Showing 4583 items
matching domestic-and-leisure
Accessory (1642)
Clothing (3079)
Costume (165)
Craft (189)
Domestic object (2587)
Footwear (174)
Furniture (398)
Headwear (518)
Leisure object (698)
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Bendigo Historical Society Inc.
Domestic Object - MERLE HOULDEN COLLECTION: MILK JUG COVER, 1930's-40's-50's
Small circular milk jug cover. Centre panel, seven cms in diameter is made from a double layer of very fine white net. A three cm band of very fine crochet surrounds the net. This fine crochet has twenty five round, green glass beads attached by a fine chain stitch passing through each bead.Made by Merle's Grandmother Geuerdomestic equipment, food storage & preservation, milk jug cover -
Bendigo Military Museum
Accessory - EYESHIELDS, GAS, 1) 7.1942, .2) 1941
Items issued to Fred Addlem..1) & .2) Made in the shape of a sleeve from strong brown cardboard. .1) Anti poison gas eye shields, MK11 with action instructions on front & gas alarms on rear. .2) Eye shields, anti gas, MK11. gas, eye shields, nti gas -
Clunes Museum
Domestic object - IRON
RUFFLE CRIMPING IRON USED IN 19TH. CENTURY FOR RUFFLING LACE.METAL IRON FOR IRONING LACE RUFFLElocal history, domestic, iron -
Bendigo Historical Society Inc.
Domestic Object - FAVALORO COLLECTION: DESSERT BOWLS, 1940's-1960's
Objects. Cream coloured ceramic dessert bowl, ''Favaloro'sCafe'' printed on the edge of the bowl in red - seven bowls.on under side of bowls ''Duraline'' super vitrified grindley hotelware of England , Lotus Moran Pty Ltd Melbourne 9-61domestic equipment, table setting, ceramic dessert bowl -
Clunes Museum
Domestic object - STONE JAR
Stone Jar with unmatched lid. Sticker attached marked "22". Marking "3".jar, vessel -
Clunes Museum
Domestic object - HAIR CURLING TONGS
TONGS WERE FOUND ON VACANT BLOCK IN CLUNESMETAL TONGS FOR CURLING HAIRlocal history, personal effects, toilet requisites, hairdressing -
Clunes Museum
Domestic object - DRIPSTONE WATER FILTER WITH LID
AN ITEM IN COMMON USE IN EARLIER YEARS, USUALLY CHARCOAL WAS PLACED ON A SCREEN AT ABOUT HALF OF THE DEPTH. IT WAS ALSO USED TO KEEP DRINKING WATER COOL.LARGE CERAMIC DRIPSTONE WATER FILTER WITH LIDJ.G. HOLT'S PURE CARBON WATER FILTER MELBOURNElocal history, domestic item, containers -
Whitehorse Historical Society Inc.
Accessory - Hair Clippers, C. 1900
Belonged to donor's father.'Hercules' Hair Clippers C. 1900 made of cast iron, nickel plated, two handles, when compressed form a cutting edge.|Box included - Size 0000Hercules 0000costume accessories, hair accessories -
Bendigo Military Museum
Accessory - BADGES, BUTTONS, 1) K G Luke Melbourne, possible WW1 to WW2
Items in collection re John D Gardiner No 2832, refer Cat No 5892.2 for his service details..1) Badge pressed metal, crown over round shape, centre has a Red Cross, raised lettering around outside. .2) Button, metal round with centre Red Cross, raised lettering around outside. .3) Button round gold colour, centre appears to be a naval symbol, no enscriptions. .4) Button, round plastic gold colour, centre has letters "E R". 5.) Button round metal, crown and map of Australia, raised lettering..2) Australian Red Cross Society" .3) Australian Military Forces"buttons, badges, red cross -
Bendigo Military Museum
Accessory - BADGES, UNIT ASSOCIATION, Post WW2
Items relating to John Eric Wiles VX16067, refer Cat No 5410P for his service details..1) 2/7th Bn Association Life Members badge, centre has “2/7” with colour patch under brown over red. .2) Tie pin 2/7th BN with colour patch. .3) 2/7th Assoc Life members badge in 2 sections, top has “Life Member” bottom section of badge has 2/7 centre with colour patch.badges, life member, 2/7th, wiles -
Flagstaff Hill Maritime Museum and Village
Domestic object - Teapot, Unknown
In the 1650s, the newest exciting development had arrived on Britain’s shores, this time it was tea from China. As it was brought back from overseas, tea was incredibly scarce and as such its price was very high; in 1664, the cost of tea was already 40s per pound, although this is not as high as what it would become when taxed in the 18th century. This resulted in only the social elite enjoying a cup of tea, and most commonly tea was enjoyed in coffee houses, and teapots were therefore not yet a household item. As the East India Company imported larger quantities of tea, it became more widely available and a larger section of the British population were able to enjoy it meaning that, by 1669, tea was available nearly everywhere. Likely due to the fact that tea was first enjoyed in coffee houses, the first known teapot resembles a coffee pot, with a tapering cylindrical shape and standing much taller than what we now know as a teapot at 13.5 inches tall. Into the 1680s, these teapots were given a conical cover for the spout that was fixed to the pot via a chain. As Queen Anne took the throne in 1702, teapots had become much more widely used and had formed two common groups. The first style of teapot was the pear shaped style which began to appear in 1705. The pear shaped pot usually had a domed lid and sometimes featured a finial. This form was generally supplied with a heater and stand as well as having a baluster shaped handle on one side. This iteration would disappear by 1725 but does make a reappearance in the 1740s, only this time as an inverted pear shape. The second group was the more spherical, or globular, shape which appeared in 1710. The globular teapot had a flush, hinged lid as well as a narrow moulded rim foot and a straight sided, tapering spout. Both generalised groups of teapots have polygonal examples – that is, teapots that are made up of straight sided segments – but six or seven sided teapots are incredibly rare. There is one known example of a seven sided globular teapot, made by Isaac Ribouleau in 1724. This is so unique because polygonal teapots are much more technically difficult and time consuming to make. Other than the occasional band of engraving round the shoulder of the teapot, they remain quite plain until c.1740 when scrollwork and chased shells begin to be applied for decoration. ‘Chasing’ is the process of decorating the front of a piece of metal by indenting the back, without cutting or engraving. From 1755 until 1770, silver teapots became incredibly uncommon and it is likely that this either reflects a change in drinking habits or changing trends producing a favour for porcelain. This dip in popularity could also be in response to the outrageous taxes placed on tea, up to 119%! In 1765, the Leeds creamware globular teapot seemed to kickstart a resurgence and this, combined with the Commutation Act of 1784 – which reduced tax on tea from 119% to 12.5% – saw teapots return in all their forms. It’s around this time, in 1780, that a form of teapot with a detachable, openwork stand appeared; however, the plain, oval teapot remained the most popular in the 1780s and 90s. In the later years of George III’s tenure on the throne, during the last decade of the 18th century, there was a revival of chasing and embossing teapots with flower and foliage designs. At the turn of the century, the spherical, partly fluted teapot with classical decoration was superseded by a more oblong shaped pot that sat on four spherical feet. This was then changed again when teapots became more melon shaped. It was at this time that the capacity of a teapot greatly increased and the previously wooden or ivory handles were replaced by silver handles with ivory washers for insulation. As Britain entered into the Victorian era, the design quality often suffered as there was a tendency to over-decorate the silver. In the early 19th century, the last major addition to the shape of the teapot, a raised collar was added between the cover and body. Whilst this seems to just be for decoration, there is some speculation that it could also be to prevent overspills. https://www.marklittler.com/silver-teapots-history/ This item shows that silver and silver plated teapots were used for tea making.Plain sliver teapot. Heavy oxidation. Dented.None.flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, teapot, silver, siver plate, tea -
Whitehorse Historical Society Inc.
Accessory - Handbag, c 1920
Handbag owned and used by Myrtle Grant, grandmother of donorSmall handbag with tooled coloured front: red, tan on dark brown background.costume accessories, female -
Dandenong/Cranbourne RSL Sub Branch
Domestic object - Foot Powder, WWII
unknownSmall Green TinFoot & Body Power 2oz.foot power, wwii -
Whitehorse Historical Society Inc.
Accessory - Watch, 1930
This watch was presented by the Shires of Blackburn and Mitcham to Miss Beatrice Neilson in recognition of her work with 'The Box Hill Reporter' 1927-1930 and in particular her faithful reporting of events in these shires. Miss Neilson joined the staff of 'The Age' in 1930 and retired in 1971.Small round gold watch.'Miss B.H. Neilson/from/The President and Councillors/Shire of Blackburn and Mitcham/with best wishes/10.2.199930' (on back)horology, watches, civic mementoes, presentations -
Clunes Museum
Domestic object - BOTTLE, FRANCIS LONGMORE & CO
CLEAR OCTAGONAL BOTTLE WITH METAL LIDTHIS BOTTLE IS THE PROPERTY OF FRANCIS LONGMORE & CO. MELBOURNE. NETT CONTENTS 1.5lbslocal history, domestic item, containers, -
Bendigo Historical Society Inc.
Domestic Object - JONES MILLER JAR LID
Jar lid for Jones, Miller & Co. Bendigo Victoria.business, retail, jones miller -
The 5th/6th Battalion Royal Victoria Regiment Historical Collection
Domestic object
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Glenelg Shire Council Cultural Collection
Costume - Baby's Bonnet, n.d
Baby's bonnet, hand crocheted, very fine thread silk, cotton, with a sheen, ecru. Intricate pattern, picot edge, figured satin ribbon ties -
Whitehorse Historical Society Inc.
Accessory - Clothes Protector, 1920s
Used by donor's father, Richard Paul Kelly during WW 1.Metal slide with two wide flat prongs. Slide went behind buttons on a inform and protected cloth while brass buttons were polished.military history, army -
Bendigo Historical Society Inc.
Domestic Object - TEA STRAINER, 1950's
Tea strainer souvenir of Toowoomba crest on handle. Star shaped pattern in bowl of strainer, marked out with the holes of the strainer. Ridged pattern on each end- bowl of strainer in the centre. Probably EPNS, but no marking visible.PITCHER MELBephemera, mementoes, tea strainer -
Warrnambool and District Historical Society Inc.
Domestic object - Game, Cribbage board, Prior to 1913
This item is linked to the 'HMAS Encounter', possibly made on the ship c. 1913. In 1916 this ship visited a then unnamed island off the Western Australian coast, where the crew discovered two bronze cannons protruding from the sand. These cannons now in the WA Maritime Museum, Fremantle, have been linked to the "Mahogany Ship" legend by historian K.G. MacIntyre. Cribbage is a very popular card game, particularly with naval personnel. This cribbage score board belonged to Alexander Charles Forsyth who used it aboard H.M.A.S. Encounter in 1913. He was a stoker, service number 3086, from New South Wales. H.M.A.S Encounter, the fourth warship of that name, was built at Devonport Dockyard, Tasmania, for the Royal Australian Navy in 1905. She was a second class protected cruiser and in 1909 was lent for three years to the British Admiralty. In 1913 (the year marked on this cribbage board) she was in New South Wales and Queensland waters and in World War One she served in the Pacific region, taking part in the capture of German New Guinea. She was finally scuttled in 1932.Social significance: an example of leisure activities in early C20th. Historical significance: link to "Mahogany Ship" legend through H.M.A.S. Encounter. This is an interesting item with social significance as cribbage was a popular game, particularly in the 20th century, and it illustrates the pastimes of a generation past. It was given to Warrnambool and District Historical Society by a Wangoom couple and so may have local significance if A.C. Forsyth was related to this couple. H.M.A.S. Encounter was important in Australia’s naval history. Rectangular brass plate with rows of holes, grouped in tens. Plate mounted with 5 brass studs to a rectangular wooden base. 134 holes in brass, grouped in tens. Three holes in each end of wooden base. Board used for scoring made out of brass for game of cribbage Burnished gold on playing surface Reddish-brown on base 144 main indentations, 10 minor indentations Machine engraved "A.C. Forsyth" (in script)/ "1913"/ "H.M.A.S. ENCOUNTER" across middle of the plate, between the rows of holes. brass, ships, leisure, royal australian navy, cribbage board, games, mahogany ship, a s forsythe, encounter, alexander charles forsyth, warrnambool -
Tatura Irrigation & Wartime Camps Museum
Domestic object - Candle Stick Holders - wooden, Palestine German Families, 1940's
made and used by internees at camp 3Light brown wooden block squares that have holes in each in middle for holding candles.on the back "K. K. Frank"candle stick holder, camp 3 wood work -
Flagstaff Hill Maritime Museum and Village
Domestic object - Sewing Machine, 1890s to 1911
This machine was made in Baden, Germany, for the Ward Brothers of Melbourne, who imported machines from various manufacturers and had them branded with their Ward Brothers decals. This machine is most likely dated before 1911, when the Ward Brothers became two separate businesses, as one of the decals appears to have been deliberately removed. The case is made in an attractive design and the machine itself has decorations that are pleasant to the eye. Even the metal cover of the folding handle has a swirling design on it. The machine has the added bonus of a ruler along the front base. Many sewing machine manufacturers in Germany produced their machines specifically for export. A company could mass-produce its machines and give the same product several different brand names, according to their overseas buyers. There was a huge market for domestic machines as it enabled tailored clothing to be made in households at a fraction of the retail prices. Ward Brothers began in Australia in the late 1890s and early sewing machines sold by them had the three brothers on their decals. In 1911 the brothers divided into two separate firms, one operating on his own, the other two remaining together, and all still operating in Melbourne and at first still using the name Ward Brothers.This sewing machine is one of two hand-operated Ward Brothers machines in our collection that were made in Baden, Germany, and the only one that has had the three Ward Brothers on its decal, and that has front and rear slide plates. This machine represents the early domestic market for sewing machines, making it possible for the everyday homemaker to produce fashionable garments and linen ware that was affordable. The owner of this machine could work at more than one location as it was portable and did not require a large space to set up. The machine is associated with the well-known Ward Brothers of Melbourne, who sold imported sewing machines that were branded with their own name. Sewing machine, hand operated, in wooden case. The machine is painted black with gold decals, and front and rear slide plates. The wooden base of the machine has an inlaid ruler. The case has curved sides and shaped ends, decorative woodwork on corners, an inlaid diamond pattern on top, and a folding metal handle. Accessories are included. The decals include doves, inscriptions and swirls, and there is a map of Australia with two portraits of men. The machine was made in Baden, Germany, for Ward Brothers, Melbourne. Images: Map of Australia with States marked, and with portraits of two men. [A portrait-sized area on the left of the men has had the image removed.] Text in printed script: "Specially / Made in Baden" "WARD BROTHERS / MELBOURNE" " with a Logo is a map of Australia,flagstaff hill, warrnambool, great ocean road, sewing machine, hand operated, pre-1911, domestic sewing, homemade clothing, fashion, ward brothers, made in germany, baden, front and rear slide plates, crank handle, hand crank sewing machine -
Whitehorse Historical Society Inc.
Domestic object - Cup & Saucer
White china cup & saucer with dark blue border with small pink flowers.domestic items, crockery -
Flagstaff Hill Maritime Museum and Village
Domestic object - Spoon, circa 1878
This tea spoon is from the wreck of the LOCH ARD, a Loch Line ship of 1,693 tons which sailed from Gravesend, London, on 2 March 1878 with 17 passengers and a crew of 36 under Captain George Gibbs. “The intention was to discharge cargo in Melbourne, before returning to London via the Horn with wool and wheat”. Instead, on 1 June 1878, after 90 days at sea, she struck the sandstone cliffs of Mutton Bird Island on the south west coast of Victoria, and sank with the loss of 52 lives and all her cargo. The manifest of the LOCH ARD listed an array of manufactured goods and bulk metals being exported to the Colony of Victoria, with a declared value of £53,700. (202 bills of lading show an actual invoice value of £68, 456, with insurance underwriting to £30,000 of all cargo). Included in the manifest is the item of “Tin hardware & cutlery £7,530”. This teaspoon is one of 482 similar items of electro-plated cutlery from the LOCH ARD site, comprising spoons and forks of various sizes but all sharing the same general shape or design and metallic composition. 49 of these pieces display a legible makers’ mark — the initials “W” and “P” placed within a raised diamond outline, which is in turn contained within a sunken crown shape — identifying the manufacturer as William Page & Co of Birmingham. An electroplater’s makers’ marks, unlike sterling silver hallmarks, are not consistent identifiers of quality or date and place of manufacture. A similar line of five impressions was usually made to impress the consumer with an implication of industry standards, but what each one actually signified was not regulated and so they varied according to the whim of the individual foundry. In this case, the maker’s marks are often obscured by sedimentary accretion or removed by corrosion after a century of submersion in the ocean. However sufficient detail has survived to indicate that these samples of electro-plated cutlery probably originated from the same consignment in the LOCH ARD’s cargo. The following descriptions of maker’s marks are drawn from 255 tea spoons, 125 dessert spoons, and 99 table forks. These marks are clearly visible in 66 instances, while the same sequence of general outlines, or depression shapes, is discernible in another 166 examples. 1. A recessed Crown containing a raised Diamond outline and the initials “W” and “P” (the recognised trademark of William Page & Co) 2. An impressed Ellipse containing a raised, pivoted, Triangle in its lower part and bearing a Resurrection Cross on its upper section (a possible dissenting church symbol reflecting religious affiliation); OR a rounded Square impression containing a raised, ‘lazy’, letter “B” (possibly mimicking sterling silver hallmark signifying city of manufacture i.e. Birmingham) 3. An impressed rounded Square filled with a raised Maltese Cross (the base metal composite of nickel silver was also known as ‘German silver’ after its Berlin inventors in 1823) 4. A recessed Circle containing a Crab or Scarab Beetle image; OR a recessed Circle containing a rotated ‘fleur de lys’ or ‘fasces’ design 5. A depressed Diamond shape enclosing a large raised letter “R” and a small raised letter “D” (mimicking the U.K. Patent Office stamp which abbreviated the term ‘registered’ to “RD”, but also included date and class of patent) Suggested trade names for William Page & Co’s particular blend of brass plating are ‘roman silver’ or ‘silverite’. This copper alloy polishes to a lustrous gold when new, discolouring to a murky grey with greenish hue when neglected. HISTORY OF THE LOCH ARD The LOCH ARD belonged to the famous Loch Line which sailed many ships from England to Australia. Built in Glasgow by Barclay, Curdle and Co. in 1873, the LOCH ARD was a three-masted square rigged iron sailing ship. The ship measured 262ft 7" (79.87m) in length, 38ft (11.58m) in width, 23ft (7m) in depth and had a gross tonnage of 1693 tons. The LOCH ARD's main mast measured a massive 150ft (45.7m) in height. LOCH ARD made three trips to Australia and one trip to Calcutta before its final voyage. LOCH ARD left England on March 2, 1878, under the command of Captain Gibbs, a newly married, 29 year old. She was bound for Melbourne with a crew of 37, plus 17 passengers and a load of cargo. The general cargo reflected the affluence of Melbourne at the time. On board were straw hats, umbrella, perfumes, clay pipes, pianos, clocks, confectionary, linen and candles, as well as a heavier load of railway irons, cement, lead and copper. There were items included that intended for display in the Melbourne International Exhibition in 1880. The voyage to Port Phillip was long but uneventful. At 3am on June 1, 1878, Captain Gibbs was expecting to see land and the passengers were becoming excited as they prepared to view their new homeland in the early morning. But LOCH ARD was running into a fog which greatly reduced visibility. Captain Gibbs was becoming anxious as there was no sign of land or the Cape Otway lighthouse. At 4am the fog lifted. A man aloft announced that he could see breakers. The sheer cliffs of Victoria's west coast came into view, and Captain Gibbs realised that the ship was much closer to them than expected. He ordered as much sail to be set as time would permit and then attempted to steer the vessel out to sea. On coming head on into the wind, the ship lost momentum, the sails fell limp and LOCH ARD's bow swung back. Gibbs then ordered the anchors to be released in an attempt to hold its position. The anchors sank some 50 fathoms - but did not hold. By this time LOCH ARD was among the breakers and the tall cliffs of Mutton Bird Island rose behind the ship. Just half a mile from the coast, the ship's bow was suddenly pulled around by the anchor. The captain tried to tack out to sea, but the ship struck a reef at the base of Mutton Bird Island, near Port Campbell. Waves broke over the ship and the top deck was loosened from the hull. The masts and rigging came crashing down knocking passengers and crew overboard. When a lifeboat was finally launched, it crashed into the side of LOCH ARD and capsized. Tom Pearce, who had launched the boat, managed to cling to its overturned hull and shelter beneath it. He drifted out to sea and then on the flood tide came into what is now known as LOCH ARD Gorge. He swam to shore, bruised and dazed, and found a cave in which to shelter. Some of the crew stayed below deck to shelter from the falling rigging but drowned when the ship slipped off the reef into deeper water. Eva Carmichael had raced onto deck to find out what was happening only to be confronted by towering cliffs looming above the stricken ship. In all the chaos, Captain Gibbs grabbed Eva and said, "If you are saved Eva, let my dear wife know that I died like a sailor". That was the last Eva Carmichael saw of the captain. She was swept off the ship by a huge wave. Eva saw Tom Pearce on a small rocky beach and yelled to attract his attention. He dived in and swam to the exhausted woman and dragged her to shore. He took her to the cave and broke open case of brandy which had washed up on the beach. He opened a bottle to revive the unconscious woman. A few hours later Tom scaled a cliff in search of help. He followed hoof prints and came by chance upon two men from nearby Glenample Station three and a half miles away. In a state of exhaustion, he told the men of the tragedy. Tom returned to the gorge while the two men rode back to the station to get help. By the time they reached LOCH ARD Gorge, it was cold and dark. The two shipwreck survivors were taken to Glenample Station to recover. Eva stayed at the station for six weeks before returning to Ireland, this time by steamship. In Melbourne, Tom Pearce received a hero's welcome. He was presented with the first gold medal of the Royal Humane Society of Victoria and a £1000 cheque from the Victorian Government. Concerts were performed to honour the young man's bravery and to raise money for those who lost family in the LOCH ARD disaster. Of the 54 crew members and passengers on board, only two survived: the apprentice, Tom Pearce and the young woman passenger, Eva Carmichael, who lost all of her family in the tragedy. Ten days after the LOCH ARD tragedy, salvage rights to the wreck were sold at auction for £2,120. Cargo valued at £3,000 was salvaged and placed on the beach, but most washed back into the sea when another storm developed. The wreck of LOCH ARD still lies at the base of Mutton Bird Island. Much of the cargo has now been salvaged and some was washed up into what is now known as LOCH ARD Gorge. Cargo and artefacts have also been illegally salvaged over many years before protective legislation was introduced. One of the most unlikely pieces of cargo to have survived the shipwreck was a Minton porcelain peacock - one of only seven in the world. The peacock was destined for the Melbourne International Exhibition in 1880. It had been well packed, which gave it adequate protection during the violent storm. Today, the Minton peacock can be seen at the Flagstaff Hill Maritime Museum in Warrnambool. From Australia's most dramatic shipwreck it has now become Australia's most valuable shipwreck artefact and is one of very few 'objects' on the Victorian State Heritage Register. The LOCH ARD shipwreck is of State significance – Victorian Heritage Register S 417. Flagstaff Hill’s collection of artefacts from LOCH ARD is significant for being one of the largest collections of artefacts from this shipwreck in Victoria. It is significant for its association with the shipwreck, which is on the Victorian Heritage Register (VHR S417). The collection is significant because of the relationship between the objects, as together they have a high potential to interpret the story of the LOCH ARD. The LOCH ARD collection is archaeologically significant as the remains of a large international passenger and cargo ship. The LOCH ARD collection is historically significant for representing aspects of Victoria’s shipping history and its potential to interpret sub-theme 1.5 of Victoria’s Framework of Historical Themes (living with natural processes). The collection is also historically significant for its association with the LOCH ARD, which was one of the worst and best known shipwrecks in Victoria’s history. Unrestored tea spoon from the wreck of the LOCH ARD. The spoon design has a flattened fiddle-back handle, with a thin stem or shank, flared collar, and elongated bowl. The spoons metallic composition is a thin layer of brass alloy which has partially corroded back to a nickel-silver base metal. Only 15% of original electroplating remains with verdigris on 5% of spoon surface. Outlines of five makers marks are visible but details are obscured.flagstaff hill maritime museum, shipwreck coast, great ocean road, loch line, loch ard, mutton bird island, loch ard gorge, electroplated cutlery, loch ard shipwreck, nickel silver, william page & co, birmingham, brass plating, makers marks -
Diamond Valley Vietnam Veterans Sub-Branch
Accessory - Operating and maintenance accessories: L1A1 SLR Rifle
All seven items would have been used by Australian soldiers on a needs basis to keep their rifle in good working order.Although all seven items may have been used only infrequently in the field, they were crucial to keeping the rifle in good working condition when needed and so were instrumental in maximising the safebeing of the soldier whilst also permitting him to carry out his duties.All seven accessories required on a needs basis by soldiers to repair/maintain their L1A1 rifle. vietnam, vietnam war, weapons, equipment, diamond valley vietnam veterans sub branch -
Bendigo Military Museum
Accessory - MEDALLION & MEDAL, 1) 1919
.1) These medallions were issued to School children in 1919. .2) After a call was made to have something to show you had volunteered for Active service but were rejected on medical grounds..1) Medallion, round with ring at top, etched raised figures front and back. .2) Medal, round, with etched raised Australian Coat of Arms on the front..1) On front, “”Victory, The triumph of Liberty and Justice, The Peace 1918” On reverse, “Peace 1919 Australia” .2) On the front, “Volunteered for Active Service - Medically unfit”, On reverse, “65066”the peace 1918, volunteered, medically unfit -
Glenelg Shire Council Cultural Collection
Accessory - Shoulder Patch - Portland Junior Basketball Association, c. 1980
Oval cloth shoulder patch, white background, black print 'PORTLAND JUNIOR BASKETBALL ASSOCIATION' around edge, line drawing of basketball ring and basketball in centre, 'RUNNERS UP UNDER 12 COMPETITION 1980' beneath. Badge bound in yellow.portland basketball, recreation, junior sport -
Whitehorse Historical Society Inc.
Domestic object - Sewing Kit, c1930's
Brown leatherette case containing ladies' sewing kit. Lined with flesh coloured moire silk, gathered pocket containing a sheet of 200 pins, brass thread holder containing 2 reels of silk thread, one shade 677 the other 706. Other half of case has leather strap with 2 packets of Lighthouse brand needles, scissors, thimble, two needles, punch, button hook, one unknown tool, 1loose '30's button, 2 needle cards, one containing 12 safety pins of various colours.Lithgow Sheet, 200 solid headed English Pins. Abel Morrall's Dress and Lingerie Pins. Art Silk Hose Mending, Flora MacDonald Needles are a Pleasure to Use.domestic items, sewing -
Glenelg Shire Council Cultural Collection
Costume - Sash - Ancient Order of Foresters, n.d
Small black sash, tapered to point at lower edge, joined, black cord, tassle, coat of arms, Ancient Order of Foresters, printed/ embroidered, multi-coloured