Opera House march details, written by Mandie, while she was waiting to start work at Farmer's Department Store in Sydney.Typed letter on foolscap paper with illustrationsIllustrations in blue pen

VA 466 Governor (including Lieutenant Governor 1851-1855 and Governor's Office)Eureka Stockade:Support for the Governor from the Bankers, Merchants and Landholders, tradesmen

Mandie Boyd sends news of Christmas in Melbourne and news of moving to north Queensland.

Cloth shoulder patch to indicate that the conductor of the bus was qualified as a "Bus Driver Trainer". Demonstrates the method of indicating a bus driver was qualified to train other bus drivers.Cloth badge or patch - made on black cloth backing with the words "Bus Driver Trainer" stitched in red cotton. tramways, conductors, badges, mmtb, clothing, uniforms, training, buses

To honour the commitment by its volunteers, the Royal Blind Society of New South Wales provided badges to commemorate 5, 10, 15, 20, 25, 30 and 35 years of service. The badge consist of the relevant number in a centre circle, with the words 'Royal Blind Society' around the outside of the circle.Metal pins in various tones with numbersRoyal Blind Society Volunteerroyal blind society of new south wales, badges

After the first world war there was a decision made to create a memorial. Legatees were involved in the process at various times and capacities. In particular Legatee Kemsley was vocal when the idea of the St Kilda Road site, which was favoured early on, was overturned and in 1926 there was pressure to change to a "provision of square" and Cenotaph at the intersection of Spring and Bourke Streets. Legacy Clubs voiced their opposition to this proposal by passing a resolution "That the Melbourne Legacy Club, representative of the returned soldiers in business in this city, whilst welcoming the Anzac Square Scheme as a city improvement, cannot support it as a War Memorial scheme and affirms its support for the Shrine of Remembrance in the Domain as the only War Memorial worthy of Victoria's unparalleled efforts in the Great War." The document was in an envelope with the History of the Shrine (01181). The envelope says 'The Origin of the Shrine of Remembrance p/p Legatees Kemsley and Joynt'. And the initial 'JMBA'?. It was in a file with other documents concerning the Shrine and it's history.A record of the events that led to the construction of the Shrine of Remembrance as noted by a Legatee at the time. There was an effort to record historical events for the "Archive Committee" which collected this an other documents relating to the Shrine together in a file with the items given numbest prefixed with an S (see items 01181 - 01190 and 01206 - 01211).A two page carbon copy of a letter typed on white quarto paper. Dated 30 April 1971, it is from Legatee Donovan Joynt to the President of Legacy outlining Legacy's impact in the building the Shrine.Handwritten in blue ink, 'Copy' on front page and signed 'Donovan'.memorial, shrine of remembrance

Australian Natives Association stained timber plaque shaped as Australia dedicated as: A. N. A. Bendigo Branch IN HONOUR of those members who served in WORLD WAR 11 1939 1945 Three screw holes as fixing points

1. Jacket - khaki colour wool/polyester fabric Service dress style with belt. Buttons - dull gold coloured metal with shank with raised emblem and lettering. Crown, map of Australia and "AUSTRALIAN MILITARY FORCES". Collar, shoulder epaulettes with three metal rank insignia pips. Gold and red crown, officer pip, Letter "R" = Lieutenant Colonel Retired. Four front pockets - top patch pockets with button closure flap. Lower - inset pockets with button closure flap. Khaki colour cotton sateen fabric lining body of jacket, brown strip lining to sleeves. White cotton manufacturers label on lining inside below collar. 2. Belt - khaki colour wool/polyester fabric service dress style. Copper colour metal buckle with two pins. Leather belt keepers and brown plastic buttons.Manufacturers information on label - dark brown ink print. 1. "M.TX".uniform, army, service dress

Season 1990/91 Metropolitan & Country Trotting Association Membership BadgeEnamelled Yellow and Black Badge Front: Imprint of horse, sulky, driver / Metropolitan & Country Trotting Association/ 90/91. Back: Not Transferable / 4101.harness racing, trotting, badge, membership, 1990/91, metropolitan & country trotting association, m&cta

On Australian Ballet note paper, a letter to Patricia and John Davies regarding performances in New York and elsewhere.

Black timber framed leather tan carving.In the middle there is the insignia of the Australian Vietnam Forces 1962 - 1973. Above the insignia in black writing reads Honour The Dead. Under the insignia reads but fight Like Hell for The LivingHonour the Dead But Fight Like Hell For The Livingleather plaque, australian vietnam forces

The Hamilton-Smith collection was donated by the children of Grace Mary Hamilton-Smith nee Ellwood (1911-2004) and John Hamilton-Smith (1909-1984) who settled in Wodonga in the 1940s. The Ellwood family had lived in north-east Victoria since the late 1800s. Grace’s mother, Rosina Ellwood nee Smale, was the first teacher at Baranduda in 1888, and a foundation member of the C.W.A. Rosina and her husband Mark retired to Wodonga in 1934. Grace and John married at St. David’s Church, Albury in 1941. John was a grazier, and actively involved in Agricultural Societies. The collection contains significant items which reflect the local history of Wodonga, including handmade needlework, books, photographs, a wedding dress, maps, and material relating to the world wars. This item has well documented provenance and a known owner. It forms part of a significant and representative historical collection which reflects the local history of Wodonga. It contributes to our understanding of social and family life in early twentieth century Wodonga, as well as providing interpretative capacity for themes including local history and social history. A stack of used envelopes and postcards.letter, postcard, postcards, post, mail, letters, correspondence, envelope, wodonga, hamilton-smith, hamilton-smith collection

An example of badges issued by Legacy for fundraising during the Legacy Appeal and Badge Week. The donation value is $2. The date is approximately 2015 as it was still for sale in 2018. It is in the collection to show the modern equivalent of the older style badges. The badge of Legacy is the Torch and Wreath of Laurel. The Torch signifies the undying flame of service and sacrifice of those who gave their lives for their country. The Wreath of Laurel is the symbol of our remembrance of them. This badge is just the torch symbol, it does not have the laurel wreath. The card makes a tax deductible receipt.Example of Legacy badges that were sold up to raise money for Legacy's work. Legacy Appeal badge with the Legacy torch, it is made of red plastic in the shape of a torch with the word Legacy highlighted in gold. It is on a white card with blue printing showing it's value.legacy appeal, fundraising, badge week

"John Patrick Kelly" No. 2077, enlisted 26/5/15 in the 3rd Reinforcements in 24th Battalion, at age 28. Served in Gallipoli and France. Was WIA on 5/8/16 and discharged 15/6/17 due to his injuries.A.4 size, typed letter containing a general reference for John Patrick Kelly from his Platoon Captain, dated at top and signed at the bottom, recomm3ending him as a good honest employee.Dated 5th July 1922. Signed Capt. Stan Savige.john patrick kelly, reference, gallipoli, ww1

ENAMELLED METAL BADGE TOPPED WITH A YELLOW METALLIC CROWN WITH A GREEN 67. ON BADGE - WHITE BACKGROUND WITH TWO GROUPS OF MARKS ON THE TOP RIGHT & TOP LEFT. BLUE CIRCLE UNDER THIS WHICH READS " RETURNED SOLDIERS SAIILORS & AIRMEN". INSIDE THE BLUE - A METAL COLOURED CIRCLE IN WHICH THREE FIGURES WEARING DIFFERENT HATS. UNDERNEATH THIS BLUE SECTION IS A METAL COLOURED BANNER - IMPERIAL LEAGUE AUSTRALIA.FRONT - 67 RETURNED SAILORS SOLDIERS & AIRMEN, IMPERIAL LEAGUE AUSTRALIA BACK - W A CUMPSTONS A7375local history, numismatic, medals, military, medals, military

A letter from Andrew Fabinyi at Pergamon Press, regarding the title and format of 'Living in Australia', and other arrangements.Foolscap, 1 page

Baggy, khaki shorts waist held by two straps of same material. Buttons plain brass. Commonly called Bombay Bloomers.uniform, shorts, bombay bloomers

Hat bands, epaulettes & uniform belt of Clarence William SEWELL No 32094 RAAF. Enlisted 1.7.1940, discharged 6.2.1946 with the rank of Sgt in 26 Servicing and Repair unit.Navy blue felt uniform belt with metal buckle.belt, uniform, raaf

About the 1992 Barcelona Olympic Games donator Doug Pleasance wrote- During the 1980s the Australian wool industry was at its most prosperous times with record numbers of sheep producing wool receiving ever increasing values due to the success of the Reserve Price Scheme, and the overall guidance of the Australian Wool Corporation (AWC). As a humble technichian, my role was a low profile newly created position of “Controller, Technical Marketing” where wool was to be marketed on its technical properties, as distinct from the “Product Marketing Group” which exploited trhe traditional high profile approach of marketing wool;s superior fashion attributes. The Woolmark was the tool central to this approach. The 1992 Barcelona Olympic Games saw an evolutionary change in designer selection. A Declaration of Interest Form was communicated to over forty potential designers. The task and especially tight timelines that were involved deterred many aspirants, however, there remained eight designers with the potential we were seeking. These eight designers were paid $3,000 per submission and the winning designer, Wendy Powitt, was paid $15,000. For the first time the judging panel included two athletes, one male swimmer and one female basketballer, their influence was pivotal. The ensemble consisted of three elements- 1. The Official Uniform which was used for travel and all official functions. This included: a tailored blazer and trouser/skirt (all water repellent) by Fletcher Jones, pure wool olive-green faille fabric by Foster Valley, cotton PE formal shirt by Pelaco, pure wool knitwear by Spangaro, printed wool tie by TD Noone, wool nylon socks by Holeproof and footwear by Hush Puppy. 2. Opening Ceremony Uniform a lightweight wool fabric printed with floral designs that had been inspired by the work of Australian artist Margaret Preston. This included: Lightweight W/PE shorts by Fletcher Jones in Foster Valley Fabric, socks by Holeproof and footwear by Hush Puppy. 3. Village Clothing was designed to be highly visible garments to make it easy to ‘spot the Aussie’ and helped to contribute to good team spirit. This included: A pure wool shirt featuring blocks of contrasting colours, and a newly developed stretch 50:50 wool/cotton fabric by Bradmill was made into shorts and jeans by Fletcher Jones.Yellow shirt, one pocket on left breast. The cuffs and the collar are white.On label - Barcelona 1992 Official Uniform supplied by Australian Wool Corporation1992 barcelona olympics, wool, australian wool corporation