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Ararat Gallery TAMA
Functional object, Bai, c. 1900s
‘The Art of the Japanese Package’ was an exhibition that toured to 10 Australian and 11 New Zealand public galleries in 1979 and 1980. The touring exhibition comprised 221 objects of traditional Japanese packaging which extended from ceramics, wood and paper to woven fibre containers. At the conclusion of the tour, The Japan Foundation and the Crafts Board of the Australia Council donated the vast majority of the exhibition to the Ararat Gallery for its permanent collection. Combining the natural qualities of bamboo, paper and straw with delicate craftsmanship, these unique objects express Japanese aesthetics as applied through fibre crafts. In Japan, the qualities and traits of natural materials are exploited rather than hidden. The texture of straw, the septa of bamboo are not concealed but lovingly incorporated into the whole. In 1979 Hideyuki Oka, curator of ‘The Art of the Japanese Package’ wrote: “In no way self-conscious or assertive, these wrappings have an artless and obedient air that greatly moves the modern viewer. They are whispered evidence of the Japanese ability to create beauty from the simplest products of nature. They also teach us that wisdom and feeling are especially important in packaging because these qualities, or the lack of them, are almost immediately apparent. What is the use of a package if it shows no feeling?” The descriptions of the featured objects were written by Hideyuki Oka, curator of ‘The Art of the Japanese Package’, 1979.Gift of the Japan-Australia Foundation and the Crafts Board of the Australia Council, 1981japanese art, japanese packaging, tsutsumi, gift giving -
Vision Australia
Functional object - Object, Bekross, Carols by Candlelight coaster, 2001
A wooden coaster with the Carols by Candlelight logo of two candle adult shaped figures stand beside a smaller candle child shaped figure, with the words 'RVIB Carols by Candlelight' arching over the top of the figures and 'Qantas presents' above this.1 round wooden coaster with inscriptionQantas presents RVIB Carols by Candelightcarols by candlelight, royal victorian institute for the blind, fundraising -
Glenelg Shire Council Cultural Collection
Functional object - Fishing Lure, c. 1970
Fishing lure, stainless steel, 3 barbed hook covered by red feathers. Spinner corrugated, 'ABU SPINNAREN REFLEX SWEDEN' underneathfishing, travel, fishing float, recreation, sport -
Glenelg Shire Council Cultural Collection
Functional object - Diver's Shoulder Pad, n.d
PPAShoulder pad used to protect shoulders of diver against weight of helmet. Oval in shape, cotton fabric and possibly padded with horsehair. four cloth tie straps -
Wodonga & District Historical Society Inc
Functional object - Leather Horse Collar
This horse collar was made and used by the family of Michael Conway who established a dairy farm of 35 acres in Wodonga in 1940. He and his wife Catherine nee Carroll settled there and raised 5 children. Before coming to Wodonga Michael carried on a bakery business at Urana. This collar was used to attach the hames, harness and chains which pulled his bakery cart. In Wodonga Michael Conway built a 2 bail dairy and milked up to 20 cows, separated the cream from the milk by hand and sold it to the local butter factory of Holdensen and Nielsen. In later years only whole milk was sold. The farm was on the outskirts of East Wodonga. Michael Conway died on 6th January 1945. The farm was later sold for residential and industrial development and includes Conway Court.This item has a clear connection to the family of Michael Conway of Wodonga, VictoriaA handmade leather horse collar padded with straw and cloth. It has metal buckles secured by leather straps which are held in place with metal studs.michael conway wodonga, horse harnesses, dairy industry wodonga -
Tatura Irrigation & Wartime Camps Museum
Functional object - Tin Soap Holder, Tin / Metal Soap Holder
Made at Camp 3 by Mr. Kaltenbach a tin smith formerly of Palsetine . See also C7962 toolsMade in Camp 3 at TaturaSmall Tin Soap Dish / Container, oval in shape, with hook on one side. Wider at top than base, three holes in base for draining, hook extends from base and is soldered to body of dish. Made from tin and painted silverSticker on back with H. Anderson written on it -
Robin Boyd Foundation
Functional object - Folder
This folder was empty.Travel folder, Compass travelD.P.D (Dorothea Patricia Davies initials) -
Robin Boyd Foundation
Functional object - Camera lens
Penleigh Boyd, Robin and Patricia Boyd's son, recalls that "Robin experimented with stereoscopic photography which, when viewed through either polaroid or red/green glasses, produced a three dimensional effect. A special double lens attachment with image splitting mirror was added in front of the normal camera lens to produce a double image similar to the image seen by each left and right eye". Robin experimented with stereoscopic photography when they lived in the 158 Riversdale Road Camberwell.Stereoscopic camera lens in a box with instructions in Japanese and Englishwalsh st miscellaneous, robin boyd -
Tatura Irrigation & Wartime Camps Museum
Functional object - Baby carrier, Helene Hoefer, 1940's
Made by Helene Hoefer nee Sawatzky for her daughter Trude, now Glenk and her son Ulrich. Used whilst interned in camp 3.Pink floral cotton baby carrier. Narrow lace frill around the top and on the waist coat like front which has 3 buttonholes but no buttons. There are 4 button holes and 3 buttons at the bottom. 2 long tieshelene hoefer nee sawatzky, trude glenk nee hoefer, ulrich glenk, baby carrier -
Ararat Gallery TAMA
Functional object, Cha Otomo, c. 1900s
‘The Art of the Japanese Package’ was an exhibition that toured to 10 Australian and 11 New Zealand public galleries in 1979 and 1980. The touring exhibition comprised 221 objects of traditional Japanese packaging which extended from ceramics, wood and paper to woven fibre containers. At the conclusion of the tour, The Japan Foundation and the Crafts Board of the Australia Council donated the vast majority of the exhibition to the Ararat Gallery for its permanent collection. Combining the natural qualities of bamboo, paper and straw with delicate craftsmanship, these unique objects express Japanese aesthetics as applied through fibre crafts. In Japan, the qualities and traits of natural materials are exploited rather than hidden. The texture of straw, the septa of bamboo are not concealed but lovingly incorporated into the whole. In 1979 Hideyuki Oka, curator of ‘The Art of the Japanese Package’ wrote: “In no way self-conscious or assertive, these wrappings have an artless and obedient air that greatly moves the modern viewer. They are whispered evidence of the Japanese ability to create beauty from the simplest products of nature. They also teach us that wisdom and feeling are especially important in packaging because these qualities, or the lack of them, are almost immediately apparent. What is the use of a package if it shows no feeling?” The descriptions of the featured objects were written by Hideyuki Oka, curator of ‘The Art of the Japanese Package’, 1979.Gift of the Japan-Australia Foundation and the Crafts Board of the Australia Council, 1981japanese art, japanese packaging, tsutsumi, gift giving -
Whitehorse Historical Society Inc.
Functional object - Train ticket, 1977
Donated by Clarrie Talbot to Whitehorse Historical Society during his talk to the Eastern Region Historical Societies meeting on Railways on 31st July 2004 at the Local History Room of the Whitehorse Historical Society. From the last batch of tickets of the Victorian Railways.One grey cardboard ticket, Nunawading to Healesville. Single printed on front with no 00057 stamped on one end and 15 DE 77 stamped on other endtransport, railway, documents, tickets -
Robin Boyd Foundation
Functional object - Latch
The latch from the front of the right hand section of Robin Boyd's desk.walsh st miscellaneous -
Bendigo Historical Society Inc.
Functional object - IODINE PEN
Nickel plated cylindrical container with screw top containing small glass bottle with screw top & label reading Iodine Pen apply immediately to all cuts and abrasions promotes healing prevents infection contains 2.5 per cent Iodine (Poison)Registered Trade Mark Canada imported by Jospeph Nathan & Co Austalia Pty Ltd Melbourne and Sydneymedicine, first aid, iodine -
Glenelg Shire Council Cultural Collection
Functional object - Glass Bottle Fragment, 1850s
Fragment of glass bottle, round flat lip of gin bottle, dating from gold rush (1850s) or earlierglass bottle, alcohol, gin, gold rush -
Whitehorse Historical Society Inc.
Functional object - Brass Paid Stamp, C G Roeszear & Son, circa 1920
This stamp was made by C G Roeszear & Son Melbourne. This was passed to me by my mrother, Mary Elizabeth Millane Nee Markham. She told me that, for as long as she could remember - and from at least 1920 - this stamp had been used by her mother, Bertha Jane Markham (nee Cruse) when she was Post Mistress at Mitcham and that she, ( that is, my mother) had continued to use the stamp in her own shop (Cnr Station St and Whitehorse Rd) from 1944 to 1957. This stamp was used in Mitcham Post Office continually from 1920 to 1944 at which time the Post Office was removed from the building; it was then used in the shop at the same location until June 1957.Mrs Markham's Paid Brass stamp Wooden bull shaped handle attached to a brass oval shaped stamp with words PAID IN FULL Mrs Markham was postmistress at Mitcham.It was part of her shop & dwelling cr Whitehorse Road and Station Street.Building on WCC Heritage overlayPaid in fullmetalcraft, bronzeware -
National Wool Museum
Functional object - Cymbal Circular Sock Knitting Machine, 1900-1940
Black knitting machine featuring crank handle and circular knitting needles, with gold lettering. CYMBAL / FOREIGNknitting, socks, machines, manufacturing, cymbal -
Mont De Lancey
Functional object - Glove stretcher, 1890
Wooden glove stretcher.gloves,, glove stretcher -
Queenscliffe Maritime Museum
Functional object - Channel Marker - Colour Green
Ex Corio Bay green channel green lightSolar powered green channel marker lightchannel marker -
Numurkah & District Historical Society
Functional object - Juror's Selection Barrel
Belonged to, and used in, the Numurkah Court House before it was closedTin cylindrical barrel painted black with a small door opening outwards. The barrel sits on a wooden stand.Numurkah Special Jurors in Usecourt house, jury, jurors, ballot, barrel -
J. Ward Museum Complex
Functional object - Radio Set
Radio Set, green & white in colour, case made of plastic. Black & gold knobs. 'Electrice' brand. 'Model E 516M' on rear.radio, entertainment -
Ararat Gallery TAMA
Functional object, Yuino Mokuroku, c. 1900s
‘The Art of the Japanese Package’ was an exhibition that toured to 10 Australian and 11 New Zealand public galleries in 1979 and 1980. The touring exhibition comprised 221 objects of traditional Japanese packaging which extended from ceramics, wood and paper to woven fibre containers. At the conclusion of the tour, The Japan Foundation and the Crafts Board of the Australia Council donated the vast majority of the exhibition to the Ararat Gallery for its permanent collection. Combining the natural qualities of bamboo, paper and straw with delicate craftsmanship, these unique objects express Japanese aesthetics as applied through fibre crafts. In Japan, the qualities and traits of natural materials are exploited rather than hidden. The texture of straw, the septa of bamboo are not concealed but lovingly incorporated into the whole. In 1979 Hideyuki Oka, curator of ‘The Art of the Japanese Package’ wrote: “In no way self-conscious or assertive, these wrappings have an artless and obedient air that greatly moves the modern viewer. They are whispered evidence of the Japanese ability to create beauty from the simplest products of nature. They also teach us that wisdom and feeling are especially important in packaging because these qualities, or the lack of them, are almost immediately apparent. What is the use of a package if it shows no feeling?” The descriptions of the featured objects were written by Hideyuki Oka, curator of ‘The Art of the Japanese Package’, 1979.Gift of the Japan-Australia Foundation and the Crafts Board of the Australia Council, 1981japanese art, japanese packaging, tsutsumi, gift giving -
Whitehorse Historical Society Inc.
Functional object - Ice Chest, c1940s
Ice boxes became available when ice was cheaply manufactured. The ice was delivered daily or three times a week. Ice chest used at family home in Clifton Hill and then bought to 12 Charles Street, Nunawading in 1956Two door green chest - top section for ice, bottom section for food - lined with an insulation material which is covered with an enamelled metal. Provision made to drain water away.Pure Airdomestic items, food storage & preservation -
Rutherglen Historical Society
Functional object - Lantern, Lanora
Commonly used out of doors before electric torchs. Often used by campers.Hanging kerosene hurricane lamp, glass intact. Manufactured. Tin base and frame."Lanora Australia" on base and metal lid. "Dietz"lanora australia -
Whitehorse Historical Society Inc.
Functional object - Officers Dress Bag
World War 2 Noel Edmund Charles WestLarge khaki Army Dress bag with handle and many compartments VX102715 Lieut. N. West.VX102715 Lieut. N. Westarmy, bag, w.w.2, noel edmund charles west -
Clunes Museum
Functional object - CLOCK, Jerome & Co
Wooden striking alarm clock with white face and clock numbers and hands, brass mechanism, glass door in front with three figures, 2 x female, 1 x male and bird transfer on lower part of door Clock face has brass centre with numbers 1-12 imprinted Pencil marking on back 2339.M Paper on back of inside of clock with printing; "E Pluribus Unum Small Sharp Gothic One Day Time Piece Alarm" NOTICE "If the clock should go too fast, lower the ball; if too slow, raise it" "The figure on brass dial, indication time wanted to alarm should be turned forward under short hand"time piece, clock -
Glenelg Shire Council Cultural Collection
Functional object - Candle Holder, 1927-1928
Miniature Sheffield silver candle holder (stamped). Belonged to Betty Vivian. Possibly a christening presenthall markedbetty vivian, candle holder, domestic item -
Flagstaff Hill Maritime Museum and Village
Functional object - Floor ash Tray, 1900 to 1960s
The word ashtray came into use around the 1920 and is a receptacle for ash from cigarettes and cigars and are typically made of fire retardant material such as glass, heat resistant plastic, pottery, metal, or stone. The most common ashtray design is a shallow cylinder with a flat base, designed to rest on a table. Other ashtrays, particularly in public places, are either wall or floor mounted. While simple, utilitarian forms of ashtrays existed long before the 19th century, it was during the start of the 20th century that the design, aesthetics and their popularity took off. As more women began to smoke. in the early 1900s, the ashtray went closer to being an art form as many women avoided the use of the traditional ashtray as it failed to reflect their feminine values, regarded as an item rather basic in design the general societal through of the time was that smoking was an activity exclusive to men. What emerged were detailed, often very fancy ashtrays acceptable to women depicting either pastoral scenes or vibrantly coloured landscapes. As time went on, and the onset of women smoking both cigars and cigarettes became less of a departure from the average person, ashtrays saw a decline in design and aesthetics beginning more of a shift towards practicality. The subject item is a primitive form of ashtray used in public spaces any time from the 1920-1960s and is not associated with an historic person or event. However the item could have come from the Warrnambool Town Hall given the inscription on the base of the item.Ash tray-large rectangular floor model with cement sheet lining. Made from a wooden box covered with textured metal on the outsideThe metal has a relief design embossed at the top back "smokers" and "Town Hall" printed on bottom.flagstaff hill, warrnambool, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, ash tray, town hall, cigarette tray, smoker's ash tray -
Robin Boyd Foundation
Functional object - Blind
These are the blinds in bathroom in the Children's Pavilion, with east facing windows.Two white, sheer, roller blinds with pull chainwalsh st furnishings, robin boyd -
Bendigo Historical Society Inc.
Functional object - QC BINKS COLLECTION: DECORATIVE BRASS TUBE?
A decorative brass tube with floral decorations carved into the sides. This was discovered by QC Binks whilst he was out metal detecting for gold.bendigo, gold mining, qc binks, qc binks. -
Vision Australia
Functional object - Object, Donation tin - rectangular tin RVIB wrapper around Blind Babies tin, circa 1945
Coin collections have a long and varied history. Coins were often collected in churches in a box located near the entrance/exit, and later via a collection plate that was passed amongst the congregation Funds were used to repair the church or feed the poorest of the parish. The donation of coins is and was considered part of religious life and mentioned in Christian, Jewish and Islamic texts. With the need and expansion of charitable works occurring outside religious life, charity boxes began to spread into hospitals, orphanages and asylums. The need for non-fixed boxes grew with the rise in charities and their activities outside a fixed building. Collection boxes could be large (and therefore hard to move) or could be held by individuals acting as collection agents, working at a specific location, moving between dwellings or at events. In this example, the older Blind Babies tin has been wrapped with a modern RVIB wrapper, which could be used at Carols by Candlelight, White Cane day or other special marketing days.1 metal coin collection tin with paper wrapWrapper: Your Donation Supports the Work of the Royal Victorian Institute for the Blind RVIB lighthouse logo 557 St Kilda Road, Melbourne, Telephone 9577 3341 Old label Front: For the Blind Babies Children and Adults of the Royal Victorian Institute for the Blind 557 St Kilda Road, Prahran Side: As a thanksgiving for sight! (Drawing of a man holding his hand to his eyes as a blast occurs in front of him, pushing small objects towards his body) It might hit You or Me! Side: As a thanksgiving for sight! (Elaine Leahy facing towards the RVIB gates). The gates of the Institute are always open to welcome all eligible blind babies, children and adults who seek, and never fail to receive, its aid.royal victorian institute for the blind, fundraising