The art of making glass can be traced back to 2600 BC in Mesopotamia. Egyptians practised making glass around 2500 BC. Artificial glass first appeared in the Egyptian or the Mesopotamian civilization, whereas they used tools made out of volcanic glass obsidian in the Stone Age. Ancient China, however, discovered how to make glass a little later. Glass beads are known to be one of the earliest products made out of glass. Their creation is thought to be primarily accidental. In the later Bronze Age, glassmaking came to a halt. Glass was a luxury material back then. Archaeological excavations suggest the use of glass in England during the middle ages. In the 10th century, stained glass found a place in cathedrals and windows of palaces. After the Renaissance, architectural methods changed substantially, leading to a decrease in stained glass as a building material. Domestic use of glass increased following the industrial revolution. Vessels, glass windows, and glass beads gained popularity in Europe during this period. During the 19th century, many people preferred glass windows and doors as a decorative option. In the late 19th century, some designers brought back stained glass in decorative windows. It was during this period that Mr Tiffany discovered several methods to make domed glass handicrafts. People discovered the true versatility of using glass as a building material only in the 20th century. With glassmaking technology receiving an industrial boom, you could produce several different types of glass. Toughened glass, laminated glass, bulletproof glass, and smart glass all boosted the use of glass in buildings. Today, several skyscrapers, small and big homes, and offices use glass in almost all aspects of construction and design. https://www.aisglass.com/glass-made-step-step-process/The invention and development of glass, both as domestic items and in building, has been nothing short of revolutionary. Prior to the use of glass for windows, the interior of buildings were extremely dark, even during sunny days. The use of glass domestic objects, that could be easily washed, led to improved hygiene.Moulded patterned glass butter dish. Base has been broken.None.flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, glass, kitchen item, butter

A wooden commode, a cylindrical shape in two sections. The top section is possibly mass produced, it's 40 centimetres diameter and 27centimetres high, it has a hinged circular lid with a hinged toilet seat under it. Below is a space for a container. A hand made section has been added underneath to raze it 20 centimetres and includes a draw. An insert has fitted into the original structure to hold a smaller pot.commode, chamber pot

Collection in timber frame of 31 badges. Anzac Day. Wattle Day. Hospital Day. Various other badges. Markings: U1 601 Deframed and badges detached 2022.civic mementoes, plaques, badge collection

Infant polyester dress with lace trim & embroideryInfant polyester dress"A Maude Wilson Style" 3533 ASO Polyester. Aus. madeinfant, dress, polyester

Black feather hat (almost pill box shaped), some feathers disintegrating, no label.

This item is from the "Barone" Collection. "Barone" (also known as "Seaview") was a stately Brighton home built at 9 Moule Avenue prior to 1855 and demolished in 1986. The house's residents included Edward Elgin Browne (during 1859-72), a Melbourne tea merchant, and the family and descendants of retired Scottish Army captain Archibald Black (during the period 1880-1970). Its neighbors included “St Ninians” owned by the Ward- Cole family, “Seacombe” owned by the Moule family, and the home of James Grahame and his family. The items in the "Barone" collection were largely donated by two of the house's later owners, Mrs Doris Halkyard and Mrs Brian Brandt.Black silk satin, lace and beaded pelerine from c.1890. The pelerine features a silk high stand collar covered in black lace. It secures around the neck and down the centre front to the waist by seven hook and eye closures. A black lace frill extends down the centre front from the throat to the centre front tip of the garment. The shoulders feature a heavy, intricately beaded floral design open sleeve through which the arm would be visible. The sleeve finishes around the elbow in a point, however the beading hangs down to below the hip in a loose fringe. At the back from below the shoulder, the garment shapes in to finish in a tapered 'V' shape over the wearer's coccyx. There is a hand stitched "M" in white thread on the inside lining of the pelerine near the neck.pelerine, brighton, barone, seaview

See aboveExample of 1940's child's doll with clothes. Doll, whose name was Janet was given to Rosalie Schwerkolt Whalen as a child in 1945 with a lemon voile dress and matching bonnet and a patterned voile dress.Baby doll bought to Rosalie Schwerkolt by Santa Claus in 1945. The doll has a cloth body with a composition hard material for head, arms and hands and legs and feet. Face has blue eyes that close and red lips slightly parted to show teeth. Moulded brown curls for hair. Formerly a crying doll - mechanism under material on back and isn't working. A pair of pale blue and pink elastic edging. See Dress and bonnet NA5165 and Dress NA5166 for clothes also used on doll.Pliable doll Made (indistinguishable) Canada?child's baby doll with voice & closing eyes

Unusual rag doll with all features (hands, face, shoes, etc) both back and front printed on material.toys, dolls

The Maxwell & Williams Designer Homewares brand first entered the marker in 1996. The company was founded by Max Grundmann whose parents Harry and Anna Grundmann were Holocaust survivors who migrated to Australia in 1961. Harry Grundmann started his own homewares business H.A.G. from a Brighton garage. In 1978, Max took over the business and was later joined by Bill Ryan, a retailer. The name "Maxwell and Williams" did not evolve until 1996. Their collections are now sold in more than 500 retail outlets across Australia and some 50 markets around the world. This item is of significance as an early item produced by a major Australian Homeware company in the mid 1990s.Maxwell & Williams Designer Homewares glass bottle with lightning closure. The Maxwell and Williams Designer Homewares Logo is imprinted on the side of the bottle.On side of the bottle beside a black and red lion "MAXWELL/& WILLIAMS/DESIGNER HOMEWARES"maxwell & williams, australian glassware, homewares australia

Electric kettles were invented by the English to speed up tea preparation. In Australia fancy ceramic electric jugs quickly became a status symbol. During the Great Depression era anyone who could offer you a cuppa from a beautiful Electric Kookaburra Jug was considered to be doing well. Made by Nilsen Porcelain Australia in the 193Os, these kettles were unique for their charming art deco bird shape. Nilsen Electric Kookaburra Jugs are now regarded as a classic Australian icon prized by collectors. Oliver John Nilsen was born in Collingwood, Victoria in 1894. In 1916 he began his own electrical business, Oliver J. Nilsen & Co. (later Oliver J. Nilsen (Australia) Ltd). Nilsen's manufactured goods included such diverse products as transformers, bearings, battery chargers, bells, buzzers and gongs, porcelain ware, fuses, insulators and neon signs. Nilsen Porcelain Australia was a smaller company within the Nilsen group. Nilsen still operates as an electro-technology company operating throughout AustraliaThis jug is an excellent example of art deco ceramic appliances of the 1930s to 1950s on both a local and national level. It is also representative of products developed by a major Australian manufacturer. Earthernware ceramic jug, moulded in art deco style to represent an Australian kookaburra.vintage electric kettles, kitchen appliances, nilsen australia

Long white Nightdress with square neckline and long sleeves. Cotton broderie anglaise lace at neckline and cuffs. Four self covered buttons covered by placketcostume, female nightwear

Nude heel for sandal wear.Nude heel 15 denier nylons in packet.St Charles

Metal flat iron with handle, makers marks unreadable.domestic equipment, laundering, iron

Items issued to MAURICE CHARLES BETTS. Refer Cat No 1198.2 for his Service History..1) & .2) Army Boots, pair. Black leather, Dept of Defence issue, black leather laces, steel caps on soles & reinforcing on heels.On sole: D [up arrow] D 1967uniforms -army, male footware, boots ab, betts

Britannia metal hand held candle holder, circular base with Greek key pattern around rim and handle.lighting, candle, candleholders, u4.711

BHS CollectionBlack woollen shawl, with an 8 cm fringe along two sides. Crochet has a fan-like pattern worked in treble crotchet and chain stitch. This gives an open effect.costume, female, black crocheted shawl

Early settlers and market gardeners established their families in Moorabbin Shire and this item shows the skill and craftsmanship of the women of these familiesThe skill and craftsmanship shown in these infant's bibs, bonnet and bootees is an example of the clothing made by the pioneer settlers and market gardeners in Moorabbin Shire Baby's bibs, bootees and bonnet (i) booties crocheted silk (ii) 2 x embroidered bibs (iii) bonnet & bootees wool clothing, craftwork, knitting, crochetwork, moorabbin, cheltenham, early settlers, pioneers, market gardeners

This Item was owned, worn and donated by Annie McIntyre, a resident of Kew. It is one of a number of items owned by Annie McIntyre that were designed by Vivienne Westwood and donated to the collection.The McIntyre Collection of clothing and clothing accessories forms one of the largest single donations to our Fashion & Design collection. It includes clothing and clothing accessories worn by four women in the Cohen and McIntyre families across three generations. The items worn by Melbourne architect, and Kew resident, Dione McIntyre date from the 1960s and 1970s, and include evening wear, day wear, hats and shoes. As Dione McIntyre often accompanied her husband, fellow architect Peter McIntyre, to formal events, there are a number of pieces of evening wear among the items. The McIntyre Collection also includes items worn by women of an earlier generation: by Lilian Cohen, Dione McIntyre's mother, and by her mother-in-law, the wife of the architect Robert McIntyre. At the other end of the chronological spectrum are a number of outfits belonging to, worn and donated by Annie McIntyre. These include outfits created by notable late 20th century Australian and/or international fashion designers. The McIntyre Collection is significant historically and artistically as it includes examples of design that demonstrate changing tastes in fashion over an 80-year period. The collection is also significant in that it includes the work of a large number of Melbourne designers from the 1960s to the 1990s. Dark navy women's jacket with fine pale stripes. The silk lined jacket has three external pockets with flaps and one breast pocket. The metal buttons on a pocket and for fastening at the front are a gold colourLabel: Vivienne Westwoodvivienne westwood, fashion designers, international fashion -- british designers -- vivienne westwood, fashion -- 1980s

White cotton crocheted milk jug cover. Round with crocheted stand up cup and saucer edged in pink in centre. White and pink beads around outer edge.handcrafts, crocheting or crochet work, domestic items, food storage & preservation

Maroon/wine coloured elastic men's braces with gilded brass fastening and clips. Maker's marks on clips.D OMO on front of clips Secure on back.costume accessories, male

Blue metal child's cup, saucer and plate set with decorative borderdomestic items, infants

House System Senior School.

Hand crocheted with crystal beadsdomestic items, food storage & preservation, handcrafts, crocheting or crochet work

Used by RAAF men to repair their uniform etc.Brown cotton folded container to hold sewing needles , wool and thimbleRAAF129456

(underside of falboard) c; ERARDdecorative arts, piano, furniture, musical instrument, keys, music, upright piano, ivory, marble, french, napoleon, erard & co, fortuna villa

Pair of knee-high tweed woollen gaiters with attached leather straps and metal buckles to tie around each footcostume accessories - gaiters

Handmade from Wimmera farming district in Victoria.Long brown fleece coat with collar and two pockets.sheepskin, coat, wool, handmade, hand dyed, wimmera, farming, fashion, makers