Showing 2604 items matching domestic-and-leisure
Accessory (1328) Clothing (2242) Costume (164) Craft (181) Domestic object (2121) Footwear (167) Furniture (362) Headwear (496) Leisure object (586)-
Kilmore Historical Society
Clothing - Pain Childs Black Button up Shoes, Pair Childs Shoes, unknown
Black leather shoes with colour wear marks. Leather bows on arch. Strap with islet punch for black buttonMakers mark worn on sole "ALL LEATHER IHM" in stamped circle 11 stamped on sole -
Kilmore Historical Society
Clothing - Christening ensemble shawl
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Flagstaff Hill Maritime Museum and Village
Furniture - Chair, ca. 1944
This chair, one of a set of three, was part of the original furnishings of the St Nicholas' Mission to Seamen's Church at 139 Nelson Place, Williamstown, Victoria. The Church was operated by the Mission to Seamen organisation. THE MISSIONS TO SEAMEN (Brief History: for more, see our Reg. No. 611, Set of Pews) The Missions to Seamen was an Anglican charity that served seafarers of the world since 1856 in Great Britain. It symbol is a Flying Angel, inspired by a Bible verse. Today there are centres in over 200 ports worldwide where seamen of all backgrounds are offered a warm welcome and provided with a wide range of facilities. In Victoria, the organisation began in Williamstown in 1857 as a Sailors’ Church, also known as ‘Bethel’ or the ‘Floating Church’ in an old hulk floating in Hobson’s Bay, Port of Melbourne. It soon became part of the Missions to Seamen, Victoria. In the year 2000 the organisation, now named Mission to Seafarers, still operated locally in Melbourne, Portland, Geelong and Hastings. The Ladies’ Harbour Lights Guild was formed in 1906 to support the Missions to Seamen in Melbourne and other centres such as Williamstown. Two of the most significant ladies of the Guild were founder Ethel Augusta Godfrey and foundation member Alice Sibthorpe Tracy (who established a branch of the Guild in Warrnambool in 1920). The Guild continued its work until the 1960s. In 1943 a former Williamstown bank was purchased for the Missions to Seaman Club. The chapel was named St Nicholas’ Seamen’s Church and was supported by the Ladies’ Harbour Lights Guild, the Williamstown Lightkeepers’ Auxiliary and the League of Soldiers’ and Sailors’ Friends. It ceased operation in 1966. A Missions to Seamen Chapel and Recreation Room was a significant feature of ports during the late 1800s and into the 1900s. It seemed appropriate for Flagstaff Hill to include such a representation within the new Maritime Village, so the Melbourne Board of Management of Missions to Seamen Victoria gave its permission on 21st May 1979 for the entire furnishings of the Williamstown chapel to be transferred to Flagstaff Hill. The St Nicholas Seamen’s Church was officially opened on October 11, 1981, and closely resembles the Williamstown chapel. This chair is significant historically for its origin in the St Nicholas Mission to Seamen's Church in Williamstown, established in 1857 to cater for the physical, social, and spiritual needs of seafarers. It originated in Bristol, England when a Seamen's Mission was formed in 1837. Chair, dark brown wood, curved backrest. One of a set of three. he two front legs are decoratively shaped (turned) while the back legs are plain and flat-sided. Almost square flat seat.flagstaff hill maritime museum and village, flagstaff hill, warrnambool, maritime museum, maritime village, shipwreck coast, great ocean road, religion, religious service, st nicholas seamen’s church, williamstown, missions to seamen victoria, chair, religious furniture, dining chair -
Whitehorse Historical Society Inc.
Clothing - Black Velvet Coat, 1938
Coat originally worn in 1938 by Edith Finger of Wantirna and later by Dianne daughter of Frances Warren, the donor.1938 Long black ladies velvet coat lined with black cotton. Self covered buttons from neck edge to waist line.costume, female -
Kew Historical Society Inc
Clothing, Crinoline Frame, 1960s
Reproduction crinoline framefashion and textiles collection - kew historical society, crinolines, crinoline frames -
Whitehorse Historical Society Inc.
Clothing - Baby's bib, C 1965
Giselda Bannister bib c1965White cotton bib with nylon overlay. -
Kew Historical Society Inc
Clothing - Black Silk & Lace Bodice, 1880s
Netta Fuller and her husband Alec were long-term residents of Kew. As a boy, Alec had attended East Kew Primary School and was later highly involved in the Kew Presbyterian Church during the 1950s and 60s. Netta's passion was for historic clothing and its exhibition. In 1985, Netta Fuller and Elizabeth Pace launched a parade of garments sponsored by Kew Historical Society at Holy Trinity Church, Kew. The parade was called 'Downunder Dressmakers' and included a collection of over fifty items of clothing dating from 1800 to 1984. The collection included dresses, hats, scarfs, capes, sporting costumes etc. The core of the parade consisted of a collection of 19th century costumes worn by the ancestors of a Miss Gertrude Murray, a resident of Blackburn. In sourcing items for her collections, Netta Fuller collected costumes stored in old trunks and wardrobes, or even purchased from opportunity shops. (During the period in which she collected and exhibited costumes, the latter could often be a reliable source for the purchase of historic and aesthetically significant costumes.) Not satisfied with purchasing authentic costumes of the period, Netta also used these as models for artistic recreations. Following her retirement from both collecting and exhibiting, Netta Fuller donated a number of 19th Century garments to the Kew Historical Society's costume collection. A number of garments were parts of costumes such as bodices, while others were complete outfits. Some of the latter exhibit signs of old damage, however very few of the costumes had been modified to enable them to be worn in exhibitions. Provenance, apart from that the costumes were donated by Netta Fuller after 1985 is limited to donor information, although some of her donations may have originally been part of the collection owned by the Murray family. While the costumes are old and therefore historic, provenance is less important than the representativeness and/or rarity of the costumes. Similarly, the costumes need to be evaluated as a group and separately, considering their aesthetic and artistic significance as well a their age.Black-coloured fitted jacket made of silk and lace with added satin ribbons.women's clothing, fashion - melbournesne - 1880s, bodices, jackets, netta fuller -
Whitehorse Historical Society Inc.
Clothing - Under shirt
Man's flannel undershirt with short sleeves and three buttons in front.All wool Physician registration Chill proof Unshrinkable.costume, male underwear -
Port Melbourne Historical & Preservation Society
Clothing - Nott Street T Shirt, Arthur Reed Photos, c.1980
T shirt made for Nott Street State School.Navy blue short sleeved T shirt with Nott Street printed on fronteducation - primary schools, state school 1427 nott street -
Mission to Seafarers Victoria
Furniture - Armchairs x 3, c. 1960
These armchairs seem to be dated from the 1960s and are seen in a photograph taken by the Melbourne Harbour Trust around 1963.3 armchairsarmchairs -
Whitehorse Historical Society Inc.
Clothing - Lace Blouse, 1930's to 1950's
White machine made guipure lace blouse. Extended short sleeves, opening down front with five pearl buttons. Stand up collar.costume, female -
Clunes Museum
Clothing - JABOT
LADIES FRONT PIECE - DECORATED FRONT PIECE WORN BENEATH JACKET - HEMSTITCHED EDGE WITH LAYERS OF EMBROIDERED EDGING AND TAPE TIES AT WAISTcostume jewellery, accessories, jabot -
Stawell Historical Society Inc
Clothing - Costume and Accessories
Full Length Fur Coatstawell clothing material -
Kew Historical Society Inc
Clothing - Purple Rayon Day Dress, Scotchco of Melbourne, c.1950
The Fashion & Design collection of the Kew Historical Society includes examples of women’s, men’s, children’s and infants’ clothing from the 18th, 19th and 20th centuries. Items in the collection were largely produced for, or purchased by women in Melbourne, and includes examples of outerwear, protective wear, nightwear, underwear and costume accessories.Plum coloured single piece dress, belted at the waist, with a belt covered with the same fabric. It has pearl buttons. The dress was retailed by Scotchco of MelbourneLabel: Scotchco of Melbourneaustralian fashion - 1950s, melbourne fashion designers - scotchco of melbourne, women's clothing, day dresses -
City of Moorabbin Historical Society (Operating the Box Cottage Museum)
Clothing - Clothing, 1/2 petticoat cotton and knitted wool, c1950
c1950 Mrs Gladys Reed made this 1/2 petticoat from white cotton and knitted pink wool which she wore during winter to keep herself warmGladys Reed was a member of the Ormond Choral Society c 1950. who performed plays and musicals in the City of Moorabbin and she was an accomplished dressmaker and knitted this warm winter petticoat for herself.A 1/2 petticoat with a wide cotton waist band, knitted pink wool skirt and elastic waist insertclothing, underwear, petticoats, knitting, dressmaking, theatrical props, craftwork, sequins, beading, early settlers, moorabbin shire, mechanics institute cheltenham, ormond choral society, postworld war 11 settlers, housing estates moorabbin 1950, bentleigh, ormond, moorabbin, cheltenham, drama societies, musical society cheltenham, clark judy, reed gladys, reed george -
Flagstaff Hill Maritime Museum and Village
Furniture - Rail and Base, circa 1944
This pair of kneeling rails was part of the original furnishings of the St Nicholas' Mission to Seamen's Church at 139 Nelson Place, Williamstown, Victoria. A kneeling rail is part of the furniture of a church and is used during religious prayer, assisting the person to be in the position of kneeling. A padded kneeling mat or cushion would also be provided for comfort. THE MISSIONS TO SEAMEN (Brief History: for more, see our Reg. No. 611, Set of Pews) The Missions to Seamen, an Anglican charity, has served seafarers of the world since 1856 in Great Britain. It symbol is a Flying Angel, inspired by a Bible verse. Today there are centr4es in over 200 ports world-wide where seamen of all backgrounds are offered a warm welcome and provided with a wide range of facilities. In Victoria the orgainsation began in Williamstown in 1857. It was as a Sailors’ Church, also known as ‘Bethel’ or the ‘Floating Church’. Its location was an old hulk floating in Hobson’s Bay, Port of Melbourne. It soon became part of the Missions to Seamen, Victoria. In the year 2000 the organisation, now named Mission to Seafarers, still operated locally in Melbourne, Portland, Geelong and Hastings. The Ladies’ Harbour Lights Guild was formed in 1906 to support the Missions to Seamen in Melbourne and other centres such as Williamstown. Two of the most significant ladies of the Guild were founder Ethel Augusta Godfrey and foundation member Alice Sibthorpe Tracy (who established a branch of the Guild in Warrnambool in 1920). The Guild continued its work until the 1960s. In 1943 a former Williamstown bank was purchased for the Missions to Seaman Club. The chapel was named St Nicholas’ Seamen’s Church and was supported by the Ladies’ Harbour Lights Guild, the Williamstown Lightkeepers’ Auxiliary and the League of Soldiers’ and Sailors’ Friends. It ceased operation in 1966. A Missions to Seamen Chapel and Recreation Room was a significant feature of ports during the late 1800s and into the 1900s. It seemed appropriate for Flagstaff Hill to include such a representation within the new Maritime Village, so the Melbourne Board of Management of Missions to Seamen Victoria gave its permission on 21st May 1979 for the entire furnishings of the Williamstown chapel to be transferred to Flagstaff Hill. The St Nicholas Seamen’s Church was officially opened on October 11, 1981 and closely resembles the Williamstown chapel. This pair of kneeling rails is significant through its association with the St Nicholas' Mission to Seamen Church in Williamstown, Melbourne, established in 1857. The items in our collection from the Missions to Seamen in Williamstown, Victoria, have historical and social significance. They show that people of the 1800s and 1900s cared about the seafarers’ religious, moral, and social welfare, no matter what the religion, social status or nationality. It had its origins in Bristol, England when a Seamen's Mission was formed in 1837. The first Australian branch was started in 1856 by the Rev. Kerr Johnston, a Church of England clergyman, and operated from a hulk moored in Hobson’s Bay; later the Mission occupied buildings in Williamstown and Port Melbourne. Rail and base; pair of two. Three varnished wood pillars and cap rail, mounted on a rectangular box-shaped base. A kneeling rail used in religious worship. This is a pair of original items in our St Nicholas Seamen's Church Williamstown Collection.-flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, rail for kneeling, rail, kneeling rail, religion, religious service, sailors rest, bethel sailors’ church, bethel floating church, ladies harbour light guild, missions to seamen victoria, mission to seafarers, st nicholas seaman’s church williamstown, st nicholas mission to seamen church williamstown, mission to seamen williamstown, st nicholas seamen’s church flagstaff hill, 139 nelson place williamstown, church furniture, religious furniture, religious worship, flying angel club, altar rail, kneeler, prayer, ceremonial furniture -
Parks Victoria - Cape Nelson Lightstation
Furniture - Cabinet
The tall, two‐door cupboard with curved shelves is without a back and is taller than the bench cupboard on the lower lantern room of the lighthouse . The curved shelving suggests that this practical storage cupboard was custom‐built or adapted to serve in this location on the landing level below the lantern room. It is not known when it was provided to the lightstation. It shares the structural features of this furnishing as well as other nineteenth century utilitarian cabinets that were made for Victoria’s lightstations, such as those fitted beside fireplaces in the keepers’ quarters (for example CNLS 0016) or serving as lantern room cupboards. They have doors simply framed and bevelled around central panels. This particular cupboard, which is painted grey with four white panels, is unusual both for its height and the four doors, with the twin top panels taller than those underneath. This panel arrangement repeats the design of the lightstation’s door cases. Further research may reveal more about its manufacture. It is not known whether it is attached to the wall or movable; if attached it is considered to be a fixture and included in the Victorian Heritage Register listing for the lightstation (VHR H1773). Other similar cabinets which have been constructed to fit the curved wall of a lighthouse survive at Cape Schanck, varnished wood benchtop, 2‐door cabinet with brass door knob, no drawers); Point Hicks, benchtop, 2‐door, painted green with silver doors, no drawers) and Gabo Island bench top, 2‐door, no drawers, green paint removed to reveal cedar timber), and Cape Nelson, benchtop, 2‐door, 2‐drawer, partially varnished). Cape Nelson’s tall cupboard with curved shelves and back profile is unusual among the lighthouse furnishings. The cabinet is a unique, original feature of the lighthouse and has first level contributory significance for its historic values and provenance.The tall, two‐door cupboard with curved shelves is without a back and has curved shelving. Painted grey with four white panels, on the four doors, with the twin top panels taller than those underneath. -
Whitehorse Historical Society Inc.
Clothing - Apron
Cream calico apron embroidered with a lady in pink gown with a palm tree and flowers on fence. Apron is not finished or bound.domestic items, sewing, costume, female working -
Whitehorse Historical Society Inc.
Clothing - Apron, not known
Part of collection of handcraft and needle work donated by Anne BarryCross stitch embroidery practiced during the 30's, 40's and 50's; very popular and became an art.Blue and white check, trimmed around hem, sides, waistband and pocket. White Ric Rac braid, blue cross stitch block embroidered on waist band and top of pocket. Red cross stitch with yellow centre flowers across front of apron, divided by blue cross stitch block.costume, female working -
Victorian Harness Racing Heritage Collection at Lord's Raceway Bendigo
Clothing - Race colours, Bill McKenzie
W. A. (Bill) McKenzie Bill McKenzie was a Moulamein (NSW) district wheat, sheep and cattle farmer with a property of some 6000 acres. His well-known colours of green with yellow braces greeted the judge over a period of 40 years with the horses Laurie Pronto, Pedro Nell, Little June, Prancing Nell, Little Duchess and the Melbourne Showgrounds, Bendigo and Mildura Cup winner Wongala Glen. Bill travelled far and wide with his horses and was a regular competitor at country agricultural shows.Bill Mckenzie won the 1966 Bendigo Cup driving Wongala Glen.Green race colours with yellow braces and armbandsbendigo harness racing club, bhrc, bendigo, horses, bill mckenzie, bendigo cup, wongala glen, race colours, wa mckenzie -
Glenelg Shire Council Cultural Collection
Clothing - Trousers, Nov-84
Trousers, long, beige, polyester with narrow strip of dark brown velvet sewn to outside seam of each leg.clothing, male clothing, velvet, trouusers -
Ballarat Tramway Museum
Clothing - T-shirt, Mascot Sportswear, "Save the Trams", Around July 1971
White cotton T-shirt, no size label remains, printed with an image of Ballarat 43, showing Mt Pleasant as a destination and the words "Save the Trams" May not have been worn and may be in its original packaging. Were sold by Myer's Ballarat near the time of closure. See also Reg Items 8017 and 6872 for other examples.trams, tramways, clothing, btps, closure, t-shirts -
Kew Historical Society Inc
Clothing - Swimsuit, Alpha, 1940s
The Fashion & Design collection of Kew Historical Society includes examples of women’s, men’s, children’s and infants' clothing from the 18th, 19th and 20th centuries. While the collection includes some examples of international fashion, most items were handmade or purchased in Melbourne. An early example of swimwear from when men were able to legally swim topless in the 1930s. The fashion originated in France in the early 1930s, and slowly caught on in other countries, although was often controversial. In Australia this was less so, and by 1940 it was common attire at the beach. Pair of dark blue, woollen bathing trunks. Front skirted flap. White woollen belt with silver-coloured metal buckle. White label with blue stitched text attached to rear. Label: "Alpha" Size: SMswimwear - men's, alpha swimwear, alpha - menswear designer -
Flagstaff Hill Maritime Museum and Village
Clothing - Camisole, Late 19th century
This handmade women’s camisole features hand-worked lace yoke and trim and a drawstring peplum waist. It is one of seven handmade items of white cotton underwear, all made with beautiful needlework and embroidery skill. The lingerie once belonged to the donor’s great-grandmother’s family, the Paton family of ‘Trefnant’, Yangery, in southwest Victoria. The collection of women’s late-19th-century undergarments is an example of clothing that women would include in their wardrobes. The garments add to the study of the evolution of women's fashions and practicality for the early Australian settlers. The fine linen fabric and the careful needlework in these handmade garments and hand-worked lace trims reflect the maker’s dedication to making even serviceable garments beautiful to look at and wear. Women's camisole, short sleeves and peplum waist. Handmade from white cotton fabric, with hand-worked lace sleeve tips, collar and waist trim. It has button closures down the front.flagstaff hill maritime museum and village, maritime museum, maritime village, warrnambool, great ocean road, southwest victoria, victorian era, women’s underwear, ladies’ underwear, undergarment, under-structure, 1900s undergarments, 19th-century undergarment, women’s clothing, women’s fashion, lingerie, 19th century, handmade clothing, handmade lace, hand-worked lace, camisole, paton family, trefnant, yangery -
Stawell Historical Society Inc
Clothing - Costume and Accessories, c1960
Ladies woollen Winter Weight Overcoat. Simple design. Raglan sleeves with cuffs. Roll collar. Edge to edge in front. Two side pockets. Lined with grey Satin. Mrs R Willy.stawell clothing material -
Whitehorse Historical Society Inc.
Clothing - French Nickers, 1948
Wedding held 13 March 1948 at Church of England, Thornbury, Victoria. Charlotte Edith (Tottie) Tooke nee Ryder (Maurice Wyatt's aunt) to Alfred George Tooke b. 1898 d. 1998 EnglandFrench Knickers, 1948, Salmon pink colour. Appliqued bow design on each leg. Band of lace around bottom of each leg. Pearl-like button at button hole each side of waist band for closure. See Negligee set NA4922, Wedding Dress NA4923, Horseshoes NA2924 and wedding Veil NA4925.costume, female underwear -
Mont De Lancey
Furniture - Cot
A white painted iron cot with drop down sides on castors. It has round knobs on the tops of the bars. The paint is peeling. It is fully made up with cot sheets and a crocheted rug on top. A baby doll dressed in a christening dress and bonnet is sleeping on it with a silver rattle resting at the end.cots, nursery furniture, beds -
Bendigo Military Museum
Clothing - RAINCOAT, M. PENNISI CLOTHING CO. PTY.LTD, 1977
Part of the Reverend Chaplain Major Thomas Bruce Williams, No 556101, Collection.Green full length nylon raincoat with button-up front and adjustable belt with buckle. Mesh vent covered with a flap on the back. Under each arm are four small vent holes. Sewn onto the inside neck is a manufacturer's label. Washing instructions label sewn on inside right. Two side pockets.Printed in black ink on manufacturer's label: 'M. PENNISI CLOTHING CO. PTY. LTD., VIC., 1977, (upwards arrow), CLASS 8405-66-018-1271' Handwritten in black ink on manufacturer's label: 'PADRE TOM B. WILLIAMS'.army chaplain, clothing, uniform, major thomas b. williams -
Glenelg Shire Council Cultural Collection
Clothing - Child's Jumper, n.d
Child's hand knitted woollen jumper, salmon pink, long sleeves, stocking stitch, moss stitch plaquet at neck, with 5 pearl buttons (no button holes), fastened with press studs. Cuffs, waistband and Peter Pan collar ribbed cream stripes, triangles of cream above waistband and cuffs, moss stitch edge on collar -
Whitehorse Historical Society Inc.
Clothing - Silk baby slip
Handmade by Isobel McNamara.Silk baby slip with lace edging a rear neck pearl placket opening.Nilhandmade baby clothing, silk, cotton, lace pearl buttons