Showing 1860 items
matching bourke
-
Ararat Gallery TAMA
Print, Nanette Bourke, Starleaf Grevillea, 2008
Settling in Moyston in 1984, Nanette Bourke is a prominent figure in the Ararat and Grampians arts community, perhaps best known as a member of the ‘Grampians Four’ group of artists. Bourke has been a printmaker since the late 1960s, having studied at the Julian Ashton Art School in Sydney, and at art societies and the CAE in Melbourne before relocating to Western Victoria. Inspired by the woodcuts and linocuts by Melbourne artists of the 1920s and 1930s - Napier Waller, Murray Griffin, and especially Eric Thake - Bourke embraces the sophisticated results that can be achieved in this medium. Bourke holds a deep affinity with the natural environment, which is integral in her artistic life. Many of the works in this exhibition are inspired by the natural environment of the Grampians. In contrast to the often joyous depictions of Australian native flora, Bourke’s imagery also presents a poignant reminder of humankind’s negative impact on the environment. -
Ararat Gallery TAMA
Print, Nanette Bourke, Blue Devils, 1992
Settling in Moyston in 1984, Nanette Bourke is a prominent figure in the Ararat and Grampians arts community, perhaps best known as a member of the ‘Grampians Four’ group of artists. Bourke has been a printmaker since the late 1960s, having studied at the Julian Ashton Art School in Sydney, and at art societies and the CAE in Melbourne before relocating to Western Victoria. Inspired by the woodcuts and linocuts by Melbourne artists of the 1920s and 1930s - Napier Waller, Murray Griffin, and especially Eric Thake - Bourke embraces the sophisticated results that can be achieved in this medium. Bourke holds a deep affinity with the natural environment, which is integral in her artistic life. Many of the works in this exhibition are inspired by the natural environment of the Grampians. In contrast to the often joyous depictions of Australian native flora, Bourke’s imagery also presents a poignant reminder of humankind’s negative impact on the environment. -
Ararat Gallery TAMA
Print, Nanette Bourke, Casuarina Grove, 2003
Settling in Moyston in 1984, Nanette Bourke is a prominent figure in the Ararat and Grampians arts community, perhaps best known as a member of the ‘Grampians Four’ group of artists. Bourke has been a printmaker since the late 1960s, having studied at the Julian Ashton Art School in Sydney, and at art societies and the CAE in Melbourne before relocating to Western Victoria. Inspired by the woodcuts and linocuts by Melbourne artists of the 1920s and 1930s - Napier Waller, Murray Griffin, and especially Eric Thake - Bourke embraces the sophisticated results that can be achieved in this medium. Bourke holds a deep affinity with the natural environment, which is integral in her artistic life. Many of the works in this exhibition are inspired by the natural environment of the Grampians. In contrast to the often joyous depictions of Australian native flora, Bourke’s imagery also presents a poignant reminder of humankind’s negative impact on the environment. -
Ararat Gallery TAMA
Print, Nanette Bourke, Grasstrees, a different perspective, 1992
Settling in Moyston in 1984, Nanette Bourke is a prominent figure in the Ararat and Grampians arts community, perhaps best known as a member of the ‘Grampians Four’ group of artists. Bourke has been a printmaker since the late 1960s, having studied at the Julian Ashton Art School in Sydney, and at art societies and the CAE in Melbourne before relocating to Western Victoria. Inspired by the woodcuts and linocuts by Melbourne artists of the 1920s and 1930s - Napier Waller, Murray Griffin, and especially Eric Thake - Bourke embraces the sophisticated results that can be achieved in this medium. Bourke holds a deep affinity with the natural environment, which is integral in her artistic life. Many of the works in this exhibition are inspired by the natural environment of the Grampians. In contrast to the often joyous depictions of Australian native flora, Bourke’s imagery also presents a poignant reminder of humankind’s negative impact on the environment. -
Ararat Gallery TAMA
Print, Nanette Bourke, Burnt Wattle's Tracery, 2008
Settling in Moyston in 1984, Nanette Bourke is a prominent figure in the Ararat and Grampians arts community, perhaps best known as a member of the ‘Grampians Four’ group of artists. Bourke has been a printmaker since the late 1960s, having studied at the Julian Ashton Art School in Sydney, and at art societies and the CAE in Melbourne before relocating to Western Victoria. Inspired by the woodcuts and linocuts by Melbourne artists of the 1920s and 1930s - Napier Waller, Murray Griffin, and especially Eric Thake - Bourke embraces the sophisticated results that can be achieved in this medium. Bourke holds a deep affinity with the natural environment, which is integral in her artistic life. Many of the works in this exhibition are inspired by the natural environment of the Grampians. In contrast to the often joyous depictions of Australian native flora, Bourke’s imagery also presents a poignant reminder of humankind’s negative impact on the environment. -
Ararat Gallery TAMA
Print, Nanette Bourke, Smooth Fruited Grevillea, 1996
Settling in Moyston in 1984, Nanette Bourke is a prominent figure in the Ararat and Grampians arts community, perhaps best known as a member of the ‘Grampians Four’ group of artists. Bourke has been a printmaker since the late 1960s, having studied at the Julian Ashton Art School in Sydney, and at art societies and the CAE in Melbourne before relocating to Western Victoria. Inspired by the woodcuts and linocuts by Melbourne artists of the 1920s and 1930s - Napier Waller, Murray Griffin, and especially Eric Thake - Bourke embraces the sophisticated results that can be achieved in this medium. Bourke holds a deep affinity with the natural environment, which is integral in her artistic life. Many of the works in this exhibition are inspired by the natural environment of the Grampians. In contrast to the often joyous depictions of Australian native flora, Bourke’s imagery also presents a poignant reminder of humankind’s negative impact on the environment. -
Ararat Gallery TAMA
Print, Nanette Bourke, Just a Gumtree, 2006
Settling in Moyston in 1984, Nanette Bourke is a prominent figure in the Ararat and Grampians arts community, perhaps best known as a member of the ‘Grampians Four’ group of artists. Bourke has been a printmaker since the late 1960s, having studied at the Julian Ashton Art School in Sydney, and at art societies and the CAE in Melbourne before relocating to Western Victoria. Inspired by the woodcuts and linocuts by Melbourne artists of the 1920s and 1930s - Napier Waller, Murray Griffin, and especially Eric Thake - Bourke embraces the sophisticated results that can be achieved in this medium. Bourke holds a deep affinity with the natural environment, which is integral in her artistic life. Many of the works in this exhibition are inspired by the natural environment of the Grampians. In contrast to the often joyous depictions of Australian native flora, Bourke’s imagery also presents a poignant reminder of humankind’s negative impact on the environment. -
Ararat Gallery TAMA
Print, Nanette Bourke, The Cult of the Car - Carefree Youth, 1990
Settling in Moyston in 1984, Nanette Bourke is a prominent figure in the Ararat and Grampians arts community, perhaps best known as a member of the ‘Grampians Four’ group of artists. Bourke has been a printmaker since the late 1960s, having studied at the Julian Ashton Art School in Sydney, and at art societies and the CAE in Melbourne before relocating to Western Victoria. Inspired by the woodcuts and linocuts by Melbourne artists of the 1920s and 1930s - Napier Waller, Murray Griffin, and especially Eric Thake - Bourke embraces the sophisticated results that can be achieved in this medium. Bourke holds a deep affinity with the natural environment, which is integral in her artistic life. Many of the works in this exhibition are inspired by the natural environment of the Grampians. In contrast to the often joyous depictions of Australian native flora, Bourke’s imagery also presents a poignant reminder of humankind’s negative impact on the environment. -
Ararat Gallery TAMA
Print, Nanette Bourke, The Cult of the Car - Obsolescence, 1989
Settling in Moyston in 1984, Nanette Bourke is a prominent figure in the Ararat and Grampians arts community, perhaps best known as a member of the ‘Grampians Four’ group of artists. Bourke has been a printmaker since the late 1960s, having studied at the Julian Ashton Art School in Sydney, and at art societies and the CAE in Melbourne before relocating to Western Victoria. Inspired by the woodcuts and linocuts by Melbourne artists of the 1920s and 1930s - Napier Waller, Murray Griffin, and especially Eric Thake - Bourke embraces the sophisticated results that can be achieved in this medium. Bourke holds a deep affinity with the natural environment, which is integral in her artistic life. Many of the works in this exhibition are inspired by the natural environment of the Grampians. In contrast to the often joyous depictions of Australian native flora, Bourke’s imagery also presents a poignant reminder of humankind’s negative impact on the environment. -
Ararat Gallery TAMA
Print, Nanette Bourke, Scarlet Banksia, 1988
Settling in Moyston in 1984, Nanette Bourke is a prominent figure in the Ararat and Grampians arts community, perhaps best known as a member of the ‘Grampians Four’ group of artists. Bourke has been a printmaker since the late 1960s, having studied at the Julian Ashton Art School in Sydney, and at art societies and the CAE in Melbourne before relocating to Western Victoria. Inspired by the woodcuts and linocuts by Melbourne artists of the 1920s and 1930s - Napier Waller, Murray Griffin, and especially Eric Thake - Bourke embraces the sophisticated results that can be achieved in this medium. Bourke holds a deep affinity with the natural environment, which is integral in her artistic life. Many of the works in this exhibition are inspired by the natural environment of the Grampians. In contrast to the often joyous depictions of Australian native flora, Bourke’s imagery also presents a poignant reminder of humankind’s negative impact on the environment. -
Ararat Gallery TAMA
Print, Nanette Bourke, She-Oak in Spring, 2002
Settling in Moyston in 1984, Nanette Bourke is a prominent figure in the Ararat and Grampians arts community, perhaps best known as a member of the ‘Grampians Four’ group of artists. Bourke has been a printmaker since the late 1960s, having studied at the Julian Ashton Art School in Sydney, and at art societies and the CAE in Melbourne before relocating to Western Victoria. Inspired by the woodcuts and linocuts by Melbourne artists of the 1920s and 1930s - Napier Waller, Murray Griffin, and especially Eric Thake - Bourke embraces the sophisticated results that can be achieved in this medium. Bourke holds a deep affinity with the natural environment, which is integral in her artistic life. Many of the works in this exhibition are inspired by the natural environment of the Grampians. In contrast to the often joyous depictions of Australian native flora, Bourke’s imagery also presents a poignant reminder of humankind’s negative impact on the environment. -
Ararat Gallery TAMA
Print, Nanette Bourke, Aftermath, 2005
Settling in Moyston in 1984, Nanette Bourke is a prominent figure in the Ararat and Grampians arts community, perhaps best known as a member of the ‘Grampians Four’ group of artists. Bourke has been a printmaker since the late 1960s, having studied at the Julian Ashton Art School in Sydney, and at art societies and the CAE in Melbourne before relocating to Western Victoria. Inspired by the woodcuts and linocuts by Melbourne artists of the 1920s and 1930s - Napier Waller, Murray Griffin, and especially Eric Thake - Bourke embraces the sophisticated results that can be achieved in this medium. Bourke holds a deep affinity with the natural environment, which is integral in her artistic life. Many of the works in this exhibition are inspired by the natural environment of the Grampians. In contrast to the often joyous depictions of Australian native flora, Bourke’s imagery also presents a poignant reminder of humankind’s negative impact on the environment. -
Melbourne Tram Museum
Newspaper, Leader Northcote, Melbourne Herald, " Campaign for Bourke St trams", " Those Trams" and "One way ahead", 1980 - 1981
Series of five news paper cuttings regarding tram operation in the CBD and in particular along Bourke St. Each cutting has the Aust. Press Cuttings Agency source sheet pasted to the top left hand corner along with the paper name and date stamp. .1 - Leader Northcote - 22/7/1981 - " Campaign for Bourke St trams", written by Ian Munro, regarding a proposal by the City Commissioners to remove trams from Bourke St and run via Lonsdale St. .2 - Melbourne Herald - 18/8/1981 - "Those Trams", editorial regarding the possibility of removing trams from Bourke St. .3 - as for .2, but a short piece - just the last paragraph of .2 .4 - Melbourne Herald - 10/9/1981 - editorial titled "One way ahead" about the possibility of a converting some city streets to one way, a ring road and traffic flows. Noted the "MMTB juggernauts". .5 - Melbourne Herald - 8/11/1980" - titled "Shut half of streets - expert" reporting that an American design consultant - Desmond Muirhead - about shutting streets to traffic, keeping trams as in the Bourke St Mall - uses Munich as an example.Some have In pencil "Ballarat Trams" in top left hand corner.trams, tramways, bourke st, lonsdale st, city of melbourne, mmtb, traffic control -
Kew Historical Society Inc
Postcard, Bourke Street, Melbourne, 1920-1920
The Kew Historical Society's postcard collection includes views of Kew, Melbourne and Greater Melbourne as well as those including overseas scenes sent or received from Europe or the Middle East. They date from the 1890s to the 2000s. These postcards may or may not include the name of the publisher or printer. A number of the cards were published as parts of popular series. A way of dating early postcards is to identify whether the reverse was divided by a central line which became the norm after 1902 in the United Kingdom. However, other postcards produced after this date do not always conform to this print layout.Monochrome postcard of Bourke Street, Melbourne, looking west from Swanston Street. The costumes of the women in the photograph would indicate the use of an earlier photograph dating from the 1885-1895.Mrs L. Clark, Ecclesbourne, Harp Road, East Kew / Wishing you many happy returns of the Day, M. Boylebourke street - melbourne, postcards -- melbourne (vic), photographic postcards -
Kew Historical Society Inc
Photograph - Digital Photographs [Series], Robert Baker, Display: Kew High School, Kew Library, 2013, 2013
The Kew Historical Society mounts regular exhibitions at venues throughout Boroondara. These generally relate to Kew's History and use items from the collection.Three born digital images of an exhibition of items significant to the history of Kew High School. The exhibition was curated by Val Bourke of the Kew Historical Society, and located in the Kew Library.kew high school, exhibitions -- kew (vic.), kew library -
Greensborough Historical Society
Map, Victoria. Department of Crown Lands and Survey, Keelbundoora; Counties of Bourke and Evelyn, 1950c
Map of the Victorian counties of Bourke and Evelyn showing parish boundaries and land ownership.Show the original landholders for this area.Map on light brown parchment, covered in plastic."L.5305" and "3462" -
Melbourne Tram Museum
Postcard, Rose Stereograph Co, "Aerial Panorama looking along Bourke St.", mid 1940s
Rose Series postcard No. P 238, titled "Aerial Panorama looking along Bourke St. to Parliament House & St Patrick's Cathedral, Melbourne - Airspy photo" - There are buses in Bourke Street. Note the three large roof spans of the Eastern Market in the middle of the photo. Photo dated around mid-1940s.Yields information about east end of both Bourke and Collins Streets in the mid 1940s.Postcard - printed real photograph with Rose Stereograph Co. name on the rear.aerial views, melbourne, bourke st, collins st, eastern market -
Ballan Shire Historical Society
Map - Map. Moorarbool East and West, Country Lands in the Parishes of Moorarbool East and Moorarbool West. Counties of Bourke and Grant
This is a map of "Country Lands" around the Werribee River, north of Ballan in the Counties of Bourke and Grant.A relatively small map, paper on a material backing. Shows topographical features, roads and property divisions. Scale of forty chains to one inch. The map is dated March 31st, 1859.There is a small inscription under the chain scale that reads "No 58/364 John Phillips ? Survey 1st August 1858". The name Dugald McPherson is hand written on one of the blocks of land.moorarbool west, moorarbool east, dugald mcpherson, county of bourke, county of grant, werribee river, ballan -
Ringwood and District Historical Society
Photograph, Ringwood Street at Bourke Street Ringwood, looking south, early 1960s prior to Eastland development
Black and white photograph of road. Trees line left of street. Power pole to right of photograph with signage reading, 'Court House' and 'Bourke St.' Police station sign to right of picture.Typed below photograph, "Ringwood St. looking south. Ringwood Reserve on left". -
Melbourne Tram Museum
Postcard, Rose Stereograph Co, "Bourke Street looking to Parliament House, Melbourne", late 1940s
Rose Series postcard No. P 3497, titled "Bourke Street looking to Parliament House, Melbourne". Photo looking east from near Queen Street with one double decker bus at the Elizabeth Street stop with other buses in the distance. Two trams can be seen in Elizabeth Street on either side of Bourke Street. A horse drawn cart can be seen climbing the hill. On the northside of the Bourke Street can be seen, Warburton Franki & Co, Electrical Engineers; Coles & Garrard, Optometrist; General Post Office (GPO); Myer; Buckley and Nunn and Foy's department stores. Yields information about Bourke Street mid to late 1940s.Postcard - printed real photograph with Rose Stereograph Co. name on the rear.tramways, trams, bourke st, buses, elizabeth st, mmtb buses, leyland, td5c class -
Melbourne Tram Museum
Postcard, Biscay Greetings, Bourke St into Spring St, mid 1980's
Colour postcard divided back - Biscay Greetings, of Z3 225 turning from Bourke St into Spring St. Route 96, East Brunswick. Looking down the west of Bourke St at dusk with the many buildings etc in the background. Back has space for name and address, stamp and a message and details of the postcard. Produced by Biscay Greetings, possibly mid 1990's. Card No. BG 277. 2nd copy added 30/8/2020 Image also used in Reg Item 5129.trams, tramways, postcards, bourke st, z class, melbourne, tram 225 -
Ballarat Tramway Museum
Postcard, Biscay Greetings, Bourke St Melbourne
Colour postcard with serrated edges of Bourke St. Melbourne from Parliament house with MMTB Z8 and about 6 W7's in photo, along with many motor vehicles. Also shown are the Safety Zones and stops. In image are buildings along either side of Bourke St., featuring the sign of the Salvation Army City Temple in the top left hand corner, Mittys, and a Kwikasair van by the outbound safety zone. Tram Z8 has destination of "CITY - SPENCER ST." and showing route 89. On rear of card is name of company "Biscay" and caption "New Z class tram in Bourke Street, Melbourne Victoria." and card number BG98 in dark brown ink, along with space for stamp and address. See Destination City re introduction of Z class trams (1975)trams, tramways, bourke st, melbourne, z class trams, tram 2 -
Kew Historical Society Inc
Plan - Framed Subdivision Plan (copy), F Price, Plan of Mr William Derrick's Land, Kew being Subdivision of Part of Section 86, Parish of Boroondara, County of Bourke, 1872, 1872
William Derrick was an early landowner in Kew, and with James Venn Morgan and James Dannock the purchaser of the parcel of land bounded by Cotham Road, High Street and Mary Street. Derrick Street in Kew is named after him.Map mounted under perspex. ‘Plan of Mr Willia Derrick's Land, Kew being Subdivision of Part of Section 86, Parish of Boroondara, County of Bourke’. This is a copy of the plan held in the State Library of Victoria.kew subdivision plan, john derrick, subdivision plans -- kew (vic.) -
Melbourne Tram Museum
Photograph, Cable tram 457 Bourke and Swanston St, 1930s
The photograph shows a cable tram (Spencer St), trailer number 457, in Bourke St about to cross over Swanston St. The grip car or dummy is well loaded. In the background is the Leviathan Clothing Store 1913 - see reference for history details. The motor car ahead of the tram is doing a "Hook" turn into Bourke Street. A young man is skylarking at back of the tram for the photographer. Photo during the 1930s.Yields information about the intersection of Bourke St cable tram services and the corner of Bourke and Swanston Streets.Photograph, black and white, plain backtrams, tramways, cable tram, swanston st, bourke st, the leviathan -
Melbourne Tram Museum
Postcard, Biscay Greetings, Bourke St from Queen St at dusk, mid 1980's
Colour postcard divided back, vertical format, - Biscay Greetings, looking east along Bourke St from Queen St at dusk. Card has title "Bourke St Mall at Twilight". Has in the view a number of Z class trams in green, including an A class tram. C1984? Also has signs for Myer, Hoyts and Parliament House. Back has space for name and address, stamp and a message and details of the postcard. Produced by Biscay Greetings, possibly mid 1980's. Card No. BG355. Two copies held.trams, tramways, bourke st, mall, z class, a class, parliament -
Melbourne Tram Museum
Pamphlet, VicRoads, "Tram stop improvements works on Bourke St", 2005 to 2007
Set of four Pamphlets - DL - full colour for installation of Bourke St super stops or platform stops in Bourke St. 1 - Have your say - 3 fold DL - Nov. 2005 2 - Have you say - 5 fold DL with a proposed plan - June 2006 3 - Construction - Spring and Spencer St - 3 fold DL - with plan - May 2007 4 - Constructon - William, Queen and Russell streets - with plans - Sept. 2007Yields information about the installation of super stops in Bourke St 2005 to 2007.Set of four Pamphlets - DL - full colour trams, tramways, super stops, platform stops, bourke st, planning, construction -
Melbourne Tram Museum
Newspaper, Jeff of the Melbourne Sun, Bourke St Mall the previous day by Charles, Prince of Wales and Princess Diana, 14/04/1983 12:00:00 AM
Photocopy of a newspaper cartoon by Jeff of the Herald Sun following the opening of the Bourke St Mall the previous day by Charles, Prince of Wales and Princess Diana. Features a Z class tram with two sets of legs protruding from the front of the tram.trams, tramways, royal visit, bourke st, opening, z class -
Melbourne Tram Museum
Postcard, Valentine's, PCC 1041 westbound in Bourke St, c1974
Postcard - Valentine - colour - with rounded edges of PCC 1041 westbound in Bourke St between Elizabeth and Queen St. Has the McEwans and the Coles and Garrard buildings and signs in the view. Photo c1974. Divided back type, card number LV 028.trams, tramways, bourke st, pcc class, tram 1041 -
Whitehorse Historical Society Inc.
Map, Directory Maps of the County of Bourke, 1892
Directory maps of the County of Bourke, containing all the Parishes ...Directory maps of the County of Bourke, containing all the Parishes ... also a complete map of the Colony of Victoria, showing all the Counties, Parishes, Railways and stations to date, and the Mallee Blocks. Lithographed by G.S.B. Bonney for the Victorian Shire Map Company. Scale: 40 chains to the inch.Directory maps of the County of Bourke, containing all the Parishes ...maps, victoria. county of bourke, t.r.b. morton & son -
Melbourne Tram Museum
Postcard, Nu-color-Vue, Bourke St Mall with Z2 113, 1995
Postcard - 3 panel full colour - by Nu-color-vue of the Bourke St Mall with Z2 113 in two of the panels, running a route 86, Bundoora. Has the caption "Melbourne Australia" Divided back, published by Nu-color-vue - 12ML080 and NCV 8826trams, tramways, bourke st, mall, z class, tram 113