Taylor collection - Photograph of James Taylor dressed in Independent Order of Rechabites regalia, hand tinted with rosy cheeks, blue & red sashes. Well groomed with beard and bow tie.Chevalier Pall Mall Sandhurstphotograph, person, james taylor

Bendigo Advertiser ''The way we were'' from 1999. Portrait: Chevalier's Portrait Rooms, High Street, Eaglehawk.newspaper, bendigo advertiser, the way we were

Framed lithograph featuring Agnes River, Corner Inlet, Gippsland. Drawn from nature and lithographed by Nicholas Chevalier.

Signed and dated, l.r., brown oil, "A CHEVALIER TAYLER. 94".

Small portrait of a couple. The lady is seated on a chair with her right arm resting on a table and the man is standing beside her with his right arm resting on the back of her chair. He is wearing a three piece suit. The jacket only has one button at the neck. There is a small amount of blue at his neck. The lady's dress is long and has embroidery on the bodice. It also has buttons down the front.Chevalier, Pall Mall, Sandhurst. Branch Establishment, High Street. Eaglehawk.photograph, portrait, couple, portrait of a couple

An illustration hand drawn in black ink on paper showing intubation of the larynx on a reclining head and neck, which is drawn as a cross section showing the inside of the head and the airways. The Chevalier Jackson's laryngoscope is being introduced at the angle of the mouth.laryngoscope, larynx, chevalier jackson's laryngoscope

An illustration hand drawn in black ink on paper showing intubation of the larynx on a reclining head and neck, which is drawn as a cross section showing the inside of the head and the airways. The beak of the Chevalier Jackson's laryngoscope is advanced towards the tip of the epiglottis.laryngoscope, larynx, chevalier jackson's laryngoscope, epiglottis

This is a photo of a painting by Nicholas Chevalier (1828-1902). The painting is "Mt Abrupt, Grampians", circa 1864, oil on canvas, 46.0 x 61.0 cm (held in a private collection, London).This is a photo of a painting. It shows a stylised view of a mountain with a further peak behind it. The front of the peaks have high, rock cliffs. In the foreground there is an aboriginal camp, including a shelter with two people sitting in it, two people and two dogs sitting outside on the grass and a camp fire between them and the hut.painting, landscape

Charles Wallace Gordon Graydon the First came out to Victoria on the S.S. Almora, the same ship on which Eliza Richardson and her family arrived on New Years Day 1875. Evidently C.W.G.G.1st. must have retained fond memories of a young fourteen-year-old girl named Elizabeth Richardson who travelled from Scotland with her mother and family (her father had arrived earlier) because three years later at Kyneton they were married. It was December 26th 1860, and Elizabeth was just seventeen. As the bridegroom’s age is written as 24 years on the wedding certificate, he certainly must have been more than eighteen when he sailed on the "Almora" in 1856. The newly married couple went to live at Taradale, Victoria, and they made a good life for themselves in that town which had then a thriving gold mine. They lived in a large two-storied house in Survey Paddock, and it was there that four daughters - Susan Emily (1861-1906), Elizabeth Constance (1863-1945), Amelia Amy (1865 -1952, Ada Mary Maude (1867-1901), and one son Newenham Edward Eustace (1869-1945) named after his Irish Grandfather, were born. On his wedding certificate C.W.G. Graydon, is described as a foreman. His father-in-law, Robert Richardson was employed as a time-keeper on the Melbourne to Bendigo Railway works, and he and his family lived first in Prahran, then Kyneton, and then Taradale. Perhaps Charles Graydon worked on the railway with him. In Taradale however, he worked for a gold mining company in a surveying capacity. C.W.G.G.1st was to become Shire President of the Shire of Metcalfe. That particular year the Graydon Family entertained the visiting English cricket Eleven at their home in Taradale. He was certainly regarded as an important man in the district when he was requested by a great number of the residents to nominate for the Legislative Assembly election. About 1876 the Graydons left Taradale, and went to live at Sandhurst, now Bendigo, at Barkly Place East. The Richardsons had also left Taradale to go into the grocery business in the same town. Charles Wallace Gordon Graydon the First became a legal manager of mines, and a well-known and popular resident. Sad to say he became ill with a lung infection, and on June 4th. 1885 he died, and was buried at Sandhurst, now Bendigo Cemetery, Back Creek Rd. Eliza Richardson's brother was Mr. James Richardson, the well-known grocer, of Pall Mall and Golden-square, who died at his residence, "Balgownie," Short street, on Thursday 22 Jan 1914. James Richardson was a native of Scotland. He was born at Glasgow in1849 and was only eight years of age when his parents sailed for Australia in the ship Balmoral. The family arrived in Melbourne in 1857 and went to Taradale, where Mr. Richardson, senr., acted as inspector of works during the construction of the Taradale Viaduct. James Richardson, who had commenced his educationin Glasgow, attended school at Taradale until the family removed to Bendigo at the time the railway was being built from Bendigo to Echuca. The contractors for this work engaged Mr Richardson, senr., as their timekeeper. When he left school James Richardson applied himself to learn the grocery business, and he gained a thorough knowledge of it with different employers at Bendigo, Taradale, and Daylesford. In 1872 he opened a grocery store on his own account in High-Street, Bendigo, but within a few months he had the great misfortune to be burnt out. The fire originated in an adjoining building early one morning and both places were burnt to the ground. In spite of his loss, Mr. Richardson was not discouraged, for he soon made another start. His trade improved and he extended his business, opening the Eclipse Cash Store at Golden Square. A little later another branch was opened at the Oddfellows' Hall, and subsequently this business was transferred to the Eureka Cash Store, in Pall Mall, which was the head depot. In addition to the retail trade, Mr. Richardson had, for many years carried on an extensive wholesale business with the Northern District, and had made a specialty of fodder seeds. James was a man of probity and sincerity in business, and as a citizen he was highly esteemed and respected. He was a prominent member of the Bendigo Caledonian Society in the earlier days of his citizenship. He was a staunch member of St Andrew's Presbyterian Church, and was a member of the board of management. In the Easter Fair procession, Mr Richardson's display was always a prominent and attractive one. Mr. Richardson was a member of the Masonic Order, and was a life member of the Bendigo Art Gallery and the old Mechanics Institute. He was married at Daylesford in 1871. Mr James Richardson was interred in the Presbyterian section of the Bendigo Cemetery.Seventeen black and white Graydon and Richardson family photographs taken by Bendigo photographers. All photos unnamed. Mounted as Cartes de Visite. Photographers - The Studio - Chuck, , M. Bent, F. de Kock and Co., N. White, Bartlett Bros., Chevalier.graydon, richardson, carte de visite

Chevalier Jackson was a surgeon who designed this laryngoscope. Jackson contributed a number of important innovations to direct laryngoscopy, while developing a unique mastery of the technique. Ultimately, he combined this endoscopic proficiency with open surgical techniques.The U-shaped laryngoscope comprises a moulded handle and a long endotracheal insert which has a small connector to allow for a light to illuminate the patient's throat. The item is chrome-plated.Engraved on connecting shaft: Jackson's Laryngoscope, 1901.laryngoscope, chevalier jackson, endoscope, anesthesia, distal illumination, chrome, 1901, jackson's

Frank Tate was the first Director of Education for Victoria, 1902-1928. During this time World War I occurred and he enlisted. Due to his support for the French during this time he was awarded "Chevalier of the Legion of Honor". Certificate printed on beige paper. Name and signature added Signature of Director of Education: Frank Tate Certificate made out to Ed M Roberts Certificate number: 4 "Credit" hand written after statement of pass Red school stamp - Ballarat School of Mines

An illustration hand drawn in black ink on paper showing intubation of the larynx on a reclining head and neck, which is drawn as a cross section showing the inside of the head and the airways. The beak of the Chevalier Jackson's laryngoscope is inside the mouth and engaged with the epiglottis, which is lifted forwards so the glottis is exposed.laryngoscope, larynx, chevalier jackson's laryngoscope, epiglottis

One of the first sound films starring Maurice Chevalier ''besides the nine principle character characters, forty one actors and actresses speak and Folies Bergeres sequences show a chorus and belle of sixty''. (extract from Sun News pictorial 1929,Although no program is held, the advertisement indicates the film was shown at the Athenaeum Newspaper advertisement innocents of paris, athenaeum theatre, paramount, maurice chevalier

The Boyds purchased their record player and sound system from Thomas’s in Melbourne. Patricia Boyd (later Davies) was very interested in opera and was later appointed to the Board of the Australian Opera.Gigi. LP 33RPM vinyl, Catalogue Number: MGM 02 7538, Cardboard package, plastic cover sleeve, 1 Vinyl disc, cover notes, no author listed, distributed by EMI (Australia), Sydney. Music by Federick Loewe, conducted by Andre Previn, featuring Leslie Caron, Maurice Chevalier and Louis Jourdan.lp, sound recording

George Tibbits, University of Melbourne. Faculty of Architecture, Building and Town & Regional PlanningIndex system that support the research for Beechworth : historical reconstruction / [by] George Tibbits ... [et al]Arranged by street names of BeechworthEach index card includes: street name and number of property, image of property, allotment and section number, property owners and dates of ownership, description of the property according to rate records, property floor plan with dimensions.beechworth, george tibbitsbeechworth, george tibbits

Small black and white photograph of the Royal George Hotel. Two men and a boy are standing at the front. On the back: photographed by Chevalier, Pall Mall Sandhurst, branch establishment. High Street, Eaglehawk, opposite church of England. The negative plate from which this photograph was printed being retained, similar copies can at any time be obtained.buildings, hotel, royal george

Wannon Falls were created by lava flows that surged upstream to the Wannon River. The cascade is a 30 metre vertical drop into a deep plunge pool. Downstream rapids wind their way around large blocks of basalt. The Wannon Falls have been painted by notable artists such as Nicholas Chevalier, Eugene von Guerard, Thomas Clark and Louis Buvelot.Black and white photograph of a waterfall cascade known as Wannon Falls.Verso in black ink handwriting 'Wannon Falls near Hamilton'chatham family archive, chatham, wannon falls, hamilton, waterfall

Small ticket stub for a Form of Register TicketForm of Register Ticket No. 224 Schedule XXVII By Law XIII February 11th 1862 I, P.P.FitzPatrick Mining Registrar for the No 2 division of the Mining District of Ballaarat, have this eleventh day pf February 1862 registered Willia Fittall for a residence claim, 66 feet by 82 1/2 feet situated east of Peel Steeet near Black Hill Gully (signed) William Fittall on 28 January 1862sailor, immigration, thomas paterson, greenock, george dempster, chevalier

Small ticket stub for a Form of Register Ticketsailor, immigration, thomas paterson, greenock, george dempster, chevalier

Eight 'Cartes de Viste' produced by Bendigo photographers. All subjects are unnamed. Black and white photographs, three of which have been colour tinted.3 by Chevalier Pall Mall 3 by N White Mitchell St Sandhurst one by J W Burrows Pall Mall Sandhurst one by M Bent Centre of Pall Mallphotograph, portrait

George Tibbits, University of Melbourne. Faculty of Architecture, Building and Town & Regional PlanningIndex system that support the research for Beechworth : historical reconstruction / [by] George Tibbits ... [et al]Arranged by street names of BeechworthEach index card includes: street name and number of property, image of property, allotment and section number, property owners and dates of ownership, description of the property according to rate records, property floor plan with dimensions.beechworth, george tibbitsbeechworth, george tibbits

George Tibbits, University of Melbourne. Faculty of Architecture, Building and Town & Regional PlanningIndex system that support the research for Beechworth : historical reconstruction / [by] George Tibbits ... [et al]Arranged by street names of BeechworthEach index card includes: street name and number of property, image of property, allotment and section number, property owners and dates of ownership, description of the property according to rate records, property floor plan with dimensions.beechworth, george tibbitsbeechworth, george tibbits

Please refer to The Wood Library for further information about this piece. URL: https://www.woodlibrarymuseum.org/museum/item/664/jackson-laryngoscope Chevalier Jackson direct laryngoscope, with attached small light bulb inside the internal blade. Brass coated piece with a large size. This piece has a discoloured and beaten surface with visible hit marks, deformation at the back of the blade and green spots in handle area. The hand anatomic handle is faceted and designed with a thumb rest section at the angle. Welding sections are visible along the blade base external canal and handle attachment area. No inscriptions.Anychevalier jackson, laryngoscope, light bulb, brass

It is likely that this object belonged to Dr Giles.Chevalier Jackson medium size steel made laryngoscope. Hexagonal shape design on handle and arm blade with a thumb support at the handle angle, missing the bulb light and all the system to support it. Deep scratches over the top and under blade with presence of dust marks over the handle, arm and inside the blade canal. Also has a grey paint mark over the top blade area. No stamped inscriptions are present just a label attached with a possible owner's name and a reference code to the museum old catalog.Attached label hand written inscription, Giles / S 4. 13chavalier jackson, laryngoscope, stainless steel

This image shows the gorge adjacent to Beechworth in approximately 1900. Although the exact location of the photograph is yet to be determined, the present-day Beechworth Gorge Walk includes views of the Cascades at the point at which Spring Creek flows into the valley on the level below. Gold-sluicing techniques in use in the town during periods of active gold extraction may have altered the landscape since the photograph was taken, however. In the 1850s a mill was built at the top of the Spring Creek falls by Russian-born Louis Chevalier, brother of artist Nicholas Chevalier. The mill supplied the town with lumber that supported the town's initial construction boom. Lantern slides, sometimes called 'magic lantern' slides, are glass plates on which an image has been secured for the purpose of projection. Glass slides were etched or hand-painted for this purpose from the Eighteenth Century but the process became more popular and accessible to the public with the development of photographic-emulsion slides used with a 'Magic Lantern' device in the mid-Nineteenth Century. Photographic lantern slides comprise a double-negative emulsion layer (forming a positive image) between thin glass plates that are bound together. A number of processes existed to form and bind the emulsion layer to the base plate, including the albumen, wet plate collodion, gelatine dry plate and woodburytype techniques. Lantern slides and magic lantern technologies are seen as foundational precursors to the development of modern photography and film-making techniques.This glass slide is significant because it provides insight into Beechworth's built environment and natural landscape in the early Twentieth Century, around the time of Australia's Federation. It is also an example of an early photographic and film-making technology in use in regional Victoria in the time period.Thin translucent sheet of glass with a square image printed on the front and framed in a black backing. It is held together by metals strips to secure the edges of the slide.burke museum, beechworth, lantern slide, slide, glass slide, plate, burke museum collection, photograph, monochrome, indigo shire, north-east victoria, spring creek falls, beechworth gorge, louis chevalier, nicholas chevalier, lumber industry, timber industry, 1850s, construction, building, mill, mills, waterfall

This image shows the gorge adjacent to Beechworth in approximately 1900. Although the exact location of the photograph is yet to be determined, the present-day Beechworth Gorge Walk includes views of the Cascades at the point at which Spring Creek flows into the valley on the level below. Gold-sluicing techniques in use in the town during periods of active gold extraction may have altered the landscape since the photograph was taken, however. In the 1850s a mill was built at the top of the Spring Creek falls by Russian-born Louis Chevalier, brother of artist Nicholas Chevalier. The mill supplied the town with lumber that supported the town's initial construction boom. Lantern slides, sometimes called 'magic lantern' slides, are glass plates on which an image has been secured for the purpose of projection. Glass slides were etched or hand-painted for this purpose from the Eighteenth Century but the process became more popular and accessible to the public with the development of photographic-emulsion slides used with a 'Magic Lantern' device in the mid-Nineteenth Century. Photographic lantern slides comprise a double-negative emulsion layer (forming a positive image) between thin glass plates that are bound together. A number of processes existed to form and bind the emulsion layer to the base plate, including the albumen, wet plate collodion, gelatine dry plate and woodburytype techniques. Lantern slides and magic lantern technologies are seen as foundational precursors to the development of modern photography and film-making techniques.This glass slide is significant because it provides insight into Beechworth's built environment and natural landscape in the early Twentieth Century, around the time of Australia's Federation. It is also an example of an early photographic and film-making technology in use in regional Victoria in the time period.Thin translucent sheet of glass with a square image printed on the front and framed in a black backing. It is held together by metals strips to secure the edges of the slide.burke museum, beechworth, lantern slide, slide, glass slide, plate, burke museum collection, photograph, monochrome, beechworth gorge, indigo shire, landscapes, mill, sluicing, gold mining, north-east victoria, spring creek, louis chevalier, cascades

Artists Of The Bendigo Goldfields 1852 - 1864. Short notes on the paintings and their artists. This Collections was exhibited at the Bendigo Art Gallery, 9 March - 9 April,1989. The Artists were: Ludwig Becker, Edward Thomas Barnard, Nicholas Chevalier, William Dexter, Alexander Fox, S. T. Gill, Thomas Ham, Theodore King, George Lacy, Frederick Nixon, J. A. Panton, C. Rudston Read, George Rowe, G. J. W. Russell, Edwin Stocqueler, A. J. Stopps, W. E. D. Sturat, Thomas Wright. With Index. 32 pages.David Thomasbook, bendigo, paintings, books, catalogues, and newspapers.

Original steel engraving by J.C Armytage after John SkinnerPROUT (1806 - 1876). Prout was born in Plymouth and was a member of the New Watercolour Society in London, he latter emigrated and lived for some time in Sydney and Hobart before returning to England. Published in "Australia... Illustrated with Drawings by Skinner Prout, N Chevalier, etc. by Edwin Carlton Booth F.R.C.I. (printed 1873-76) Virtue & Co., London, and as part work from about 1873. Steel Steel Engraved antique print some with marking to the margins. Image 12 x 18 cm. John Skinner Prout (1806 - 1876) was an architectural illustrator and painter. Born in Plymouth and nephew of Samuel Prout (Topographical illustrator, drawing master and colourist). John specialised in similar subjects to his uncle but was practically self-taught. He was elected a member of the New Watercolour Society on his return from Australia in 1849, where he visited Sydney and Hobart. He had already forfeited his membership of the NWS in 1838 by being overseas. John settled in Bristol after 1849 whewre he became a good friend of W.J. Muller (artist). He later moved to London where he died, at Camden Town on 29th August 1876Framed print of etching depicting four aboriginals one of which is climbing a treeprint, gwalior plains