ROBE S.A. THE OBELISKrobe, south australia

“Apart from the vast and sophisticated space fleet, the only forms of transport used by the Nrati-Tuan are boats and rafts. All the inhabitants are more at home in the water than on the land, but some transport is necessary, both for people and freight. Every family has at least two boats and an assortment of rafts. Many thousands live entirely on boats and never set foot on any form of land, even avoiding the floating islands. The Boatleader is really a leading transport official; the top office in a long chain of others, from the smallest boat-boy, to the night boatwatches who keep the waterways safe for traffic. There are several ranks of Boatleader, whose major function is to settle disputes about water rights and water paths. Courts of dispute sit regularly, handling the hundreds of problems which arise about water use, headed by a Boatleader of one rank or another. This robe is worn by the most senior of all. He is the representative of water rights at the great Court of the Imperium. To the Nrat-Tuan it is more a sacrifice than an honour to attend the Court, because none find it easy to stay on still, dry land for extended periods of time. Nrati-Tuan delegates to the Irusaqui Court are rewarded with high honours on their planet, to show public respect and gratitude for their endurance.” -Inga Hunter

Navy ceremonial robe with lapin fur collar and cuffs and three lines of gold braid along hem. Blashki & Sonscity of greater bendigo ceremonial item

Borough of Eaglehawk black mayoral robe, lined with blue fabric and decorated with three gold braid stripes. city of greater bendigo ceremonial item

“A silver-grey robe, denoting a powerful official. The Netleader, or Netmaster, as he is sometimes called is head of one of the many craft guilds on Nrat-Tuan. Fishers Guilds are not only vital economic groups for Nrat-Tuan, but also for the whole Imperium, since the water planet is the major source of foodstuffs for Irusaqu, who cannot produce enough crops on what Is a relatively barren, planet. The various fishing crafts are most responsible occupations, entailing great care for the environment and the food chains. Fishing is carried out by means of either mirrors or nets, both being about equally popular. Mirror-faceted fabrics have always been used by Nrati-Tuan fishermen to dazzle and bemuse the creatures they are trying to catch, (the mirror may also have some predictive power). Research indicates that this odd technique is surprisingly effective. And the harvests are unfailingly good. Contact with the humans of Irusag, when the Imperium was first founded, brought the technique of netting to Nrat-Tuan. The Netleader heads the Netter Guild, which does not limit itself to the merely traditional fishing net, but works with a complex and sophisticated membrane technology, which has, in recent years, revolutionised the whole netting industry. The Master controls the experimental membrane laboratories, which deal with the extraction of metals from sea water, as well as with tools for the fishing industry.” -Inga Hunter

“The Keeper looks after the shrines of the dead and he is responsible for their wellbeing, to make sure that their spirits do not return to make trouble for the living. Beyond their grave there is no blame, so he keeps all the dead, criminal, foreign etc. Keepers are not often seen because they live well away from all social groups, being supposed to spend most of their time in the nether world. The Keeper’s Robes carry complex amulets or protection from the dead, who he both guards and fears. He must also stop the living from using his charges against one another. His life is almost totally ritual, given over to chants and spells. He will never marry, but will breed by impregnating a selected mate in order to carry on the line, the office is hereditary. When his children are old enough, they are apprenticed to him and must live apart from the community, looked after by a nurse and taught all the rituals necessary for their future career. Very occasionally, a child is chosen from the community because of some special characteristic - precognition, albino colouring, special interest in the dead etc. At any time there might be up to twelve apprentices of various ages who assist the Keeper in his work. These children are taboo to all others, who must close their eyes if they accidentally catch sight of an apprentice.” -Inga Hunter

Full length black robe with large blue lapels. Sleeve detail includes buttons and matching blue ribbon.city of greater bendigo ceremonial item

This robe was worn by G.G.Ashworth, RAAF 0315515, when he was serving as a chaplain (3rd class) in Vietnam from 30/11/65 until 17/02/66. This robe was worn by G.G.Ashworth RAAF 0315515 when he was serving as a chaplain in Vietnam from 30/11/65-17/02/66Blue cotton fabric(gabardine) ecclesiastical robe with pleated back. Crossover lapels have four black plastic buttons. Robe is partly lined with black taffeta and has a stand-up collar.ecclesiastical robe, vietnam, 1965-1966, ashworth, chaplain, raaf, robe, priest

black and white photograph mounted, fair conditionHand written on the back: Mooney's Royal Hotel, cnr Robe Street and Esplanade in the 1840s. Belvedere block of flats built 1929 (Hotel reads "Millar's Royal Hotel" on front of photograph)

Red loose fitting ceremonial robe with contrasting broad band of blue fabric on lapel and collar. Square cut sleeves lined with cream fabric. Blashki & Sonsblashki & sons, city of greater bendigo ceremonial item

Hardcover w/ Dust Jacket"32" inside front coveramerican literature, walsh st library

“The Keeper of Pathways is a simple, secular office. Her job involves the maintaining of routes through and within the forests, and the lighting of night paths. She keeps a team of designers, workers and artificers, who must constantly strive to keep the wayrights free from invading undergrowth, so that they may admit safe and well-lit passage for all travellers. Not an exciting job, but one which is vital to communication between groups, and to the general safety of Forest dwellers. The forest paths (wayrights) are lit by strings of small lights made from a species of glowing fungus, which is specially cultivated in the mountain caves. A whole team of workers is responsible for the growth of the light fungus, taking shifts as a public duty. No Forest Dweller like caves, so the shift-work is shared out as a public service, one which each person must carry out at regular times, dictated by the clerks of the Keeper of the Pathways.”-Inga Hunter

Plates, ill, maps, p.63.non-fictionBuildings of historical importance of Robe South Australia are featured in this illustrative work.robe (south australia) - history, historical buildings - south australia

Framed, limited edition lithograph. Originally produced to be bound in a book by private press publisher Tate Adams. The suite of lithographs for the book was started by John Brack in September 1981 and finished and published in December 1982. The book was launched with a series of original conte drawings, from which the lithographs were based, in Realities Galleries, Melbourne. As such a high cost of production was involved in the binding of the book, only fifteen copies were originally bound for exhibition and sale at the show. Subsequent to this approximately another thirty copies were bound, making a total finished edition of fewer than fifty copies, far less than the anticipated 200. A number of the 50 hors commerce editions have been sold as individual plates through auctions and galleries. A number of sheets were recently discovered through the estate of Brack’s art dealer Rudy Komon (1908-1982). This unsigned work is from Rudy Koman's estate.john brack, printmaking, available

A History of the Chinese landing at Robe S.A. between 1857-1963Yellow Card cover with Black Print and black line drawing of male carrying two baskets on a pole across his shoulders,Robe Chinese Invasion Wilf Sprengel 1857 - 1963 Inside: A Attrillstawell gold

Christening ensemble first worn in 1858 by William Thomas (Tom) Poulter, eldest living child of James & Mary Poulter. Ensemble comprises a short underskirt, long underskirt, robe, 'shawl' & silk bonnet. The robe is reliably dated to 1858, however, the underskirts, shawl & bonnet may have been added to the ensemble at a later date. Used by many generations of family & extended family.White cotton underskirt to christening robe. Pin tuck detail to skirt. Tear at left shoulder.poulter, chapman, christening

This Chancellor's academic gown was worn by Emeritus Professor Robert H T Smith AM during his time as the University of Ballarat's Chancellor from 2005 -2012. He studied at the University of New England, then went on to complete a Master's Degree at Northwestern University of Evanston, Illinois and a received a PhD from ANU in 1962. He spent much of his career in Canada and upon returning to Australia had posts of Vice-Chancellor at The Universities of Western Australia & New England. Academic gowns distinguish between the University's senior office holders and our graduates. Federation University's Chancellor wears a blue robe that is trimmed with gold and features a gold embroidered frog at the shoulder and gold oak-leaf braid below the arm hole. The Deputy Chancellor and the Vice-Chancellor also wear blue robes, with gold trims and different designs inclorporating the gold oak-leaf braid, ord or tassels. The members of the university Council wear black robes with a sole of gold. Our graduates wear black robes, with either a black trancher cap or bonnet (for professional octorate) with stoles, linings or trims in the colour of their discipline. The Chancellor's academic gown is of royal blue light weight woollen cloth trimmed with gold oak-leaf braid on the facings, yoke and bottom hem; and sleeves with one gold embroided frog at the shoulder and four chevrons of gold oak-leaf braid below the arm hole. A gold embroided button and gold tassel are centred on each chevron.Makers embroidered patch - R.W. Bredin & Son, Academic, Legal Civic & Clerical Robe Makers, Melbourne, Australia federation university, university of ballarat, chancellor's academic gown, emeritus robert h t smith

The Sacred Heart Catholic church was opened and dedicated on 7/12/1884, and completed in 1922. Sacred Heart Mission is a medium-sized not-for-profit organisation that grew from the Catholic parish of The Sacred Heart in 1982. It became a separate legal entity in 1984. It addresses homelessness, social exclusion and disadvantage. The Op Shop is in the Church Hall at 87a Grey Street. Crisis services are provided next door.Black and white photograph, unmountedst kilda, sacred heart mission, sacred heart church, sacred heart catholic church, grey street, robe street

black and white photograph unmounted

The Royal Hotel. Built 1847, demolished 1930s. St Kilda's first hotel.black and white photograph, copy, unmounted, good condition. Inscription "D.J Taggart, 58 Glenhuntly rd, Elwood 3184"

Christening robe first worn in 1858 by William Thomas (Tom) Poulter, eldest surviving child of James & Mary Poulter. Used by several generations of Poulter descendants.Early Christening robe with local family significanceWhite lawn christening robe with embroidery detail to bodice and front skirt. Mostly hand sewn. Very good conditionpoulter, chapman, christening

In clothing, a collar is the part of a shirt, dress, coat or blouse that fastens around or frames the neck and may be permanently attached to the main body of the garment (e.g. by stitching) or detachable. Today's shirt collars descend from the ruffle created by the drawstring at the neck of the medieval chemise, through the Elizabethan ruff and its successors, the whisk collar and falling band. Separate collars exist alongside attached collars since the mid-16th century, usually to allow starching and other fine finishing. Jabots made of lace and hanging loose from the neck were an essential component of upper class, male fashion in the baroque period. During the Edwardian period, and sporadically thereafter, ornamental collars were worn as a form of jewellery. Names for specific styles of collars vary with the vagaries of fashion. Jabots survive in the present days as components of various official costumes, as are those worn by judges and counsel throughout Australian courts and town mayors. 2018 Kingston City Council Mayor Steve Staikos asked CMHS to loan the Former Moorabbin Mayoral Robes and Jabot for display at KCC Office Cheltenham. These Moorabbin Mayoral Robe with Jabot are now displayed along with those of the former City of Chelsea Robe and the former City of Mordialloc Robe at Cheltenham . KCC possesses the original Mayoral Chains of each former Council and they are displayed on each Robe for the annual Opening Meeting of KCC in February. This set of a 'Jabot' style collar and cuffs was part of the ceremonial Mayoral Robes c1960- 94 for the City of Moorabbin 1934-94. This is the last City of Moorabbin Mayoral Robe and was worn by Mayor Ron Brownlees, (prior to amalgamation with the City of Glen Eira and City of Kingston in 1994), and donated to the City of Moorabbin Historical Society in February 2007 by the City of Kingston. The City of Moorabbin developed from the Moorabbin Roads Board of 1862, becoming The Shire of Moorabbin in 1871 and the City of Moorabbin in 1934. November 2018 At the request of the Mayor Cr Steve Staikos this Jabot Collar and Cuffs is now on display with the Mayoral Robes at Kingston City Council Offices Nepean Highway Cheltenham . A detachable , white, nylon, 'Jabot' style, standing collar with a pleated, ruffled, and lace-trimmed frill down the front and 2 matching cuffs that was part of the City of Moorabbin Mayoral Robes c1960 - 94 It has a tear in corner. clothing, collars, ornamental collars, civic robes, mayoral robes, moorabbin, cheltenham, bentleigh, lacework, dressmaking, fashion, formal wear, city of moorabbin. moorabbin shire, moorabbin roads board, brownlees ron, city of glen eira, city of ikngston

City of Moorabbin was proclaimed 1934 and managed the areas of Cheltenham, Highett, Moorabbin, Bentleigh, East Bentleigh, East Brighton, McKinnon, Ormond until the Amalgamation of Councils in 1994. The City of Kingston then took over the area south of South Road while City of Glen Eira took the area to the north Kingston City Council possesses the original Mayoral Chain of former City of Moorabbin and it is displayed on the Moorabbin Mayoral Robe at KCC Office Cheltenham for the Annual Opening meeting of KCC in February . 2018 The Moorabbin Mayoral Robe was sent on 7 year loan to KCC for display at Cheltenham with the former City of Chelsea and former City of Mordialloc Mayoral Robes.Since the 1960s far-sighted community members have generously donated many significant items to the ‘Box Cottage’ museum, specifically to provide future generations with a fascinating, and tangible insight into day-to-day life from the 1800’s and up to the mid 1900's. Moorabbin City Council supported their efforts until the Amalgamation of Councils 1994. The City of Kingston donated the 1990 City of Moorabbin Mayoral Robes in 2007 Photograph of the City of Moorabbin Mayoral Chain circa 1990 in a glass covered, wooden frame Photograph of Mayoral Chain worn by Kingston City Council Mayor Steve Staikos, with Councillor Brownlees, in November 2018 when Robe and Jabot were loaned to KCC by CMHS Box Cottage MuseumPlate at base of photograph frame states ' City of Moorabbin Mayoral Chain /Manufactured By / P. Blashki & Sons Pty.Ltd'/moorabbin, kingston, mayors, glen eira, mayoral chain, moorabbin shire

Bridesmaid's dress worn at Margaret Rose Vyner and Ian McKendrick's wedding on 11th January 1958The McKendrick family came to Mt Beauty very early in the Kiewa Hydro Electric Scheme (KHES) days. Their son, Ian, worked in the Mt Beauty Post Office for 40+years. Vyner family also long time employees of the SECV on the KHES. They were residents of Mt Beauty. Margaret was a nurse at the Tawonga District Hospital at the Tawonga site . White sleeveless dress with a taffeta underskirt with 2 tulle gored over skirts. The bodice is tulle over taffeta with fitted bodice, scooped neckline decorated border of lace and diamantes with a side zip.Maker's Tag: Milady's Robesbridesmaid's dress, vyner family, mckendrick family

Deaf women dressed in white flowing robes were typically used by the Society at meetings and lectures giving a performance in living statuary. This photograph is a depiction from Rock of Ages in Statuary and Song described in a review by the Spectator - the words of the hymn softly sung by the Cornish Choir to an exquisitely delicate organ accompaniment by Mr E. J. Watkins. The Grouping of Living Statuary with the limelight thrown upon them from either side, motionless as marble figures, but with the life and love and adoration in their eyes and on their faces, formed the most beautiful objects we have ever beheld. The Audience looked and listened in breathless silence and many eyes were glistening with tears.This photo is significant as a studio photograph of Deaf women who performed 'living statuar'y at many of the lectures and meetings held in the early years of the 20th century by the Adult Deaf and Dumb Society of Victoria ; possibly introduced by Ernest Abraham to add drama to the occasion.A5 black and white photograph on a cardboard frame. The photograph features five women in robes surrounding a cross."City Chambers / 114 Elizabeth Street / Melbourne" Signature of photographer or studio name illegible.

Christening gowns are traditional outfits made just for baby’s baptism. They are almost always white and can be very ornate, highly decorated garments. Usually, the christening gown is quite long – much longer than the baby being christened, particularly when it is worn by a young or very small baby. Many families keep a “family” christening gown that has been passed down through various family members and is used for the baptism ceremony. This christening robe was probably used by the Cameron family.The christening gown was a late 18th century innovation usually made of white lawn, muslin or net, longer than the baby and fancier than a day gown. The design was a more moderate version of contemporary adult fashion. Most 19th century christening gowns featured lace. All, until the end of the century, had low necklines and short sleeves. This gown reflects the style of christening robes in the early 20th century. A high waisted, short-sleeved long white broderie anglaise christening robe made of fine cotton. It is hand made edged with machine stitched cut work lace. The bodice is pin tucked.christening-robe clothing-childhood

Note from collector- "For more than 100 years blankets were made all over Australia in over 100 woollen mills. My aim, is to preserve 100 examples of these wonderful pieces of history. Ten years ago I started collecting the iconic Onkaparinga travel rugs, so that on movie nights at home there would be plenty to go around. Everyone had their favourite; even the cat had his own – a small red tartan one. Keeping an eye out for those travel rugs at op-shops and markets, collectable stores and bazaars, led to noticing vintage blankets. I'd never really thought about them before or paid much attention though of course I had grown up with them at my grandmother's. When I discovered my first Laconia cream blanket with blue stripes, my eyes just went gaga. Well that was it, I was hooked and since then over 500 blankets have passed through my hands. These common, everyday items, found in all households for so many decades, were traditional engagement gifts. Pairs were prized wedding presents turning into family heirlooms. They were fashionable dressers of beds, givers of warmth, bestowers of security and reliability. The comfort found in these objects resonates with almost all of us; we grew up with them ourselves or fondly recall them in a grandparent’s home. There is no modern replacement with the integrity of these old blankets, many of them now older than most of us. They are romantic, sensible, special, familiar, nostalgic and nothing else feels so appropriate in so many situations. No offense to the great Aussie doona, but from hippie to hipster, at a music festival, picnic, campsite or couch, a vintage blanket is something coveted by all. This industry that employed tens of thousands and must have been such a huge contributor to the economy is almost completely lost now. Blanket Fever is an ode to everything that came before: the land, the sheep, the shearers, the hands, the mills, the weavers, the designers, the distributors, the department stores. To the grandparents that gave them, the people that received them, the families that kept them; thank you. I’m passionate about my collection of Australian blankets manufactured in mostly Victoria, South Australia and Tasmania from the 1930s to the end of the 1960s. The collection has blankets from each of these four decades representing the styles and fashions of their time and includes dated advertisements which help determine the eras the blankets are from." Playing card set - double pack of cards in original boxWith Complements "Onkaparinga"/Onkaparinga Blankets/Onkaparinga Robes of Distinctionblanket fever, onkaparinga, marketing