south west coast of Victoria, and sank with the loss of 52 lives and all her cargo. The manifest of the LOCH ARD listed an array of manufactured goods and bulk metals being exported to the Colony of Victoria, with a declared value of £53,700. (202 bills of lading show an actual invoice value of £68, 456, with insurance underwriting to £30,000 of all cargo). Included in the manifest is the item of “Tin hardware & cutlery £7,530”. This teaspoon is one of 482 similar items of electro-plated cutlery from the LOCH ARD site, comprising spoons and forks of various sizes but all sharing the same general shape or design and metallic composition. 49 of these pieces display a legible makers’ mark — the initials “W” and “P” placed within a raised diamond outline, which is in turn contained within a sunken crown shape — identifying the manufacturer as William Page & Co of Birmingham. An electroplater’s makers’ marks, unlike sterling silver hallmarks, are not consistent identifiers of quality or date and place of manufacture. A similar line of five impressions was usually made to impress the consumer with an implication of industry standards, but what each one actually signified was not regulated and so they varied according to the whim of the individual foundry. In this case, the maker’s marks are often obscured by sedimentary accretion or removed by corrosion after a century of submersion in the ocean. However sufficient detail has survived to indicate that these samples of electro-plated cutlery probably originated from the same consignment in the LOCH ARD’s cargo. The following descriptions of maker’s marks are drawn from 255 tea spoons, 125 dessert spoons, and 99 table forks. These marks are clearly visible in 66 instances, while the same sequence of general outlines, or depression shapes, is discernible in another 166 examples. 1. A recessed Crown containing a raised Diamond outline and the initials “W” and “P” (the recognised trademark of William Page & Co) 2. An impressed Ellipse containing a raised, pivoted, Triangle in its lower part and bearing a Resurrection Cross on its upper section (a possible dissenting church symbol reflecting religious affiliation); OR a rounded Square impression containing a raised, ‘lazy’, letter “B” (possibly mimicking sterling silver hallmark signifying city of manufacture i.e. Birmingham) 3. An impressed rounded Square filled with a raised Maltese Cross (the base metal composite of nickel silver was also known as ‘German silver’ after its Berlin inventors in 1823) 4. A recessed Circle containing a Crab or Scarab Beetle image; OR a recessed Circle containing a rotated ‘fleur de lys’ or ‘fasces’ design 5. A depressed Diamond shape enclosing a large raised letter “R” and a small raised letter “D” (mimicking the U.K. Patent Office stamp which abbreviated the term ‘registered’ to “RD”, but also included date and class of patent) Suggested trade names for William Page & Co’s particular blend of brass plating are ‘roman silver’ or ‘silverite’. This copper alloy polishes to a lustrous gold when new, discolouring to a murky grey with greenish hue when neglected. HISTORY OF THE LOCH ARD The LOCH ARD belonged to the famous Loch Line which sailed many ships from England to Australia. Built in Glasgow by Barclay, Curdle and Co. in 1873, the LOCH ARD was a three-masted square rigged iron sailing ship. The ship measured 262ft 7" (79.87m) in length, 38ft (11.58m) in width, 23ft (7m) in depth and had a gross tonnage of 1693 tons. The LOCH ARD's main mast measured a massive 150ft (45.7m) in height. LOCH ARD made three trips to Australia and one trip to Calcutta before its final voyage. LOCH ARD left England on March 2, 1878, under the command of Captain Gibbs, a newly married, 29 year old. She was bound for Melbourne with a crew of 37, plus 17 passengers and a load of cargo. The general cargo reflected the affluence of Melbourne at the time. On board were straw hats, umbrella, perfumes, clay pipes, pianos, clocks, confectionary, linen and candles, as well as a heavier load of railway irons, cement, lead and copper. There were items included that intended for display in the Melbourne International Exhibition in 1880. The voyage to Port Phillip was long but uneventful. At 3am on June 1, 1878, Captain Gibbs was expecting to see land and the passengers were becoming excited as they prepared to view their new homeland in the early morning. But LOCH ARD was running into a fog which greatly reduced visibility. Captain Gibbs was becoming anxious as there was no sign of land or the Cape Otway lighthouse. At 4am the fog lifted. A man aloft announced that he could see breakers. The sheer cliffs of Victoria's west coast came into view, and Captain Gibbs realised that the ship was much closer to them than expected. He ordered as much sail to be set as time would permit and then attempted to steer the vessel out to sea. On coming head on into the wind, the ship lost momentum, the sails fell limp and LOCH ARD's bow swung back. Gibbs then ordered the anchors to be released in an attempt to hold its position. The anchors sank some 50 fathoms - but did not hold. By this time LOCH ARD was among the breakers and the tall cliffs of Mutton Bird Island rose behind the ship. Just half a mile from the coast, the ship's bow was suddenly pulled around by the anchor. The captain tried to tack out to sea, but the ship struck a reef at the base of Mutton Bird Island, near Port Campbell. Waves broke over the ship and the top deck was loosened from the hull. The masts and rigging came crashing down knocking passengers and crew overboard. When a lifeboat was finally launched, it crashed into the side of LOCH ARD and capsized. Tom Pearce, who had launched the boat, managed to cling to its overturned hull and shelter beneath it. He drifted out to sea and then on the flood tide came into what is now known as LOCH ARD Gorge. He swam to shore, bruised and dazed, and found a cave in which to shelter. Some of the crew stayed below deck to shelter from the falling rigging but drowned when the ship slipped off the reef into deeper water. Eva Carmichael had raced onto deck to find out what was happening only to be confronted by towering cliffs looming above the stricken ship. In all the chaos, Captain Gibbs grabbed Eva and said, "If you are saved Eva, let my dear wife know that I died like a sailor". That was the last Eva Carmichael saw of the captain. She was swept off the ship by a huge wave. Eva saw Tom Pearce on a small rocky beach and yelled to attract his attention. He dived in and swam to the exhausted woman and dragged her to shore. He took her to the cave and broke open case of brandy which had washed up on the beach. He opened a bottle to revive the unconscious woman. A few hours later Tom scaled a cliff in search of help. He followed hoof prints and came by chance upon two men from nearby Glenample Station three and a half miles away. In a state of exhaustion, he told the men of the tragedy. Tom returned to the gorge while the two men rode back to the station to get help. By the time they reached LOCH ARD Gorge, it was cold and dark. The two shipwreck survivors were taken to Glenample Station to recover. Eva stayed at the station for six weeks before returning to Ireland, this time by steamship. In Melbourne, Tom Pearce received a hero's welcome. He was presented with the first gold medal of the Royal Humane Society of Victoria and a £1000 cheque from the Victorian Government. Concerts were performed to honour the young man's bravery and to raise money for those who lost family in the LOCH ARD disaster. Of the 54 crew members and passengers on board, only two survived: the apprentice, Tom Pearce and the young woman passenger, Eva Carmichael, who lost all of her family in the tragedy. Ten days after the LOCH ARD tragedy, salvage rights to the wreck were sold at auction for £2,120. Cargo valued at £3,000 was salvaged and placed on the beach, but most washed back into the sea when another storm developed. The wreck of LOCH ARD still lies at the base of Mutton Bird Island. Much of the cargo has now been salvaged and some was washed up into what is now known as LOCH ARD Gorge. Cargo and artefacts have also been illegally salvaged over many years before protective legislation was introduced. One of the most unlikely pieces of cargo to have survived the shipwreck was a Minton porcelain peacock - one of only seven in the world. The peacock was destined for the Melbourne International Exhibition in 1880. It had been well packed, which gave it adequate protection during the violent storm. Today, the Minton peacock can be seen at the Flagstaff Hill Maritime Museum in Warrnambool. From Australia's most dramatic shipwreck it has now become Australia's most valuable shipwreck artefact and is one of very few 'objects' on the Victorian State Heritage Register. The LOCH ARD shipwreck is of State significance – Victorian Heritage Register S 417. Flagstaff Hill’s collection of artefacts from LOCH ARD is significant for being one of the largest collections of artefacts from this shipwreck in Victoria. It is significant for its association with the shipwreck, which is on the Victorian Heritage Register (VHR S417). The collection is significant because of the relationship between the objects, as together they have a high potential to interpret the story of the LOCH ARD. The LOCH ARD collection is archaeologically significant as the remains of a large international passenger and cargo ship. The LOCH ARD collection is historically significant for representing aspects of Victoria’s shipping history and its potential to interpret sub-theme 1.5 of Victoria’s Framework of Historical Themes (living with natural processes). The collection is also historically significant for its association with the LOCH ARD, which was one of the worst and best known shipwrecks in Victoria’s history. Unrestored tea spoon from the wreck of the LOCH ARD. The spoon design has a flattened fiddle-back handle, with a thin stem or shank, flared collar, and elongated bowl. The spoons metallic composition is a thin layer of brass alloy which has partially corroded back to a nickel-silver base metal. Approximately 70% of original electroplating survives, with some verdigris.flagstaff hill maritime museum, shipwreck coast, flagstaff hill maritime village, loch line, loch ard, mutton bird island, loch ard gorge, electroplated cutlery, loch ard shipwreck, nickel silver, william page & co, birmingham, brass plating, makers marks -
Kew Historical Society Inc
Clothing - Lace bodice, 1900s
The Fashion & Design collection of Kew Historical Society includes examples of women’s, men’s, children’s and infants' clothing from the 18th, 19th and 20th centuries. While the collection includes some examples of international fashion, most items were handmade or purchased in Melbourne. White cotton machine made net bolero with tambour work and a chemical lace medallion inserted centre backfashion and textiles collection - kew historical society, lace, women's clothing -
Trafalgar Holden Museum
Accessory - Nickle plated half Buckle, Circa 1900
Imported and used on horse tackle by Holden and Frost during 19th and early 20th centuryUsed and sold by Holden and Frost Circa 1900Nickle plated steel half buckleequine military, agriculture, civilian ca1900, buckle -
Greensborough Historical Society
Clothing - Suspenders, 1960s
Straps used to hold up women's stockingsPair of pink elasticised suspender strapssuspenders, women's clothing, stockings -
Clunes Museum
Domestic object - BELLOWS
FIRESIDEBELLOWS, FRONT AND BACK PLATES WOODEN, LEATHER STRIP ATTACHED WITH UPHOLSTERY TACKS TO BOTH SECTIONS. METAL HANDLESbellows, laura hudson -
Whitehorse Historical Society Inc.
Domestic object - Dish, 1936
Given to Daisy May Scales and Arthur Bate for their wedding on 29 - 2 - 1936 by their workmates at the Australian Tesselated Tile Co. in Mitcham. Daisy May Bate died 11 - 7 - 1993'Carlton Ware' Dish in the shape of a leaf - green edges with yellow centre and two tomatoes at point.Carltonware Made in England Trade Markdomestic items, crockery -
Bendigo Military Museum
Accessory - BADGES, BUTTONS, 1) K G Luke Melbourne, possible WW1 to WW2
Items in collection re John D Gardiner No 2832, refer Cat No 5892.2 for his service details..1) Badge pressed metal, crown over round shape, centre has a Red Cross, raised lettering around outside. .2) Button, metal round with centre Red Cross, raised lettering around outside. .3) Button round gold colour, centre appears to be a naval symbol, no enscriptions. .4) Button, round plastic gold colour, centre has letters "E R". 5.) Button round metal, crown and map of Australia, raised lettering..2) Australian Red Cross Society" .3) Australian Military Forces"buttons, badges, red cross -
Whitehorse Historical Society Inc.
Clothing - Apron
Purple waist 'cocktail' apron with coloured fringing. Vivid embroidery in yellow, red, pink and green.costume, female working -
Kew Historical Society Inc
Clothing - Coral Satin Evening Coat, 1960s
The Fashion & Design collection of the Kew Historical Society includes examples of women’s, men’s, children’s and infants’ clothing from the 18th, 19th and 20th centuries. Items in the collection were largely produced for, or purchased by women in Melbourne, and includes examples of outerwear, protective wear, nightwear, underwear and costume accessories. This evening coat is one of a number of items donated to the Fashion Collection by Dione McIntyre.The McIntyre Collection of clothing and clothing accessories forms one of the largest single donations to our Fashion & Design collection. It includes clothing and clothing accessories worn by four women in the Cohen and McIntyre families across three generations. The items worn by Melbourne architect, and Kew resident, Dione McIntyre date from the 1960s and 1970s, and include evening wear, day wear, hats and shoes. As Dione McIntyre often accompanied her husband, fellow architect Peter McIntyre, to formal events, there are a number of pieces of evening wear among the items. The McIntyre Collection also includes items worn by women of an earlier generation: by Lilian Cohen, Dione McIntyre's mother, and by her mother-in-law, the wife of the architect Robert McIntyre. At the other end of the chronological spectrum are a number of outfits belonging to, worn and donated by Annie McIntyre. These include outfits created by notable late 20th century Australian and/or international fashion designers. The McIntyre Collection is significant historically and artistically as it includes examples of design that demonstrate changing tastes in fashion over an 80-year period. The collection is also significant in that it includes the work of a large number of Melbourne designers from the 1960s to the 1990s. Coral coloured, satin full length lined evening coat.australian fashion - 1960s, evening wear, evening coats, mcintyre collection -
Bendigo Historical Society Inc.
Accessory - ANA COLLECTION: ANA MEMBERS LAPEL BADGE CIRCA 1950
ANA Lapel Badge as worn by members circa 1950 enamel badge, shaped as Australia, black ANA initials on beige background, set as cloisinet, displayed on card -
Glenelg Shire Council Cultural Collection
Craft - Doily Press, n.d
Embroidered doily press, round, 2 pieces joined with crochet cord, fabric, apricot coloured inside, paler shade outside, burgundy button and crochet cord fastening. 'Doyleys' embroidered on front, in dark pink. Blue, aqua dark pink, green, embroidered flowers and leaves. Both halves of press stiffened with cardboard -
City of Moorabbin Historical Society (Operating the Box Cottage Museum)
Domestic object - Kitchen Equipment, candles 'Electrine', c1900
Prior to the installation of gas and electric light pioneers used candles for lighting after sunset.6 candles, in original box, made by 'Electrine' Co. 2 candles broken when brush tailed possum entered Cottage via chimney 27/4/2014kitchen equipment, lights, candles, fireplaces, early settlers, pioneers, moorabbin, bentleigh, cheltenham, market gardeners -
Bendigo Historical Society Inc.
Clothing - CHILD'S CREAM COLOURED LINEN PETTICOAT
Clothing. Child's cream coloured linen petticoat. Round neckline with embroidered scalloped edge. Short kimono cut sleeves with embroidered scalloped edges. Body of petticoat widens to hem. Edge of front hem has two brown printed stripes.costume, children's, child's cream coloured linen petticoat -
Whitehorse Historical Society Inc.
Clothing - Fur collar
Cream and pale brown mottled fur collar - has been removed from a garment. Taurmaline Mink.costume, female -
Kew Historical Society Inc
Clothing - White Cotton Pinafore, 1950s
The Fashion & Design collection of Kew Historical Society includes examples of women’s, men’s, children’s and infants' clothing from the 18th, 19th and 20th centuries. While the collection includes some examples of international fashion, most items were handmade or purchased in Melbourne. Large white cotton apron. Halter neck. Added scalloped border and decorative pockets.clothing - women's, aprons, porective wear, fashion & design collection - kew historical society -
Flagstaff Hill Maritime Museum and Village
Domestic object - Food Safe, Willow Ware Pty Ltd, 1920-1950
Willow started business in 1887 as a metal working company based in Melbourne Australia, making tinned biscuit and tea canisters. The outbreak of the First World War saw their manufacturing change to making armaments and essential packaging for the war effort. In the early 1920’s, the Willow brand was established. Making tin plated canisters and baking pans with the well-known Willow pattern, imprinted on them. Some other items in production at this time include billies, boilers, basins and Coolgardie safes. In the late 1950’s, the company ventured into plastics production. Stepping away from its very successful tin plating industry of more than 50 years. In 1965, the company name changed to Willow Ware Pty Ltd, to be more closely linked to its Willow brand. Willow Ware is still in business today. A food safe known as a “Coolgardie” meat storage made by an emerging Australian company no longer in bushiness. This item gives a snapshot into early Australian manufacturing specifically aimed at the Australian market. Safe metal kitchen safe with two shelves, a hinged door and latch and a small swivel wire handle at the top. cream colour . "Made in Australia" "Willow" warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, willow ware, domestic item, coolgardie meat safe, meat safe, food safe, food preservation -
Stawell Historical Society Inc
Accessory - Costume and Accessories
Three Pair of Stockings. One pair Tan. A lighter colour with seams. A finer texture with seams. Mrs E McClure (Dalkin) stawell clothing material -
City of Moorabbin Historical Society (Operating the Box Cottage Museum)
Clothing - Lady's nightdress crepe de chine, floral c1950, c1950
Gladys Reed was a member of the Ormond Choral Society c 1950. who performed plays and musicals in the City of Moorabbin and she made this nightdress c1950 Crepe de Chine, also spelled Crêpe De Chine, (French: “crepe of China”), light and fine plain woven dress fabric in silk, wool, or synthetic fibre fabric with a distinctively crisp, crimped appearance produced either with all-silk warp and weft or else with a silk warp and hard-spun worsted weft. This material was easy to sew, wash and dry and required no ironing . . This crepe de chine nightdress is an example of the popular style worn by women in the post World War 11 Estates in the City of Moorabbin c1950 A lady's floral crepe de chine, full length, nightdress with shoulder straps and waist ties clothing, nightdress, crepe de chine, theatrical props, craftwork, sequins, beading, early settlers, moorabbin shire, mechanics institute cheltenham, ormond choral society, postworld war 11 settlers, housing estates moorabbin 1950, bentleigh, ormond, moorabbin, cheltenham, drama societies, musical society cheltenham, clark judy, reed gladys, reed george -
Whitehorse Historical Society Inc.
Accessory - Handbag, c 1920
Handbag owned and used by Myrtle Grant, grandmother of donorSmall handbag with tooled coloured front: red, tan on dark brown background.costume accessories, female -
Clunes Museum
Domestic object - CERAMIC JAR
ROUND CERAMIC CONTAINER WITH HANDLES ON EACH SIDElocal history, domestic item, containers, -
Whitehorse Historical Society Inc.
Clothing - Baby's Jacket
White cotton baby jacket. Finely knitted and with drawstring at neck.costume, infants' -
Stawell Historical Society Inc
Costume - Cap, Mine Rescue
Mine Rescue TeamCap - Black Mesh - Black reverse cloth embroidered PatchEmergaency Responce Team Blue Healers STAWELL GOLD MINE -
Bendigo Historical Society Inc.
Accessory - BILL ASHMAN COLLECTION: LEATHER WALLET
Brown Genuine Ostrich Leather Wallet with press stud on strap for clasp. Red leather and material lining. Pockets for Passport, Bills, Landing Card, Luggage Check and Rail Ticket embossed in gold on the inside. R.H.S. Abbott also embossed in gold. Small coin purse also on the inside and a large pocket on each side.sciences, instruments - general, scalebuoy, bill ashman collection - correspondence, ostrich skin wallet, r h s abbott -
Bendigo Historical Society Inc.
Clothing - BLUE LINEN FLORAL DRESS, 1940's - 50's
Clothing. Blue linen dress, with a black and white floral design, possibly home stitched. V neckline at front, high rounded neckline at back. Curved yoke at front bodice. Centre opening, fastened with press-studs. Three decorative buttons are sewn diagonally, side by side on the outside of the opening (X2). Side fronts are gathered to the yoke, and have two darts on either side front, at the waistline. Short set in sleeves. Six panels form the A-line skirt. Some hand stitching on facings and hems. A home stitched dress. Two decorative, curved decorative panels, 5 cm wide and 22 cm long, straddle the waistline at front and back.costume, female, blue linen floral dress -
Bendigo Historical Society Inc.
Clothing - INFANT'S WHITE SPOTTED MUSLIN WAISTED DRESS, 1880-1900
Clothing. Infant's white spotted muslin waisted dress. High round neck with lace trim. Front of dress has alternating vertical stripes of pin tucks and lace. Skirt tightly gathered into casing at waist. Lower section of skirt has alternating horizontal stripes of pin tucks and lace. Long shaped sleeves with fabric cap around arm hole. Sleeve gathered into casing at wrist. Item edged with lace, forming a frill. Centre back opening (20cm) fastened with five X .9mm white buttons between neckline and waist.costume, children's, infant's white spotted muslin dress