February 1958 Classes commence at the new Gillies Street location of Ballarat Teachers’. (BTC Handbook 1965; Beggs-Sunter: 84) Contents include: Editorial, Our Principal Speaks, the President S.R.C., 1958 Highlights, Teaching Round, Section Notes, Social Notes, Hostel Life, Sporting World, Insignias and Awards 1958, Club NotesLight blue cover with dark blue and yellow titles. Soft covered magazine of the Ballarat Teachers College. 48 pages. Articles include Victoria Street Hostel, Gilies Street Hostel, Grampians Trip, Beaufort House , Sturt St House , Camp St Hostel, Club Notes btc, ballarat teachers college, n. harvey, t. w. h. turner, monica miller, m. hines, b. rickard, d. eldridge, n. turnbull, b. english, k. o'neil, p. burgess, m. almeida, e. doney, j. rae, p. wise, w. crocker, p. r. burgess, barry withers, j. bourke, a. linton, s. mckaskill, h. pattenden, d. chandler, a. stafford, r. croft, a. cuthbertson, r. reed, a. sonsee, j. lacy, f. ryan, c. rodger, m. egan, j. hill, t. turner, c. m. canty, j. blair, e. walpole, m. miller, michael long, m. blair, j. blackman, n. beacham, d. astbury, m. bergin, a. constable, g. clarke, g. briggs, m. brown, e. beck, j. badger, g. angwin, g. alexander, k. broad, a. costa, e. davidson, p. burbidge, j. clements, s. elder, d. foster, b. fernandes, b. fischer, m. harcoan, j. heenan, b. hudson, e. jardine, k. hayes, g. coffey, r. dennis, w. cartledge, v. delbridge, n. hawker, l. hales, d. farnsworth, l. hallam, r. fencher, g. karstens, f. leach, r. kelly, m. long, g. macdonald, j. mcdermott, a. lehmann, i. hastie, b. haig, m. jones, l. jeffrey, m. kiefel, j. mcalpine, i. jenkins, j. kenworthy, b. lawton, m. livingston, e. mcormick, d. mckimmie, g. mcintosh, m. mckee, b. murphy, f. mitchell, m. mclachlan, r. power, k. mcdougall, s. murphy, b. nash, d. mckenzie, j. madder, j. meadows, n. mchenry, j. mayo, l. missen, e. muir, g. roberts, k. ryrie, d. ritchie, m. scanlon, e. robinson, m. rutter, j. rogers, m. rae, v. reynolds, j. rees, r. sloley, d. sheen, b. nunn, r. nicholas, b. ruwoldt, m. rowe, l. walker, l. wilkinson, n. wright, d. shoebridge, f. stokie, g. stewart, j. teschendorf, n. souter, e. walker, m. spinks, m. wallace, m. stone, s. tucker, r. taylor, j. short, b. tucker, l. castree, w. craig, r. bibby, b. davies, r. bowker, g. cabble, i. clayton, w. coleman, j. bates, m. elder, l. anthony, j. carmichael, e. edwards, l. anderson, b. cannard, b. drake, j. elliott, p. dunn, b. withers, m. stewart, l. wright, d. smith, r. rowe, k. wilson, k. waltrowicz, j. roach, l. schreenan, i. sutherland, d. williams, b. wynne, j. schaefer, s. shepherd, s. wright, b. whiteside, m. oliver, j. quayle, j. waller, j. taylor, v. rogers, s. moller, m. norman, l. thomas, j. wagner, w. j. craig, e. anthony, r. neville, j. noonan, b. lay, k. hammer, g. moncrieff, r. mason, g. howlett, w. knight, j. matthews, b. lumsden, b. phelan, p. hope, v. la franchi, s. henderson, l. hayne, w. keen, b. forbes, m. gray, g. mcilvena, a. horwill, j. mccumber, m. hateley, k. rieniets, e. fletcher, d. johnson, j. miller, i. ross, c. keys, e. jarvis, m. youngs, j. smith, e. davies, g. commons, p. larmour, r. gowan, b. hedley, miss egan, s. blomfield, m. meyer, k. duffy, h. speedie, j. witton, d. magee, a. pope, p. quinlan, h. jones, miss miller, kevin o'neil, lois e. hayne, w. keem, mr croft, geoff cabble, jack noonan, jan carmichael, gwen macdonald, bev. ross

Puttees were long established items of a soldiers kit. Although time consuming items to tie correctly, puttees were a very comfortable and practical method of ensuring that mud and loose debris would not enter the tops of ankle length boots. Short puttees were common during the second world war.A pair of dark khaki woven wool cloth bands that were wound around a soldier's ankle. Each puttee has cotton stitching across one end, with the other end stitched into a triangular shape. Attached to the triangular end is a long khaki woven cotton strap that was used to secure the puttee in place. Cotton stitching is across the end of the cotton strap.V307 1944 D (broad arrow) Dputtees, clothing

The courier bag was once government property, as indicated by the broad arrow symbol. The flap has the name 'Boronia' - an area near Melbourne - overstamped with the town name 'Merino', and on the other side of the flap is the town 'Casterton'. Merino and Casterton are renowned for large sheep farming properties in Victoria's western district. Perhaps the courier bag was originally used between Melbourne and Boronia. During the late 19th and early-to-mid 20th centuries, a government-operated railway service was active in in the western district of Victoria. It served remote properties, including a line between Merino and Casterton. The train delivered mail, cash, supplies documents, business records and people between the sheep farm properties and the township of Casterton.This courier bag is an example of the connections and business between people in the remote areas of western Victoria. It was likely used by Victoria's railway system that transported people, goods, documents and cash between the districts of western Victoria.Courier bag; beige canvas rectangular bag with triangular black canvas flaps and a leather strap and buckle closure. The bag has stencilled stamps of three towns - Casterton, Merino and Boronia. It also has the government property symbol of a broad arrow.White stencilled paint "CASTERTON" Black stencilled paint "BORONIA" [barely visible] White over-stamped stencilled paint "MERINO"warrnambool, shipwreck coast, flagstaff hill, flagstaff hill maritime museum, flagstaff hill maritime village, bag, pouch, document pouch, courier bag, western district, western victoria, 19th century, 20th century, railway, rural business, rural trade, boronia, casterton, merino, sheep farm, sheep property, canvas bag, canvas courier bag, government courier bag, broad arrow

This is one of a set of six photographs taken for the Victorian Railways Magazine, a pamphlet produced for Victorian Railways. t contains photographs and an article about Orbost as "Timber Country" and a detailed article titled, " Cutting Sleepers is a Family Business" which tells about the Donchi family The man in the photograph is Pat Donchi, a member of the Donchi family, who have been involved in the sleeper - cutting industry since the 1890s. This item is associated with the timber and sleeper-cutting industry in the Orbost Region. Timber sleepers were superceded by concrete sleepers in c. 1970s. Orbost has historically been based on the timber industry, but that industry has declined considerably over the last 20 years.The number of locals involved in the timber industry has declined and many of the mills have closed. This item reflects a time when that industry was a significant contributor to the economy of the district.A black / white photograph of a sleeper cutter at work swinging a broad axe.on back - Pr 8765timber-industry-orbost sleeper-cutting-orbost donchi-family

Cypriot Bichrome Ware from Cypro-Geometric/Cypro-Archaic PeriodThe interior has a broad red band over a set of black lines. The twin vertical strap handles are painted with a serpentine band, rim painted underneath, the neck with wavy line, black band at shoulder, the body with broad red band between sets of black lines and band below, the broad disk foot painted and stem below. cypriot

Cypriot Bichrome Ware from Cypro-Geometric/Cypro-Archaic PeriodThe interior with broad red band, the exterior is painted to the twin vertical double ribbed handles, the neck and shoulder each have a frieze of concentric circles, broad horizontal black band between, ochre painted horizontal line centred over circles, a broad red band between, black bands on body, red band over lower body and foot. cypriot

This hat is part of a General Purpose Uniform issued by the Australian Airforce to Bernard Farley during service. This uniform type was developed in 2014 and replaced camouflage as the uniform worn during general base duties and in non-warlike environments. Although a camouflage pattern, this design is not intended for use as camouflage. This item has social significance, as an item of uniform worn by Warrnambool RSL community member and Secretary (2019), Bernard Farley during service with the Australian Airforce. The item is a representative example of current Airforce General Purpose Uniform and is in excellent condition. As a set, the uniform has aesthetic significance in it’s design, incorporating GPU uniform design from the Army alongside the colours and motifs of the Australian Airforce. General Purpose Uniform (GPU) hat in Airforce colours of blue and grey in camouflage pattern. Broad brim hat with black plastic cord end fastener on a blue cotton cord. Plastic tag on interior of hat lining with printed inscriptions.Inscription on tag: “Hard Yakka/AUSTRALIA/AUGUST 2015/PO No: CC2XZ8/LAY No: 10609/SQNCOR FARLEY/(broad arrow)/[Mobile Phone Number]/NSN: 8415-66-161-4051/SIZE: M 56cm/NAME:” Inscription on reverse of tag: “PM KEYS No:/75% COTTON/25% POLYESTER/CARE INSTRUCTIONS/HAND WASH IN COLD/WATER WITH MILD/DETERGENT RISE/WELL DO NOT WRING/TUMBLE DRY OR/DRYCLEAN (X)/DRIP DRY IN SHADE”camouflage, airforce, uniform, general purpose uniform, australian defence force

Glue used by Holden and Frost in the process of manufacture of various objectsGlue imported, used and sold by Holden and FrostShort clear Glass bottle with broad neck. Paper label with instructions for useLe Pages Liquid Glue Always ready for useglue, liquid, jar

Standard issue saddle used by the Australian Light Horse, artillery and transport units during WW1 and after (between the wars). The Universal Pattern saddles were designed to have interchangeable parts, making them easy to repair.1912 Universal Pattern steel arch brown leather saddle. Tree is made of wood with shredded cotton waste padding attached. Various brass rings are located on the saddle for attaching sundry equipment. No stirrups, stirrup leathers or girth. The leather seat covers the frame between the front and rear metal arches and is attached to them using linen webbing slings. Leather sweat flaps on each side.Stamped on the rear of the seat: 'S (broad up arrow)'australian light horse, military equipment, saddle, transport

William Ridgway and Sons company of Sheffield, manufacturers of augers, bits, wood-boring, and motorising tools, was founded in 1878 and became a Private company in 1909, their factory was founded in the 1930s. William Ridgway Tools merged first with Record Tools in 1974 to form Record Ridgway Tools Ltd. Record was another Sheffield company that was renowned for the quality of their vices and industrial clamps. Following the merger Record, Ridgway Tools Ltd was made up of fourteen UK Companies and five overseas companies. A later merger with a woodwork tools company called Marple (which was part-owned by Record and Ridgway respectively before their original merger) led to the company becoming known as Record Marples Tools. Record Marples was taken over by the Swedish hardware manufacturer AB Bahco in 1982. Despite a management buyout leading to the company reverting to British ownership in 1985 the company struggled financially and the following administration was acquired by U.S.-based Irwin Tools in 1998 who has since moved production to China in recent years. A vintage tool made in the 1930s when Ridgway began mass producing augers and other tools for export and sale. This item would have probably been used in Australia on a farm for drilling fence posts for wire to pass through or other tasks where a hole was required to be bored in timber. Ring Auger, Double Twist with Lead Screw, square shaft (which has had a welded repair), socket set at right angle. Broad arrow mark Ridgway Sheffield and DO stamped. warrnambool, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, wood boring tool, scotch auger, carpenters tools, shipwrights tools, coopers tools, ridgway & sons, auger bits

Small head and shoulder portrait of a lady. The portrait is very pale. She is wearing a dark dress with a wide lacy collar and a brooch at the neckline. She is wearing a lacy type of hat. Photo mounted on cream card with rounded corners and black printing on the front and back. The back has a Coat of Arms and printing: - By Special Appointment. Photographer to His Excellency the Lord Lieutenant of Ireland and patronized by H. R. H. The Prince of Wales and H. R. H. the Duke of Cambridge. Date printed on the back is 1887.J. T. Haden, 255 Broad Street, Birminghamphotograph, portrait, female, portrait of a lady, j t haden

The varied manufacturer's marks and years on each utensil suggests that while a set of cutlery may have been standard issue during the Vietnam War era, this particular set may have been pieced together over the years from various issued sets (ranging from 1966 to 1971). The inscribed initials "SJ" may or may not therefore denote the name of the owner, rather possibly a previous owner. This set is representative of a typical set issued to Vietnam War era soldiers and as such, has social significance as an example of standard equipment used by all service people during that period.Three piece fork, knife and spoon set held together by hinged piece of metal attached to back of spoon and wraps around the fork and knife. Spoon handle has two concave circular indentations into which the fork handle sits (having two convex circular bumps); the front of the fork handle in turn has two concave circular indentations into which the knife handle sits (held in place via two convex bumps and the hinge piece. Spoon is fashioned out of a single piece of metal and knife and fork appear to be constructed of a handle piece and a utensil piece. Spoon has stamp of "C & A/O168/D[broad arrow]D" Hinge has engraving "C&A/68/D[broad arrow]D" Fork has stamp of "C&A/66/D[broad arrow]D" Knife has stamp of "MGL/371/[broad arrow]" and on reverse of handle has the initials "SJ" scratched into surface.cutlery, knife, fork, spoon, food, equipment, ration, vietnam war, 1960s

Artillery shells were designed to be recycled and spent shells were returned to the munitions factory for re-filling, a mark engraved upon the head-stamp at each re-filling. Millions upon millions of shells were recycled and re-fired. Relationships with ‘objects’ were forged as recycled objects of conflict were welcomed into people’s homes. Such objects were embodied with personal experiences of war, later to become objects textured with memory, remembrance, and longing – attributes that clearly go beyond an object’s form and function. 18-Pounder Artillery Shells: The Great War Recycled and Re-Circulated Categories :Material Culture Machine Subscribe Share on facebook Share on twitter The intention of war is to kill, to maim and to destroy using, for example, the agency of 18-pounder artillery shells (so-called because they weighed 18 pounds). The shells were loaded in to the 18-pounder field guns used by the Royal Artillery and targeted to destroy German batteries and trenches as well as to shoot down aeroplanes. Horse-drawn field gun, Canal du Nord, France. Taken by First World War photographer David McLellan. Available via the National Library of Scotland as CC BY-NC-SA Horse-drawn field gun, Canal du Nord, France. Taken by First World War photographer David McLellan. Available via the National Library of Scotland as CC BY-NC-SA In Under Fire, Henri Barbusse recounts how the incessant and diabolical din of war constantly bombarded the soldier body with the unendurable noise of bursting shells that caused pain to the ears (Barbusse 2010 [1933]: 207). The noise was so ‘monstrously resounding’ that one felt ‘annihilated by the mere sound of the downpour of thunder’ (Barbusse 2010 [1933]: 206). Artillery shells were designed to be recycled and spent shells were returned to the munitions factory for re-filling, a mark engraved upon the head-stamp at each re-filling. Millions upon millions of shells were recycled and re-fired. A mound of spent shell cases, Nord, Nord-pas-de-Calais, France. Taken by war photographer, Tom Aitken, 1918. Available via the National Library of Scotland as CC BY-NC-SA. A mound of spent shell cases, Nord, Nord-pas-de-Calais, France. Taken by war photographer, Tom Aitken, 1918. Available via the National Library of Scotland as CC BY-NC-SA. People’s experience of the First World War did not end with the armistice. Whilst the noise of the artillery had ceased, the noise of war was remembered. Harry Patch on arriving home injured recalled being ‘jumpy for a while’ with the least noise prompting him to dive for cover (2009: 114). Something else materialised. Relationships with ‘objects’ were forged as recycled objects of conflict were welcomed into people’s homes. Such objects were embodied with personal experiences of war, later to become objects textured with memory, remembrance, and longing – attributes that clearly go beyond an object’s form and function. The head-stamp of these particular shells displays the British broad arrow and the initials ‘EOC’ indicates that they were made at the Elswick Ordnance Company, England; the initials ‘CF’ signal that the charge was loaded with cordite, a standard propellant. Spent shells were illicitly scavenged from massive mounds by both soldiers and civilians alike to become personal souvenirs or to swap or sell. Spent artillery shells were crafted, often using a hammer and a bent nail. The crafting of trench art reflects the construction of an identity that offers momentary relief from the hell experienced in the trenches. The lid of an 18Pounder shell which has been adapted for use as an ash tray.Lot 27 1927, 18Pr, III, EOC, C/F, Defence broad arrow,

Belonged to TIMBERLAKE.BRIAN. 3791718, Australian Intelligence Corp, Vietnam 10.12.68 -25.6.69. Refer to. catalogue No. 4340 for more items.heavy Army great coat, double-breasted, khaki, brass buttons, broad collar.PRPrinted Label:”DvD” Handwritten on label: “B. TIMBERLAKE. 3791718”great coat, intelligence corp

Belonged to Martin Balsarini, a Chiltern Valley resident and an Australian Imperial Forces WW1 soldier with the 4th Lighthorse. He participated in the Charge of the Lighthorse at Beersheba on the 31/10/1917. This belt belonged to Martin Balsarini, WW1 soldier and Chiltern resident. He was with the 4th Lighthorse Brigade when they participated in the Charge at Beersheba on 31/10/1917 and now referred to as the last great cavalry charge. Leather and tin cartridge case ammunition bandolier belt Broad Arrow for Lighthorse ammunition. ammunition bandolier belt, balsarini, ww1, chiltern., martin balsarini, ww1

World war 1 eraWorld war 1 eraWorld War 1 stitched brown leather field binoculars case with lid. The case has two belt loops attached to the rear with light brown coloured stitching and copper rivets. The case has a long thin leather and small steel buckle adjustable shoulder strap. The shoulder strap is attached to the case by short leather straps, stitched and riveted to the sides and bottom of the case. The lid pivots open to the rear, attached to the case by a leather strap which is stitched and riveted to the case and lid. The lid is secured closed by a short leather strap and brass buckle. The top of the lid has a thin leather carrying handle attached by rivets. The top of the lid has the maker's name and case pattern stamped on the top. Stamped on the lower front is the broad arrow mark.1917 G. Battle & Co H X The top of the lid has the numbers 709 and 49867 written in pencil. The lower front of the case has the broad arrow pattern.binoculars, case, leather, world war 1, military

.1) British pattern, enamel water bottle, cloth covered, 2 pints. .2) Leather carrier with leather straps leading up to cotton web shoulder strap.The leather harness is stamped "Australia CGHF Broad arrow J.H."military equipment - army, metalcraft-enamel ware

This brown wool felt hat with a broad brim was, by its style, used by a adolescent child for church services. This was worn in a period where church services on Sunday was an important weekly ritual by the whole family. Special (church only) dresses and hats were worn not only to show respect to the church but also part of expected community mores relating to religious beliefs. This behavioural pattern was more entrench in the rural communities than within larger cities. The closeness of smaller rural communities is the main factor regarding social norms. The visible standing within the community was uppermost. The period pre 2000 was a more coheasive family environment ( due to greater intra family activities) which provided better communication and family activities.This "church styled" hat is very significant to the rural lifestyle and its mores. It clearly demonstrates the coheasive force that religion has on the Valley population. The closeness that the semi isolation (at this time) brought about by the Valley's physical land formation and the poor roads within the valley brought families closer together. Not turning up for important social functionsw was duely noted by all (and frowned upon). Mrs E. Fisher lived at Mongan's Bridge in the Kiewa Valley.Brown child's all felt hat size 6 1/4. A broad brim with a lighter brown velvet ribbon head band. Head band has a crossover to the left front with 100 mm extension flowing over the brim. The top of the inside of the head pocket is lined with a soft silk fabric.6 and one quarter (size tag). Unreadable crest / monogramchildren's head wear, social head dress, church hats

Grey felt nurse's hat, broad brimmed with black band with silver and red badge attached.Dunkerley Ltd. Akubra 1969 Royal Australian Army Nursing Corps Badge.nurse's hat

Woven women's hat with broad brim and tapestry band around crown. Materials: Thread, Clothtennis

Cypriot White Painted Ware from Middle/Late Cypriot Bronze AgeConical neck with bands, broad band over shoulder with frieze of stripes and dotted circles to handle (missing), a broad band below the body, with cross-hatched panels alternating with panels of dotted circles, triglyph between three bands below to small foot. cypriot

A broad axe is used for the initial cutting and shaping of a log to prepare it for the piece to be made. The shipwright’s tools on display in the Great Circle Gallery are connected to the maritime history of Victoria through their past owner, user and donor, Laurie Dilks. Laurie began his career as a shipwright in the mid-1900s, following in the wake of the skilled carpenters who have over many centuries used their craft to build and maintain marine vessels and their fittings. You can see Laurie’s inscription on the tool called a ‘bevel’. Laurie worked for Ports and Harbours, Melbourne, for over 50 years, beginning in the early 1960s. He and a fellow shipwright inscribed their names on a wheelhouse they built in 1965; the inscription was discovered many decades later during a repair of the plumbing. Many decades later Laurie worked on the Yarra moving barges up and down the river and was fondly given the title ‘Riverboat Man’ His interest in maritime history led him to volunteer with the Maritime Trust of Australia’s project to restore and preserve the historic WWII 1942 Corvette, the minesweeper HMAS Castlemaine, which is a sister ship to the HMAS Warrnambool J202. Laurie Dilks donated two handmade displays of some of his tools in the late 1970s to early-1980s. The varnished timber boards displayed the tools below together with brass plaques. During the upgrade of the Great Circle Gallery Laurie’s tools were transferred to the new display you see there today. He also donated tools to Queenscliffe Maritime Museum and Clunes Museum.The shipwright’s tools on display in the Great Circle Gallery are connected to the maritime history of Victoria through their past owner, user and donor, Laurie Dilks. Laurie began his career as a shipwright at Ports and Harbours in Melbourne in the mid-1900s, following in the wake of the skilled carpenters who have over many centuries used their craft to build and maintain marine vessels and their fittings.Broad axe; a wooden handle with a round metal wedge-shaped head, reinforced with a metal plate on at the back of the handle. There is a hole in the handle about halfway along its length. It once belonged to shipwright Laurie Dinks.flagstaff hill, maritime museum, maritime village, warrnambool, shipwreck coast, great ocean road, shipwright, carpenter, shipbuilding, ship repairs, hand tool, equipment, caulking, ship maintenance, cooper, shipwright’s tools, shipwrights’ tools, tools, maritime trade, broad axe, caulking iron, laurie dilks, l dilks, port and harbours melbourne

The Kew Historical Society’s fashion and design collection is comprised of costumes, hats, shoes and personal accessories. Many of these items were purchased or handmade in Victoria; some locally in Kew. The extensive hat collection comprises items dating from the 1860s to the 1970s. While most of the hats in the collection were created by milliners for women, there are a number of early and important men’s hats in the collection. The headwear collection is particularly significant in that it includes the work of notable Australian and international milliners. A hat by the same milliner is in the Western Australia Museum.Grey straw woman’s hat retailed by Classic W.H. Pty. Ltd., featuring a low crown and a broad rim. The crown and the rim are in shades of grey: the crown fully dyed grey and the broad rim in bands of white and grey. Grey net is attached to the rim and crown.Label: Classic. W.H. Pty Ltd.classic w.h. pty ltd, women's clothing -- hats, headwear, cartwheel style hats

Sarah Coventry Pty. Ltd. was a North American jewellery company that was established in 1949 by the Stuart family as part of Emmons Jewelry, Inc. It began operations in England and Australia in 1968, and in Australia it moved from Carlton in Melbourne to Wodonga in 1969. The premises were originally on High St. in Wodonga, but a new warehouse was built in Melbourne Rd. later in 1969. It was a direct selling jewellery business using a party-plan model similar to Tupperware and Avon. The sales reps or 'Hostesses' were provided with jewellery samples in demonstration kits, which they displayed at jewellery parties in their homes. The designs for jewellery such as brooches, necklaces, earrings, chokers and bracelets were purchased from freelance designers and jewellery manufacturers rather than in-house designers. In 1979 Sarah Coventry Pty. Ltd. in Wodonga was bought by three Australian businessmen, including Wodonga local Jim Sawyer, and continued to sell jewellery under the name "Sargem Pty. Ltd”, for several more years in the 1980s.As part of the Sarah Coventry collection, the necklace has local significance with the decentralised commercial development of regional centres such as Wodonga in NE Victoria, as well as national and international significance from the perspective of social and economic developments for women after World War II. The direct selling party-plan business model Sarah Coventry was based on is also considered the first of its kind for jewellery.Bracelet of interlocking circles. Alternate circles have a broad line across the centre embossed with a floral design.sarah coventry, costume jewellery, industry wodonga

Metal lamp, battery powered, with 60 mm lens on front, folding carry handle and spring clip on back for mounting on equipment. There are two 10 mm holes in the bottomD D broad arrow, maker's name, Lamps Electrical No 1lamp, souvenir, equipment

Used by Colour Sgt Cordwell, grandfather of John Cordwell, past President of Sub-Branch.On loan from John Cordwell's Family (past president of the Montmorency RSL)Nickel plated silver coloured brass metal military whistle and woven brown leather neck loop. The leather neck loop is attached to the body of the whistle by a small circular steel metal key ring. A metal post with a hole attaches the key ring to the whistle. The whistle has a small light brown coloured wooden pea.Premier Wire Works Melbourne Australia 1944 Marked with the Broad Arrowcordwell whistle, military, metal

Two patterns of clasp knife were supplied to the Australian Military Forces in the WW2 era by the Carr Fastener Company. These clasp knives were identical to those made by Whittingslowe Engineers that were made in the Whittingslowe factory under contract to Carr Fasteners. William Whittingslowe had a close association with Carr Fasteners prior to WW2 and had been Chairman of Carr Fasteners for some time.Smaller sized canoe shaped body military steel clasp knife. The clasp knife is the Carr Fast second pattern with the improved tin opener, manufactured in Australia in the World War Two era. The clasp knife has a blade, a tin/bottle opener, a marline spike as well as a screw driver and a copper wire shackle used to attach the knife to a lanyard or belt clip. The body of the knife is held together by steel rivets. Indentations to aid opening are located on the top RHS of the blade, and on the top LHS of the tin opener. The end of the tin opener is shaped to a point.CARR FAST CO AUST D (broad arrow pattern) Dclasp knife, world war two, australian military forces, steel

Issued to 2nd Battallion Scottish Rifles "Cameronians" for Rifle no 823Steel bayonet, 28 cm blade, 11 cm handle, wood hand grips secured by brass fasteners, fitted for fixing to Lee-Metford rifle 10-97, Wilkinson London, Govt broad arrows, inspectors' stamps, bayonet, edged weapons, lee-metford rifle, wilkinson