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Marysville & District Historical Society
Postcard (item) - Black and white postcard, Rose Stereograph Company, Panoramic View of Marysville, Vic, 1913-1967
A postcard in a series produced by the Rose Stereograph Company in Victoria, Australia as a souvenir of Marysville.An early photograph of a panoramic view of Marysville, Victoria.REAL PHOTO POST CARD THE "ROSE" SERIES DE LUXE PRODUCED IN AUSTRALIA PUBLISHED BY "THE ROSE STEREOGRAPHS" Armadale,/ Victoria.marysville, victoria, postcard, p. 2301, souvenir, rose series postcard -
Warrnambool and District Historical Society Inc.
Postcard - Church photograph, 1900s
This photograph shows the interior of St. Joseph's church about 1911. St Joseph's church was the third Catholic church in Warrnambool with the Foundation Stone of the present day church in Lava Street laid in 1869 and the second stage of the building completed in 1889, the architects being Jobbins and McLeod. No information is available on the writer of the postcard.This postcard is of interest as it features a rare interior of a major church in Warrnambool.This is a postcard featuring a glossy photograph of the interior of St. Joseph's church, Warrnambool in sepia tones. The photograph is of the nave and the main altar on a festive occasion. The back of the postcard has hand writing in black ink INTERIOR OF ST. JOSEPH'S CHURCH, WARRNAMBOOLst. joseph's church warrnambool, postcard warrnambool -
Lakes Entrance Regional Historical Society (operating as Lakes Entrance History Centre & Museum)
Souvenir - cat salt and peppers
ceramics, porcelain -
Whitehorse Historical Society Inc.
Souvenir - Calendar, 1975
Calendars produced for Luscombe butchers of Blackburn Victoria to be given to customers.1975 Calendar produced for J. H. & R. K. LUSCOMBE and staff, Butchers. 6 pages with coloured scenes of Australian rural areas. Each page has two months calendars under the rural scene. On the reverse side of pages have meal recipes & cooking tips.With compliments from J.H. & R.K. Luscombe & staff, 18 Chapel Street, Blackburn, 3130. Phone 878-2834 18 chapel st blackburn, blackburn shops, j h & r k luscombe, butcher shops -
Kew Historical Society Inc
Postcard, A Newhaven Fishwife, c.1928
Collection of thirty-nine postcards donated by Jillian Rigby which had been owned by her grandparents, George and Edith Weir, who from c.1917 lived at 84 Princess Street, Kew. The mostly 'mint' postcards were purchased in Victoria and while travelling overseas. The sole dated postcard is dated from 1929. The postcards are numbered sequentially from 2017.0058.01-39. The remainder of the collection donated by Jill Rigby which was once owned by the Weirs of Broken Hill and Kew consist of costumes, costume accessories, photographs, and documents.The postcards in the Weir collection, especially those purchased on a trip or trips to the mother country, i.e. United Kingdom, represent a representative sample of sites that were considered significant to those Australians undertaking a reverse grand tour by member of the erstwhile colonies. Those postcards which are early views of Melbourne must have been produced commercially for some decades from the early part of the 20th century.Newhaven is in Edinburgh, Scotland. Portraits of fishwives were popular subjects for postcards due to the colourful, layered, striped outfits that they wore. The fishwife sits on rocks beside a basket of fish. The postcard would appear to be a studio portrait. The postcard was probably purchased by George and Edith Weir on a trip to England and Scotland, circa 1928."A Newhaven Fishwife"postcards, george and edith weir, newhaven - east sussex, fishwife series, weir collection, postcards — england — uk -
Ringwood and District Historical Society
Letter, Major-General Beavis - An Appreciation by Major Warren Perry -Circa 1975
Typed NotesThe Late Major-General L.E.Beavis An Appreciation -By Major Warren Perry, R.L. -
Melbourne Tram Museum
Postcard, "Sorrento from the Beach", c1900
Coloured postcard of the Sorrento Pier looking towards the Beach. Has many people on the pier, waiting to board the ferry along with other people walking out. Has the buildings of Sorrento including the Hotel in the view. Postcard has been used and appears to have been taken from an album given the paper damage on the rear. No publisher details.Yields information about the Sorrento pier and its beaches.Coloured postcard, divided back type has been used.sorrento, piers, ferries -
Melbourne Legacy
Postcard, Australians Advancing from Villers-Brettonneux. August 8th 1918, 1918
A greeting card published by the Australian Comforts Fund for Christmas and New Year 1918-19. It shows important battles involving Australians in 1918. A painting of Villers Brettonneux battle on 8 August 1918 by Captain Will Longstaff who was an A.I.F. War Artist with an explanation of the offensive. Also a painting of the capture of Hamel Village on 4th July 1918 where Australians were assisted by a detachment of Americans. The war artist was A. Pearse. Was with other World War 1 memorabilia that has come from J.B. McLean. Some of the text: 'On the night of 24th August 1918, the Australians made a daring and clever counter attack in the darkness, recaptured Villers-Brettonneux, stopped the German advance and saved Amiens. This, and the Battle of Hamel, were only a prelude to the smashing advance which commenced on 8th August. Extract from Australian Corps Order, issued on 7th August:- "For the first time in the history of this Corps all five Australian Divisions will tomorrow engage in the largest and most important battle operation ever undertaken by the Corps." 85,000 Australians were engaged (with Canadians on their right and British Divisions on their left), supported by powerful artillery, tanks and aeroplanes. In this battle 7,000 prisoners, 150 guns with an immense number of machine guns and war material were captured. On August 31st and September 1st and 2nd Mont St. Quentin and Peronne fell to the Australians in three days, defeating the flower of the Prussian Guard.'A example of publications made for the troops in World War 1.A greeting card published for the Australian Comforts Fund in 1918.Greetings from Billworld war one, souvenir -
Ringwood RSL Sub-Branch
Souvenir - Badges RAAF 50 mm round
Badges RAAF 50 mm round chromedRAAF button chromed -
Bendigo Historical Society Inc.
Postcard - POSTCARD. HEATH FLOWERS HELD IN FINGERS
Postcard. Ungloved hand holding Heath flowers. Rear. Names deleted. Shamrock Street off High Street. -
Bendigo Historical Society Inc.
Postcard - BASIL WATSON COLLECTION: POSTCARD 100 HP ANZANI HANDLEY PAGE BIPLANE
Postcard: faded sepia. Biplane on ground. On bottom ' Flying at Hendon, 100 H.P. Anzani, Handley Page, Bi-plane'.aviation, civilian, anzani handley, basil watson -
Melbourne Tram Museum
Letter, Australian General Electric, "Footscray Tramway Substation", early 1920's
Set of letters, delivery documents, lists of equipment and cost estimate sheets for the provision of sub-station and rotary converted equipment by Australian General Electric Company to the MMTB for use at the Footscray Tramway Substation, covering the period of late 1920 to mid 1922. Details typed lists and letters, carbon copies and handwritten estimates. Prepared by quarto and ruled foolscap paper, some secured by paper clips.trams, tramways, footscray, substation, ftt, electrical equipment, electrical engineering, contracts, general electric, mmtb, rotary converters, tramway construction -
Bendigo Military Museum
Uniform - PUTTEES - WRAPPINGS, 1900’s - 1930’s
.1) Wrapping made of dark wool with cotton ( Khaki ) tape at one end. .2) Wrapping made of dark wool with cotton ( Khaki ) tape at one end.“Made in Australia VX 52463 LHM” military-equipment, uniforms - military, costume - footwear, leggings -
Bendigo Historical Society Inc.
Postcard - BLACK AND WHITE PHOTO THE FAIRIES' TREE FITZROY GARDENS MELBOURNE
Black and white photo ' The Sculptor at Work on her Gift to the Children of Melbourne' - The Fairies' Tree in the Fitzroy Gardens Melbourne , Sculptor Miss Ola Cohn, A.R.C.A. (London ) Photographed by The Argus -Melbourne // rear of postcard shows a message from Miss Ola Cohn / card was published by the Rose Stereograph Co. Armadale , Victoria.photograph, person, female, the fairies' tree in the fitzroy gardens melbourne , sculptor miss ola cohn a.r.c.a london , the argus -melbourne / published by the rose stereograph co. armadale , victoria. -
Stawell Historical Society Inc
Uniform - Costume and Accessories, c1960
Brass Band Uniform. White Shirt. 4 Ties. Navy Blazer with Gold buttons. Trim on sleeves lapels and shoulders. Navy hat, Gold Buttons and Braid. Navy trousers with gold edged braid down outside of leg. Mr P R (Rex) Overall.stawell clothing material -
Moorabbin Air Museum
Uniform (Item) - Metal Uniform Button RCAF Bird & Crown
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Glenelg Shire Council Cultural Collection
Souvenir - Souvenir Mug - Portland, Victorian, n.d
('VICTORIA'S BIRTHPLACE', in black, beneath ship. (b) Mug in black cardboard box with cut out frontBack: Base: Maker's stamp, in black -
Bendigo Military Museum
Uniform - CAP, PEAKED, Commonwealth Government Clothing Factories, Melbourne
Belonged to Lt. Col. Duffy MC - see catalogue No. 4991P.1 & 2. Officers Peak cap - blackwood felt fabric cap with red edge trim and red wool felt hat band and black leather chin strap secured by gilt Australian Military Forces metal buttons. At front of hat band is a gold coloured embroidered badge of a lion over a Queens crown. peak decorated with gold braid. 1. Lining - black satin fabric with plastic cover, mid brown leather sweatband. Makers label "Commonwealth/Government/Clothing Factories/Melbourne" 7 3/6. 2. Lining - brown satin fabric, mid brown leather sweatband. uniform, military -
National Wool Museum
Uniform - 1992 Barcelona Olympic Games Akubra Hat, Akubra, c1992
About the 1992 Barcelona Olympic Games donator Doug Pleasance wrote- During the 1980s the Australian wool industry was at its most prosperous times with record numbers of sheep producing wool receiving ever increasing values due to the success of the Reserve Price Scheme, and the overall guidance of the Australian Wool Corporation (AWC). As a humble technichian, my role was a low profile newly created position of “Controller, Technical Marketing” where wool was to be marketed on its technical properties, as distinct from the “Product Marketing Group” which exploited trhe traditional high profile approach of marketing wool;s superior fashion attributes. The Woolmark was the tool central to this approach. The 1992 Barcelona Olympic Games saw an evolutionary change in designer selection. A Declaration of Interest Form was communicated to over forty potential designers. The task and especially tight timelines that were involved deterred many aspirants, however, there remained eight designers with the potential we were seeking. These eight designers were paid $3,000 per submission and the winning designer, Wendy Powitt, was paid $15,000. For the first time the judging panel included two athletes, one male swimmer and one female basketballer, their influence was pivotal. The ensemble consisted of three elements- 1. The Official Uniform which was used for travel and all official functions. This included: a tailored blazer and trouser/skirt (all water repellent) by Fletcher Jones, pure wool olive-green faille fabric by Foster Valley, cotton PE formal shirt by Pelaco, pure wool knitwear by Spangaro, printed wool tie by TD Noone, wool nylon socks by Holeproof and footwear by Hush Puppy. 2. Opening Ceremony Uniform a lightweight wool fabric printed with floral designs that had been inspired by the work of Australian artist Margaret Preston. This included: Lightweight W/PE shorts by Fletcher Jones in Foster Valley Fabric, socks by Holeproof and footwear by Hush Puppy. 3. Village Clothing was designed to be highly visible garments to make it easy to ‘spot the Aussie’ and helped to contribute to good team spirit. This included: A pure wool shirt featuring blocks of contrasting colours, and a newly developed stretch 50:50 wool/cotton fabric by Bradmill was made into shorts and jeans by Fletcher Jones.Straw hat by brand ‘Akubra’ in the style ‘Olympian’, size 59. Sides of crown woven with decorative pattern and hatband printed with native Australian flora. Labels: Akubra / 59 / Olympian / MADE IN AUSTRALIA1992 barcelona olympics, uniform, australian wool corporation, hat -
Glenelg Shire Council Cultural Collection
Souvenir - Spoon, n.d
Spoon, boxed, silver coloured metal; round enamelled badge, white ram's head on orange background "CASTERTON VIC' above ram's head. Small silver coloured model of a ram's head hanging below badge.Back: NCV Made in Australia -
Bendigo Military Museum
Uniform - SHIRT, ARMY, Australian Defence Industries, 1980
Shirt - green colour cotton fabric with long sleeves, shoulder epaulettes, two front pockets with button down flaps, plastic buttons. Cotton Manufacturers label - green colour with off white cotton label stitched over first label, below collar, both with black print information. Army workdress shirt commonly called "Greens".Green cotton label information - black ink print. "VICTORIA/1980/^ /SIZE 37/81/ 8405, 66, 093,2429/SERVICE NO./ NAME" Off white cotton label information - black ink print with handwritten details: "THIS TAG IS FOR IDENTIFICATION ONLY/ PLEASE REMOVE BEFORE WEARING/ Product No. 80021/5/Order No. 29100320/Size 37-81/Garment No. 20680D/Remarks".uniform, army, workwear -
Bendigo Military Museum
Uniform - HAT, SLOUCH, 1939 - 1946
Australian Slouch hat, Kahki with rising sun badge, light Kahki coloured pugaree with colour patch rectangular shape with light blue & white centre, dark blue background with light grey behind denoting AIF WW2.hats, slouch, military -
Bendigo Historical Society Inc.
Postcard - BASIL WATSON COLLECTION: POSTCARD BIPLANE FLYING OVER PADDOCK
Postcard: Biplane flying over paddock, trees on RH side. No location given.aviation, civilian, biplane, basil watson collection, bi-plane. -
Kew Historical Society Inc
Postcard, The Conservatory, Fitzroy Gardens Melbourne, 1930s
One of a number of 'real photo' and commercial postcards created by or owned by members of the Christian and Washfold families of Kew. The postcards are part of a larger collection of photographs, postcards and publications donated to the collection in May 2021.A black and white commercial postcard, part of the Rose Series P 1704 depicting The Conservatory in the Fitzroy Gardens, MelbourneThe Rose Series P. 1702conservatory -- fitzroy gardens, postcards -- melbourne, postcards -- the rose series, christian-washfold collection -
Warrnambool and District Historical Society Inc.
Souvenir - Stick Pin, Warrnambool Australia, C 1990
This stick pin was produced as a souvenir of Warrnambool . It features Norfolk Island Pines and the ocean, images which formed the logo of the city of Warrnambool some years ago.It is likely the pin was a gift from the City Council to visitors at conferences etc.This badge is retained for display purposes. This is a circular metal badge with a projecting pin attached to the back. The badge has a gilt edging, gold lettering and an image of green trees and blue waves on a cream background.WARRNAMBOOL AUSTRALIA warrnambool, stick pin, souvenir -
Bendigo Military Museum
Uniform - JACKET, WORK DRESS - ARMY, Australian Defence Industries, 2008
DCPU (Disruptive Pattern Camouflage Uniform) Work dress jacket - Colours light to dark green through to light to dark brown. Gore-Tex fabric for wet weather. Hood with peak and elastic drawstring with plastic lock clip. Plastic/metal two ended zipper and metal press studs - front fastening. Two front pockets with loop and hook (Velcro) fasteners. Two interior nylon mesh pocket with zipper. Sleeves at wrist - loop and hook adjustable strap. White colour polyester fabric manufacturers label on front zipper. Manufacturers information on label - black ink print. Label 1 "GSSM/www.gssm.com.au/MAR 2008/O/N 248007/ N/S/N 8415 - 66 - 145- 7093/ SIZE:L/ CHEST: 100-110CM /NAME/SERVICE" "CARE INSTRUCTIONS/ MACHINE WASHABLE: 40c/ DO NOT BLEACH/ DO NOT SPIN DRY/ DO NOT WRING/HAND TO DRY/ LIGHT/ COOL IRON/ FABRIC CONTENT/ FACE/LINER: 100% POLYESTER/ LAMINATE: PTFE" Label 2. "BATCH NO./5301011". uniform, army, work dress, dpcu -
Dandenong/Cranbourne RSL Sub Branch
Uniform - RAAF Blue Forage Cap, 1944
This cap potentially belonged to Ronald Edward Smith, Service number 419886. Date of birth - 30 Jun 1916 : Place of birth - MELBOURNE VIC : Place of enlistment - MELBOURNE : Next of Kin - SMITH ETHELThis hat holds representative significance as a generic RAAF officers forage cap. Further research into the potential owner could uncover other significance.Dark blue cap with medal ribbon attached to the side. RAAF eagle badge attached to peak of cap left hand side. Two buttons at peak of cap. The cap is lined with brown polished cotton twill and has a light brown cotton velveteen sweatband.Tag inside cap: 330 1944/Made in Australia / Size 1/8 Service number written in pen: 419886 (or 419856)raaf, australia, air force, cap, hat, beret, wwii, world war two -
National Wool Museum
Uniform - 1992 Albertville Winter Olympics Jumper, Hugh Lyon, 1992
Woollen dark blue jumper with Olympic coloured stripes on collar and sleeve as well as inside pockets. Australian Olympic logo placed on right breast of jumper.On Jumper - AUSTRALIA ALBERTVILLE 1992sport, athletes, fashion, design, uniform, 1992 albertville winter olympics -
Melbourne Legacy
Letter, Intermediate Legacy Club
A letter thanking Miss Lorna Skinner for her work with the Don Esses boys. The photos appear to be an outing of young children and some ILC members or Legatees. Background: The ILC was formed in 1929. The idea of the club sprang from those boys who had outgrown the Junior Legacy Club. In the early days it fielded a lacrosse team and it was this that mainly held the members together. Enthusiasm wained after a few years as it lacked a solid objective. The answer came from one of its members and in 1938 they founded the Don Esses Club. This was a club for the children of incapacitated ex-servicemen which met every Thursday night at 7.30 run by the ILC members. The name came from the signallers' code Disabled Servicemen's Sons. During the second world war 80% of the members of the ILC enlisted in the services. Leaving only 8 members that could not join due to ill health or reserved occupations. They continued the Don Esses and whatever aid they could to Legacy. ILC members had always helped Legacy where possible including being camp leaders or camp staff, with the annual demonstrations, and coffee stalls at the ANZAC dawn service. Post second world war some ILC members were nominated into Legacy, others drifted away in civil occupations. It was found difficult to recruit new blood into the ILC and eventually membership waned when the boys from the Don Esses clubs found other youth activities to join. The ILC ceased to meet regularly in the mid fifties. However a strong comradeship still existed between members and they would meet in one anothers homes. Members were always ready to help the senior Legacy Club in any way in their power and still helped at Christmas parties and summer camps. ILC was a service rendering organisation and was self governing. Non-sectarian and non-political, the members were ex-junior legatees over 18 years of age. After serving in World War 2 members were eligible to become members of Legacy. Was in a folder of material collated about the ILC by an early archive committee. Record that the ILC had help from Lorna Skinner with the Don Esses boys classes. An example of the ILC letterhead and they used the Legacy logo with a banner saying ILC.White A4 photocopy with black type from ILC to Lorna Skinner in 1945 attached to a photocopy of two photos.Handwritten 'Box 11 Box 5, which was part of an early archive project numbering system. Signed KT Herron.ilc, junior legatee -
Glenelg Shire Council Cultural Collection
Souvenir - Sherry Glass - Shire of Portland, c. 1988
Clear glass, sherry glass with gold rim, gold printed Shire of Portland logo.