Black and white photo ' The Sculptor at Work on her Gift to the Children of Melbourne' - The Fairies' Tree in the Fitzroy Gardens Melbourne , Sculptor Miss Ola Cohn, A.R.C.A. (London ) Photographed by The Argus -Melbourne // rear of postcard shows a message from Miss Ola Cohn / card was published by the Rose Stereograph Co. Armadale , Victoria.photograph, person, female, the fairies' tree in the fitzroy gardens melbourne , sculptor miss ola cohn a.r.c.a london , the argus -melbourne / published by the rose stereograph co. armadale , victoria.

Black and white photograph, of the Methodist Church Forest Street, Bendigo, in Argus Wed April 8 1953.The Argus Melbournebuildings, church, methodist church, bendigo-history-buildings-churches

Black and white photograph, of The Sacred Heart Cathedral Catholic Church, Wattle Street, Bendigo. Written on back in Argus Wed April 8 1953 page 27 The Sacred Heart Catholic Church Bendigo.The Argus Melbournebuildings, church, sacred heart cathedral, bendigo-history-buildings-churches

Black and white photograph, of Presbyterian Church Forest Street, Bendigo, written on back in Argus Wed April 8 1953 page 27.The Argus Melbournebuildings, church, forest st presbyterian, bendigo-history-buildings-churches

The Australian Christmas. Collected by Frank Cusack. Publisher: William Heinmann Ltd, Melbourne. 220 pages. Illustrations and an extract from Melbourne Argus. Markings: some underlining and margin notes, discoloration on a number of pages. Notes on one of the blank pages at rear. Two copies)Frank Cusackbook, christmas, christmas in australia

Louis Amiet was the head master at Greensborough State School. Newspaper Death notice from Melbourne Argus. Downloaded copy of death notice.louis amiet, greensborough primary school

Copy of the front page of the Australasian Sketcher No. 58 - Vol. V, dated Saturday, September 1, 1877. The top third of the page has the name and decorative artwork. The bottom two thirds has two sketch drawings of fancy ball characters. On the left are two ladies, dressed in long dresses and hats and a man dressed in very early dress and a hat. The right hand side shows a man with very long hair sitting on a box with old time clothing with long leggings, bows on his shoes and a wide brimmed hat. He also has a sword and broad carry strap. On the right of the picture is a camera. There is also a vase and a pot plant in the picture.By Courtesy Ern Williams, Bendigo. Argusnewspaper, argus, news items, peter ellis collection, australasian sketcher melbourne saturday september 1- 1877, ern williams. the australasian sketcher with pen and pencil was a monthly magazine published in melbourne by the argus between 1873 and 1889. the sketcher appeared once a month, starting april 1873. the proprietors were named as edward wilson, lachlan mackinnon and others.

King Edward VII died on 6 May 1910. This detailed eulogy was published in the Melbourne Argus four days later. The Argus was an Australian daily morning newspaper in Melbourne from 1846 to 1957.Original newspaper section from the Argus of 1910 dedicated to King Edward VII following his death. The paper includes old damage.king edward vii - life - death, the argus - 9 may 1916

According to an article on page 13 of The Melbourne Argus on Wednesday 15 June 1921, Ethyl May Lynn was a successful candidate at the examinations held by The Royal Victorian Trained Nurses' Association held in May 1921.The Lynn family is well-known in the Orbost area. Ethel Lynn is believed to have been working at Bairnsdale in 1924. Ethyl Lynn was the onlychild of Samuel James Lynn and Elizabeth Jane Lynn ( nee Warren). Samuel Lynn (1865-1949) was a farmer and grazier at Jarrahmond and bred Clydesdales.A certicate on a board. The certificate is from the Bairnsdale District Hosptal - the Training School for Nurses. It is inscribed to Ethel May Lynn. There is a badge associated with this -544.2

The Argus was a morning daily newspaper in Melbourne that was established in 1846 and closed in 1957 and was considered to be the general Australian newspaper of record for this period. Widely known as a conservative newspaper for most of its history. Newspapers reflect the contemporary society at the time of print i.e. post-war Australia. This item is a useful reference for that history.A complete 32 pp newspaper, titled The Argus - Melbourne. It is dated Saturday January 12 1946.newspaper-the argus media-print

Colour enlargement of a photograph (slide) of Southesk (formerly Ordsall) in Cotham Road, Kew (demolished 1970).The ceilings of and architraves of Ordsall were painted by artists employed by the decorating company, Cullis Hill & Co. The frescos, of which fragments survive, were some of the most important murals used as elements of interior decoration in Melbourne during the Boom Period of the 1880s. These photographs were taken immediately prior to the demolition of the house, and are the best examples of the murals.The most significant decorative aspects of Southesk (formerly ‘Ordsall’) were the murals in the front two rooms. An article in the Melbourne Argus in 1882 records that Mr Vandenbrandt and Signor Rizzi created these under the supervision of Cullis Hill. This fresco from the ceiling of the ballroom is believed to depict one of the ‘boldly drawn four great geographical divisions of the Earth’. The crowned woman, believed to represent Europe, stands aloft in a chariot drawn by cherubs holding garlands of flowers.david carnegie, john halfey, southesk - cotham road - kew (vic), ordsall - cotham road - kew (vic)

Colour enlargement of a photograph (slide) of Southesk (formerly Ordsall) in Cotham Road, Kew (demolished 1970).The ceilings of and architraves of Ordsall were painted by artists employed by the decorating company, Cullis Hill & Co. The frescos, of which fragments survive, were some of the most important murals used as elements of interior decoration in Melbourne during the Boom Period of the 1880s. These photographs were taken immediately prior to the demolition of the house, and are the best examples of the murals.The most significant decorative aspects of Southesk (formerly ‘Ordsall’) were the murals in the front two rooms. An article in the Melbourne Argus in 1882 records that Mr Vandenbrandt and Signor Rizzi created these under the supervision of Cullis Hill. This fresco from the ceiling of the ballroom is believed to depict two of the Seasons. Signor Rizzi was a renowned painter of flowers. He is credited with painting these parts of the murals. Examples of his floral paintings can still be seen at Villa Alba in Walmer Street.david carnegie, john halfey, southesk - cotham road - kew (vic), ordsall - cotham road - kew (vic)

Written in the Melbourne "ARGUS" newspaper on the 17th February 1941 under "COUNTRY SPORTS - TENNIS". In the B Grade contests for the Norman Grills Cup Learmonth No. 2 (E. Blain, J. Blain), W. McIntyre, L. Hucker, The Misses M. Ryan, D. Grills, J. Thomas and D. Dean d. Garibaldi. These players were all from the Learmonth and Weatherboard districts.A sepia photo on cardboard backing 12 x 9 1/2 inches. The photo itself is 7 1/2 x 5 3/4 inches in a landscape shape. There are 5 men and four women tennis players, all holding tennis rackets with a Premiership Cup at their feet.Learmonth No. 2 Country Week Tennis Team. Winners Season 1941. Names L-R Back row. L. Hucker (Vic, Capt.), W. McIntyre (Weatherboard), L. Rasdell, E. Blain. L-R Front row. Miss D. Dean (Mrs Toleman), Miss J. Thomas (Mrs Lyttle. Weatherboard), J. Blain (Capt.), Miss D. Grills (Mrs David Baird), Miss M. Ryan (Mrs Harrison. Weatherboard). Photographer - Thornton, Richards & Co, Ballarat.learmonth. tennis team, 1941, hucker, mcintyre, rasdell. blain, dean, thomas, grills, ryan

This is a book of war cartoons. The cover has two cartoons in colour and black and white and red and black printing. The spine is slightly torn.The pages contain comic sketches in colour, black and white and brown and white and sepia tones. Some pages at the front are of a shorter width than the other pages. The pages are stapled.fictionWorld War 11 War Cartoons by Armstrongworld war two, world war two cartoonist armstrong

Colour enlargement of a photograph (slide) of Southesk (formerly Ordsall) in Cotham Road, Kew (demolished 1970).The ceilings of and architraves of Ordsall were painted by artists employed by the decorating company, Cullis Hill & Co. The frescos, of which fragments survive, were some of the most important murals used as elements of interior decoration in Melbourne during the Boom Period of the 1880s. These photographs were taken immediately prior to the demolition of the house, and are the best examples of the murals.The most significant decorative aspects of Southesk (formerly ‘Ordsall’) were the murals in the front two rooms. An article in the Melbourne Argus in 1882 records that Mr Vandenbrandt and Signor Rizzi created these under the supervision of Cullis Hill. This fresco from the ceiling of the drawingroom was described by the reporter as ‘done in the quaint old 14th century style … The second panel represents a hawking party. The ladies hold aloft the natural perches for their falcons. The men, seated in picturesque variety of attitude, hold their cross-bows, and a boy is relieving a heron from an arrow which has pierced its bosom.’david carnegie, john halfey, southesk - cotham road - kew (vic), ordsall - cotham road - kew (vic)

Colour enlargement of a photograph (slide) of Southesk (formerly Ordsall) in Cotham Road, Kew (demolished 1970).The ceilings of and architraves of Ordsall were painted by artists employed by the decorating company, Cullis Hill & Co. The frescos, of which fragments survive, were some of the most important murals used as elements of interior decoration in Melbourne during the Boom Period of the 1880s. These photographs were taken immediately prior to the demolition of the house, and are the best examples of the murals.Notwithstanding its grand Italianate façade, the most important aspect of Southesk (formerly ‘Ordsall’) were the murals in the front two rooms. An article in the Melbourne Argus in 1882 records that Mr Vandenbrandt and Signor Rizzi created these under the supervision of Cullis Hill. This fresco from the ceiling of the ballroom depicts ‘Night, represented by a female figure in a diaphanous garment, skirted with flowers, wafted before the approaching dawn into space illuminated by the moonlight, and peopled by the fairies, is a striking picture. Flying with her are an attendant Cupid bearing an artificial light, and a tired little votary of Bacchus with a reversed wine-pitcher and goblet’.david carnegie, john halfey, southesk - cotham road - kew (vic), ordsall - cotham road - kew (vic)

Colour enlargement of a photograph (slide) of Southesk (formerly Ordsall) in Cotham Road, Kew (demolished 1970).The ceilings of and architraves of Ordsall were painted by artists employed by the decorating company, Cullis Hill & Co. The frescos, of which fragments survive, were some of the most important murals used as elements of interior decoration in Melbourne during the Boom Period of the 1880s. These photographs were taken immediately prior to the demolition of the house, and are the best examples of the murals.The most significant decorative aspects of Southesk (formerly ‘Ordsall’) were the murals in the front two rooms. An article in the Melbourne Argus in 1882 records that Mr Vandenbrandt and Signor Rizzi created these under the supervision of Cullis Hill. This fresco from the ceiling of the drawingroom was described by the reporter as ‘done in the quaint old 14th century style’. This section depicts ‘out-door sports. The fishing-lines of the jester and the almoner have become entangled, and a large wolf-dog seems disposed to arbitrate in the difficulty, while a party of young men and maidens are angling, feeding swans, or training hawks for a future day’s sport.’david carnegie, john halfey, southesk - cotham road - kew (vic), ordsall - cotham road - kew (vic)

This is a book of 48 pages. The cover has a cream background with a red strip on the front side cover. The front cover has a sketch in grey, black, white and red and printing in red and black. The pages are stapled and have an adhesive tape binding added to the outside spine. The pages contain sketches in black, white and grey shading.fictionWorld War Two Armstrong Cartoonsworld war two cartoonist armstrong, world war two

Sailors who were welcomed to the Mission for entertainment on Sundays were invited to share a brief evening service along with members of the Ladies Harbour Light Guild hostesses, held in the St Peter's Mariner chapel.This photograph was published in the Argus. The MTSV holds 3 of the 4 photographs published in this article.Black and white gloss photographic print with image of people at worship singingIndigo blue ink stamp : COPYRIGHT PHOTOGRAPH /.../ "The Argus" MELBOURNE AUSTRLIA / NEGATIVE [in pencil] AG990(A)chapel, ladies' harbour lights guild, worship, st peter chapel, pews

Colour enlargement of a photograph (slide) of Southesk (formerly Ordsall) in Cotham Road, Kew (demolished 1970).The ceilings of and architraves of Ordsall were painted by artists employed by the decorating company, Cullis Hill & Co. The frescos, of which fragments survive, were some of the most important murals used as elements of interior decoration in Melbourne during the Boom Period of the 1880s. These photographs were taken immediately prior to the demolition of the house, and are the best examples of the murals.The most significant decorative aspects of Southesk (formerly ‘Ordsall’) were the murals in the front two rooms. An article in the Melbourne Argus in 1882 records that Mr Vandenbrandt and Signor Rizzi created these under the supervision of Cullis Hill. This fresco from the ceiling of the ballroom is believed to depict ‘Africa’. The article records that: ‘Notwithstanding the large size of the drawings they are often marked by delicate touches, and a minuteness of detail in evident sympathy with nature. The figures have grace, life and animation and the skillful shading of the colours used — chiefly amber, gold, light blue, green, light fawn and brown – is in harmony with the quiet tone of the general furnishing of the rooms.’david carnegie, john halfey, southesk - cotham road - kew (vic), ordsall - cotham road - kew (vic)

The photograph shows an internal view of a Y or Y1 class tram possibly at the time of its launch in 1930. See also item 7419 for another internal view.Yields information about the interior view of a Y1 class tram.Black and white photograph with photographers stamp and notes on rear.Has the stamp of "The Argus Melbourne" on rear and a pencil note "Interior Y1 Safety car - One-Man"trams, tramways, mmtb, y1 class, one-man trams, internal photos, interiors

The image was featured in an article printed in 1952 profiling the lonely lot of the seaman ashore and the activities at the Mission to Seafarers. The actual clipping is adhered to a page of a "Snapshot" album of photographs and clippings donated by Sadie Wilson (c. 2002), a member of the Harbour Lights guild member. The legend in the article mentions: "Dutchman Hans Roozaenbeck dances with Betty Stevens."Photogograph taken in situ at the Mission to Seafarers in the 1950s with both dancers identified.Black and white gloss photographic print depicting a young couple holding hands while dancingon verso: indigo blue ink stamp : COPYRIGHT PHOTOGRAPH .../ .../ The Argus MELBOURNE AUSTRALIA / Negative no [in pencil] AG991(A) Reference No [ blank]dancing, entertainment, seafarers, dutch, betty stevens, hans roozaenbeck, the argus, hlg, harbour lights guild, 1952, dances