Showing 7371 items
matching tools-and-equipment
Container (1458)
Equipment (1926)
Functional object (4199)
Instrument (419)
Machine (366)
Tool (1749)
Vehicle (156)
Weapon (461)
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Bendigo Military Museum
Equipment - CARRIER, WATER BOTTLE, c. 1939 - 45 possible
Water bottle carrier made from webbing with 2 buckles, press stud fastener."3158055" handwritten inside webbingmilitary equipment, webbing, water -
Working Heritage Crown Land Collection
Functional object - Nail, Nail - medium rod shaped spring
Corroded nail that is square in shape from end to end.archaeology, historic building, former royal mint -
Flagstaff Hill Maritime Museum and Village
Functional object - Weight, 1878
History of the Loch Ard: The Loch Ard got its name from ”Loch Ard” a loch which lies to the west of Aberfoyle, and the east of Loch Lomond. It means "high lake" in Scottish Gaelic. The vessel belonged to the famous Loch Line which sailed many vessels from England to Australia. The Loch Ard was built in Glasgow by Barclay, Curdle and Co. in 1873, the vessel was a three-masted square-rigged iron sailing ship that measured 79.87 meters in length, 11.58 m in width, and 7 m in depth with a gross tonnage of 1693 tons with a mainmast that measured a massive 45.7 m in height. Loch Ard made three trips to Australia and one trip to Calcutta before its fateful voyage. Loch Ard left England on March 2, 1878, under the command of 29-year-old Captain Gibbs, who was newly married. The ship was bound for Melbourne with a crew of 37, plus 17 passengers. The general cargo reflected the affluence of Melbourne at the time. Onboard were straw hats, umbrella, perfumes, clay pipes, pianos, clocks, confectionery, linen and candles, as well as a heavier load of railway irons, cement, lead and copper. There were other items included that were intended for display in the Melbourne International Exhibition of 1880. The voyage to Port Phillip was long but uneventful. Then at 3 am on June 1, 1878, Captain Gibbs was expecting to see land. But the Loch Ard was running into a fog which greatly reduced visibility. Captain Gibbs was becoming anxious as there was no sign of land or the Cape Otway lighthouse. At 4 am the fog lifted and a lookout aloft announced that he could see breakers. The sheer cliffs of Victoria's west coast came into view, and Captain Gibbs realised that the ship was much closer to them than expected. He ordered as much sail to be set as time would permit and then attempted to steer the vessel out to sea. On coming head-on into the wind, the ship lost momentum, the sails fell limp and Loch Ard's bow swung back towards land. Gibbs then ordered the anchors to be released in an attempt to hold its position. The anchors sank some 50 fathoms - but did not hold. By this time the ship was among the breakers and the tall cliffs of Mutton Bird Island rose behind. Just half a mile from the coast, the ship's bow was suddenly pulled around by the anchor. The captain tried to tack out to sea, but the ship struck a reef at the base of Mutton Bird Island, near Port Campbell. Waves subsequently broke over the ship and the top deck became loosened from the hull. The masts and rigging came crashing down knocking passengers and crew overboard. When a lifeboat was finally launched, it crashed into the side of Loch Ard and capsized. Tom Pearce, who had launched the boat, managed to cling to its overturned hull and shelter beneath it. He drifted out to sea and then on the flood tide came into what is now known as Loch Ard Gorge. He swam to shore, bruised and dazed, and found a cave in which to shelter. Some of the crew stayed below deck to shelter from the falling rigging but drowned when the ship slipped off the reef into deeper water. Eva Carmichael a passenger had raced onto the deck to find out what was happening only to be confronted by towering cliffs looming above the stricken ship. In all the chaos, Captain Gibbs grabbed Eva and said, "If you are saved Eva, let my dear wife know that I died like a sailor". That was the last Eva Carmichael saw of the captain. She was swept off the ship by a huge wave. Eva saw Tom Pearce on a small rocky beach and yelled to attract his attention. He dived in and swam to the exhausted woman and dragged her to shore. He took her to the cave and broke the open case of brandy which had washed up on the beach. He opened a bottle to revive the unconscious woman. A few hours later Tom scaled a cliff in search of help. He followed hoof prints and came by chance upon two men from nearby Glenample Station three and a half miles away. In a complete state of exhaustion, he told the men of the tragedy. Tom then returned to the gorge while the two men rode back to the station to get help. By the time they reached Loch Ard Gorge, it was cold and dark. The two shipwreck survivors were taken to Glenample Station to recover. Eva stayed at the station for six weeks before returning to Ireland by steamship. In Melbourne, Tom Pearce received a hero's welcome. He was presented with the first gold medal of the Royal Humane Society of Victoria and a £1000 cheque from the Victorian Government. Concerts were performed to honour the young man's bravery and to raise money for those who lost family in the disaster. Of the 54 crew members and passengers on board, only two survived: the apprentice, Tom Pearce and the young woman passenger, Eva Carmichael, who lost her family in the tragedy. Ten days after the Loch Ard tragedy, salvage rights to the wreck were sold at auction for £2,120. Cargo valued at £3,000 was salvaged and placed on the beach, but most washed back into the sea when another storm developed. The wreck of Loch Ard still lies at the base of Mutton Bird Island. Much of the cargo has now been salvaged and some items were washed up into Loch Ard Gorge. Cargo and artefacts have also been illegally salvaged over many years before protective legislation was introduced in March 1982. One of the most unlikely pieces of cargo to have survived the shipwreck was a Minton majolica peacock- one of only nine in the world. The peacock was destined for the Melbourne 1880 International Exhibition in. It had been well packed, which gave it adequate protection during the violent storm. Today the Minton peacock can be seen at the Flagstaff Hill Maritime Museum in Warrnambool. From Australia's most dramatic shipwreck it has now become Australia's most valuable shipwreck artifact and is one of very few 'objects' on the Victorian State Heritage Register.The shipwreck of the Loch Ard is of significance for Victoria and is registered on the Victorian Heritage Register ( S 417). Flagstaff Hill has a varied collection of artefacts from Loch Ard and its collection is significant for being one of the largest accumulation of artefacts from this notable Victorian shipwreck. The collections object is to also give us a snapshot into history so we can interpret the story of this tragic event. The collection is also archaeologically significant as it represents aspects of Victoria's shipping history that allows us to interpret Victoria's social and historical themes of the time. The collections historically significance is that it is associated unfortunately with the worst and best-known shipwreck in Victoria's history. Small copper alloy weight shaped like a domed bell. Recovered from the wreck of the Loch Ardflagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, loch line, loch ard, captain gibbs, eva carmichael, tom pearce, glenample station, mutton bird island, loch ard gorge, copper alloy weight, weight, weights and measures, scale weight -
Clunes Museum
Equipment - NAILS
HAND MADE CAST IRON / METAL NAILS. DIFFERENT LENGTHSlocal history, metal craft, hand made nails -
National Vietnam Veterans Museum (NVVM)
Equipment - Equipment, Army, Pocket knife
Metal pocket knife - army issueDAD Opener 15737pocket knife -
National Vietnam Veterans Museum (NVVM)
Functional Object - Cigarette Lighter
Zippo style silver cigarette lighter. "F Foon" engraved on surface, "Matilda" engraved on bottom surface of lighter.cigarette lighter, foon -
Stawell Historical Society Inc
Equipment - Realia - Glassware, Pyrex, Aunde / Norwellan
North Western Woolen Mills became Norwellan Textiles then AUNDEGlass Filter Funnel - SmallPyrex Englandlab, bennett -
Clunes Museum
Functional object - SHEET MUSIC, SYLVIA'S FOOTSTEPS - (DANCE PASTORALE)
Dun coloured booklet of sheet music, 4 pagesInk Stamp on front cover "A GROSE"ethel barnby, a grose, sheet music -
Glenelg Shire Council Cultural Collection
Weapon - Whaling Spade Lance, n.d
Part of collection purchased from Brendan Kurtze by the City of Portland in 199...?Spade Lance - Iron, painted black gloss, no handle. Whaling implement flat blade pointed one end and handle sleeve on the other end.Front: - Back: -whaling, maritime history, maritime industry -
Stawell Historical Society Inc
Functional object - Bottle
Stoneware Bottle (F.C. Heywood Stawell) Ginger Beerstawell -
Working Heritage Crown Land Collection
Functional object - Iron Hook
Iron wall plate painted pinkish cream with a semi-circular hook historic building, former royal mint -
Rutherglen Historical Society
Functional object - Hinge, 1900s
Heavy hinge for sheds or barnsfarms barns sheads wearhouses -
Queenscliffe Maritime Museum
Machine - Outboard Motor
Twin cylinder water cooled 2 stroke McCulloch outboard motor 7.5 HPModel A2DB Serial No 1534 -
Queenscliffe Maritime Museum
Machine - Drum Winch
This drum winch was used by the Pilot Service to haul dinghies into the work shed in Tobin Drive Queenscliff. It was situated on the slip way on the fishermen's pier.This drum winch was used by the Pilot Service when it was situated on the slip way on the fishermen's pier in Queenscliff.Drum winch used by the Port Phillip Pilotswinch, port phillip sea pilots -
Bendigo Military Museum
Equipment - COMPASSES, RAAF, C.1939 - 45
Item belonged to Victor Henry Evans No 418655 RAAF. Refer Cat No 1760.4. A bakelite cylindrical container with an emergency compass. Inside the screw on lid another compass loose inside the container. .1) cylinder. .2) lid. .3) second compass.compass raaf, emergency, equipment -
National Vietnam Veterans Museum (NVVM)
Equipment - Canteen cover
Green canvas holder which is fleece lined. Two press studs in metal. Green webbing on back with two metal clasps used to attach to belt.Printed "Cover Water Canteen"canteen -
National Wool Museum
Functional object - Mending Table, c1930
Any faults in the final product can be repaired by mending. Prior to more advanced machinery, fabric was draped over a mending table and carefully inspected for faults. Quick eyes and nimble fingers were needed. Repairing faults was a highly skilled manual operation. Any knot or thickness had to be removed without affecting the quality of the fabric and mending had to be invisible. In the 1930s to make the day pass faster, popular records were played to the factory workers in the mending room. The top of the table is propped up to make it a well-lit surface over which bolts of fabric were unrolled to check for faults. Menders repaired them with invisible hand stitching. Each weaver stitched a coloured thread in the selvage to show the start of their shift, therefore if mistakes were found the company could easily find who was responsible. This table was used by Gail Morris in teh 1960s. Large wooden table with tilted top. mending table, wool processing, fabric, textile industry -
Uniting Church Archives - Synod of Victoria
Functional object - Legal seal
Seal/stamp black cast-iron embossing machine with ornate gold and red decoration and a turned wooden handle. The seal in the machine is that of the Wesleyan Church of Victoria Property Trust. "The Methodist Church "Victoria" Property Trust" "Common Seal"methodist church (victoria) property trust -
Trafalgar Holden Museum
Functional object - Leather gaiters, Circa 1900
Leather gaiters manufactured by Holden and Frost Circa 1900Used by bushmen in the 1900's and made and sold by Holden and FrostPair leather gaiters used for leg protectiongaiters, leather -
National Vietnam Veterans Museum (NVVM)
Equipment - Performance Computer And Cruise Data Guide
White 20cm round plastic disc with information on Weight plus Torque PSI plus Hover Gross Weight and Pressure Altitude for a UH - IH Huey Helicopter for use of The Royal Australian Air Force.UH-IH Performance Computer + Cruise data guide.computer and cruise data guide, uh-1h helicopter, raaf -
Robin Boyd Foundation
Functional object - Bed cover
The daybed cover here is same fabric as some of the cushions (items F088-F092 and F099-F103) located on the Penleigh's bed.Mustard and white stripe cotton made to fit single bed (item F086), with calico lining. Has a curved edge.walsh st furnishings, robin boyd -
8th/13th Victorian Mounted Rifles Regimental Collection
Functional object - Place Mat
Major Robert Morrison served with 8/13th Victorian Mounted Rifles 1979-1990. In his civilian occupation he was a TV and radio announcer. He served as commentator at numerous military functions including the Tattoo.Circular decorative silver place mat, engraved at centre, with plastic base" Major R.N. Morrison 1979 - 1990"morrison, vmr, mess -
Ararat Gallery TAMA
Functional object, Tagane, c. 1900s
‘The Art of the Japanese Package’ was an exhibition that toured to 10 Australian and 11 New Zealand public galleries in 1979 and 1980. The touring exhibition comprised 221 objects of traditional Japanese packaging which extended from ceramics, wood and paper to woven fibre containers. At the conclusion of the tour, The Japan Foundation and the Crafts Board of the Australia Council donated the vast majority of the exhibition to the Ararat Gallery for its permanent collection. Combining the natural qualities of bamboo, paper and straw with delicate craftsmanship, these unique objects express Japanese aesthetics as applied through fibre crafts. In Japan, the qualities and traits of natural materials are exploited rather than hidden. The texture of straw, the septa of bamboo are not concealed but lovingly incorporated into the whole. In 1979 Hideyuki Oka, curator of ‘The Art of the Japanese Package’ wrote: “In no way self-conscious or assertive, these wrappings have an artless and obedient air that greatly moves the modern viewer. They are whispered evidence of the Japanese ability to create beauty from the simplest products of nature. They also teach us that wisdom and feeling are especially important in packaging because these qualities, or the lack of them, are almost immediately apparent. What is the use of a package if it shows no feeling?” The descriptions of the featured objects were written by Hideyuki Oka, curator of ‘The Art of the Japanese Package’, 1979.Gift of the Japan-Australia Foundation and the Crafts Board of the Australia Council, 1981japanese art, japanese packaging, tsutsumi, gift giving -
Trafalgar Holden Museum
Functional object - Gas mask bag, 1940
Bag used by military to carry gas mask and other pieces of equipment. Worn over shoulderMade by General Motors Holden in 1940Canvas bag with compartments front and back. Front divided into three sections, back has two compartments. Both compartments have canvas flap lids. Shoulder strap attached to brass rings on side of bag V1 GMH 1941military, bag -
Royal Australian and New Zealand College of Obstetricians & Gynaecologists (RANZCOG)
Equipment - Multiload CU250 IUDs associated with Dr Lachlan Hardy-Wilson, Multilan S.A, 1984
Multiload is an IUD, an intrauterine device used for contraception. The plastic used in this IUD is a mixture of high density polyethylene, ethylene vinyl acetate copolymer and barium sulphate in a weight ratio 44/36/20. (MIMS, October 2013)This is one of a collection of items received from the practice of Dr Lachlan Hardy-Wilson, FRCOG, Launceston, Tasmania.Two flat boxes containing Multiload CU250 intrauterine devices. Front of each box carries an image of a hand holding an IUD inserter, with the Multiload IUD at the top of the inserter, above a blue background on which an image of a vagina has been superimposed. Text printed on the front of the box reads 'MULTILOAD/CU250/intra-uterine/device/Attention:/the enclosed instructions should be followed carefully before insertion of the MULTILOAD-cu250'. Manufacturer's information is printed on the bottom section of the front of the box. Back of each box is printed with distributor information. One box is sealed, and one box is unsealed. Unsealed box contains one IUD, sealed inside a sterile plastic pocket. Back of sterile pocket is printed with an expiration date of 06-12-1984. The IUD is in the form of a small plastic rod, or stem, with two small flexible side-arms. Each side arm has five small protrusions. A copper wire is wound around the stem. A nylon thread with two ends is attached to the bottom end of the stem. Back of sealed box carries a sticker which reads 'Date of manufacture: /12-08-1984'.intrauterine device -
Bendigo Military Museum
Weapon - FRAGMENTS, GRENADE, C.1960’s
Items souvenired by Malcolm Stuart Angus No 3112710..1) Pull ring and split pin. .2) Time fuse and detonator assembly. .3) Safety lever.3) Stamped "Fuse M215 152-MY 3-72"arms-ammunition, grenade, weapon -
Bendigo Military Museum
Weapon - ROCKET LAUNCHER, post 1960
M72 LAW 66mm Rocket Launcher Anti Tank Cylinder Housing. Round cylinder with a 2 clip on end caps adjustable sites & trigger mechanism rubber. All metal construction, has a fabric shoulder strap. Firing instructions drawn in white on one side.Rocket HE 66 mm Anti Tank M72 A3 Lot RAN90 E 001 - 018, Operating and Storage Temp 40oF to + 140oF - Danger near blast area.arms-ordnance, military history, m 72, rocket -
8th/13th Victorian Mounted Rifles Regimental Collection
Functional object - Horse lead
Lead used by dismounted horseman to control horse while exercising or grooming. Clips attached to halter or bridle.Representative of equipment used in handling of horses in light horseLeather lead with two brass snap clips on one end and a loop on the other.military, horse, horse husbandry, light horse -
Ararat Gallery TAMA
Functional object, Tabacco - and Komono - ire, c. 1900s
‘The Art of the Japanese Package’ was an exhibition that toured to 10 Australian and 11 New Zealand public galleries in 1979 and 1980. The touring exhibition comprised 221 objects of traditional Japanese packaging which extended from ceramics, wood and paper to woven fibre containers. At the conclusion of the tour, The Japan Foundation and the Crafts Board of the Australia Council donated the vast majority of the exhibition to the Ararat Gallery for its permanent collection. Combining the natural qualities of bamboo, paper and straw with delicate craftsmanship, these unique objects express Japanese aesthetics as applied through fibre crafts. In Japan, the qualities and traits of natural materials are exploited rather than hidden. The texture of straw, the septa of bamboo are not concealed but lovingly incorporated into the whole. In 1979 Hideyuki Oka, curator of ‘The Art of the Japanese Package’ wrote: “In no way self-conscious or assertive, these wrappings have an artless and obedient air that greatly moves the modern viewer. They are whispered evidence of the Japanese ability to create beauty from the simplest products of nature. They also teach us that wisdom and feeling are especially important in packaging because these qualities, or the lack of them, are almost immediately apparent. What is the use of a package if it shows no feeling?” The descriptions of the featured objects were written by Hideyuki Oka, curator of ‘The Art of the Japanese Package’, 1979.Gift of the Japan-Australia Foundation and the Crafts Board of the Australia Council, 1981japanese art, japanese packaging, tsutsumi, gift giving -
Ararat Gallery TAMA
Functional object, Kyarafuki, Me - sansho, c. 1900s
‘The Art of the Japanese Package’ was an exhibition that toured to 10 Australian and 11 New Zealand public galleries in 1979 and 1980. The touring exhibition comprised 221 objects of traditional Japanese packaging which extended from ceramics, wood and paper to woven fibre containers. At the conclusion of the tour, The Japan Foundation and the Crafts Board of the Australia Council donated the vast majority of the exhibition to the Ararat Gallery for its permanent collection. Combining the natural qualities of bamboo, paper and straw with delicate craftsmanship, these unique objects express Japanese aesthetics as applied through fibre crafts. In Japan, the qualities and traits of natural materials are exploited rather than hidden. The texture of straw, the septa of bamboo are not concealed but lovingly incorporated into the whole. In 1979 Hideyuki Oka, curator of ‘The Art of the Japanese Package’ wrote: “In no way self-conscious or assertive, these wrappings have an artless and obedient air that greatly moves the modern viewer. They are whispered evidence of the Japanese ability to create beauty from the simplest products of nature. They also teach us that wisdom and feeling are especially important in packaging because these qualities, or the lack of them, are almost immediately apparent. What is the use of a package if it shows no feeling?” The descriptions of the featured objects were written by Hideyuki Oka, curator of ‘The Art of the Japanese Package’, 1979.Gift of the Japan-Australia Foundation and the Crafts Board of the Australia Council, 1981japanese art, japanese packaging, tsutsumi, gift giving