Showing 713 items matching domestic-and-leisure
Accessory (1344) Clothing (2267) Costume (164) Craft (182) Domestic object (2162) Footwear (170) Furniture (367) Headwear (496) Leisure object (598)-
Clunes Museum
Furniture - COMMODE
USED BY GREENFELL FAMILY SINCE LATE 1800'SSQUARE WOODEN COMMODE WITH CHINA CHAMBER POT, WITH HANDLE AND ORNATE LID, WOODEN ARMREST-WOODEN LID TO COMMODE.local history, furniture, domestic, medicine - nursing -
Parks Victoria - Days Mill and Farm
Furniture - Ferret cage
Critical significance as a unique example of home made "making do" and the innovative approach of Day family.CONVERTED FROM SETTEE POSSIBLY A MINERS COUCH - Sides enclosed with wire. Hinged lid with chicken wire. One end is a wooden box with hinged lid. A hole connects the box to the rest of this coup. The box has turned wood arm rests. -
Kew Historical Society Inc
Costume - Maroon & gilt dress, 1980s
The Fashion & Design collection of the Kew Historical Society includes examples of women’s, men’s, children’s and infants’ clothing from the 18th, 19th and 20th centuries. Items in the collection were largely produced for, or purchased by women in Melbourne, and includes examples of outerwear, protective wear, nightwear, underwear and costume accessories.This theatre costume was made Thea Sartori for her daughter to wear in a Ruyton Girls' School theatre production. It is one of a number of items donated to the Fashion Collection by Thea Sartori, which were made by, or for four generations of her family: her grandmother Frances Ethel Winifred Jones; her mother Dorothea Fush (nee Winstanley); by Thea Sartori (nee Morris), and her daughter. Burgundy coloured long theatre costume in the Medieval style. The high waisted dress has a square neck and gilding to the long sleeves. The dress was worn in a Ruyton school play. character “Anne of Cleeves”women's clothing, theatre costumes, ruyton girls school, thea sartori -
City of Moorabbin Historical Society (Operating the Box Cottage Museum)
Craft - Dress Pattern Bi-centennial 0001, c1988
A Bi-Centennial Dress Pattern 0001 made by Lindie Ward for Power House Museum . It is a copy of a dress belonging to Isobel Hovell, the wife of the explorer William Hovell. Isobel died 1837. The original dress was made from yellow, satin -striped, cotton voile, printed with sprigs of flowers in lilac and greenThis Dress Pattern was made for the Bi-Centennial Celebrations at Power House Museum, Sydney in 1988c1988 A large paper envelope with printed design of dress c1837. Dressmaking tissue pattern pieces for dress are enclosed and a measurement scale is on the backFront of packet : BICENTENNIAL DRESS PATTERN / POWERHOUSE / 0001dressmaking, craft equipment, dress patterns, craftwork, sewing, hovell isobel, hovell william, ward lindie, bi-centennial celebrations, melbourne, moorabbin, victoria, new south wales, market gardneres, power house museum -
Diamond Valley Vietnam Veterans Sub-Branch
Craft - Model, Tank, c2002
Model of centurion tank as was in Service in Vietnam.Centurion tanks were a valuable resource in some operations; they provided valuable support to infantry soldiers.Hand crafted wooden model of a centurion tank.vietnam, vietnam war, diamond valley vietnam veterans sub branch, raac -
Diamond Valley Vietnam Veterans Sub-Branch
Craft - White Cross, Wallis, 18/8/2016
One of 521 crosses placed in lawns of The Shrine, Melbourne, on 18th August 2016 as part of Victoria's 50th Anniversary of the Battle of Long Tan - each cross carries the name of an Australian soldier killed in the Vietnam war and a red poppy made by the wife of a Vietnam Veteran.A poignant reflection of a life lost whilst in Service in Vietnam.White Cross with name and service number printed; red poppy attached.David Anthony B Wallis, Service No. 3794885vietnam, vietnam war, diamond valley vietnam veterans sub branch -
Glenelg Shire Council Cultural Collection
Costume - Sash, n.d
Small purple sash, green stripe down both sides * JB, coat of arms, AOF printed / embroidered in green and gold -
Robin Boyd Foundation
Furniture - Daybed
It is thought that this daybed came from the Boyd's Camberwell house.Timber slatted bed (9 slats). 2 solid timber legs, the width of the bed. With mattresswalsh st furnishings, robin boyd -
Glenelg Shire Council Cultural Collection
Costume - Sash - Ancient Order of Foresters, n.d
Small black sash, tapered to point at lower edge, joined, black cord, tassle, coat of arms, Ancient Order of Foresters, printed/ embroidered, multi-coloured -
Ballan Shire Historical Society
Craft - Doily, Jones, Isabella, For King and Country, c. 1914
A memento created during WW1 A doily crochet in cotton, mounted on a black background, placed under glass in a cream coloured timber frame. The text "For King and Country" can be seen, also visible is a crown and a rudimentary Union Jack.jones isabella, barrett frances -
Whitehorse Historical Society Inc.
Costume - Hat, "Fascinator", 1960's
Worn by Estelle Bannister 1960's.8 black ribbon bows covered with black net. -
Robin Boyd Foundation
Furniture - Coffee table
Patricia Boyd bought this minimal table after Robin Boyd's death. It was moved around, at times it was in the downstairs living room by the fireplace and for a time it was upstairs.Low curved single piece of clear perspexwalsh st furnishings -
Glenelg Shire Council Cultural Collection
Costume - Sash - Ancient Order of Foresters, n.d
Small green sash, AOF Coat of arms, green fringe, ends hand-sewn together -
Port Melbourne Historical & Preservation Society
Costume - Robes, Norma Barnett, Honorary Mayor, City of Port Phillip, Friends and family of Sister Norma Barnett, 1999
Used by Sister Norma Barnett during her five days as honorary Mayor of Port Phillip in March 1999. The robe was made by her friends and was worn for a variety of mayoral duties (prize giving, etc). Accessorised with chain (which is not available). Donated following the 'Women of Port Melbourne' exhibtion in which it had been displayed after Norma's deathA floor length purple velvet robe, edged with fake ermine trim and black braiding, worn by honorary City of Port Phillip Mayor Norma Barnett in 1999.local government - city of port phillip, sister norma jean barnett -
Glenelg Shire Council Cultural Collection
Costume - Sash - Ancient Order of Foresters, n.d
Plain green sash, cloth, hemmed, remains of a piece of a lighter green ribbon attached to each long side of sash about a quarter of the way along -
Flagstaff Hill Maritime Museum and Village
Furniture - Plant Stand, Late 19th Century (1898)
During the years 1869-1935 there were well over 250 registered bamboo furniture producers in Britain. The earliest recorded firm was Hubert Bill of 14 Little Camden St, London N.W., who claimed to have been established in (1869) while Daniel Jacobs & Sons of Hackney Road, London, were still in business in 1915, after 45 years of production. Design, quality, price and methods of construction were fairly consistent throughout the whole period, but it was the imaginative and often eccentric choice of subject matter that marked differentiation between the various firms. While most produced standard tables, stands and fire-screens, the more adventurous offered for sale items such as corner shelve units, charcoal barbecue grills and musical tea tables. Shelves were often covered with embossed leather paper designs, at first imported from Japan and then later produced in England. Some firms incorporated the knobbly roots of the bamboo stems into their designs, generally to form feet. Occasionally handles to drawers and cupboards were made with these roots although they were more commonly carved as imitations. Handles were mostly of cheap metal or brass. The ends of the bamboo canes were capped with stamped metal or turned bone, ivory or wooden discs. Methods of construction fell into three categories. First and most common is that of pegging. Bamboo stems being hollow, thick dowels can easily be glued into the joints. Some firms farmed out this work of `plugging' the ends of the canes to part-time workers at home. The second method, that of pinning, was far less satisfactory as bamboo tends to split lengthwise and therefore the jointed pieces eventually disintegrated. The most efficient method was that patented in 1888 (patent No 2383) by the firm of W. F. Needham in Birmingham. It consisted of metal shoes and covers for all joints which were made by wrapping a metal strip around the stems and soldering the overlapping ends. Some joints were further strengthened by a small pin or screw. Needham was by far the largest and most successful manufacturer and their individual and superior method of construction undoubtedly gained them their reputation. A. Englander & Searle of 34 Gt Eastern St and 31 Mare St, Hackney, London, were a firm particularly concerned with methods of construction. Although they seem to have entered the bamboo furniture market at a comparatively late date, about 1898, they produced inexpensive' bamboo, aimed particularly at the export trade. Stating in their catalogue that bamboo furniture “can be exported in one piece or it can be exported in pieces and put together again. The fixing up is much facilitated by a system of marking and numbering. Further, no glue is required for putting together as the screw system only is applied”. This method of construction best fits the Etagere and this item in the flagstaff collection and it is believed to have been made by A Englander & Searle, exported in a knock down form to Australia, purchased in kit form from a dealer here and put together by the purchaser. The bamboo plant stand is a significant item as it highlight furniture fashion of the late Victorian era. This item was highly sort after in its time and although mass produced, not many examples remain because the item is so fragile so this example is a valuable addition to the Flagstaff collection. It is believed,the construction method used is by a notable and respected maker in England of bamboo furniture that was aimed specifically at the export market and probably came to Australia in kit form to be assembled by the purchaser.Bamboo plant stand with octagonal top edged with tortoise shell bamboo the top is of wood and supported by four tortoise shell bamboo legs joined at the base by a square cane covered shelf. The tortoise shell appearance is brown lacquer. Item is part of the Giles Collection. flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, shipwreck coast, furniture, plant stand, bamboo furniture, etagere, victorian furniture, simulated bamboo, tortise shell, a englander & searle, domestic furniture, giles collection, henry giles, cooramook, mailor’s flat, wangoom, 19th century household goods -
Flagstaff Hill Maritime Museum and Village
Craft - Cushion, Sarah Jane Jones (nee Emerson), 1898
This patchwork cushion was handmade in 1898 by Sarah Jane Jones (nee Emerson) and donated by her Great-Granddaughter. It is an example of needlework created in the late 19th century.The cushion is significant for is example of handmade craft and needlework used in the late 19th century for home decor.Round patchwork cushion with irregularly shaped patches of a variety of design and fabric. The pieces are roughly joined together with visible cross stitches. Handmade by Sarah Jane Jones (nee Emerson) in 1898.flagstaff hill, flagstaff hill maritime museum and village, warrnambool, maritime museum, maritime village, great ocean road, shipwreck coast, cushion, soft furnishing, 1898, victorian, handmade, patchwork, craft, handcraft, sewing, hobby, needlework -
Mont De Lancey
Furniture - Bed, Circa 1880
Belonged to Wandin Sebire, 1867-1960. Transferred from his house to Mont De Lancey in 1993.Iron framed single bed with wooden side frames and a steel mesh base. Metalwork painted cream.beds, furniture -
Diamond Valley Vietnam Veterans Sub-Branch
Craft - Shield, c2002
Beginning in 2002 DViets conducted an annual lawn bowls 'çompetition' between National Servicemen and Regular soldiers; competition was lightly competitive and generally, the results were spread evenly between the two sides. Historical record of a social activity for members with a friendly rivalry between "Regs' and Nashos'.Perpetual Trophy for Nashos vs Regs for an Annual Challenge; first awarded 2002. Normally lawn bowls but in 2003, it was ten pin bowling. Rectangular in shape; dark polished timber with centre piece surrounded by a border of mini plates for winner each year.Centre piece comprises a Heading of "Diamond Valley Vietnam Veterans Regs Vs Nashos Challenge Shield" and a large VVAA logo; mini-plates border this text with engraving of the winners each year thereon. A border of mini-plates surround the centre piece with the names of winners each year engraved thereon. First presented 2002, Retired 2018.diamond valley vietnam veterans sub branch, social activities -
Port Fairy Historical Society Museum and Archives
Furniture, c. 1882
Saloon chair on the S.S.Casino. Removed for refurbishment to celebrate fifty year anniversary of the ship and the Belfast and Koroit Steam Navigation Company. The ship sank on the 9th July 1932 at Apollo Bay. This chair which had not been reupholstered chair registration 555 was presented to Capt. Thomas Boyd the first Captain of the Casino. The legs were added at some time after the sinking.Wooden chair with decorative carved back. Seat velvet upholstered. Wooden legs added after 1932local history, maritime technology, ship furniture, s.s.casino, belfast and koroit steam navigation company, b.k.s.n. -
Mont De Lancey
Furniture - Dressing table, Mr Franz Streizel, Unknown
The dressing table is part of the Franz Streizel Collection. It was given to Mrs Dorothy Adamson on the occasion of her wedding. It is part of a special bequest to the Mont De Lancey Museum of hand carved furniture and items made by Mr Franz Striezel by his grandaughter Mrs Dorothy Adamson. Dorothy was a friend of Nella Lord (nee Sebire). Dorothy passed away in 2007. It was to be known as The Franz Striezel Collection. Franz Streizel came from Germany in 1886 and was one of the three recognised craftsmen (Art Carvers) in Australia who contributed to the wood carvings in public buildings and honour boards throughout Australia. The National Gallery at their request had two small panels and a tobacco jar (some of his work), donated by Mrs D Adamson. They considered these pieces highly valuable.An ornately carved rosewood dressing table with a moveable mirror which moves backwards and forwards for use. It has two ornately carved small shelves at the sides attached to the mirror, one small central drawer, shaped sides above the top of the lower dressing table top. There are two small and two large drawers below with ornate brass handles. There is an inlaid pattern on the front of the drawers. There are three framed photographs - 1. A portrait of Dorothy Adamson. 2. A portrait of Karl Adamson. 3. A wedding photograph of Dorothy with two bridesmaids. Ornaments and a doiley are displayed on the dressing table.dressing tables, tables, furniture, photographs -
Mission to Seafarers Victoria
Furniture - Desk, unknown
This desk was donated to the MTSV in 2017 by a descendant of Padre Oliver, Chaplain from 1930-1960.This desk belonged to Rodney Oliver and is believed to have been used by Padre Oliver and his wife while Chaplain, and the family resided at the MTS and thereafter in subsequent parish postings. The desk makes a link with one of the longest serving Chaplains who had a significant influence through the intense period of operations early - mid 20th C. The Padre's influence was substantial. The desk is also believed to have been used by son Rodney Oliver who also served the Mission as Chairman in the later 20th C.A four drawer leather topped desk with detachable unit comprising double sliding door lockable cabinet with small bookshelf backed with shallow pediment. Sorting / sectioned pigeonhole interiors to the top cabinets see images. The main table desk appears to be of a different wood with green leather inset to top surface and heavy legs. Drawers with heavily decorated brass handles. The top cabinet features finer cabinetry and darker colour wood or stain which could be cedar.with simple narrow reeded decoration. interior two pigeon holes with labelsfrank leslie oliver, padre oliver, chaplain, desk, mission to seafarers, melbourne, seamen's mission, flinders street, padre frank leslie oliver -
Flagstaff Hill Maritime Museum and Village
Furniture - Pew, Circa 1944
This pew is one of a set of fifteen church pews originally used in St. Nicholas Seamen’s Church, 139 Nelson Place, Williamstown, Victoria, during religious services there. The Church was operated by the Mission to Seamen organisation. The pews were donated to the St Nicholas Seamen’s Church by the Williamstown Lightkeepers’ Auxiliary, founded by Ethel Margaret Musther, M.B.E. * for more detailed history please see our Registration Number 611, Set of Pews The set of pews is significant historically for its origin in the St Nicholas Mission to Seamen's Church in Williamstown, established in 1857 to cater for the physical, social, and spiritual needs of seafarers. It originated in Bristol, England when a Seamen's Mission was formed in 1837. The set of pews id historically significant for their connection to the Ladies Lightkeepers’ Auxiliary, an organisation of women, formed to support seafarers. The connection of these pews to the Mission to Seamen and to the Ladies Lightkeepers’ Auxiliary highlights the strong community awareness of the life of people at sea, their dangers and hardships, and their need for physical, financial, spiritual and moral support. Church pew, one of a set of fifteen varnished wooden church pews. The pews have a shelf fitted at the behind the backrest. Ten pews also have hinged kneeling stands attached to them underneath the seats. This is one of a set of original items in our ‘St Nicholas Seamen's Church Williamstown Collection’. flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, religion, religious service, lightkeepers’ auxiliary, mrs musther, missions to seamen victoria, mission to seafarers, flying angel’s club, st nicholas seaman’s church williamstown, st nicholas mission to seamen church williamstown, mission to seamen williamstown, st nicholas seamen’s church flagstaff hill, 139 nelson place williamstown, church furniture, church seats, church pew, religious furniture, religious worship, anglican church, set of pews -
Flagstaff Hill Maritime Museum and Village
Furniture - Arm Chair, Later half of the 19th to early 20th century
A gentleman's chair, gent's chair or grandfather chair is a term usually applied in Australia to a deep upholstered Victorian easy chair, often button-backed and with upholstered arms. The chair generally stood on short cabriole legs and had a 'spoon' or a wide balloon back. The 'show wood', that is, the polished frame, was usually mahogany or walnut, although many examples in Australian red cedar have survived. There are Australian versions of the gentleman's chair, ladies chair and matching settees, usually made from cedar, and occasionally from blackwood. As cedar is a softer timber than walnut, mahogany and rosewood, from which the English versions were made, the carving is usually not as crisp as in the imported version. However the Australian blackwood gentleman's chair is often difficult to distinguish from a good quality English walnut example. The Edwardian form of the gentleman's chair is much squarer in outline, with short turned legs and the arms are often supported by spindles. There was sometimes a row of spindles, like a gallery, beneath the top rail. The chairs were frequently upholstered in leather.An item probably made in Australia during the latter half of the Victorian era and is significant as it was made in Australia at a time when furniture and many other household items were imported from either America or England.Cedar Gentleman's armchair, upholstered and buttoned in brown leather, scalloped and carved with Prince of Wales Feather on back, arms are scrolled and carved with Acanthus leaf design and finished on tulip turned legs with brass and porcelain castors. circa 1870 Australian made. flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, furniture, chair, armchair -
Swan Hill Regional Art Gallery
Craft, NICHOLLS, Marilyne, Fish Basket, 2018
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Whitehorse Historical Society Inc.
Furniture - High Chair
Wooden high chair on wheelsfurniture, domestic-nursery -
Whitehorse Historical Society Inc.
Craft - Cushion
Belonged to Barb Gardiner and is of Schwerkolt Cottage. Was given to Barb & donated by Bob Gardiner.Small square cushion with patchwork design of Schwerkolt Cottage.barb gardiner, schwerkolt cottage, craft, sewing -
Flagstaff Hill Maritime Museum and Village
Furniture - Pew, Circa 1944
This pew is one of a set of seventeen church pews originally used in St. Nicholas Seamen’s Church, 139 Nelson Place, Williamstown, Victoria, during religious services there. The Church was operated by the Mission to Seamen organisation. The pews were donated to the St Nicholas Seamen’s Church by the Williamstown Lightkeepers’ Auxiliary, founded by Ethel Margaret Musther, M.B.E. * for more detailed history please see our Registration Number 611, Set of Pews The set of pews is significant historically for its origin in the St Nicholas Mission to Seamen's Church in Williamstown, established in 1857 to cater for the physical, social, and spiritual needs of seafarers. It originated in Bristol, England when a Seamen's Mission was formed in 1837. The set of pews id historically significant for their connection to the Ladies Lightkeepers’ Auxiliary, an organisation of women, formed to support seafarers. The connection of these pews to the Mission to Seamen and to the Ladies Lightkeepers’ Auxiliary highlights the strong community awareness of the life of people at sea, their dangers and hardships, and their need for physical, financial, spiritual and moral support. Church pew, one of a set of seventeen varnished wooden church pews. The pew has a shelf fitted behind the backrest. This is one of a set of original items in our ‘St Nicholas Seamen's Church Williamstown Collection’. flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, religion, religious service, lightkeepers’ auxiliary, mrs musther, missions to seamen victoria, mission to seafarers, flying angel’s club, st nicholas seaman’s church williamstown, st nicholas mission to seamen church williamstown, mission to seamen williamstown, st nicholas seamen’s church flagstaff hill, 139 nelson place williamstown, church furniture, church seats, church pew, religious furniture, religious worship, anglican church, set of pews -
Robin Boyd Foundation
Furniture - Coffee Table, Robin Boyd
This table is a reproduction of the Robin Boyd designed table (item F036) from the 2017 Boyd Collection by furniture makers K5.Victorian oak timber, (untitled) cork top, 4 tapered legs.walsh st furnishings, robin boyd -
Glenelg Shire Council Cultural Collection
Costume - Sash, n.d
Plain green sash, cloth, hemmed, a narrow piece of lighter green ribbon attached to one of the long sides, abot a quarter of the way along. One join in the sash