Ref. NA4362Maroon and white quarter-inch check princess line dress. This Summer uniform has short sleeves with a V-Neck collar and zipper front (14'/35cm zipper). There are two pockets in side seams. The garment is handmade on domestic machine and hand finished.costume, children's uniform, handcrafts, dressmaking

As the market gardeners and new settlers became more prosperous they were able to purchase manufactured clothing. Hilton Hosiery Pty Ltd manufactured stockings and lingerie at its Fitzroy factory from 1936.Early settlers and market gardeners established their families in Moorabbin Shire and this item shows the development of the textile factories in Melbourne as population and wealth increased. Hilton Hosiery Pty Ltd commenced business in 1936 A lady’s, silk slip with embroidery on bodice and hem mid 20th CLabel ' HILTON / Size 14/ 'melbourne, clothing, brighton, moorabbin, dressmaking, market gardeners, early settlers, craftwork, fitzroy, textiles, factories, hilton hosiery pty ltd

Grey marle t-shirt depicting a rifle with a bush hat sitting on the stock.Vietnam War, good soldiers, gutless politicians.vietnam protest t-shirt

Baby's white cotton petticoat with deep cotton crochet border. Fastened with drawstring at neckcostume, infants'

This apron was made in 1915 by Irene Broughton, nee Long. She was born in Warrnambool in 1894 and married Arthur Broughton in 1913. She re married in 1924 Reuben Donnithorne and he died in 1931. Irene died in 1982 and is buried in the Warrnambool cemetery. The apron was left to Irene's niece, Helen Thomson who had the apron framed to preserve it. The apron would not have been in everyday use but a special garment worn when entertaining visitors for afternoon tea.This apron is a fine example of a home made house hold article from the early 20th century. The maker was born in Warrnambool.The apron is made of fine black cotton and edged with a broad lace flounce featuring a flower pattern. It is decorated with two sprays of delicately hand-painted motifs featuring Australian native flowers. The apron is in a wooden frame with a silver metal edging with scrolls on the front edge. The glass is clear and the mount is buff coloured card.vintage accessory, irene broughton warrnambool

Reproduction of Paddy Glasheen's colours for the 100th anniversary of Grand Voyage winning the 1920 Boort Cup.Paddy Glasheen's colours were worn by him when driving the Hall of Fame trotter Grand VoyageReproduction of original colours. Blue with red sleeves and green capPaddy Glasheen embroidered on the cuffs.

Cream coloured flannelette baby nightie with long sleeves. Gathered at waist. Long ties attached at waist with an insert band with pink and blue embroidered flowers. Back opening with cotton ribbon ties. Edges of sleeves and neckline have crocheted edges in silk thread.This collection of knitted and sewn garments were made in the early 1940s and were intended for a baby that was stillborn. .costume, children's, cotton flannelette baby nightie

This child’s cream silk dress is an example of the dressmaking skills of the women of the pioneer settlers families in Moorabbin Shire c1900Early settlers and market gardeners established their families in Moorabbin Shire and this item shows the skill and craftsmanship of the women of these families. The Blackburn family were early settlers in Moorabbin Shire A child’s cream silk frockclothing, brighton, moorabbin, pioneers, dressmaking, market gardeners, early settlers, blackburn nance, craftwork

Ladies waist length black satin boned bodice. Chelsea style collar forming V shaped neckline dipping to eight cm above the waist. Centre insert of horizontal pintucked fabric extends at centre front from throat to just above wrist. Fastened at centre front with thirteen metal hooks and eyes and crossover fastened on LHS with four hooks and eyes. Bodice is lined with black cotton fabric. Collar extends over shoulders to form imitation collar at back extending to centre back waistline. Centre V shaped insert of pintucked fabric hand stitched in place. Nine fabric encased bones inserted into waistband. Two bones on either side of front of bodice, and one bone on each side seam and three bones across the back of the bodice. Stand-up collar with horizontal pleating (5cm wide). Fastened over left shoulder with three metal hooks and eyes. Long sleeves widening at elbow and gathered onto 25 cm lower sleeve narrowing to wrist. Lower sleeve has three X three groups of horizontal pintucks. Slit at wrist - eight cm fastened with two metal hooks and eyes.costume, female, ladies black satin boned bodice

The Lady Barbara Grimwade Costume Collection is comprised of Lady Barbara Grimwade's personal apparel and includes 145 pieces of clothing, 10 hats, 19 handbags, 66 pairs of shoes and assorted accessories of gloves, belts and scarves. In its breadth, this significant acquisition ranges from the mundane to the memorable, therefore giving a balanced representation of one person's taste. Following Lady Barbara Grimwade’s death in March 1990, Ararat Gallery formally accepted the generous gift of clothing and accessories donated by Lady Grimwade's son, Mr Angus K Grimwade, on 28 August 1991. Subsequent smaller donations in 1995 enhanced the collection. Lady Grimwade's Scottish forebears, the Gaerloch Campbells, first settled in Australia in 1861 in the Ararat-Beaufort district. Her great great grandfather, Mr Henry Campbell, died on the voyage to Australia. His widow, Jane, with 10 of her 13 children, farmed and grazed land, firstly at Stockyard Hill then at Fiery Creek, near Buangor, before leaving the shire in 1873. Lady Grimwade held a privileged position in Melbourne society. As the wife of Sir Andrew Grimwade, a prominent businessman, Chairman of several boards and a Trustee of various committees, Lady Grimwade met with royalty, heads of state, politicians, corporate directors, and horse and cattle breeders. Excerpt from 'Hot Pink Summers' catalogue essay, Helen Jackson, 1995.

Clothing. Blue silk full silk petticoat.U shaped neckline at front and back. 1.5 cm fabric shoulders straps. Unshaped at bustline. Raw edge at hem finished with zig zag stitching.costume, female underwear, blue silk full petticoat

Worn by Donor in 1970sBrown Nylon Ribbed Tights as worn in the 1970scostume accessories, clothes accessories

White cotton pantaloons with opening down sides and lace insertion and frill with lace on edge at bottom of legs. Fastening with two buttons.costume, female underwear

Britteny (Britt) Cox was born in Wodonga, Victoria in 1994. She grew up skiing alpine and mogul events on the slopes of Falls Creek. In 2004 she competed in her first International Ski Federation (FIS) event at Mt. Buller. At Vancouver 2010, 15-year-old Britt made history as the youngest Australian to compete at a Winter Olympic Games. She went on to compete at Sochi 2014, PyeongChang 2018 and Beijing 2022, despite breaking six ribs and a collarbone in a crash in 2019. In 2012, she was awarded an Australia Sport Hall of Fame scholarship. Her major breakthrough came in 2016/17 season when she took seven victories and two third place finishes to win the moguls as well as the overall freestyle World Cup titles, thus becoming the first Australian woman to win the Crystal Globe in moguls. She finished off a highly successful campaign by winning the World Championship title in Sierra Nevada. After 12 years of competing on the highest level at the FIS Freestyle Skiing World Cup tour, Britteny announced her retirement from competitive skiing in July 2022.This blazer is significant because it was worn by Falls Creek Skier Britteny Cox at the Winter Olympics Sochi 2014.Opening Ceremony blazer for the Winter Olympics Sochi, 2014. It is a bottle green blazer lined with the names of the 198 Australian winter Olympians.britteny cox, australian winter olympians, mogul skier, sochi olympics 2014

Clothing. Four Collars a. Stand-up lace collar with a shallow scallop at the lower neck edge-6 cm -7 cm deep. Three ''stand-up'' flower motifs and other flat floral motifs form the lace. Five boned and wired casings keep the collar erect. At the centre lower edge fine, cotton fabric is gathered tightly and forms a 10 cm long, fan shaped drop or jabot which in turn has a shield shaped crochet drop 12.5 cm deep with corded and cut-work elements. The stand-up collar is lined with fine cotton net, and fastens at the back with three metal hooks, but no loops are evident. b. Very fine creamy silk (?) stand-up collar. 4.5 cm deep, with a 32 cm deep jabot front. The same lace as the collar, edges the Vshaped front jabot. In the centre of this jabot is a stylized maltese cross, which also features at the front of the collar. No fastenings are visible at the neckline. c.This item is of the same design as 14.b, but is slightly larger.Cream cotton or silk, the collar is 6 cms deep at the centre front, and features a Maltese Cross shape at the centre front of the collar, and the jabot front. Ten floral motifs are spaced around the collar, and the same lace outlines the edges of the jabot front. No fastenings are evident. d. Collar. 8.5 cm deep at the centre back, shaped to 6.5 cm deep at the centre front. Jabot 2 cm wide at top, 10.5 cm wide at lower edge, then shaped to a point at the very lower edge. Floral elements and eyelets form the design. Centre back has six eyelets at each edge-perhaps laced to fasten. Two 5.5 cm long x .3 cm wide bones are encased on the front of collar, to support it in the front.costume, female, lace collar and jabot front

Heidelberg Golf Club members' tie with logo.One of a collection of various HGC members' ties.Navy blue necktie with yellow and brown diagonal stripe and single HGC logo.Manufacturer's tag on back of tie: "Holly Green, Made in Australia", "Man-made fibre"heidelberg golf club, memorabilia, vic mcgavin, neckties, club ties

This gown, one of two similar items in the collection, belonged to one of the daughters of George Ward Cole, Miss Margaret Morison Ward Cole or Miss Agnes Bruce Ward Cole. George Ward Cole was an early member of the Victorian Parliament and the family featured prominently in Melbourne Society in their time. They established a substantial home known as “St Ninians” at 10 Miller Street in 1841. The family reportedly entertained Melbourne’s first Royal visitor the Duke Of Edinburgh, Queen Victoria’s second son, at St Ninians in 1867. In later years St Ninians was subsequently subdivided and later demolished.A black and mint green wool, velvet, lace and silk dress from circa 1882. The bodice features a wired, standing collar, finishing just under the chin and open at the front of the throat. On either side at the front of the throat it features long black lace ties with black jet bead fringe. The centre front of the dress from the neckline to the base of the skirt features an insert panel of mint green corded silk. The silk is gathered and the neckline and waist and overlaid a panel of gathered lacy net. Inserted into the seam at either side of this panel at the waist are two velvet ties. The dress secures closed with eight black buttons and one hook and eye down the right side of the mint panel to mid thigh. The edges of the collar and black front panels are finished with a looped ribbon trim. The remainder of the dress is made of a black wool fabric woven a checkered pattern of larger and looser threads and smaller and tighter threads creating a seersucker like pattern. The bodice features a natural shoulder line and an Amadis sleeve of full cut gathered to the bodice at the shoulder and finishing at the elbow with a large black lace flounce. The front panels of the dress are flat and shaped neatly to the body from neck to hip line and gently out to create the Victorian silhouette. On the back of each shoulder the dress features a leaf like, small jet beaded embellishment with multiple long loops of jet beads falling down the back to the waist. Underneath this embellishment is a pleated black ribbon that runs from the shoulder to the back of the pelvis. Over the pelvis are another two jet beaded embellishments of a floral design with two tassels. The skirt is full and pleated in under this embellishment and fulls to the floor with a small train. The base of the dress is finished with a ruched band of the main dress fabric.st ninians, george ward cole, visiting gown, brighton, miss margaret morison ward cole, miss agnes bruce ward cole, 1880s

Heidelberg Golf Club members' tie with logo.One of a collection of various HGC members' ties.Black necktie with 2 yellow and red diagonal stripes and HGC logo in between.Manufacturer's tag on back of tie: "Career Dressing and phone number"heidelberg golf club, memorabilia, neckties, club ties

Alonzo Box, of Oakleigh ,a nephew of William and Elizabeth Box who resided in 'Box Cottage' 1865 - 1914, married Mary Closter (Kloster), of Oakleigh, on June 12th 1918. Alozo's elder sister, Rebecca, sent a bolt of Chinese hand-embroidered silk from which this wedding dress was made. Rebecca Viloudakia, nee Box, was a missionary in China, and married to a Greek Silk Merchant. Alonzo Box, the 9th child of John and Martha Sheldrake Box , enlisted in the Army and landed at Gallipoli 25/4/1918. He was evacuated to Egypt and then sent to the battlefields of France and Flanders before returning home to Melbourne in February 1918. Rebecca Box, the eldest child of John and Martha Sheldrake Box, was in the first party of Methodist Missionaries to leave Australia for the China Inland Mission in 1890. During the Boxer Uprising 1900-1901 her Mission outpost was attacked but she escaped and was taken to Shanghai. She later married one of the rescue party Nicholas Viloudakia a Greek silk merchant .Australian Dress Register ID 573 12/5/2015 Following Henry Dendy's Special Survey 1841 pioneer settlers bought allotments of land in the area of Moorabbin Parish. Alonzo Box was the nephew of William and Elizabeth Box who bought the cottage on the 30acre allotment from an unknown pioneer settler in 1868 and resided there until Elizabeth's death in 1914. Alonzo Box served in the Army World War 1 1914- 1918 at Gallipoli, France and Flanders. Rebecca Box -Viloudakia was in the first party of Methodist Missionaries to leave Australia for the China Inland Mission in 1890 and was rescued during the Boxer Rebellion 1900-1901 and taken to Shanghai by her future husband.A cream two piece wedding dress made from a bolt of hand embroidered Chinese silk for the marriage of Mary Closter and Alonzo Box on June 12th, 1918. The bolt of Chinese silk was sent by Alonzo’s older sister, Mrs Rebecca Viloudakia, a missionary in China, who was married to a Greek silk merchant. The machine sewn dress was made by a dressmaker in Dandenong, Victoria. The jacket is blouson, with a front opening and is gathered at the waist by a band enclosing a drawstring. The collar is a sailor style that forms a slight / high V-shape front neckline. Four vertical roses are separated by three bands of lacework. The back of the jacket is plain silk. The right front of the jacket has a panel of embroidered roses, band of lacework and a facing fold that encloses 4 fastening presses. There are crocheted bobbles on the front representing buttons. The left jacket front also has the panel of embroidered roses, lacework and matching fold for the 4 fastening studs. The full length inset sleeves are gathered to a cuff that fastens with silk covered buttons. The sleeves have floral embroidery down the outside centre line. The left sleeve has an extra detachable cuff with embroidery on the flounce that matches the bottom panel of the skirt. It is held in position around the wrist by 4 white metal press studs. The skirt sits above the ankle. It consists of 5 panels slightly gathered at the back waistline with a left side placket 21cm with hooks and eyes and press studs. The waistband is lined with petersham and has 6 whalebone inserts. The front of the skirt has small pleats to fit the 3 decorated panels to the waistline. The front has 3 bands of lacework around the lower part. 3 panels form the centre front each embroidered with a different floral pattern. The back of the skirt is plain with 3 bands of lacework rising from the hem, which is sewn with spoke work stitch. The long waist sash/belt is plain silk with embroidered ends and 3 silk balls with crocheted caps suspended on 3 crocheted silk chains. It has a rose knot with 2 metal press stud fasteners. There are a variety of floral designs embroidered on the material including ‘corner motifs’ on the 2nd inner front panel of skirt. brighton, moorabbin, silk, box william, box elizabeth, box alonzo, box mary, kloster mary, closter mary, oakleigh, dandenong, chinese silk merchant, boxer rebellion 1900-1901, box rebecca, methodist china inland mission, viloudakia nichols, anzac landings, world war 1, gallipoli

Donated by Hans Van Zwol. Believed to have been worh by his son.Australian Army Green Coveralls. Vertical zip on left hip for accessing clothing worn underneath. Vertical zip and pocket on right hip. Slanted zip pockets on both sides of the chest. Zip opening from neck to crotch in the front of the coverall. Velcro closures on ends of both sleeves. Velcro belt across inside of the back of the coverall for adjstment of waist fit. Cotton loop hanger on inside neck top. Green item label on inside neck top. White item tag located below the item green label.On green label - A.G.C.F. Victoria 1987 Size 85-90L. NSN 8405.66.060.4201. SERVICE NO. NAME..... On white tag - This tag is for identification only please remove before wearing. Docket No. 10663/3. Order number 29741531. Size 85-90L Garment No. 20723. Remarks H34.coveralls mens austraian army colour green

Brassards were worn on the right arm by an Australian soldier on active duty with the United Nations. This brassard was worn by Sapper Tommy Wickham on peacekeeping duty in Namibia. The Australian Army contributed soldiers to the United Nations Transition Assistance Group (UNTAG) peacekeeping mission to Namibia between 1989 and 1990. Sapper Wickham gave the Brassard to Ken Howe in 1992-93, and Ken donated it to the Beechworth RSL around the year 2000. The Australian contribution to the UNTAG mission was the largest deployment of Australian troops since the Vietnam war. Sapper Wickham was one of 300 soldiers sent to Namibia. Polyester/Cotton brassard in a light green. Sewn on the main body of the brassard are two round patches, the first patch represents Australia and features a kangaroo in gold and the words 'Australia' in white, the second represents the United Nations featuring the United Nations symbol. The brassard is secured to the sleeve by a slit in the top through which the shoulder strap is threaded and elastic strip around the arm. Australian patch: AUSTRALIA/ UN patch: UNITED NATIONS / united nations, namibia, tommy wickham, australia, army, un patch, brassard, peacekeeping

Light Khaki short sleeved shirt with badge of rank (coat-of-arms - Warrant Officer, Class I) sewn on sleeves; two breast pocketsInside collar: "SIZE 18"

A 2 piece theatrical outfit, used by the Ormond Choral Society c 1950, which was formed by residents of the local area in order to provide artistic and musical entertainment and social activities for the community. Theatrical Societies were part of the community recreation for settlers in post World War 11 City of Moorabbin 2 piece Plum and peach coloured theatrical outfit consisting of a V shaped sleeveless top and loose, full length pants with elastic at waist worn by Ormond Choral Society for one of their productions ormond theatrical society, mckinnon, bentleigh, moorabbin, reed gladys, clark judy, clothing, actors, early settlers, post world war 11 estates,

The Fashion & Design collection of the Kew Historical Society includes examples of women’s, men’s, children’s and infants’ clothing from the 18th, 19th and 20th centuries. Items in the collection were largely produced for, or purchased by women in Melbourne, and includes examples of outerwear, protective wear, nightwear, underwear and costume accessories.Faux satin white polyester long sleeved blouse with attached scarf at neck.Label: Den Bruden bru, women's clothing, australian fashion -- 1970s, blouses

Gold lame fabric evening bag - triangular shape. Copper coloured metal frame with decorative filigree two piece ball clasp. Body of bag gathered onto yoke section below clasp. Base of bag with ruching. Lined with dark green taffeta fabric with woven floral pattern. Gold chain attached at either side of opening frame.costume accessories, female, gold lame evening bag

R032.1 and R032.2 Presbyterian Moderator's white cotton lace jabot sewn in a waterfall effect with a white cotton backing and elastic at the neck.presbyterian moderator, regalia