Bendigo Advertiser ''The way we were'' from 2000. Rustic: a farmhouse near Mount Sugarloaf, near where Fosterville was later established, circa 1880s. Photo courtesy Bendigo Historical Society. The clip is in a folder.newspaper, bendigo advertiser, the way we were

Photograph of painting by Alan Sartori called 'Farmhouse East Gippsland.Alan Sartori was a local Greensborough artist who captured many images of the local area and beyond.Digital image of a painting by a Greensborough artist.alan sartori

Information and photo of Montmorency farmhouse. Information from Davey family descendant Sylvia Tupper.This photograph and text was copied from a Facebook site. Members are people who lived in the Greensborough area and share their reminiscences of the area with others. The site is administered by a GHS member but is not officially affiliated with the Society. Any information is the opinion of the contributor. Article and photograph sourced from social media.montmorency farm, davey family

Oldstead Farmhouse, painted by Greensborough artist, the late Doug Hall. Oldstead Farm was in the area around the present Oldstead Road Greensborough.Oil painting of a house, in timber frame.On back of painting "Oldstead Farm, Doug Hall"doug hall, oldstead farm, oldstead road greensborough

Aerial view of Cotswold Valley, Menzies Creek. B&W photos taken from light plane. Paddocks and treed areas are visible. Two houses are in the centre of the photo, presumably the Breen farmhouse on Jacksons Hill Road. The tip of the plane's left wing is also visible.

Photograph shows what appears to be a rural farmhouse and paddock, this is part of the site of the old railway line to Whittlesea. In centre of photo is the old station platform.Part of the John Ramsdale collection of slides and audio visual material.Colour photograph scanned from slide.No maker's marks. No caption on slide.whittlesea, whittlesea rail line

Photograph shows what appears to be a rural farmhouse and paddock, this is part of the site of the old railway line to Whittlesea. In centre of photo is the old station platform.Part of the John Ramsdale collection of slides and audio visual material.Colour photograph scanned from slide.No maker's marks. No caption on slide.whittlesea, whittlesea rail line

Photograph shows what appears to be a rural farmhouse and paddock, this is part of the site of the old railway line to Whittlesea. In centre of photo is the old station platform.Part of the John Ramsdale collection of slides and audio visual material.Colour photograph scanned from slide.No maker's marks. No caption on slide.whittlesea, whittlesea rail line

Photograph shows what appears to be a rural farmhouse and paddock, this is part of the site of the old railway line to Whittlesea. In centre of photo is the old station platform.Part of the John Ramsdale collection of slides and audio visual material.Colour photograph scanned from slide.No maker's marks. No caption on slide.whittlesea, whittlesea rail line

On the front cover is a picture of two boys dressed in cowboy outfits riding on two horses. In the background is a farmhouse with mountains in the far background. The title of the book and the author's name are on a banner across the top of the front cover. The back cover has information regarding 'The Challenge Series For Boys and Girls'.fictionThe X Bar X Boys was a series of western adventures for boys created by the Stratemeyer Syndicate and written under the pseudonym of James Cody Ferris. This is the first one in the series.cowboys, ranch, america, fiction, james cody ferris

Built 1920c by J Reggardo first owner.Colour photograph of a small timber farmhouse situated at Old Lake Tyers Beach Road, Lake Bunga. It is unpainted timber with corrugated iron gable roof, external brick chimney. Half of veranda has been enclosed. Remains of orchard in front of house. Lakes Entrance Victoriahouses, heritage study

In the early 1970s, Arthur Boyd bought and restored a large, two-storey traditional farmhouse called Il Paretaio. Situated on the crest of a hill and surrounded by fields and olive groves, it is five kilometres from the village of Palaia in the province of Pisa, Tuscany. Boyd established this farmhouse as a residency programme, (which was later managed by the Australia Council). The residency program ended in 1990. Anthony Pryor undertook an Australia Council residency at Paretaio in 1984. This work is one in a series made during his time there. This work was entered into the Shire of Eltham Art Award in 1985.Pryor is an artist of national significance. This work is an example of his series of 'boxes' made principally for his own pleasure and often swapped with artists and other friends as soon as they were finished. The 'box' series was part inspired by Japanese techniques of wooden construction. Pryor first visited Japan in 1975 and was immediately drawn to Japanese methods of working with stone and wood. Many of these boxes are based upon the principles of the Japanese Zen Buddhist monk Sengai Gibon (1750-1838). This work relates to Sengai's famous hanging scroll Circle, Triangle and Square in which the circle can be read to stand for the cosmos, the square for the individual, and the triangle for aspiration. A heavy, box-like (cube) structure created from huon pine, with bronze, brass and stone elements. Within the cube is an eastern inspired, rear lattice wall in combination with bronze domestic fittings, and symbols (cube, pyramid and circle). Metal lightning, clouds and wooden rainbow hover over an asymmetrical bronze bed floating within the cube. A chair leans and a tilting ladder reaches towards the sky. Stamped into wood: lower right 'ANTHONY PRYOR PARETAIO'huon pine, pryor, brass, bronze, stone, cube, paretaio, italy, eastern, japan, sengai gibon, symbols, zen buddhism, sculpture, personal

Photograph (Proof 63) of a group of six adults standing in front of the verandah of a farmhouse. There are three men and three women , one of the women is holding and infant. In the foreground there is an unpainted picket fence. VERY faded names can be seen written around the edges of the photo, viz., Samuel and Sarah, Henrietta Wright, Samuel , Robert, Frank, Blanchebuildings, house, farn huose, farm house

Postcards sent by "R.H. Baron" from his deployment in France and Belgium post the end of WW1. Part of the Robert H. Baron (No.3596) and Cooper Collections. See catalogue No. 1981P for details of Baron's service.1. & 2. Each has the same illustration on the front. Illustration in colour features a French soldier in uniform and a woman. In the background are trees, buildings and a church. Text is in French. 3. Coloured hand drawn illustration featuring a farm scene. Horse and wagon full of hay in foreground. Trees and farmhouse in background. 4. Colour illustration features pansies and a swallow. Text in French.1. Handwritten in pencil on back: 'Letter from R.H. Baron to his mother'. 2. Handwritten in pencil on back: 'Letter from R.H. Baron to Elsie'. 3. Handwritten in pencil on back: 'Letter from R.H. Baron to his Aunty' - dated 1/3/1919. 4. Handwritten in pencil on back: 'Letter from R. H. Baron to Myrtle'.robert h. baron, cooper collection, ww1, postcard

Part of a collection of photographs owned by Dorris McLaughlin who was born in Greensborough, in 1899 to John McLaughlin and Rosalie Ellen Whatmough. The collection contains photographs of friends and relatives from the Greensborough and Eltham areas. This photograph shows the old farmhouse at John McLaughlin's Eltham property.Digital copy of black and white photograph.dorris mclaughlin, john mclaughlin, eltham

The Age, Monday, December 4, 2023, p11 Article about local protest at Victorian Government decision to build a community hospital on the site of an old derleict farmhouse owned by the Department of Transport at 405 Ryans Road, Diamond Creek. The site was until 2017 part of a potential route fior the North East Link.community hospital, cr. ben ramcharan, cr. natalie duffy, department of ttransport, diamond creek, eltham community hospital, james bant, james merrett, martin penrose, north east link, petition, protest, ryans road

A history of Alexandra and surroundsHardback. Front cover has a photograph of a farmhouse in a paddock with Cathedral Mountain in the background. Back cover has a circular emblem that has a miner digging, a pump house and poppet head and some bales of wool. The words 'Founded on gold wool and butter' surround the centre. There is also a photograph of the main street of old Alexandra with a stagecoach drawn by two horses that has three people seated in and on the stagecoach along with some luggage on the roof.Stamp of the Marysville & District Historical Society Inc / P.O. Box 22 / Marysville 3779alexandra region-victoria, history

A copy of a photograph of a farmhouse with farm building in the background. Surrounding the house is a picket fence, in the foreground are three adults and five children. One of the women is holding a child and the other is holding a child by the hand. There is a man with a beard and wearing a Bowler hat standing between the two women. There are three other children; two boys on tricycles, and a girl standing between them. Written at the base of the photo is First Home, Ellmswood, Serpentine 1890topic, farming, farm house, serpentine , ellmswood

Photograph of farmhouse with family members on front veranda. Inscription on the back reads: 'To dear Emma with love from Lizzy'. Emma is possibly Emma Augusta Nightingale (nee Thompson) b 1859; d 1949. Lizzie is possibly Elizabeth Anna Thompson (nee Fleming) b 1874; d 1954 information sourced from Nightingale Family History folder Clear photograph depicting country farmhouse with large family on front veranda, very good example of charming country cottage garden with plants easily recognisable Sepia photograph mounted on brown card'To dear Emma with love from Lizzy'thompson collection, nightingale

Black and White photograph of 'Tantallon', the Menzies Creek/Emerald Farm owned by Norah and Percy Douglas, situated on the north side of Ridge Road. The photo shows a corner of a post and rail fence enclosing a small farm paddock. Behind a row of trees, a brick chimney and part of a roof can be seen, presumably the main farmhouse. Timbered hills can be seen in the background. The photo appears to be taken looking north. See also VSSH0046 for more details.

B&W photo showing Glen Park Farm, Selby, owned by the Johns family, as seen from the north-east corner. Photo shows the descent to the valley then up Black Hill in the background. Mostly cleared paddock apart from the cypress avenue to the farmhouse (which is glimpsed between the trees) a few single trees dotted about, and the heavily treed area on the top of Black Hill. There is a small building or shed or possibly a haystack in the centre of the photo.

This type of pan was commonly used for cooking, heating liquids, or melting materials over an open flame. Given its deep basin and sturdy handle, it may have been used as a fireplace or camping pan. Similar metal pans were used in farmhouse kitchens, blacksmith shops, or outdoor fire pits. Due to its heavily rusted and perforated condition, it is no longer functional but serves as a historical artifact.A round metal pan with a deep basin, showing significant rust and corrosion. The pan has a sturdy metal handle attached to the rim, allowing it to be hung or carried. The rim of the pan is slightly bent, suggesting heavy use over time. The interior surface is badly rusted with flaking metal and holes, indicating it has been exposed to moisture for an extended period.pot, saucepan, fry pan, cooking, kitchen, household item, fire, woodstove

Likely used in kitchens, bakeries, or dairies for scooping liquids, grains, flour, or milk. Common in early to mid-20th century farmhouses, enamelware was a durable and sanitary choice before the widespread use of plastic and stainless steel. The wooden handle suggests it was meant for handling hot substances without burning the user’s hands. Could have been used for pouring batter, scooping milk, or measuring dry goods.Enamel Ladle or Cooking Scoop. A white enamel bowl with a rounded shape, deep enough for scooping or pouring liquids or grains. A blue rim lines the upper edge of the bowl, though it shows chipping and wear in places. A wooden handle, turned and shaped for grip, is attached with a metal connector to the bowl. The handle appears to be light-coloured wood, possibly beech or pine, and has signs of age and wear.cooking, kitchen, scoop, food, household item

The family in this photograph is believed to be the Oliver family. Thomas Oliver, a farmer, advocated for a school at Parwan near Bacchus Marsh. This image depicts him and members of his family at his property, Woodside in 1883. The Woodside property was formerly owned by John Cook. The Olivers lived at Woodside during the 1870s and 1880s. Thomas Oliver retired around 1888 and moved to 'Elam's Cottage' in Bacchus Marsh. Three months after moving to Bacchus Marsh he died.Small sepia unframed photograph on card with gold border framing photograph. Housed in the album, 'Photographs of Bacchus Marsh and District in 1883 by Stevenson and McNicoll'. An image depicting a family group in front of a farm house. There are three men, two women and two small children standing or lying on a grassed area in front of the house, which has a post-and-rail fence. The farmhouse is a simple rectangular- shaped brick house with two chimneys and a tiled or slate roof. Behind the house can be seen a second building, also one-storeyed with a tiled or slate hip roof. On the front: Stevenson & McNicoll. Photo. 108 Elizabeth St. Melbourne. COPIES CAN BE OBTAINED AT ANY TIME. On the back: LIGHT & TRUTH inscribed on a banner surmounted by a representation of the rising sun. Copies of this Portrait can be had at any time by sending the Name and Post Office Money Order or Stamps for the amount of order to STEVENSON & McNICOLL LATE BENSON & STEVENSON, Photographers. 108 Elizabeth Street, MELBOURNE. stevenson and mcnicoll 1883 photographs of bacchus marsh and district, farms, farmers, oliver family parwan vic.

Egg cruets like this were commonly used in the late 19th and early 20th centuries to hold and serve boiled eggs in homes, restaurants, and hotels. The wire construction suggests it was a functional kitchen or dining table accessory, likely used in farmhouses or rustic settings rather than in formal dining settings where porcelain egg cups were preferred. These types of egg cruet stands allowed diners to easily access multiple eggs at once, making them practical for breakfast tables, egg transportation, or market displays.The item is a metal wire egg cruet, a specialized holder designed to store or serve eggs. It consists of: A central twisted metal rod, running through the middle to provide structural support. Multiple circular wire compartments arranged symmetrically around the central rod, each designed to hold an individual egg securely. A circular wire base, providing stability and support. The entire structure has a rusted and aged appearance, with signs of oxidation and corrosion, indicating significant use over time.cruet, eggs, chicken, poultry, household item

These tiles were likely decorative stove plates, used on cast iron stoves or fireplace surrounds in the late 19th to early 20th century. The raised floral motif suggests a Victorian or Edwardian era design, as ornate cast iron stoves were popular in homes and public buildings. Their heat-resistant properties made them suitable for use in wood-burning or coal-burning stoves. Similar tiles were often used as ornamental stove surrounds, wall accents, or architectural features in early farmhouses, kitchens, or parlours.A set of three square cast iron tiles, each featuring a raised floral or sunburst pattern in the center. The tiles have a weathered appearance, with remnants of white or light gray paint, showing signs of age, corrosion, and wear. Each tile is slightly different in size but follows the same decorative design, suggesting they were part of a coordinated set.building, decoration, construction, moulds

This safe came from the property “Fairview” Tungamah. Victoria. Fairview was owned and farmed by Charles and Nellie Nunn. The safe is at least 100 yrs old and served the family of parents and 12 children well by keeping food cool in the blazing summer days. Beverley Long(McFarlane) remembers it on the farmhouse verandah of her grandparents property near the dairy where fresh milk was separated to produce cream and butter..it cooled meats, and dairy products by strips of hessian kept wet by water stored in the top tank, hanging down around the safe.More than 100 years oldMetal box construction with fly wire covering on all 4 sides. Has three shelves