White Lawn Collar with three wide pieces. White flower embroidered on points.costume accessories, collar accessories

The furriers Keitel were established in Australia early in the Twentieth Century. The business was initially in Port Melbourne in Beach Street and later in Lt Collins Street, Melbourne. In 1916, 1918, 1924, and 1927 there were newspaper reports of robberies at the business; an indication of the monetary value of furs in the past. There was an interesting connection to Jewish refugees to Australia reported in Australian newspapers in 1939, which relates to the Keitel family. OFFICER'S WIDOW A REFUGEE MELBOURNE, Wednesday. - A widow, whose husband was killed in action while a German officer in the Great, War, reached Melbourne in the Marella, a refugee from Nazi Germany. She is Mrs L. Fuchs, and on the wharf she met her, brother, Mr K. Feitel, a Melbourne furrier, for the first time in 40 years. Another, brother, Mr I. Feitel, travelled with her from Vienna. Mr I Feitel is a watchmaker, and has been in the business in Australia for about 50 years. He has brought with him an agency to establish here, for the well-known Swiss watchmaking company, Chaux-de-fonds. ESCAPED INTO HOLLAND. Having escaped from Germany into Holland, 80 refugees brought to Australia in the Marella were taken by Dutch ships to Batavia, where they Joined the Marella. Seven landed in Brisbane, 40 in Sydney, and 33 in Melbourne. There was only a few British subjects in the ship. The Jewish refugees include a cattle breeder, a lawyer for a Viennese bank, dentists, clothing , manu facturers, machinery experts, and general merchants. (Source: Evening New (Rockhampton, 4 May1939, p. 4) In 1947, Mr Kallman Feitel died and the business was carried on by his family.A fashionable fur stole created by a major furriers in Melbourne.Large brown lined mink fur stole. Label: K. Feitel, Furrier, 290 Lt Collins Street, Melbourne.furs, costume accessories, women's clothing, fur stoles

Large cream coloured shawl or throw that includes a very wide fringe. The fabric used in its construction is possibly synthetic.shawls, throws, women's clothing

An item forming part of a collection of costumes, photographs and documents relating to the Weir family who lived in a mansion, originally named Illapa, at 84 Princess Street, Kew, from c.1917 to 1950. This historically significant collection includes items relating to both George Weir (1866-1937), his wife Edith Mary Weir (1867-1948) and their children. George Weir attained national prominence in the mining industry, becoming General Manager of the North Broken Hill Silver Mining Company in 1903 (later renamed North Broken Hill Mining Company 1905-12, and North Broken Hill Ltd 1912-1988), and subsequently President of the Mine Owners Association. He was to remain General Manager of North Broken Hill Ltd until his retirement in 1926.This garment is part of a collection of women’s clothing, owned and worn by Edith Mary Weir (nee Betteridge) - born in Clare, South Australia 1867, died Kew 1948 - and also by her daughter. The garments date from the 1880s to the 1930s. The collection includes day dresses, evening dresses, evening coats, capes, and undergarments. As the wife and daughter of a mine manager, the collection includes representative examples of clothing worn by upper middle class Australian women in domestic circumstances, and at social and civic events. A number of the costumes from the 1920s to the 1930s are of a particularly fine quality, being both rare, representative and intact examples of Australian fashion of the period. The garments in the Weir Collection were donated to the Kew Historical Society by a granddaughter of Edith Weir in 2017.Long navy blue crepe fitted dress featuring long narrow sleeves. The round-necked bodice includes buttons at the neck bordered by navy blue silk embroidery. The dress has a deep pocket in the same fabric at the right front beneath the waist.edith mary weir (nee betteridge), 84 princess street - kew, australian fashion, women's clothing, costumes, dresses

Jacket made by donor as part of ensamble.- Cream fake fur with collar with a press stud fastening hidden by a large, covered button. Jacket is satin lined throughout. See also NA5487 Green knitted dress and NA5485 Green knitted bag.Nilclothing, jacket

Clothing. Cream coloured silk fabric remnant with price tag still attached.Cardboard tag stitched to folded fabric. ''UAMA600'', 'REMNANT'' YARDS - 1YD WIDTH 36'' PRICE 3/9. 2. 1 YD C/6 MANAGER 1002 9002.ephemera, mementoes, fabric remnant

Pair of women's leather boots given to the donor by Miss Denbigh of 18 Gordon Avenue, Kew in the 1950s. The Denbigh sisters were the daughters of John Denbigh, a pioneer of Kew, and the first resident of 'Wimba' in Cotham Road. The mid nineteenth century silk patchwork quilt in the collection also comes from the Denbigh family via a different donor.Pair of comparatively rare Edwardian women's bootsPair of women's black leather boots. Leather insoles and soles. Mid-calf length with a 2-3 inch heel. Inside in biro "3286 / G. Smitt"footwear, fashion and design --1900s, fashion and design 1910s

Clothing. Girl's pink silk and lace dress with short kimono cut sleeves. Square neckline edged with coffee coloured lace. Sleeve hems edged with coffee coloured lace. 12 cm diameter circular lace inserts below neckline front and back and over each shoulder. Horizontal decorative lace pieces 4 cm X 26 cm on each hip with skirt gathered underneath the lace. Rosettes of pink and blue ribbon at each edge of the lace with three satin ribbons attached and falling to the hemline. Hem is edged with 4 cm coffee coloured lace. Unlined.costume, children's, girl's pink silk and lace dress

This tie was given in 2007 to members of the Melbourne to Warrnambool Society, a support group to assist the Warrnambool Citizens Road Race Committee to stage the Melbourne to Warrnambool Cycle Road Race in that year. This group was operating for some years early in the 21st century and there were some individual members but mostly the members represented businesses and other organizations in Warrnambool and district. The Melbourne to Warrnambool Road Cycling Classic commenced in 1895 and has run annually for most of the years since that date. The race is the second oldest one-day cycling race in the world and the longest one -day race in the Southern Hemisphere.This tie is of considerable interest as it is a memento of one of the most important events in Warrnambool's sporting calendar, a cycling race known throughout Australia and internationally. This is a man's tie made of polyester material. The tie is navy blue with a pattern in blue, white and yellow, a stylized version of an 'm' and a ''w', representing Melbourne and Warrnambool. It is encased in a clear plastic folder. It has small images of a map of Australia and the logo of the Melbourne to Warrnambool Cycle Road Race.Melbourne to Warrnambool Society Woven and Manufactured in Australiamelbourne to warrnambool cycling road race

Ken Pocock won the 1976 Bendigo Cup. with Chapel Elect A broken leg suffered by Golden Square footballer Ken Pocock, while training with VFL team Collingwood, saw the end of a promising football career, but the start of a highly successful career in harness racing. Ken first worked in Bendigo as a horse and cart delivery driver for Symons dairy and Jeffreys bakery. He learned his craft by working with harness horses for veteran trainers Alf Petherick (Glideaway) and Clarrie Long (Great Dalla). Early in his career Ken had Kaye Lois, and the 1965 Moomba Cup and prolific winner Fosmar. He trained and drove standouts including: Peparkee, Chief Invader (1972 Shepparton Gold Cup) Chapel Elect (Melbourne Pacing Cup, Bendigo Cup), Go Van (Ouyen and 3KZ Cups), Game Oro (two Shepparton and two Kilmore Cups). The champion pacer Royal Gaze won 49 races, 17 seconds, 11 thirds including the Shepparton, Ballarat, Ouyen and A G Hunter Cups. Royal Gaze raced in 3 successive Inter Dominion series, winning 5 heats, and finishing third in Perth in 1974. Ken was also a highly skilled stud-master. He was involved in the planning and building of the ambitious harness racing property B J Lodge at Goornong, and travelled to the USA in the early 1970s with B J Lodge owner Bernie Ahern where they selected and bought champion US pacers Kentucky and Hilarious Way and stood them at stud. Ken Pocock won the 1976 Bendigo Cup driving Chapel ElectBlue with yellow arm bandsbendigo harness racing club, bhrc, bendigo, bendigo cup, race colours, chapel elect, royal gaze, fosmar, trotting, pacing, k pocock, ke pocock, ken pocock

Cream linen, round neckline, finished with two cm wide scallops embroidered at the neckline edge in buttonhole stitch. A small embroidered eyelet at the centre of each scallop, allows a narrow pink silk ribbon to pass through as a drawstring. The centre front opening, 17cm long, fastens with on metal press-stud, and one pearl button, with handstitched button hole-one cm long. Garment has no shoulder seams, and does have extended, short sleeves, finished with embroidered scallops, as the neckline. Five petal shaped cutwork decorations are on each sleeve, and both sides of front placket.Garment is slightly flared at the hemline. French side seams - machined and machine stitched hem.costume, children's, cream linen child's nightgown

Coat was purchased & worn by Judith's Mother, Jean Gorsuch, in 1968 as her best coat. Jean Gorsuch loved fur and fur trimming - she loved this coat and always felt very smart in it. It is very heavy.Beige wool coat with cream fur collar (coat has a self zig-zag pattern in the wool). Straight style - long sleeves. It is a very heavy coat.Bonwear Clothing Melbourne.costume, female

This fur collar is part of the Lingard Collection donated by Rod and Bev Lingard. It was made by Herbert (Bert) Lingard for his wife Sybil for whom he made nearly all of her dresses and coats..|Herbert, William Lingard was a tailor whose business 'Lingard Modes' operated in the Manchester Unity Building, Swanston Street, Melbourne, C1949. Later he worked from his home in 476 St Kilda Road Melbourne.|NP2453 shows Bert at his sewing machine.|NP2454 shows Sybil and Bert with friends Erne and Mag Simek.Brown fur collar and revere, lapin. Lined with black interfacing and edged with black bias binding.costume accessories, collar accessories

Women's white cotton nightgown in simple design, long body and sleeves, with embroidered decoration. Ca. 1910flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, nightgown, nightdress, nightie, night dress, nightwear, sleepwear, clothing, fashion, 19th century, handmade clothing

Clothing. Camisole. Ivory coloured cotton with cotton lace inserts at front and back. Lace edges on arms. Front opening with three pearl buttons. Pink ribbon tie around hemline.costume, female, underwear

The Fashion & Design collection of the Kew Historical Society includes examples of women’s, men’s, children’s and infants’ clothing from the 18th, 19th and 20th centuries. Items in the collection were largely produced for, or purchased by women in Melbourne, and includes examples of outerwear, protective wear, nightwear, underwear and costume accessories. When this summer dress was donated by Elaine Chenoweth, a resident of Kew, it was identified as a dress purchased from the Misses Mooney Shop at 189 Collins Street (active 1932-1972) and dated to the 1930s. The consensus is that the dress was made from a 1930s fabric in the mid to later 1930s and shows the characteristic sleeves, waistline and flared skirt of the period.Pink floral voile day dress, reputedly purchased from the Misses Mooney's Shop in Collins Street, Melbourne. The dress has a tie at the waist in the same fabric ending in small wooden clogs. women's clothing, day dresses, misses mooney, 189 collins street -- melbourne (vic.), fashion -- 1930s

An item forming part of a collection of costumes, photographs and documents relating to the Weir family who lived in a mansion, originally named Illapa, at 84 Princess Street, Kew, from c.1917 to 1950. This historically significant collection includes items relating to both George Weir (1866-1937), his wife Edith Mary Weir (1867-1948) and their children. George Weir attained national prominence in the mining industry, becoming General Manager of the North Broken Hill Silver Mining Company in 1903 (later renamed North Broken Hill Mining Company 1905-12, and North Broken Hill Ltd 1912-1988), and subsequently President of the Mine Owners Association. He was to remain General Manager of North Broken Hill Ltd until his retirement in 1926.This garment is part of a collection of women’s clothing, owned and worn by Edith Mary Weir (nee Betteridge) - born in Clare, South Australia 1867, died Kew 1948 - and also by her daughter. The garments date from the 1880s to the 1930s. The collection includes day dresses, evening dresses, evening coats, capes, and undergarments. As the wife and daughter of a mine manager, the collection includes representative examples of clothing worn by upper middle class Australian women in domestic circumstances, and at social and civic events. A number of the costumes from the 1920s to the 1930s are of a particularly fine quality, being both rare, representative and intact examples of Australian fashion of the period. The garments in the Weir Collection were donated to the Kew Historical Society by a granddaughter of Edith Weir in 2017.Full-length decorative, spotted cream voile pinafore, designed to be worn over a full long dress. The pinafore has ruffled shoulder straps and a band of ruffle above the hem. This is one of two pinafores in the Weir Collection. This example, in contrast to the other pinafore, includes a small bodice.pinafores, women's clothing, edith mary weir, weir collection, aprons, protective wear

Wedding held 13 March 1948 at Church of England, Thornbury, Victoria. Charlotte Edith (Tottie) Tooke nee Ryder (Maurice Wyatt's aunt) to Alfred George Tooke b. 1898 d. 1998 EnglandFrench Knickers, 1948, Salmon pink colour. Appliqued bow design on each leg. Band of lace around bottom of each leg. Pearl-like button at button hole each side of waist band for closure. See Negligee set NA4922, Wedding Dress NA4923, Horseshoes NA2924 and Wedding Veil NA4925.costume, female underwear

Gladys Reed was a member of the Ormond Choral Society c 1950. and these clothing props were used in the plays and musicals when performed in the City of Moorabbin c1950 Drama, Musical and Choral Societies were founded by local residents in the City of Moorabbin c1950 to provide social, artistic and musical entertainment and development in their communities A theatrical prop for the Ormond Choral Society c1950 that simulates a 1920's flapper beaded evening wear cloche hat. White lace is over sewn with small pearl beads and 3 rows of shiny beading with large pearls and beading around edge of hat. Loops of small pearls hang from each side . Shown with beaded waistband MAV 00297 early settlers, moorabbin shire, mechanics institute cheltenham, ormond choral society, postworld war 11 settlers, housing estates moorabbin 1950, bentleigh, ormond, moorabbin, cheltenham, drama societies, musical society cheltenham, clark judy, reed gladys, reed george

Royal blue rayon knee length dress made of rayon fabric. Bodice is sleeveless with three shoe string straps on each side. Straps have a decorative knot at shoulder joining the three straps. The neckline is an inverted U shape across the front. The bodice is lined with the royal blue rayon fabric. The front of the bodice has two pleated panels running diagonally from the top with the right side overlapping diagonally. The skirt is an A line shape attached to the bodice with two pleats on either side of the front and back. The skirt is lined with brown paper stiffening fabric. A 9cm horizontal band with three pleats is attached above the waist line. On each pleat is a row of decorative buttons (6, 5, 6) made of strings of clear glass beads coiled into a spiral shape. The central back opening has a 36cm zipper.Tag sown inside back of bodice on RHS - Styled by Jeffrey of Melbourne All Rayoncostume, female daywear, dress

Full length ivory coloured wedding dress. Fitted bodice of lace lined with satin. Small cap sleeves of lace. Vneckline edged with tulle. Nine appliqué flowers with beads and pearl in centre edging the neckline. Piping around waistline with V at centre front. Full length satin skirt with small train at back. Two layers of tulle over skirt at waltz length with dips to floor at centre front and back. Top layer of tulle has lace insert from waist to 37 cms drop back and front.Top layer of tulle below lace has scattered lace flowers appliquéd. Zip (35cms) opening left hand side.costume, female, wedding dress

The Fashion & Design collection of Kew Historical Society includes examples of women’s, men’s, children’s and infants' clothing from the 18th, 19th and 20th centuries. While the collection includes some examples of international fashion, most items were handmade or purchased in Melbourne. Chemisette with a square neckline and three buttons down the front. It has an attached peplum. The sleeves and neckline are edged with lace. A row of ribbon insertion lace tape is attached to fabric of neckline. 30 mm in from the front of the neckline is a row of drawn thread work. Bodice is also decorated with 4 rows of triple pin tucking. The garment is short sleeved. The buttonholes are concealedlace, women's clothing, underwear, camisoles, chemisettes, undergarments

Grace James, the creator of the items in the Grace James collection, designed and created costumes over a 19 year period (1969-1988) for her daughter Ceri. The collection of clothing ranges from evening wear to knitted garments. All the items display exemplary dressmaking skills. The designs are of the period and reflect evolving fashions of the time. Some items are copies of published designs whereas others are original creations. The collection was donated in 2006.While most of the items in the Fashion & Design Collection of the Kew Historical Society are commercially designed items of clothing, there are also items made by home dressmakers. Many of these exhibit outstanding design knowledge and technical skills. A large and important group of these items of women's clothing is contained in the Grace James collection of outfits created for the dressmaker's daughter. The items have additional significance due to information about the purpose of the creation and the date when it was constructed.Black caftan decorated with aqua braid and matching capgrace james, women's clothing, dressmakers - surrey hills (vic), fashion -- 1970s, fashion design

1939 Black velvet full length evening dress V neck shirred. Gathered at breast line. Short sleeves shirred. Material border with velvet leaves ornamentation.costume, female

Clothing. Pink full length woman's nightie of fleecy lined rayon fabric. Curved insert at waistline (8cm) at front. Front opening from throat to waistband with placket. Fastened with four X 1cm white pearl coloured buttons.Front yoke covered with coffee coloured lace inserts. Front of bodice gathered into yoke and waistband. Rounded fold down collar covered with coffee coloured lace and trimmed with lace frill. Skirt gathered into waistband at front. Two ties (65cm X 2.5 cm) attached at each side of waistband. Long straight sleeves gathered into elasticized wrist with 10cm frill of lace covered fabric below the wrist, trimmed with lace edge.Tag inside neck, ''SNI'' ; SW'' ''RAYON FABRIC SW''.costume, female, woman's pink full length nightie

Part of a collection of books, manuals, photographs, letters and clothing relating to the working life of Stuart Ascough. Stuart's career in the wool industry spanned over 43 years from 1960 to 2003 in various roles including Topmaking Plant Manager at Courtaulds Ltd. in Spennymore, U.K., Operations Manager at Port Phillip Mills in Williamstown Victoria, Marketing Executive, Early Stage Wool Processing at the International Wool Secretariat Melbourne, Australia and General Manager of Victoria Wool Processors Pty. Ltd. in Laverton North, Victoria. Throughout his career Stuart travelled extensively, and in the 1990s worked at many topmaking mills in China on quality improvement projects. He also provided technical advice and training at mills in India, Ukraine, Lithuania, Kyrgyzstan, Russia, Latvia, Byelorussia and other parts of Europe and Asia.Dark green neck tie with ram and woolmark logo repeated.stuart ascough, international wool secretariat, victoria wool processors, port phillip mills pty ltd, topmaking, career, wool industry, training, technical advice, mills, clothing

White cotton baby jacket. Finely knitted and with drawstring at neck.costume, infants'