Showing 3572 items
matching domestic-and-leisure
Accessory (1619)
Clothing (3048)
Costume (165)
Craft (187)
Domestic object (2545)
Footwear (174)
Furniture (390)
Headwear (502)
Leisure object (688)
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Heidelberg Golf Club
Leisure object - Golf club, Al Whykes, Al Whykes sand iron
Al Whykes was the Heidelberg Golf Club's professional from 1946 to 1967.One of a pair of Al Whykes golf clubs held at HGC.Metal shaft and head, leather grip.Inscription on head: "Stainless. P75. Al Whykes. Sand Iron. Professional Golfers Association."golf clubs, golf professionals, al whykes, irons (golf), sand irons (golf) -
Whitehorse Historical Society Inc.
Domestic object - Needles
Needles are part of a collection of sewing tools donated by Betty McPhee.Packet of crewel sewing needles - size 5/9The Flora Macdonald Needle Packet Crewel.handcrafts, equipment -
Bendigo Historical Society Inc.
Domestic Object - SMALL JUG
Small white china jug with gold rim and decorated with an exotic bird and flowers.1003/4 38 MZ Ahrohlaw CMHR Czechoslovakiadomestic equipment, food consumption, jugs -
Glenelg Shire Council Cultural Collection
Domestic object - Glass - Portland 150th Anniversary, 1984
Souvenir of Portlands 150thGlass - stemmed sherry. Gold rim. Gold lettering.Front: Portland's 150th Anniversary, 1984. Edward Henty who established a small community at Portland in November 1834 is officially credited with being Victoria's first permanent white settler. Today Portland has a keen sense of the past and a great pride in its future. -
The 5th/6th Battalion Royal Victoria Regiment Historical Collection
Domestic object - Silver plate
Silver plate with "To PMC and Members 5/6 RVR from WO1 P.t Kendesson Jan 90 - Dec 91 -
Warrnambool and District Historical Society Inc.
Domestic Object - Container, demijohn, Circa 1900
This demijohn came from the produce store of T. Redford and Co. Thomas Redford came to Warrnambool in 1864 and worked in the produce store at the corner of Fairy and Timor Streets. This had been established by Redford’s uncle, Frederick Stevens in 1857. Thomas Redford became the proprietor of this produce store in 1879 with the trading name of T. Redford & Co. Thomas Redford was a noted sportsman in Warrnambool (cricket and football) and was a Town Councillor from 1884 to 1890. His son, a Major in World War One, was killed at the battle of the Nek in 1915. Thomas Redford senior died in 1907 but the firm of T. Redford & Co continued on until the early 1920s. This demijohn is of significance as a memento of an important produce business in Warrnambool – the firm of T. Redford & Co was in existence for over 40 years. This is a stone demijohn with a cream-coloured base and body and a brown top and brown handle. The circular opening has a metal top. The maker’s name is etched into the top section. ‘T. Redford & Co Warrnambool’t. redford & co, warrnambool, demijohn, carboy, brewing -
Flagstaff Hill Maritime Museum and Village
Domestic object - Spoon, circa 1878
This tea spoon is from the wreck of the LOCH ARD, a Loch Line ship of 1,693 tons which sailed from Gravesend, London, on 2 March 1878 with 17 passengers and a crew of 36 under Captain George Gibbs. “The intention was to discharge cargo in Melbourne, before returning to London via the Horn with wool and wheat”. Instead, on 1 June 1878, after 90 days at sea, she struck the sandstone cliffs of Mutton Bird Island on the south west coast of Victoria, and sank with the loss of 52 lives and all her cargo. The manifest of the LOCH ARD listed an array of manufactured goods and bulk metals being exported to the Colony of Victoria, with a declared value of £53,700. (202 bills of lading show an actual invoice value of £68, 456, with insurance underwriting to £30,000 of all cargo). Included in the manifest is the item of “Tin hardware & cutlery £7,530”. This teaspoon is one of 482 similar items of electro-plated cutlery from the LOCH ARD site, comprising spoons and forks of various sizes but all sharing the same general shape or design and metallic composition. 49 of these pieces display a legible makers’ mark — the initials “W” and “P” placed within a raised diamond outline, which is in turn contained within a sunken crown shape — identifying the manufacturer as William Page & Co of Birmingham. An electroplater’s makers’ marks, unlike sterling silver hallmarks, are not consistent identifiers of quality or date and place of manufacture. A similar line of five impressions was usually made to impress the consumer with an implication of industry standards, but what each one actually signified was not regulated and so they varied according to the whim of the individual foundry. In this case, the maker’s marks are often obscured by sedimentary accretion or removed by corrosion after a century of submersion in the ocean. However sufficient detail has survived to indicate that these samples of electro-plated cutlery probably originated from the same consignment in the LOCH ARD’s cargo. The following descriptions of maker’s marks are drawn from 255 tea spoons, 125 dessert spoons, and 99 table forks. These marks are clearly visible in 66 instances, while the same sequence of general outlines, or depression shapes, is discernible in another 166 examples. 1. A recessed Crown containing a raised Diamond outline and the initials “W” and “P” (the recognised trademark of William Page & Co) 2. An impressed Ellipse containing a raised, pivoted, Triangle in its lower part and bearing a Resurrection Cross on its upper section (a possible dissenting church symbol reflecting religious affiliation); OR a rounded Square impression containing a raised, ‘lazy’, letter “B” (possibly mimicking sterling silver hallmark signifying city of manufacture i.e. Birmingham) 3. An impressed rounded Square filled with a raised Maltese Cross (the base metal composite of nickel silver was also known as ‘German silver’ after its Berlin inventors in 1823) 4. A recessed Circle containing a Crab or Scarab Beetle image; OR a recessed Circle containing a rotated ‘fleur de lys’ or ‘fasces’ design 5. A depressed Diamond shape enclosing a large raised letter “R” and a small raised letter “D” (mimicking the U.K. Patent Office stamp which abbreviated the term ‘registered’ to “RD”, but also included date and class of patent) Suggested trade names for William Page & Co’s particular blend of brass plating are ‘roman silver’ or ‘silverite’. This copper alloy polishes to a lustrous gold when new, discolouring to a murky grey with greenish hue when neglected. HISTORY OF THE LOCH ARD The LOCH ARD belonged to the famous Loch Line which sailed many ships from England to Australia. Built in Glasgow by Barclay, Curdle and Co. in 1873, the LOCH ARD was a three-masted square rigged iron sailing ship. The ship measured 262ft 7" (79.87m) in length, 38ft (11.58m) in width, 23ft (7m) in depth and had a gross tonnage of 1693 tons. The LOCH ARD's main mast measured a massive 150ft (45.7m) in height. LOCH ARD made three trips to Australia and one trip to Calcutta before its final voyage. LOCH ARD left England on March 2, 1878, under the command of Captain Gibbs, a newly married, 29 year old. She was bound for Melbourne with a crew of 37, plus 17 passengers and a load of cargo. The general cargo reflected the affluence of Melbourne at the time. On board were straw hats, umbrella, perfumes, clay pipes, pianos, clocks, confectionary, linen and candles, as well as a heavier load of railway irons, cement, lead and copper. There were items included that intended for display in the Melbourne International Exhibition in 1880. The voyage to Port Phillip was long but uneventful. At 3am on June 1, 1878, Captain Gibbs was expecting to see land and the passengers were becoming excited as they prepared to view their new homeland in the early morning. But LOCH ARD was running into a fog which greatly reduced visibility. Captain Gibbs was becoming anxious as there was no sign of land or the Cape Otway lighthouse. At 4am the fog lifted. A man aloft announced that he could see breakers. The sheer cliffs of Victoria's west coast came into view, and Captain Gibbs realised that the ship was much closer to them than expected. He ordered as much sail to be set as time would permit and then attempted to steer the vessel out to sea. On coming head on into the wind, the ship lost momentum, the sails fell limp and LOCH ARD's bow swung back. Gibbs then ordered the anchors to be released in an attempt to hold its position. The anchors sank some 50 fathoms - but did not hold. By this time LOCH ARD was among the breakers and the tall cliffs of Mutton Bird Island rose behind the ship. Just half a mile from the coast, the ship's bow was suddenly pulled around by the anchor. The captain tried to tack out to sea, but the ship struck a reef at the base of Mutton Bird Island, near Port Campbell. Waves broke over the ship and the top deck was loosened from the hull. The masts and rigging came crashing down knocking passengers and crew overboard. When a lifeboat was finally launched, it crashed into the side of LOCH ARD and capsized. Tom Pearce, who had launched the boat, managed to cling to its overturned hull and shelter beneath it. He drifted out to sea and then on the flood tide came into what is now known as LOCH ARD Gorge. He swam to shore, bruised and dazed, and found a cave in which to shelter. Some of the crew stayed below deck to shelter from the falling rigging but drowned when the ship slipped off the reef into deeper water. Eva Carmichael had raced onto deck to find out what was happening only to be confronted by towering cliffs looming above the stricken ship. In all the chaos, Captain Gibbs grabbed Eva and said, "If you are saved Eva, let my dear wife know that I died like a sailor". That was the last Eva Carmichael saw of the captain. She was swept off the ship by a huge wave. Eva saw Tom Pearce on a small rocky beach and yelled to attract his attention. He dived in and swam to the exhausted woman and dragged her to shore. He took her to the cave and broke open case of brandy which had washed up on the beach. He opened a bottle to revive the unconscious woman. A few hours later Tom scaled a cliff in search of help. He followed hoof prints and came by chance upon two men from nearby Glenample Station three and a half miles away. In a state of exhaustion, he told the men of the tragedy. Tom returned to the gorge while the two men rode back to the station to get help. By the time they reached LOCH ARD Gorge, it was cold and dark. The two shipwreck survivors were taken to Glenample Station to recover. Eva stayed at the station for six weeks before returning to Ireland, this time by steamship. In Melbourne, Tom Pearce received a hero's welcome. He was presented with the first gold medal of the Royal Humane Society of Victoria and a £1000 cheque from the Victorian Government. Concerts were performed to honour the young man's bravery and to raise money for those who lost family in the LOCH ARD disaster. Of the 54 crew members and passengers on board, only two survived: the apprentice, Tom Pearce and the young woman passenger, Eva Carmichael, who lost all of her family in the tragedy. Ten days after the LOCH ARD tragedy, salvage rights to the wreck were sold at auction for £2,120. Cargo valued at £3,000 was salvaged and placed on the beach, but most washed back into the sea when another storm developed. The wreck of LOCH ARD still lies at the base of Mutton Bird Island. Much of the cargo has now been salvaged and some was washed up into what is now known as LOCH ARD Gorge. Cargo and artefacts have also been illegally salvaged over many years before protective legislation was introduced. One of the most unlikely pieces of cargo to have survived the shipwreck was a Minton porcelain peacock - one of only seven in the world. The peacock was destined for the Melbourne International Exhibition in 1880. It had been well packed, which gave it adequate protection during the violent storm. Today, the Minton peacock can be seen at the Flagstaff Hill Maritime Museum in Warrnambool. From Australia's most dramatic shipwreck it has now become Australia's most valuable shipwreck artefact and is one of very few 'objects' on the Victorian State Heritage Register. The LOCH ARD shipwreck is of State significance – Victorian Heritage Register S 417. Flagstaff Hill’s collection of artefacts from LOCH ARD is significant for being one of the largest collections of artefacts from this shipwreck in Victoria. It is significant for its association with the shipwreck, which is on the Victorian Heritage Register (VHR S417). The collection is significant because of the relationship between the objects, as together they have a high potential to interpret the story of the LOCH ARD. The LOCH ARD collection is archaeologically significant as the remains of a large international passenger and cargo ship. The LOCH ARD collection is historically significant for representing aspects of Victoria’s shipping history and its potential to interpret sub-theme 1.5 of Victoria’s Framework of Historical Themes (living with natural processes). The collection is also historically significant for its association with the LOCH ARD, which was one of the worst and best known shipwrecks in Victoria’s history Unrestored tea spoon from the wreck of the LOCH ARD. The spoon design has a flattened fiddle-back handle, with a thin stem or shank, flared collar, and elongated bowl. The spoons metallic composition is a thin layer of brass alloy which has partially corroded back to a nickel-silver base metal. Approximately 40% of original electroplating remains, with traces of verdigris. Makers marks on lower rear of handle are obscured.flagstaff hill maritime museum, shipwreck coast, great ocean road, loch line, loch ard, mutton bird island, loch ard gorge, electroplated cutlery, loch ard shipwreck, nickel silver, william page & co, birmingham, brass plating, makers marks -
Whitehorse Historical Society Inc.
Domestic object - Junket Tablets
Tube containing junket tabletsdomestic items, food & drink consumption -
Kew Historical Society Inc
Leisure object, Child's Puzzle : Denmark Street Baby Health Centre, c.1950s
In August, 1920, The Kew Town Council decided to establish a Baby Health Centre in Kew. The first Centre was opened in a room in the Town Hall in Walpole Street on 5 November 1920. In May 1939, the Railway Commissioners agreed to lease a site at the Kew Railway Station for a Baby Health Centre for a term of 21 years at 3 pounds per annum. A building, designed by Roland Chipperfield, was erected, and the Centre previously conducted at the Town Hall transferred there. This became known as the Denmark Street Baby Health Centre. (Cr. W.D. Vaughan, Kew’s Civic Century, W.D. Vaughan Pty Ltd., Kew, 1960, pp.96 & 97.)One of a pair of wooden puzzles used in the Denmark Street Baby Health Centre in Kew.denmark street baby health centre - kew (vic), baby health centres - kew (vic), games and puzzles -
The 5th/6th Battalion Royal Victoria Regiment Historical Collection
Domestic object - Silver plate
Silver plate with SO1 Wilson CSC in the centre of the silver plate -
Clunes Museum
Domestic object - FRYING PAN
Metal frying pan with metal handle and hookcooking aid, pan -
Flagstaff Hill Maritime Museum and Village
Domestic object - Spoon, c. 1878
This tea spoon is from the wreck of the LOCH ARD, a Loch Line ship of 1,693 tons which sailed from Gravesend, London, on 2 March 1878 with 17 passengers and a crew of 36 under Captain George Gibbs. “The intention was to discharge cargo in Melbourne, before returning to London via the Horn with wool and wheat”. Instead, on 1 June 1878, after 90 days at sea, she struck the sandstone cliffs of Mutton Bird Island on the south west coast of Victoria, and sank with the loss of 52 lives and all her cargo. The manifest of the LOCH ARD listed an array of manufactured goods and bulk metals being exported to the Colony of Victoria, with a declared value of £53,700. (202 bills of lading show an actual invoice value of £68, 456, with insurance underwriting to £30,000 of all cargo). Included in the manifest is the item of “Tin hardware & cutlery £7,530”. This teaspoon is one of 482 similar items of electro-plated cutlery from the LOCH ARD site, comprising spoons and forks of various sizes but all sharing the same general shape or design and metallic composition. 49 of these pieces display a legible makers’ mark — the initials “W” and “P” placed within a raised diamond outline, which is in turn contained within a sunken crown shape — identifying the manufacturer as William Page & Co of Birmingham. An electroplater’s makers’ marks, unlike sterling silver hallmarks, are not consistent identifiers of quality or date and place of manufacture. A similar line of five impressions was usually made to impress the consumer with an implication of industry standards, but what each one actually signified was not regulated and so they varied according to the whim of the individual foundry. In this case, the maker’s marks are often obscured by sedimentary accretion or removed by corrosion after a century of submersion in the ocean. However sufficient detail has survived to indicate that these samples of electro-plated cutlery probably originated from the same consignment in the LOCH ARD’s cargo. The following descriptions of maker’s marks are drawn from 255 tea spoons, 125 dessert spoons, and 99 table forks. These marks are clearly visible in 66 instances, while the same sequence of general outlines, or depression shapes, is discernible in another 166 examples. 1. A recessed Crown containing a raised Diamond outline and the initials “W” and “P” (the recognised trademark of William Page & Co) 2. An impressed Ellipse containing a raised, pivoted, Triangle in its lower part and bearing a Resurrection Cross on its upper section (a possible dissenting church symbol reflecting religious affiliation); OR a rounded Square impression containing a raised, ‘lazy’, letter “B” (possibly mimicking sterling silver hallmark signifying city of manufacture i.e. Birmingham) 3. An impressed rounded Square filled with a raised Maltese Cross (the base metal composite of nickel silver was also known as ‘German silver’ after its Berlin inventors in 1823) 4. A recessed Circle containing a Crab or Scarab Beetle image; OR a recessed Circle containing a rotated ‘fleur de lys’ or ‘fasces’ design 5. A depressed Diamond shape enclosing a large raised letter “R” and a small raised letter “D” (mimicking the U.K. Patent Office stamp which abbreviated the term ‘registered’ to “RD”, but also included date and class of patent) Suggested trade names for William Page & Co’s particular blend of brass plating are ‘roman silver’ or ‘silverite’. This copper alloy polishes to a lustrous gold when new, discolouring to a murky grey with greenish hue when neglected. The LOCH ARD shipwreck is of State significance – Victorian Heritage Register S 417.Unrestored tea spoon from the wreck of the LOCH ARD. The spoon design has a flattened fiddle-back handle, with a thin stem or shank, flared collar, and elongated bowl. The spoons metallic composition is a thin layer of brass alloy which has partially corroded back to a nickel-silver base metal. Approximately 35% of original electroplating survives, with some verdigris, and 25% sediment encrusted on bowl of spoon.electroplated cutlery, loch ard, shipwreck artefact, nickel silver, william page & co., birmingham, tea spoons, makers marks, flagstaff-hill-maritime-museum, shipwreck-coast, electroplated cutlery, loch ard, shipwreck artefact, nickel silver, william page & co., birmingham, tea spoons, makers marks -
Bendigo Historical Society Inc.
Leisure object - PHYLLIS TOY COLLECTION: CERAMIC PLATE GONG AND BEATER
Ceramic plate gong and beater, made by Judy Lorraine possibly in her pottery studio in Wedderburn. Plate (a) is concave, mustard colour background with burnt orange and black decorative elements. Back of plate is solid mustard colour. Beater (b) a bamboo stick with fabric covered end. See notes on creator, Judy Lorraine, 3499 .1 - .5. -
Whitehorse Historical Society Inc.
Domestic object - Milk Jug Cover
Fine cotton, hand crochet milk jug cover.handcrafts, crocheting or crochet work, domestic items, food storage & preservation -
Moorabbin Air Museum
Domestic object (Item) - Ansett-Ana Cutlery Set
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Bendigo Historical Society Inc.
Domestic Object - SMALL CHINA JUG
Small white china jug decorated with floral design in shades of blue, green, black, orange and gold around rim and base & on handle.Made in Japandomestic equipment, food consumption, jugs -
Clunes Museum
Domestic object - earthenware dish
one earthenware rectangular dish with two partitions inside the dish, giving 3 compartments, interior is white on the outside is a pale blue transfer pattern. no markingsearthen ware dish, dish with 3 compartments -
Flagstaff Hill Maritime Museum and Village
Domestic object - Milk Churn, Malleys Ltd, 1870-1932
Malleys Ltd was established in about 1890 by Francis Malley (1863-1932). This firm was located in the Sydney suburb of Alexandria, in McEvoy Street. They manufactured items for use in the dairy industry, as well as for hardware related to building and plumbing. Many of the Malley dairy products were sold under the "Sunrise" name. Malley retired in 1912. In 1931 there were branches at Parramatta, Hurstville & North Sydney. An early item made by an Australian manufacturer of dairy equipment in Australia specifically for the local market. The item gives an insight into early Australian manufacturing processes and is a significant part of Australian early social history.Milk Churn or Milk Can, Medium sized galvanised container to hold milk Malleysflagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill-maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, milk container, malleys ltd, dairy equipment -
Mont De Lancey
Leisure object - Doll, Unknown
A small sleeping doll, with blue eyes and moveable eyelids, arms that move and rigid legs. It is wearing a yellow dress and hat with lace borders. Has a blonde wig.dolls, leisure object, toys -
Federation University Historical Collection
Costume - Bike Jersey, Ballarat School of Mines Cycling Jersey
Blue and gold Ballarat School of Mines Cycling Jerseytime capsule, cycling jersey, ballarat school of mines -
Clunes Museum
Domestic object - STONE JAR
CREAM COLOURED STONE JUG WITH HANDLENilpottery jug, stoneware -
Glenelg Shire Council Cultural Collection
Leisure object - Teapot and Lid - child's tea set, 1950s
a) White china teapot, with decal of two girls sitting at a table b) Lid for teapotBack: 'MADE IN JAPAN'tea set, childhood, toy -
Clunes Museum
Domestic object - CHINA, Royal Doulton
.1 Teapot, brown colouring, tree on one side, Arundel Castle on the other .2 Lid for teapot .3 Vase, cream, wattle on all sides, gold rim .4 Toby jug, brown .5 Vase, cream, countryside scene, tan coloured rim .6 Vase, tall, 2 x handles, church, countryside sceneRoyal Doulton royal doulton, teapot, vase, toby jug -
City of Moorabbin Historical Society (Operating the Box Cottage Museum)
Domestic object - Haberdashery. supper cloth, early 20thC
This hand-embroidered supper cloth is an example of the dressmaking and craftwork skills of the women of the pioneer settlers families in Moorabbin Shire c1900Early settlers and market gardeners established their families in Moorabbin Shire and this item shows the skill and craftsmanship of the women of these families. Danish heritage is an example of the many nationalities that lived and worked in Moorabbin Shire. A linen supper cloth with hand-embroidered Chinese lanterns and a crocheted edgebrighton, moorabbin, linen, pioneers, haberdashery, market gardeners, dressmakers, craft work, early settlers, pedersen-green carole, green carole, denmark, scandinavian -
Bendigo Historical Society Inc.
Domestic Object - DEMI JOHN
Demi John previous catalogue number 83. The upper section is tan in colour and has the words ''PIERCE & PERRY WINE & SPIRIT MERCHANTS, BENDIGO'' stamped into the surface. A Bendigo Pottery manufacturer's stamp also appears on the side near the neck. It contains the words ''Bendigo Pottery Co. Epsom.'' The manufacturers' stamp also contains indistinguishable writing that may be the Potter's name? The base daimeter is approximately 15 cm and the height is approximately 25 cm.''PIERCE & PERRY, WINE & SPIRIT MERCHANTS, BENDIGO'' ''Bendigo Pottery Co. Epsom.''food technology, bottling, demi john -
Melbourne Tram Museum
Leisure object - Cardboard Model Tram, Transit Graphics, 2003
Cardboard, punched out, folding model tram - Melbourne A2 class tram in Yarra Trams. Has separate parts for two route number boxes and pantograph, and destination boxes. Has the Yarra trams info and details on the tram on the base of the model. Does not have a tram number. Produced by Transit Graphics in 2003.trams, tramways, models, a2 class, yarra trams -
Whitehorse Historical Society Inc.
Domestic object - Sewing Kit
Round red leather sewing kit with two red press studs. Lined in red silk and contains cottons, needles, pin, etc. Travel kit.handcrafts, equipment -
Whitehorse Historical Society Inc.
Leisure object - Dice Container
Wooden cylinder in which dice were placed and then thrown to score.toys, general -
Bendigo Historical Society Inc.
Leisure object - STEREOSCOPE CARD
Card for stereoscope viewer showing domestic scene of 2 men and 1 woman in period costume.S.S.Hough & Co Importers of Fancy Novelties 75 Bourke St East Melbourne Theatre Royalphotography, viewers, stereoscope -
Whitehorse Historical Society Inc.
Domestic object - Bottle Cover, approx 1990's
Donated by Betty Jones. Bottle cover was used as a decorative item on a formal dinner setting.White cotton crochet cover with ties and tassels at neck edge. Elongated shape with SAUCE worked into centre panel.handcrafts, crocheting or crochet work