Dean Collection, refer Cat No 4575PPlain wine glass with short stem. It has the logo of Rats of Tobruk Association. Printing is in gold.ww2, rats of tobruk

Carbon copy of a letter sent by F.G. Davey to Martin Middlebrook which accompanied Davey's recollection of 'The Raid on Nuremburg' in which he participated and is detailed in Cat No 4410. Part of the F.G. Davey Collection. See Cat No 3536P for his service record.Single page letter in black type on cream coloured paper. This carbon copy of the original letter is unsigned.letter, f.g. davey, raid on nuremburg, martin middlebrook

This photograph is part of the Caulfield Historical Album 1972. This album was created in approximately 1972 as part of a project by the Caulfield Historical Society to assist in identifying buildings worthy of preservation. The album is related to a Survey the Caulfield Historical Society developed in collaboration with the National Trust of Australia (Victoria) and Caulfield City Council to identify historic buildings within the City of Caulfield that warranted the protection of a National Trust Classification. Principal photographer thought to be Trevor Hart, member of Caulfield Historical Society. Most photographs were taken between 1966-1972 with a small number of photographs being older and from unknown sources. All photographs are black and white except where stated, with 386 photographs over 198 pages. Houses shown at 35, 58 and 32 Murray Street Elsternwick are still all extant (Google map image capture Dec 2018). Victorian Heritage Database - HO130 32 Murray Street Caulfield https://vhd.heritagecouncil.vic.gov.au/places/35535 (at 14/08/2021) No. 32 Murray Street is locally distinguished as the most imposing villa of its period in Murray Street whilst its association with J. W. Doyles, builder of several houses in the same street, is of interest. Its importance is enhanced by its substantially intact state.Page 138 of Photograph Album with four photographs (three landscape, one portrait) of 3 different houses on Murray Street. Handwritten: Murray Street [top right] / 35 [under top left photo] / 58 [under top right photo] / 32 [under bottom left photo] / 32 [under bottom right photo] / 138 [bottom right]trevor hart, garden, verandah, murray street, elsternwick, victorian style, houses, cast iron work, bay windows

This photograph is part of the Caulfield Historical Album 1972. This album was created in approximately 1972 as part of a project by the Caulfield Historical Society to assist in identifying buildings worthy of preservation. The album is related to a Survey the Caulfield Historical Society developed in collaboration with the National Trust of Australia (Victoria) and Caulfield City Council to identify historic buildings within the City of Caulfield that warranted the protection of a National Trust Classification. Principal photographer thought to be Trevor Hart, member of Caulfield Historical Society. Most photographs were taken between 1966-1972 with a small number of photographs being older and from unknown sources. All photographs are black and white except where stated, with 386 photographs over 198 pages. At least 2 of these houses (17 and 84) are contributory properties to HO72 Elsternwick Estate and environs.Page 172 of Photograph Album with four photographs of differerent properties on Regent Street.Handwritten: Regent Street [top right] / 17 [under bottom left photo] / 84 [under bottom right photo] / 172 [bottom right]trevor hart, regent street, elsternwick, houses, mansions, cast iron work, verandahs

This photograph is part of the Caulfield Historical Album 1972. This album was created in approximately 1972 as part of a project by the Caulfield Historical Society to assist in identifying buildings worthy of preservation. The album is related to a Survey the Caulfield Historical Society developed in collaboration with the National Trust of Australia (Victoria) and Caulfield City Council to identify historic buildings within the City of Caulfield that warranted the protection of a National Trust Classification. Principal photographer thought to be Trevor Hart, member of Caulfield Historical Society. Most photographs were taken between 1966-1972 with a small number of photographs being older and from unknown sources. All photographs are black and white except where stated, with 386 photographs over 198 pages. HISTORY:-- From Victorian Heritage Database citation for Labassa https://vhd.heritagecouncil.vic.gov.au/places/278 as at (26/10/2020) Labassa, Caulfield is one of Melbourne's most lavishly decorated nineteenth century mansions. It resulted from the extensive remodelling in 1890, of an earlier house, known as Sylliott Hill, which was begun in 1862-3 for lawyer, Richard A. Billing. The land at the corner of Balaclava and Orrong Roads was first acquired in 1854 by William Lyall, transferred to his partner, John Mickle, in 1859, who also acquired the adjoining allotment in Balaclava Road, and the three allotments were conveyed to Billing. His first eight-roomed house was extended significantly in 1873 into a twenty-roomed house by architects Crouch and Wilson, who were possibly also responsible for the first house. This reflected Billing's success as a barrister, and he resided at this property until his death in 1882. In 1883 prominent Melbourne businessman, Alexander William Robertson, leased the Sylliott Hill property from Billing's widow, and in 1885 he purchased the adjoining allotment in Balaclava Road. He purchased the Billing's property in 1887 and renamed the 6.31 hectare property, Ontario. In 1889-90, Robertson commissioned the German born architect, John A. B. Koch, to extensively remodel the house into a thirty-five roomed mansion. The existing house was extended and altered, largely resulting in the nineteenth century mansion as it now appears. After Robertson's death in 1896, the house was tenanted until it was eventually sold to the mining millionaire, John Boyd Watson, in 1904. He renamed the property Labassa and carried out repair and re-decoration work to the house. In the early twentieth century, many large estates were subdivided into smaller allotments as the demand for land grew and it became difficult to maintain such large estates. After Watson's death in 1911, portions of the Labassa estate were offered for sale, with Mrs Watson retaining a 1.73 hectare portion containing the house. In 1913 forty-six allotments were auctioned at Labassa Estate, with the formation of Labassa Grove and Ontario Street to the east of the property. Labassa was first recorded as containing flats in 1923 and in the late 1920s, the owner, Robert Hannon, built a red brick block of flats adjacent to the house. Subdivision continued, until the National Trust of Australia (Victoria) purchased the house in 1980 and subsequently purchased adjoining sites, one to the south-east in 1984 (house demolished in 1988) and to the west in 1988. Labassa as it now stands is substantially as it appeared when Koch completed the work in 1890. The original two storey house was transformed into a French Renaissance style mansion, with the addition of a two level L-shaped arcaded verandah and two prominent terminating bays to the south and the east. The building is of unpainted cement render with dressed bluestone plinths, balustraded parapet and steep, slate covered, flat topped mansard roofs behind. A truncated conical roof is a feature of the south bay and a helmeted head is incorporated in the parapet over the east bay. The main south and east facades incorporate many cast cement details, including sculptures, elaborate cornices, swagged Corinthian columns and caryatid consoles flanking the entrance porch, as well as pink marble panels and imitation marble, or scagliola, on curved surfaces. At the rear of the building is a two storey wing and a single storey cottage, the former being connected to the main house by a tower. This section of the house was constructed in 1873. The estate at its peak included stables (1873), conservatory (probably 1890) and a tennis pavilion (probably 1890). All of these outbuildings survive, with the stables and conservatory being converted for residential use after 1922. Internally a range of decorative treatments remain from the late nineteenth century and the early twentieth century, both from the Robertson and Watson periods of occupancy. These include wallpapers, ceiling decoration, chimney pieces, mouldings, joinery and decorative glass. From Victorian Heritage Database citation for H0135 Labassa 2/2A Manor Grove Caulfield North https://vhd.heritagecouncil.vic.gov.au/places/278 as at (26/10/2020) HOW IS IT SIGNIFICANT? Labassa, Caulfield is of architectural, aesthetic and historical significance to the State of Victoria. WHY IS IT SIGNIFICANT? Labassa, Caulfield is of architectural significance as the most prominent example of a small number of houses built in Australia in the French Renaissance style. It is of further note due to the German interpretation of the style and the use of Hellenistic sources, via Germany. It is exceptional for its lavish treatment externally, including marble, scagliola, caryatids, swagged columns, mansard roofs and ornamental cresting. Labassa is of architectural significance as the most important surviving example of German architect, John Koch's domestic work. He undertook a large variety of work in Melbourne, including a number of houses, however Labassa is the most lavish example of his work. Labassa is of aesthetic significance for its outstanding assemblage of late nineteenth and early twentieth century European style interior decoration, which remain remarkably intact. These include a trompe l'oeil ceiling, painted ceilings, embossed imitation leather and other papers, chimney pieces, ceramic tilework, oak parquetry and stained glass, including a tripartite window by Ferguson and Urie, probably dating from the 1873 period. Labassa is of historical significance as an illustrative example of the wealth acquired by a number of prominent Victorian families in the second half of the 19th century. The early development of the property, Sylliott Hill, was due to the wealth acquired by Richard Billing, barrister and fifth Victorian to be appointed Queen's Counsel in 1878. The significant development in 1890 of Ontario, is illustrative of the wealth of Alexander Robertson, a partner in Cobb and Co., a director of Goldsborough Mort & Co., and a pastoral speculator. John B. Watson, whose father had acquired great wealth from the goldfields of Bendigo and subsequently invested in city and country properties, was the third resident to impact on the house, particularly the interiors. The Labassa estate is of historical significance as an illustrative example of the development that occurred in such suburbs as Caulfield in the 1880s due to the land boom, its proximity to Melbourne and the establishment of the Melbourne to Gippsland railway in 1879. It is also illustrative of an estate which succumbed to the pressures of subdividing in the early twentieth century, as properties became difficult to maintain and demand for land close to the city grew. It was typically divided into flats in the 1920s and was used as such for about sixty years. It is of historical significance for its associations with the remnants of the earlier estate which remain extant. These include the stables, conservatory (H2005) and tennis pavilion which all remain on separate sites. Also significant are the remains of early electrical wiring and fittings. Labassa was one of the first houses in Caulfield to be electrified and some of the original wires remain. [Online Data Upgrade Project 2004]Page 128 of Photograph Album with four photographs (two portrait and two landscape) of Labassa.Handwritten: "Labassa" 4 Manor Grove [top right] / Neg 232 8 Oct 1966 [under bottom right photo] / 128 [bottom right]trevor hart, bracketed eaves, slate roof, bay windows, decorative brackets, caulfield north, labassa, richard a. billing, balaclava road, orrong road, sylliott hill, william lyall, crouch and wilson, alexander william robertson, ontario, 1880's, john a. b. koch, mansion, john boyd watson, labassa grove, french renaissance style, l-shaped arcaded verandah, bluestone plinths, balustraded parapet, flat topped mansard roofs, conical roof, elaborate cornices, corinthian columns, caryatid consoles, marble panels, imitation marble, scagliola, tower, conservatory, stables, tennis pavilion, mouldings, decorative glass, caryatids, swagged columns, ornamental cresting, trompe l'oeil ceiling, embossed imitation leather, oak parquetry, stained glass, tripartite window, triple window, ferguson and urie, 1870's, flats, 1920's, electric wiring, 1860's, verandahs, curved windows, arched windows, italianate, terraces, gargoyles, ornamentation, ornate entrance, la bassa, manor grove, st kilda east, victorian, cast iron work, john koch, richard billing, architects, electrification, john mickle, land subdivision, mrs watson, labassa estate, robert hannon, national trust of australia (victoria), sculpture

Golden Square Primary School 125 years wine glass, and Golden Square Primary School parents club wine glasses 2 of.bendigo, institutions, golden square primary school

This object relates to Frank CLARKE. He was born on 06/10/1911 in Sydney, NSW. Frank served in the Army (NX87998) enlisting on, 09/02/1942 in Croydon Park, NSW before being discharged from duties with the 3 AUST INF BATN as a Army Non-Commissioned Lance Corporal / Lance Bombardier (LCPL/LBDR) on 29/10/1945. Frank CLARKE was not a prisoner of war. His next of kin is Margaret CLARKE. Frank Clarke was awarded the 1939-1945 Star, Australia Service Medal 1939-1946, Pacific Star, War Medal 1939-1945.second world war (ww2), 1939 - 1945, personal items, ballarat rsl, ballarat, identification discs, uniforms, wwii, id tags, world war two

Items in the collection re Tom Glazebrook, refer Cat No 4330.2 for his service details.1. Jungle green shoulder boards for attachment on epaulette. Rank - Major. The crown is a sewn green thread with a little bit of brown cotton trim. 2. Jungle green cloth rank badge for attachment on epaulette. Rank - Major. The crown is sewn with white, red and brown cotton. The crown is set on a black felt background.1. On the rear, you can just make out the stamp “D (upwards arrow) D”aust army, rank badges, tom glazebrook

The Ballarat School of Mines had a Cyanide Plant on site. Handwritten letter asking for employment at the Ballarat School of Mines Cyanide PlantHandwrittem "46 Sebastopol St Ballarat 16th Mch 88 Dear Sir I beg to ask if you have an opening for a steady man in connection with the Cyanide Plant as I am desirous of obtaining employment. I have had to give up the waggon as there was nothing in it to keep a house running. If you can assist me at the present time by giving me work you will greatly oblige. I remian Yours [Gosphy?] Wm Baker To F.J. Martell esq School of Mines Ballarat" Written and circled in red ink "160".ballarat school of mines, mining laboratory, laboratory, cyanide, cyanide plant, william baker, fred martell, martell, f.j. martell

The letter was written by Allen Quinn to his mother. Allen started working as a seafarer when he was 16 years old, and frequently wrote to his mother during his travels. He also created an extensive photograph collection, which corresponds with the letters.The letter is part of an ongoing correspondence between Allan and his mother. The first letter talks about the trip from Australia to San Francisco, and the second is about returning to Melbourne.Two letters addressed to Mrs S. Quinn, "Sanlorenzo", 63 Ocean Beach, Manly, N.S.W, Australia, in six parts. Part 0153 Envelope, Part 0153.1-5 Letter Pages. The first letter begins "My dear Mum, Arived here safely..." and concludes with "P.S. The model is slowly coming along...", and is dated 27.6.45. The second letter begins "My Dear Mum, Well, I am now in Melb. ... " and concludes with ""P.S. We were very late in leaving...", and is dated 12.9.45. All the pages have "Air Mail" printed in the top right hand corner.Front of enevlope: MRS. S. QUINN, / "SANLORENZO"/ 63 OCEAN BEACH, / MANLY. N.S.W / AUSTRALIA, handwritten in blue ink. In the top right hand corner and middle are two U.S.A stamps, valued at 10 and 30 cents, and between them is part of a stamped postmark: S1945.allan-quinn, letter, handwriting, san-francisco

Has a strong association with inspectors in the SEC tramways, possibly inspector Dave Kellett? in Ballarat.Woollen? thread, black colour, based cap band for an Inspectors cap or hat with three gold bands sewn onto the backing piece. Circumference overall approx. 590mm, 40mm deep. Possibly made by the Australian Government clothing factory.tramways, trams, uniforms, cap, inspectors

These items were regular elements of a Scout Master's equipment. The hat badge and the woggle were specifically part of the Leader's uniform and differed from similar uniform items of younger or more junior scouts. The first proposal to form a Scouts Corps in Wodonga was raised at a public meeting in Wodonga in November 1909. One of their earliest activities in January 1910 was a march from Wodonga to Bright and return with Scouts from Albury. This first Troop was probably called the 1st Belvoir Scouts. Several other attempts were made to form Scout Troops in Wodonga over the ensuing years. In 1929 the Boy Scout Movement was taken up seriously at Wodonga by approximately 40 boys, together with 30 Cubs (juniors). However this was short-lived. Over the following decade several Scout Troops were formed but lapsed and several Wodonga boys joined the Albury Scout Troop. In 1939 Mr Ray Foster, with eight members put the Scouts on a more enduring basis. Their meeting place was a room below the Water Tower. During the early 1940s the 1st Wodonga Scouts struggled for Leaders to run the activities because so many people were caught up in the Second World War (either overseas or domestically). Mr David Mann gathered together all the small scouting groups in the Wodonga area and turned them from disorganised and disconnected groups into one scouting unit. He led the Scouts in their formative years and went on to become the 1st Wodonga Scouts first King's Scout. He had a long association with the 1st Wodonga Scouts and all the district scouting troops over the following decades. David Mann was also instrumental in the late 1940s in working for a Scout Hall to be built in Reid Street, Wodonga to secure a permanent home. These items were donated by a former member of the 1st Wodonga Scout Group who shared positive memories of the leadership of David Mann and the lessons learned in the Scouting Movement.These items are significant because they are representative of an important local, national and international organisation.A set of Scout uniform equipment including a Scout Master's Hat Badge, a whistle and a knotted leather woggle.On badge" Scout Symbol above "BE PREPARED" Engraved on Whistle - Fleur de Lis symbolwodonga scouts, 1st wodonga scouts, scouting equipment, david mann

Letter re unsafe state of bridge over Yarra River This is a photocopy of the original letter which was written by A. Gable (?) on behalf of the Inspector General of Public Works. It comments on the unsafe state of the bridge over the Yarra River by the Botanic Gardens. Provided by Diane Nicholas Librarian at Hawthorn Library 1994Letter from Department of Public Works to Secretary of Horticultural Societybridge, yarra river, unsafe bridge, bridge safety melbourne, bridge safety 1800s, a. gable, inspector general of public works

In this letter, Fabinyi says he would like to read Robin Boyd's manuscript for 'The Great, Great, Australian Dream'.Typewritten, quarto, 1 page.