About the 1992 Barcelona Olympic Games donator Doug Pleasance wrote- During the 1980s the Australian wool industry was at its most prosperous times with record numbers of sheep producing wool receiving ever increasing values due to the success of the Reserve Price Scheme, and the overall guidance of the Australian Wool Corporation (AWC). As a humble technichian, my role was a low profile newly created position of “Controller, Technical Marketing” where wool was to be marketed on its technical properties, as distinct from the “Product Marketing Group” which exploited trhe traditional high profile approach of marketing wool;s superior fashion attributes. The Woolmark was the tool central to this approach. The 1992 Barcelona Olympic Games saw an evolutionary change in designer selection. A Declaration of Interest Form was communicated to over forty potential designers. The task and especially tight timelines that were involved deterred many aspirants, however, there remained eight designers with the potential we were seeking. These eight designers were paid $3,000 per submission and the winning designer, Wendy Powitt, was paid $15,000. For the first time the judging panel included two athletes, one male swimmer and one female basketballer, their influence was pivotal. The ensemble consisted of three elements- 1. The Official Uniform which was used for travel and all official functions. This included: a tailored blazer and trouser/skirt (all water repellent) by Fletcher Jones, pure wool olive-green faille fabric by Foster Valley, cotton PE formal shirt by Pelaco, pure wool knitwear by Spangaro, printed wool tie by TD Noone, wool nylon socks by Holeproof and footwear by Hush Puppy. 2. Opening Ceremony Uniform a lightweight wool fabric printed with floral designs that had been inspired by the work of Australian artist Margaret Preston. This included: Lightweight W/PE shorts by Fletcher Jones in Foster Valley Fabric, socks by Holeproof and footwear by Hush Puppy. 3. Village Clothing was designed to be highly visible garments to make it easy to ‘spot the Aussie’ and helped to contribute to good team spirit. This included: A pure wool shirt featuring blocks of contrasting colours, and a newly developed stretch 50:50 wool/cotton fabric by Bradmill was made into shorts and jeans by Fletcher Jones.Straw hat by brand ‘Akubra’ in the style ‘Olympian’, size 59. Sides of crown woven with decorative pattern and hatband printed with native Australian flora. Labels: Akubra / 59 / Olympian / MADE IN AUSTRALIA1992 barcelona olympics, uniform, australian wool corporation, hat

Black and white small format postcard of the Entrance Channel at Lakes Entrance, showing Eastern pier, sandy hummocks and ocean. Lakes Entrance VictoriaView of Entrance, Lakes Entrance, Vicwaterways, roads and streets, transport

Postcard produced by the Valentine publishing company of Moorabool St looking north and the corner of Ryrie St. In the view is tram No. 17 and another tram further north. Note the safety zone sign. In the view is the T&G building, the Bank of NSW, with a sign "Service for the Sick". The rear of the card notes it is a genuine photograph. Photo c1950.Yields information about the view of Moorabool St at Ryrie St c1950.Black and white Postcard undivided back, unused. Card No. V24.tramways, trams, geelong, moorabool st, tram 17

A 33 millimetre copper disc that was discovered by QC binks while he was out metal detecting for gold.bendigo, gold mining, qc binks, qc binks

This original tunic or jacket is part of the full dress uniform of the pre-Federation Victorian Permanent Artillery regiment. Its owner had the rank of Sergeant, as indicated by the three inverted chevrons. The Artillery design of the badges and buttons indicate the date of the tunic to be from 1893 to 1903. However the maker of the tunic, W. Moncton, began manufacture in Melbourne in 1899, so this the tunic can be dated between 1899 and 1903. The donor's grandfather was given this tunic but not the name of the original owner. It has since been suggested to the family that the tunic was worn by a local Western District Light Horse member. This could very well have been the case because mounted troops were officially referred to as the Light Horse in the late 19th to early 20th century. Several local men were involved in the Light Horse during the First World War. The donor's grandfather wore this tunic in the local district when riding a penny farthing bicycle. The donor's father also wore the tunic when dressed as a 'Captain' hosting a local disco dance. BRIEF MILITARY HISTORY- The Crimean War began In 1854 and many people in colonial Australia were afraid of a Russian attack. Volunteer forces were established to strengthen the British Imperial troops posted here. A battery of artillery was raised in Victoria as well as in other Australian states. In 1870 Australia became responsible for its own naval and military defence. The Volunteer Corps and Victorian Navy shared the responsibility of defending the existing forts, assisted by volunteer coastal and mobile field batteries. The Permanent Victorian Artillery force was established. It was disbanded in 1880 then re-formed in 1882 as the Victorian Garrison Artillery Corps. In 1895 the Geelong, Warrnambool, Port Fairy and Portland Batteries became part of the Western District Garrison Artillery. Many of the volunteers who served in the Artillery were from rural areas. They belonged to rifle clubs and were experience horsemen as well. Australia's defence at this time relied on these mounted troops, or Light Horse men. In 1899 the Victorian Garrison Artillery Corps amalgamated with the New South Wales and Queensland Permanent Artillery to become the Victorian Regiment of the Royal Australian Artillery (RAA). Then prior to Federation, the RAA and the Permanent Artillery of South Australia, Western Australia and Tasmania all combined, becoming the Royal Australian Artillery Regiment with two Batteries of Field Artillery; Battery A from Sydney and Battery B from Melbourne.This original uniform tunic of the pre-Federation Victorian Permanent Artillery is significant for its association with Australia's military defence and the fortifications of our district, state and country. The tunic is also significant, representing part of the history and evolution of uniforms in the Australian military forces. The tunic is also significant in its representation of Australia's independence in forming its own defences. The tunic has local significance in its connection with local social events.Tunic or jacket, part of the full dress uniform of the pre-Federation Victorian Permanent Artillery operating from 1893 to 1903. Original, single-breasted tunic of dark blue wool, red piping trim, black cotton lining in body. Sleeves lined with blue striped, white cotton. Front closure has eight brass buttons. Red band-style collar with hook-and-eye closure has gold bullion braid trim and a brass badge pinned each side at the front. Upper right sleeve has three inverted chevrons on red fabric with gold bullion braid trim (rank of Sergeant). Both sleeves have gold bullion braid 'Austrian knot' emblems stitched onto lower arm, with ends finishing on the inner sleeve. Shoulder epaulettes have red piping and smaller brass buttons. Closed back vent has vertical scalloped design with six brass buttons, in two columns of three, and red piping trim. Brass belt hook is attached to the left back waist, close to the seam (right side has a mark indicating a previous similar clip). Inside left breast is a concealed pocket. Tunic has both machine and hand stitching. All brass shank-style buttons have matching Artillery emblems with inscriptions on the back. The two brass collar badges have additional artillery emblems of exploding grenade and star as well as an inscription. Buttons were made for W. Moncton, of Melbourne and marked with his name. He traded from 1899, dating the tunic to between 1899 and 1903.Button front: Artillery emblem on front (field cannon facing left, in front of a muzzle-loading ram rod). Button back: engraved "W. MONCTON . MELBOURNE ." Collar badges: Artillery emblem (field cannon facing right | stars | exploding grenade | "AUSTRALIA")flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, uniform jacket, uniform tunic, garrison volunteer uniform, fortifications in victoria, victorian permanent artillery, pre-federation military uniform, sergeant's uniform, jacket, militia, victoria, victorian volunteer forces, victorian regiment, royal australian artillery, raa, field gun, sergeant, w. moncton, garrison, dress uniform, tunic, scarlet collar, red collar, scarlet piping, red piping, gold bullion, artillery emblem, light horse, artillery, mounted troops, victorian garrison artillery corps

One worn TB uniform clothing buttons donated by a former Ballarat Tram driver. Button about 23 diameter, with TB crest, with backing piece and lug for sewing on rear. Nickel plated silver? Badge has been worn on a jacket as in poor condition compared to new. Has name of manufacturer stamped on rear part - "Buttons Ltd" of Birmingham, England with their trade mark, a pair of fully opened scissors. See tm1762i2 for image. Donor of items 1259, 1260 and uniform jackets.tram, trams, mmtb, melbourne tramways, uniforms, buttons

Photographic postcard showing view of Beechworth Post Officebeechworth, post office

Postcard, WW1, B&W image of the corner of the road from Cachy to Marceleave, damaged memorial tombstone on the corner behind an iron fence and 'Marceleave' sign next to it. One copy ?33 'British Made" on reversepostcard, postcard, ww1, cachy, marceleave, france

herbert william evans

Rose Series postcard No. P 1701 titled "Elizabeth Street from Lonsdale Street Melbourne". Has a number of cable trams in the view, the closest one being a Brunswick tram. There is a policeman on point duty. In the view are signs for G A Grano Mantle manufacturers, Smiths Pawnbroker, State Savings Bank, one horse-drawn cart, and motor vehicles. On the west side footpath under an awning is a "Keep to the left" for pedestrians. Flinders St Railway Station can be seen in the far distance. The Brunswick cable tram line was closed Sept. 1935.Yields information about Elizabeth St, c1930Postcard - printed real photograph with Rose Stereograph Co. name on the rear.On rear in pencil "KM-M-076" and a Ken Magor stamp.trams, tramways, flinders st station, cable trams, elizabeth st

Postcard: On back of card 'Bendigo Pottery (Epsom) 1857, Australia's oldest pottery' Image shows brick kiln on LH side, building with kilns and chimneys in background. On back; Roser Series Colorview No. 887, copyright, published by the Rose Stereograph Co., Glen Waverley, Victoria'Roser Series, No. 887, Copyright'bendigo, buildings, bendigo pottery, bendigo pottery, rose series, kiln, pottery

A postcard in a series produced by the Rose Stereograph Company in Victoria, Australia as a souvenir of Marysville.A black and white photograph of the hut at the Meeting of the Waters near Marysville in Victoria.POST CARD REAL PHOTO THE "ROSE" SERIES DE LUXE PRODUCED IN AUSTRALIA Published by "The Rose Stereographs"/ Armadale, Victoria.meeting of the waters, marysville, victoria, rose series postcard, p. 2336, postcard, souvenir

Iron Wine Bottle De-corker with bench Clampstawell

Belonged to Lt. Col. Duffy MC - see catalogue No. 4991P.1 & 2. Officers Peak cap - blackwood felt fabric cap with red edge trim and red wool felt hat band and black leather chin strap secured by gilt Australian Military Forces metal buttons. At front of hat band is a gold coloured embroidered badge of a lion over a Queens crown. peak decorated with gold braid. 1. Lining - black satin fabric with plastic cover, mid brown leather sweatband. Makers label "Commonwealth/Government/Clothing Factories/Melbourne" 7 3/6. 2. Lining - brown satin fabric, mid brown leather sweatband. uniform, military

Riding crops favoured by Officers in First World War and between wars. Attraction declined with loss of horses and mechanization.Limited display valueTwo platted leather riding crops - one having two .303 rounds arrange as handle, however end flap is missing.saddlery, riding crops, leathercraft, horse riding equipment, bullet casings, wwi, 1914-1918, world war one, first world war, mounted soldiers

Single sheet of off white paper printed by MMTB titled "Electric Tram Driver's Certificate" and certifying that E. Benson has passed the Board's Examination for a Tram Driver. Dated 19/1/46, given No. 1857, signed by E McCormack as Instructor and S M Richardson as Manager. Signed on the left margin by E. Benson, No. 453. Form No. 3/232, June 44trams, tramways, drivers, certificates, mmtb, forms

The wallet and photos, postcards were owned by Jack Grinton No 1043, 38th Batt AIF. A small piece of shrapnel (1278.2) passed through the wallet and damaged all the 22 cards, photos. Refer 1317P, 1320P. Part of the Grinton collection which included hundreds of negatives and developed photos that he took during the Great War. Refer Cat No 1280 for service details..1 Tan leather wallet with shrapnel hole in back. .2-.21 Postcard sized photos .22 Small photo of 2 women and a young boy. Most items were damaged by shrapnel."1043 38th Battalion"personal effects-money containers, photography-photographs

Set of papers collected for the archives relevant to the visit of BTM Horse Tram No. 1 for the 2002, Melbourne Moomba trams on Parade. .1 - "Call Sheet" - four A4 sheets, giving details of the participant, times, assembly area, parking, contact and notes. Also sheet listing trams in Parade (black and white), Assembly information, and a plan of the tram assembly area showing the location of the various display trams. .2 - Colour A4 sheet of the trams on parade in order of appearance and details of the street party that followed. .3 - Photocopy of a letter from the organisers (Arts Projects Australia) thanking the BTM for participating. .4 - Copy of National Express Group company newsletter for Week 11, 15/3/2002, titled "Weekly Update" with a photograph of the horse tram in the parade with the South Melbourne skyline in the background. See pdf file for full copy.trams, tramways, moomba, trams on parade, melbourne, btm

Rose Series postcard No. P 3276 titled "Swanston Street Melbourne", looking south from just north of Bourke Street. Has four W2 class trams in the view and a double decker bus waiting to cross. Yields information about the intersection of Bourke and Swanston Sts.Postcard - printed real photograph with Rose Stereograph Co. name on the rear.Has "K J Magor" stamp on rear.trams, tramways, w2 class, swanston st, bourke st, buses, mmtb buses, td5c class, leyland

Part of the Kevin John Herdman No.397661 Collection. See Catalogue No. 5942P for details of his service record.Two pairs of jungle green coloured slide shoulder boards. Each is embroidered with Lieutenant's pips.uniform, shoulder board, lietenant, kevin john herdman

Mother Courage (Stoneridge Scooter Imp P 1.50.8 - Talk To Me Vic P 1.59.6 (What's Next)) Bay Mare. Foaled 1995 (3rd Foal) Breeder/Owner: Castle Family Pty Ltd. Trainer B Morgan. Mother Courage raced from 1998 (2yo) through to 2003 (7yo). Career: 30 wins 19 seconds 9 thirds 81 starts $462,520 1.56.9 Winning Drivers: JJ Caldow (27) BR Gath (3). Won on 8 Tracks: Moonee Valley (14) Ballarat (6) Bendigo (2) Horsham (2) Maryborough (2) Kilmore (2) Hamilton (1) Mildura (1)Mother Courage won the 1999 Gold Chalice 3yo Fillies race at Moonee Valley over 2060m at a mile rate of 2.04.5. Driven by JJ Caldow. Defeating Jilliby Magic 2nd and Dame Rainbow 3rd.Cup Shaped Trophy on a Wooden BaseGold Chalice / 3yo Fillies / Moonee Valley Saturday 19 June 1999 / Won by / "Mother Courage" / Proudly donated by the / Victorian Standardbred Breeders & / Studmasters Associationtrophy, harness horse, mother courage, 1999, moonee valley, gold chalice, 3yo fillies, victorian standardbred breeders & studmasters association, jj caldow, john caldow, bruce morgan, b morgan

Uniforms for the 1992 Barcelona Olympic Games were designed by Wendy Powitt in conjunction with the AWC. Doug Pleasance, donor of these items, worked for the AWC and closely with Wendy Powitt, obtaining these uniform examples. About the Olympic Uniforms Doug wrote- 1. The Official Uniform which was used for travel and all official functions. This included: a tailored blazer and trouser/skirt (all water repellent) by Fletcher Jones, pure wool olive-green faille fabric by Foster Valley, cotton PE formal shirt by Pelaco, pure wool knitwear by Spangaro, printed wool tie by T D Noone, wool nylon socks by Holeproof and footwear by Hush Puppy. 2. Opening Ceremony Uniform a lightweight wool fabric printed with floral designs that had been inspired by the work of Australian artist Margaret Preston. This included: Lightweight W/PE shorts by Fletcher Jones in Foster Valley Fabric, socks by Holeproof and footwear by Hush Puppy. 3. Village Clothing was designed to be highly visible garments to make it easy to spot the Aussie and helped to contribute to good team spirit. This included: A pure wool shirt featuring blocks of contrasting colours, and a newly developed stretch 50:50 wool/cotton fabric by Bradmill was made into shorts and jeans by Fletcher Jones.Men's tan coloured shoes with appliqued leather design attached to the laces creating a wave-like point on the sides of the shoes.1992 barcelona olympics, sport, athletes, fashion, design, uniform