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Stawell Historical Society Inc
Photograph, Mr Will Rees' water colour painting "Autumn Eve" -- Photo -- Coloured
An Autumn Ever – Photo of Will Rees PaintingColour Photo Of water colour painting "An Autumn Eve". by W.J.Rees. showing trees, fenceline with grazing sheepstawell -
Sunbury Family History and Heritage Society Inc.
Photograph, Painting with lime wash, 1992
In 1992 the children from the Bulla Primary School had an excursion to Woodlands Park for a Colonial Day where they were introduced to old crafts and skills. In this photograph the children were painting a shed using lime wash instead of commercially produced paint.The purpose of this school excursion was to introduce the children to day to day living in colonial times in Australia by giving them a hands on experience in a number of crafts and leisure time pursuits.A coloured photograph of five children painting a shed wall under the supervision of an adult. One person is mixing the paint while three others are doing the painting.bulla primary school, woodlands park, school excursions, colonial crafts -
Glenelg Shire Council Cultural Collection
Postcard - Postcard - Casterton, Victoria, n.d
Coloured postcard, white border. 5 kelpies, image taken from an original painting by Almar Zaadstra, traditional painter, Casterton. 'Casterton, Victoria - Kelpie Country' black script, bottom border. -
Stawell Historical Society Inc
Photograph, "The Reefs" painting by Mr W J Rees -- Photo
Photo of Original Will Rees Oil Painting “The Reefs”B/W/ photo of painting "The Reefs" Showing track down Big Hill "Goats"? Spire of St Matthews 1920stawell -
Stawell Historical Society Inc
Photograph, Mr W J Rees' small water color painting "Hut with sheep grazing" c1931
Small Painting by Will Rees. Hut with sheep grazing.Colour photo of water colour painting. Background Grampians Mountains, trees at base of mountains, D'Altons Hut, sheep grazing in front of cottage.stawell -
Federation University Historical Collection
Photograph, Gippsland Centre for Art and Design Student Painting at an Eisel
Black and white photograph of a female student painting a canvas on an eisel.gippsland centre for art and design, gippsland institute of advanced education, visual arts, painting, alumni, student activities -
National Vietnam Veterans Museum (NVVM)
Photograph, Brian J. Wood with painting, Reg. No. 2021-125, 2021
Grey haired man in striped rugby jumper standing in front of his painting in NVVM gallery display of "Australian Task Force - Vietnam."australian task force - vietnam, brian wood, painting -
Melbourne Legacy
Photograph, Painting by Legatee Cliff Hull, 1991
Photos of an artwork being presented to Legacy by the daughter of the artist. The painting was called 'Rescue' and is of two flying boats, possibly Catalinas, and people in a life raft. It was painted by Legatee Cliff Hull and was donated after his death by his daughter, Elizabeth. According to the note, Legatee John Leeden is shown in the photos accepting the painting. The photos were in a scrapbook of photos spanning 1987 to 1991.A record of a painting being donated to Legacy from the daughter of a Legatee who was talented at painting.Colour photo x 3 of an artwork being donated to Legacy in 1991 and a yellow post-it note.painting, legatee event -
Mission to Seafarers Victoria
Painting, David K Taylor, Marking Time: Melbourne Waterfront, 1989
A period view of later 20th century waterside. Possibly MelbourneFrom the Artist website: "Born in Melbourne Australia in 1941, David’s early career began in etching and a 6-year apprenticeship at the north Melbourne Printing School of Graphic Arts to colour etching assisted in his future career as an artist painter. Many hand skills were learned such as hand engraving, lino and wood cutting also etching with zinc, copper and magnesium, later etching on film in lithography. David’s painting career expands many years of studying the art of watercolour painting and he has been involved in teaching his great love of this medium to painters both in Australia and overseas since the late sixties. He is involved in regularly tutoring for the Australian and International Artist magazine."Maritime ArtMatted framed and glazed watercolour painting of a waterfront with vessels and cranesArtist signature at lwr right corner On verso: number 31 in black ink / name and address of the artist written in black ink (top left corner) / sticker with number AMAA3053, name of artist, title of painting and number GFAM 047/ in pencil : GFAM 047waterside, docks, cranes, shipping, port, david k taylor, artwork, marine art, artwork-paintings -
Glenelg Shire Council Cultural Collection
Painting, Nancy Malseed, Painting - Seal Cave, c. 1964
Acquired by Portland Council for the Encouragement of Music and the Arts (CEMA) as a winner of its annual Art Price in 1964; later presented by CEMA to Portland Town Council.View of the interior of a cave. In foreground is a triangular pool of dark blue water with lighter highlights. The walls of the cave curve up both sides of the water, meeting at the back of the cave. At back of cave is a ledge with approximately 9-10 seals on it. One seal is diving into the water. The walls are painted in brown and dark blue, the seals in pale blue with highlights in white.Front: Malseed (lower right, red paint) Back: Nancy Malseed "Seal Cave" Portland Art Gallery Trust, c/c C. Woolcock (upper and mid left, black felt tip pen). -
Friends of Westgarthtown
Painting, John Borrack, Last Days Ziebells "The Pines" Thomastown
Painted from the home (or front) paddock which ran south to the creek. The paddock was used for the cultivation of lucerne and maize crops in the lower regions while closer to the house where Ainwick Crescent is now situated, it was a burgeoning market garden for the cultivation of all varieties of vegetables. The large pines beyond, sheltered the farmyard on the west of Gardenia Road. That complex can be partly glimpsed on the left of the painting. This is a directly painted watercolour relying on the use of white paper and transparencies to impart a feeling of morning light. The figure is the artist's mother for whom the picture was painted. Provenance: Augusta Borrack (nee Ziebell) Collection, John Borrack CollectionWatercolour painting, depicting Ziebell's Farmhouse from the south (Thomastown and Mernda). Painting is mounted in a gold frame with cream board.Artist signature: John Borrack; Last Days at Ziebells "The Pines" Thomastown, 'Pro mea matre hanc picturan feci (In Memoria)'illustrations, watercolours, john borrack, ziebell, watercolour, painting -
Tatura Irrigation & Wartime Camps Museum
Artwork, other - Painting, Farm Scene
This artwork was painted by Charlotte Rippert who was interned in Camp 3 with her whole family. The painting was painted in camp. Charlotte Rippert was a German Lutheran Missionary in Egypt, arrested as a security risk in Cairo, 1941. Transported on Queen Elizabeth to Australia and interned at Camp 3 1941-1945.Oil painting on Board (framed) - painting is of a farm scene with a large yellow-green tree in the centre-left with four other green trees and a farm and fence - in the background are hills against the skylineBack: 'Oil painting believed to be by Charlotte Rippert. Wedding gift to Otto Lobert in Camp 3, WW2. (One of a pair C3505) DONOR: Otto Lobert, Nov. 1993' charlotte rippert, otto lobert, mrs lobert, camp 3 weddings, queen elizabeth, camp 3 artwork -
Ballarat Heritage Services
Painting, Millie Okai, Painting by Millie Okai, c2019
Millie OKAI Country: AnanguPainting on canvasaboriginal, millie okai -
Ringwood RSL Sub-Branch
Painting - Destroyer. D37
painting in wooden frame -
Geoffrey Kaye Museum of Anaesthetic History
Painting, Bruce Fletcher, Dust Off, 1980
The painting was donated to ANZCA in 1995 by Dr Bernard Dunn. Bruce Fletcher, from Melbourne Victoria, studied under William Dargie, who had been an official war artist during the second world war. Fletcher followed the same pathway as his mentor and was the first of two official war artists appointed during the Vietnam War. His artwork are held in the art collection of the Australin War Memorial, Canberra. The title of the painting, 'Dust Off' is a term adopted in Vietnam which refers to the medical evacuation of sick or wounded soldiers, from the field, by a helicopter. It was originally a radio call sign selected from a US Navy Signal Operations book in 1963. [ref. 'Medicine at War. 1950-1972'].In June 2012, a Royal Children's Hospital Anaesthetic Registrar attended a College Tour conducted by Dr Rod Westhorpe when he saw the painting and informed us that the term 'Dust off' emanates from the Korean War and is in fact the acronym for Decisive, Unwavering, Support to our Fighting Forces'. The painting was based on a black and white photograph taken in Vietnam in 1971. An image of the photograph is located in the electronic supplementary file. Oil painting on board of a scene in which a military helicopter is about to land with a group of soldiers in the foreground, one wounded and one soldier standing. A cargo military helicopter is in the distance flying away from the scene. The painting is set in a gold frame.[plaque affixed to centre front of frame] DUST OFF \ BY BRUCE FLETCHER \ DEPICTING THE MEDICAL EVACUATION \ OF WOUNDED SOLDIERS FROM THE FIELD \ IN VIETNAM \ PRESENTED BY \ DR BERNARD L. DUNNpainting, dunn, bernard, fletcher, bruce, vietnam war, dust off -
Stawell Historical Society Inc
Photograph, Chaponnel Butchers Slaughter Yard cnr Clifton Avenue and Ormston Road -- 2 Photos & print of painting by Reg Cepon
Butchers Slaughter Yard cnr. Clifton Avenue and Ormston Road which belonged to Chaponnel family. These yards are now demolished. The land being sold for housing. 0099.2 is a photograph copy of an original oil painting titled "The Old Timer" by Reg Capon Nov. 1979. Painting owned by Mr. Phillip Nicholson Clifton Ave. Stawell.Two black and white photographs of a scene depicting a neglected timber building, with corrugated iron roof and brick chimney. Timber fence and race surround the stock yards. The painting (0099.2) is by Reg Capon called "The old Timer" Nov 1979.stawell business -
National Vietnam Veterans Museum (NVVM)
Painting, Unknown, Woman And Child
An original coloured painting of a young Asian woman with a child on her back, the woman is carrying a cane basket. Painting is oil on canvaspainting, vietnamese children -
Stawell Historical Society Inc
Painting, Painting of Dan Lowes Vegetable Garden in O'Callaghan Street Stawell By P O'Dare
Coloured Oil on Canvass painting in FrameP O'Dareart -
Ringwood and District Historical Society
Painting, Margaret Robbie, "View from Loughnan's Hill" (Ringwood) - Water colour on paper by Margaret Robbie, circa 1950s
"Margaret Robbie was another of the local painters who came late to art or combined it with a quite different occupation. Her grandparents, John Shaw and Margaret (Byers), went to Hobart in 1855 but then crossed the Strait and settled in Kyenton where they remained until 1918. Margaret was the issue of the marriage of Mary Shaw and Robbie. She spent a considerable time overseas for the YWCA, including a period as its General Secretary in Toronto, Canada, and worked in the Middle East during World War 2. Margaret Robbie made her garage in Ringwood Street into a flat-cum-studio-cum-gallery for her painting activities when she was not caring for her sister and an elderly aunt." - Hugh Anderson - Ringwood, Place of Many Eagles [p.218].Painting with cardboard border in glass-fronted frame.Inscription along lower edge of painting - "Margaret Robbie, copied from a postcard", and sticker on back of frame - "Ringwood Framing Gallery, 233 Whitehorse Road Ringwood, Phone 8704930" -
Halls Gap & Grampians Historical Society
Photograph - Coloured, C 1886
This is a photo of one of a series of wildflower paintings by Henrietta D'Alton. This is one of twelve separate original wildflower paintings mounted within one large frame (this one us on the upper right). Beneath the frame is a plaque which reads "Henrietta D'Alton (1836-1922). This collection of wildflower water-colours won an award at the Colonial & Indian Exhibition of 1886 in London".This is a photo of a painting of a spray of flowers and leaves. There are blue flowers in the upper centre, yellow/red flowers to the right and left and white flowers near the bottom. A few pink flowers are on the lower right."2" appears on the right side of the photo. It is on the original painting.painting, floral -
National Vietnam Veterans Museum (NVVM)
Painting, Mike and Rod working on the Caribou
Original painting by Greg Jorgensen August 2017Title written on rear of framepainting, caribou -
Whitehorse Historical Society Inc.
Painting - Framed oil painting, 1953
Looking East near Springvale Road Daniel Robertson ClayworksOil painting of Nunawading Railway station and clayworks.Railway Nunawading by J. B. Bryce 1953 and J. Bingley 22 Victoria Avenue, Canterbury 2816.daniel robertson, nunawading station -
Mission to Seafarers Victoria
Painting, Jack Woods, Heading to a Safe Port, 2011
Jack's marine art covers a wide spectrum of maritime subjects, but with a focus on paintings of classic yachts that ventured over long distances to remote parts of the world. This painting was an entry for the 2012 Maritime Art Prize.Maritime art, Marine artOil painting on linen covered wooden frame, incorporating several features: from left to right a tanker vessel, a windjammer and the galleon wind vane restored to the roof of the Mission in 2020.safe, jack woods, painting, port, artwork, windjammer, windvane, cargo ship, galleon, weather vane, anl, maritime art prize, 2012, artwork-paintings -
National Vietnam Veterans Museum (NVVM)
Painting, Search And Destroy Mission
an original painting of two soldiers and a tank in front of a building that has been destroyed. Lots of grass and trees also in the paintingpainting, vietnam lest we forget, soldiers -
Stawell Historical Society Inc
Painting, Betty Kingston, Painting by Betty Kingston of Stawell Fire Station 1990, 1990
1883 Sept. Fire Station opened Byrne Street. Tower built previously. Bell cast in England early 1880.Framed oil painting of Stawell Fire Station buildingStawell Fire Station Oil Betty Kingston 1990 -
Federation University Art Collection
Painting, Proverbs 11 : 14
This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.A large painting on canvasart, artwork, painting, landscape -
Port Fairy Historical Society Museum and Archives
Painting, 1 William Street
Construction date of house depicted1845-1855 for Stonemason Benjamin Bowyer. Style Colonial Georgian. Representative of workman's cottage of the 1850'sOil painting by Jean WilsonPainting signed by Jean Wilson 1 William Street Port Fairy on reverse To the Port Fairy History Group from Phillip Ritchie, past owner of 1 William Streetdwelling, housing -
National Vietnam Veterans Museum (NVVM)
Painting, Supporting The Villagers
An original coloured painting four women in uniform (possibily nurses) with two holding a baby. Also in the painting are two people and several others looking on.painting, nurses - vietnam, vietnam lest we forget -
Clunes Museum
Painting, WILL LONGSTAFF, MENIN GATE AT MIDNIGHT, 1927
COPY OF MENIN GATE HELD AT CLUNES R.S.L. MENIN GATE WAS UNVEILED ON SUNDAY JULY 24th 1927. A MEMORIAL TO THE ARMIES OF BRITISH EMPIRE WHO STOOD THERE 1914 - 1918. AND TO THOSE OF THEIR DEAD WHO HAVE KNOWN NO GRAVE. WILL LONGSTAFF WAS SO MOVED HE MADE THE PAINTING WHICH WAS UNVEILED JULY 27th THE PAINTING IS NOW HANGING IN AUSTRALIAN WAR MEMORIAL IN CANBERRA.BOROUGH OF TALBOT AND CLUNES.1 FRAMED COPY OF PAINTING "MENIN GATE AT MIDNIGHT" .2 DOCUMENT ENTITLED "THE GHOSTS OF MENIN GATE - THE STORY OF CAPTAIN WILL LONGSTAFF'S GREAT ALLEGORICAL PAINTING" 3. FRAMED COPY OF PAINTING "MENIN GATE" BY WILL LONGSTAFF.3 BRASS PLATE ATTACHED TO THE WOODEN FRAME BELOW THE IMAGE INSCRIBED -"MENIN GATE AT MIDNIGHT, COPYRIGHT, RESERVED BY WILL LONGSTAFFWPRESENTED TO THE COMMONWEALTH OF AUSTRALIA BY LORD WOOLLAVINGTON A SECOND BRASS PLATE IS ATTACHED TO THE FRAME AT THE RIGHT HAND SIDE INSCRIBED "PRESENTED TO THE MAYOR CR N. C. FOULKES AND COUNCILLORS OF THE BOROUGH OF CLUNES JULY 1929 .1 BRASS PLATE ATTACHED TO THE WOODEN FRAME BELOW THE IMAGE INSCRIBED "MENIN GATE AT MIDNIGHT"local history, illustration, copy, longstaff, sir john -
National Vietnam Veterans Museum (NVVM)
Painting, Andris (Andy) Lapins
An original painting of Andris (Andy) Lapins with a helicopter and two tanks in the background.painting, vietnam lest we forget