Showing 497 items
matching white night
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Glenelg Shire Council Cultural Collection
Photograph - Photograph - Main Breakwater construction, Portland, n.d
... Black and white photo, night time view. Looking from... Breakwater construction, Portland Photograph Black and white photo ...Port of Portland Authority Archivesport of portland archives, harbour construction, night time, main breakwater, portland harbour, development -
Clunes Museum
Clothing - NIGHT GOWN
... INFANTS NIGHT GOWN, WHITE COTTON, BODICE WITH EMBROIDERED... Clothing INFANTS NIGHT GOWN, WHITE COTTON, BODICE WITH EMBROIDERED ...INFANTS NIGHT GOWN, WHITE COTTON, BODICE WITH EMBROIDERED COTTON EDGING.local history, costume, infant, -
Glenelg Shire Council Cultural Collection
Photograph - Photograph - Main Breakwater Construction, n.d
... Black and White photo, night time view. Taken from elevated... Breakwater Construction Photograph Black and White photo, night time ...Port of Portland Authority Archivesport of portland archives, portland harbour, ship berthed -
Glenelg Shire Council Cultural Collection
Photograph - Photograph - Main Breakwater construction, Portland, n.d
... Black and white photo, night time view. Looking from... Breakwater construction, Portland Photograph Black and white photo ...Port of Portland Authority Archivesport of portland archives, night time, main breakwater, cargo, grain -
National Vietnam Veterans Museum (NVVM)
Photograph
... A coloured photograph in a black frame with white matting... photograph in a black frame with white matting of a night image ...A coloured photograph in a black frame with white matting of a night image of first enemy assault.Spooky over FSB Coral on the night of First Enemy Assaultphotograph, battle of coral-balmoral -
Clunes Museum
Clothing - NIGHT GOWN
... INFANTS NIGHT GOWN, WHITE COTTON, BODICE PIN TUCKED... Clothing INFANTS NIGHT GOWN, WHITE COTTON, BODICE PIN TUCKED ...NIGHT GOWN ORIGINALLY WORN BY ERNEST HULL - SON OF JOHN AND WILHELMINA HULL, FORMER RESIDENTS OF DUNACH, VIA TALBOT. ORIGINAL NAME TAG AT NECK [MINNIE HULL] MCLENNAN [GRANDDAUGHTER OF MRS. HULL, NIECE OF ERNEST HULL.] FOUR GENERATION OF CHILDREN HAVE WORN THIS NIGHT GOWN.INFANTS NIGHT GOWN, WHITE COTTON, BODICE PIN TUCKED, TRIMMED WITH EMBROIDERED COTTON EDGES.M Hlocal history, costume, infant, infants night gown -
Bendigo Historical Society Inc.
Photograph - WES HARRY COLLECTION: FLINDERS STREET STATION
... Black and white photograph, taken at night, of the Flinders... Duke and Duchess of York Black and white photograph, taken ...Black and white photograph, taken at night, of the Flinders Street Station on the occasion of the visit of the duke and Duchess of York.buildings, government, flinders street station, flinders street station, duke and duchess of york -
Stawell Historical Society Inc
Clothing - Costume and Accessories
... White Cotton Night Gown embroidered with pink blue mauve... grampians Costume and Accessories Clothing White Cotton Night Gown ...White Cotton Night Gown embroidered with pink blue mauve and cream Lazy daisy flowers (silk) some embroidery on sleeves. Silk crochet edges around sleeves and neckline around which is threaded a satin ribbon. Tuck at waistline for shape. Neil Family Jallukar.stawell clothing material -
Federation University Art Collection
Artwork, other - Artwork, 'Reconciliation' by Shanaya Sheridan and Josh Muir, 2018
... of Victoria and was commissioned as a major project artist by White... by White Night. Shanaya Sheridan, is a proud Yorta Yorta, Dja Dja ...This artwork was created in collaboration by Shanaya Sheridan and Josh Muir in 2018. Josh Muir was a proud Yorta Yorta, Gunditjmara and Barkinji man, who holds his culture close to his heart as it gives him a voice and great sense of identity. Josh is a Ballarat-based multimedia artist. In 2015 Josh was the recipient of the Telstra National Indigenous and Torres Strait Islander Art Award – Youth Award and the Hutchinson Scholarship, through which he undertook a 12-month residency at the Victorian College of the Arts in Melbourne. Muir's work has been acquired by the Koorie Heritage Trust, The National Gallery of Australia, the Museum and Art Gallery of the Northern Territory, the National Gallery of Victoria and was commissioned as a major project artist by White Night. Shanaya Sheridan, is a proud Yorta Yorta, Dja Dja Wurrung and Boon Wurrung woman who has resided in Ballarat for 20 years, after living in Horsham, Shepparton and Melbourne. Growing up and watching her Elders, and their style of artworks, Shanaya is influenced by a traditional style of Aboriginal art, mixing it up with contemporary colours. This reconciliation piece is Shanaya’s first commission. Artists' Statement: '“This painting represents reconciliation across all lands, from the skies down to the waters including the mountains, grass and sand. The hands represent people of all cultures reaching for a brighter future, and the men and women in talks of how reconciliation can be achieved. Last but not least, the footprints represent our Aboriginal and Torres Strait Islander ancestors that have fought for reconciliation before us and their steps/progress towards reconciliation.' Digital prints of this artwork on aluminum are displayed at Federation University Australia campuses at Mt Helen, Gippsland (Churchill), Berwick, Brisbane and Horsham.reconciliation, josh muir, shanaya sheridan, aboriginal, reconciliation action plan -
Bendigo Historical Society Inc.
Photograph - POST OFFICE, BENDIGO
... Black and white photograph. Night time? photograph of Post... and white photograph. Night time? photograph of Post Office, Bendigo ...Black and white photograph. Night time? photograph of Post Office, Bendigo. Stature of male figure front right. Pedestrian centre front. History: 'Photographs from Mrs Ella Bourke, 131 Barnard St, Bendigo, Ph 438269', 'Photographs Francis (Frank) Thomas Kennedy',buildings, post office, see also 2001.152.01, 2001.153.01, 2001.154.01, 2001.157.01, 2001, 158.01, 2001.159.01, 2001.160.01, 2001.161.01 -
Melbourne Legacy
Programme - Document, programme, Comradeship Committee Christmas Carols
... faithful’, ‘Hark the herald angels sing’, ‘Silent night', 'White... night', 'White Christmas' and 'Jingle Bells'. It ends ...A programme of songs used in a Comradeship Christmas gathering. Contains lyrics of songs including ‘O Come all ye faithful’, ‘Hark the herald angels sing’, ‘Silent night', 'White Christmas' and 'Jingle Bells'. It ends with 'Every good wish to one and all for Christmas and the Coming Year'.Comradeship Committee meetings were very important to the Legatees. Legatees supported each other by coming together for various events throughout the year. This carol booklet shows that Legatees enjoyed singing together at their Comradeship meetings and in particular singing carols at Christmas time. White card with printed navy type of songs for a Comradeship Christmas party. comradeship, function, christmas, songs -
Melbourne Tram Museum
Pamphlet, Yarra Trams, "New Year's Eve 2013", 2013 and 2016
... Festival, White Night, Glenferrie Road Festival, Sydney Road..., White Night, Glenferrie Road Festival, Sydney Road festival ...Pamphlets - set of 2 printed in full colour on paper folded to DL size. .1 - "New Year's Eve 2013" - 8 fold, 2 half foldout - with a map showing fire works sites, locations, tram alterations, and how public transport could be used in the city. .2 - "Tram service during Melbourne Summer Festivals" - 4 fold, - issued 1/2016, detailing timetable alternations and service changes for Feb. and March - includes events - St Kilda Festival, White Night, Glenferrie Road Festival, Sydney Road festival and Moomba Parade. Has a calendar and maps. Also lists other major events and network upgrade and tram improvement works. Issued by Yarra Trams and the PTV.trams, tramways, events, melbourne, moomba, glenferrie rd, sydney rd, st kilda -
Bendigo Historical Society Inc.
Document - HAMILTON COLLECTION: STAGE TICKETS (4), Early 1900s
... ''. 1. Blue; Princess Theatre Monday Afternoon. 2. White.... 2. White; Monday Night. 3. Red; Princess Theatre Thursday ...Document. Four Stage Tickets for ''Austral Competitions''. 1. Blue; Princess Theatre Monday Afternoon. 2. White; Monday Night. 3. Red; Princess Theatre Thursday Night. 4. Business Card, ''Frederic A. King''.Hon.Secretary, The Austral Society, Bendigo. Written in pencil on the back, ''Admit to Stage during Season, F A King''performing arts, elocution, stage tickets -
Bendigo Historical Society Inc.
Photograph - DECORATED TRAM - ROYAL VISIT - MARCH 1954, March 1954
... Black and White Photo, Night time photo of a decorated tram... Tramways Co.Ltd Trams Royal Visit Black and White Photo, Night time ...Black and White Photo, Night time photo of a decorated tram, Union Jack Flag hangs from top of tram, light bulbs are decorating many parts of the tram, a Crown is highlighted in the centre of the tram, 'ER' Royal symbol is to the left, right and centre of the picture. Markings on the back of the photo say 'Decorated Tram', 'Royal Visit March 54'photograph, tram, decorated tram, bendigo trams, bendigo tramways, bendigo tramways co.ltd, trams, royal visit -
Orbost & District Historical Society
night dress, Cowell, Alice, c. 1913
... A full length white cotton night-dress with long sleeves... gippsland night dress A full length white cotton night-dress ...This garment was made by Edith (?) Cowell (Mrs Jim Richardson, nee Cowell) and has been donated by her daughter Esma Richardson.This item is an example of the needlework skills of women in the early 20th century.A full length white cotton night-dress with long sleeves. It has lace around the shoulders and across the chest, broderie anglais collar and cuffs. A ribbon is threaded through the lace at the neckline and cuffs. The bodice also has small pleats or pin-tucks at the front and clear buttons. Pinned to the left shoulder is a blue certificate indicating from the Bombala Exhibition Society of 1913.The certificate from the Bombala Exhibition Society indicates that Alice Cowell won first prize in the 1913 show for having made this night-dress.night-dress bombala-exhibition female-clothing -
Lakes Entrance Regional Historical Society (operating as Lakes Entrance History Centre & Museum)
Photograph, 1920 c
... Black and white photograph taken at night of four little... Entrance gippsland Ships and Shipping Genealogy Black and white ...Black and white photograph taken at night of four little girls sitting on the ground dressed up. Identified are June Fish with bow in hair and Dorothy Jemmeson with dark hair holding a doll. Lakes Entrance Victoriaships and shipping, genealogy -
Surrey Hills Historical Society Collection
Photograph, Samuel Bolton in Druid's regalia, 1950
... Corstorphan (grocer) and Thomas White (plasterer). Opening night... Corstorphan (grocer) and Thomas White (plasterer). Opening night ...Samuel Bolton of 244 Union Road, Surrey Hills in his 'Druid's Collar' in 1950. Samuel and his son-in-law Patrick Burns were staunch Druids. The Lodge met monthly in the Rechabite Hall in Canterbury Road. The United Ancient Order of Druids (UAOD) was founded in Victoria around 1862. An account is included in Ken James' book 'Surrey Hills Friendly Societies'. This is based on Box Hill Reporter articles and material in relevant files at PROV. Summary: The Surrey Hills Lodge was established in 1890. The trustees were Ernest W Opperman (newsagent), James H Corstorphan (grocer) and Thomas White (plasterer). Opening night was 27 November 1890 and early meetings were held in Br Corstorphan's home in Canterbury Road on Tuesday evenings. By 1891 the ledge had 80 members. Samuel (1978-1951) was a butcher who came to Surrey Hills from Euroa some time between 1926-1931. His shop was at the Mon Albert terminus. After he sold it, it became part of the supermarket on the north side of Whitehorse Road. He was married in 1879 to Elizabeth Beatrice Maker (1881-1963).A black and white photograph of a man with regalia collar around his neck.(mr) samuel bolton, union road, surrey hills, druids, rechabite hall, clothing and dress, united ancient order of druids, druid's regalia, regalia, friendly societies -
Bendigo Historical Society Inc.
Clothing - WHITE COTTON GIRL'S NIGHTDRESS
... Fine white cotton girl's night dress. Yoke at front... COSTUME Female white cotton girl's nightdress Fine white cotton ...Fine white cotton girl's night dress. Yoke at front and back. Full length back opening fastened with tie at neckline. Back yoke has three vertical pintucks on each side of opening. Front yoke has vertical pattern of pintucks and embroidered fabric with horizontal section at waist. Sleeveless nightdress overlays of embroidered fabric attached to sides of yoke to form cap sleeves over shoulders. U shaped neckline has casing with cotton tape tie. Gathered skirt attached below yokes. Finished with French seams. Lower edge of night dress trimmed with embroidered fabric with scalloped edge. Note in box with garment ''The child's nightgown is about 60 years old and was made by Mrs. Antoinette Catling for her eldest daughter''. Undated. Not attached. This is the most probable garment.costume, female, white cotton girl's nightdress -
City of Moorabbin Historical Society (Operating the Box Cottage Museum)
Domestic object - Rawleigh's Ready Relief, as an aromatic inhalation, 1967
Rawleigh's Ready Relief was advertised for checking and relieving head colds and catarrh. W. T. Rawleighs Co Ltd was a Canadian firm who expanded their food manufacturing business to Australia in 1928. In 1934 they purchased land in Dawson Road, Brunswick and built a five storey brick and reinforced factory. The building was still standing in 2022.Clear glass bottle with white plastic screw on lid. Paper wrap around label printed in green, black and pinkFRONT: Rawleigh's Ready Relief as an aromatic inhalation Net 30 ml W. T. Rawleigh Co Ltd. 60 Dawson St. Brunswick Victoria, 3056. LEFT SIDE: Active Constituents % w/w Alcohol 57.571, Camphor Crystals 4.789, Menthol Crystals 10.200, Menthol Liquid 5.100, Oil of Lavender 50% 18.124 Oil of Pinus Pumilous 0.786, Oil of Eucalyptus 0.180, Musc Ambrette Solution 0.20, Dist. Water 3.00. Reg. Vic 18810 E2012 RIGHT SIDE: Directions: Place drop or tow on folded handkerchief. Inhale gently, then gradually deepen inhalation. At night put a few drops at end of pillow. Not recommended for children under three years. Keep tightly closed. Store in cool place.medical, rawleighs co ltd, brunswick -
The Beechworth Burke Museum
Postcard, 1930s
Taken in the mid 1930s, the image on the postcard depicts a group of young men with four horses and a carriage in the foreground. There are crowds in the background. The image was taken during the Gala Day on Ford Street, Beechworth.Black and white rectangular postcard printed on card.Obverse: Our. Bushrangers: / Gala day. / Ford. Street. / Reverse: Kind regards / to young nlaq. (?) / and all the rest. / of the family / POST / EMPIRE / CARD / STAMP. / FOR CORRESPONDENCE / FOR ADDRESS ONLY / Dear Vi / I received your P.C and was very. pleased / to hear from you. I was talking to Noll + Lucy on Saturday. / night I told them I got a card from you they are just the / same as ever dodging the old man. Hoeerysoofunny. / I was just thinking of droping you a card when yours / came along, some of these days when I've got time I / will drop you a note and tell you all the news of this way / will now ring off with best love / I remain yours truly. (See Ril.) / 2589 /entertainment album, carnival, 1930s, gala day, horses, carriage, leisure, postcard, photography, letter, bushrangers -
The Beechworth Burke Museum
Postcard
Printed in the late 1880s, the postcard features a photograph of Charles Sherwood Stratton (professionally known as General Tom Thumb) and his wife, Lavinia Warren Stratton. Accompanying this image are a pair of black calf boots. Charles Sherwood Stratton and Lavinia Warren Stratton were American performers who traveled with the Barnum & Bailey Circus, founded by Phineas Taylor (P. T.) Barnum. They each participated in various acts including singing, dancing, miming, and celebrity impersonations. Both Charles and Lavinia gained international fame for their successful careers and small physical stature. Charles and Lavinia performed in Australia in August 1870. The duo were joined by their touring party as part of the Barnum & Bailey Circus "Round the World" tour. They performed at three evening events and two matinees in Beechworth during this time. Charles, Lavinia, P. T. Barnum and the circus inspired the musical drama film, "The Greatest Showman" (2017).The postcard is historically significant due to Charles Sherwood Stratton's status as an internationally renowned performer. It also provides insight into the arts in Victoria during the late nineteenth century, illustrating the type of entertainment that was enjoyed by the public during this time.Black and white rectangular postcard printed on card.Obverse: A pair of General Tom Thumb's boots presented to / the town of Beechworth, where he and three other / dwarfs gave 3 night & 2 matinee performances 1870 / General Tom Thumb toured Europe as the star of / Barnum's famous circus giving impersonation acts / He was a great favourite of Queen Victoria / He was then 34 years old and 31 inches high / His wife was 34 inches / Reverse: 3706 / POST / CARD / KODA / CORRESPONDENCE / ADDRESS ONLY / KODAK / KODAK / A02450 /entertainment album, general tom thumb, charles sherwood stratton, lavinia stratton, circus, p.t. barnum, barnum and bailey circus, arts, performance, recreation, entertainment -
The Beechworth Burke Museum
Postcard, 30/07/1942
The postcard image depicts the torpedo tubes with caps in position of a Japanese midget submarine that was involed in the attack on Sydney Harbour on May 31st, 1942. On the 31st of May 1942, in the midst of World War Two, Sydney found itself under attack from three Japanese midget submarines that entered Sydney Harbour under the cover of night. The first submarine became trapped in anti-torpedo nets and the third submarine was sunk in Taylor Bay. The second submarine fired on the heavy cruiser the USS Chicago. One of the torpedoes exploded near the depot ship the HMAS Kuttabul, killing 21 sailors.Black and white rectangular postcard printed on cardReverse: 7525-1/ POST CARD/ 2/ This postcard is a/ souvenir of the Exhibition/ of Japanese Midget Sub-/ marines sunk in Sydney Har-/ bour on the night of Sunday,/ May 31st, 1942, the night/ that the first attack on/ Sydney by a foreign power/ took place and was/ frustrated./ caps of the/ torpeto tubes/ 30th JULY 1942/ SERIAL No. 2/ Torpedo tubes of Japanese midget submarine with/ caps in position/military album, beechworth, burke museum, ww2, world war two, wwii, maritime, sydney harbour, sydney, japanese, japan, submarine, torpedo -
The Beechworth Burke Museum
Postcard, 30/07/1942
The postcard image depicts the conning tower of a Japanese midget submarine that was involed in the attack on Sydney Harbour on May 31st, 1942.On the 31st of May 1942, in the midst of World War Two, Sydney found itself under attack from three Japanese midget submarines that entered Sydney Harbour under the cover of night. The first submarine became trapped in anti-torpedo nets and the third submarine was sunk in Taylor Bay. The second submarine fired on the heavy cruiser the USS Chicago. One of the torpedoes exploded near the depot ship the HMAS Kuttabul, killing 21 sailors.Black and white rectangular postcard printed on cardReverse: 7525-2/ POST CARD/ 3/ This postcard is a/ souvenir of the Exhibition/ of Japanese Midget Sub-/ marines sunk in Sydney Har-/ bour on the night of Sunday,/ May 31st, 1942, the night/ that the first attack on/ Sydney by a foreign power/ took place and was/ frustrated./ 30th JULY 1942/ SERIAL No. 3/ Conning tower of Japanese midget submarine/ The Con. Tower/ military album, beechworth, burke museum, ww2, world war two, wwii, maritime, sydney harbour, sydney, japanese, japan, submarine -
The Beechworth Burke Museum
Postcard, 30/07/1942
The postcard image depicts a sunken Japanese midget submarine, that was involved in the attack on Sydney Harbour on May 31st, 1942, being raised from the waters of the Sydney Harbour by a winch system, as groups of onlookers stand upon the decks of surrounding boats.On the 31st of May 1942, in the midst of World War Two, Sydney found itself under attack from three Japanese midget submarines that entered Sydney Harbour under the cover of night. The first submarine became trapped in anti-torpedo nets and the third submarine was sunk in Taylor Bay. The second submarine fired on the heavy cruiser the USS Chicago. One of the torpedoes exploded near the depot ship the HMAS Kuttabul, killing 21 sailors.Black and white rectangular postcard printed on cardReverse: 7525-3/ POST CARD/ 4/ This postcard is a/ souvenir of the Exhibition/ of Japanese Midget Sub-/ marines sunk in Sydney Har-/ bour on the night of Sunday,/ May 31st, 1942, the night/ that the first attack on/ Sydney by a foreign power/ took place and was/ frustrated./ 30th JULY 1942/ SERIAL No. 4/ Raising the Japanese midget submarine/ The sub after/ being lifted out of/ the water, note/ the cause from depth/ charges./military album, beechworth, burke museum, ww2, world war two, wwii, maritime, sydney harbour, sydney, japanese, japan, submarine, torpedo -
The Beechworth Burke Museum
Postcard, 30/07/1942
The postcard image depicts the propeller of a Japanese midget submarine that was involved in the attack on Sydney Harbour on May 31st, 1942.On the 31st of May 1942, in the midst of World War Two, Sydney found itself under attack from three Japanese midget submarines that entered Sydney Harbour under the cover of night. The first submarine became trapped in anti-torpedo nets and the third submarine was sunk in Taylor Bay. The second submarine fired on the heavy cruiser the USS Chicago. One of the torpedoes exploded near the depot ship the HMAS Kuttabul, killing 21 sailors.Black and white rectangular postcard printed on cardReverse: 7525-4/ POST CARD/ 1/ This postcard is a/ souvenir of the Exhibition/ of Japanese Midget Sub-/ marines sunk in Sydney Har-/ bour on the night of Sunday,/ May 31st, 1942, the night/ that the first attack on/ Sydney by a foreign power/ took place and was/ frustrated./ 30th JULY 1942/ SERIAL No. 1/ Propellers and rudders of Japanese midget/ submarine/ Propellor/ with protecting/ bands./military album, beechworth, burke museum, ww2, world war two, wwii, maritime, sydney harbour, sydney, japanese, japan, submarine -
The Beechworth Burke Museum
Postcard, 30/07/1942
The postcard image depicts a salvage team winching a Japanese midget submarine that was involed in the attack on Sydney Harbour on May 31st, 1942, out of the waters of the Sydney Harbour. The winch and salvage team are situated in front of a dock shed on a pier.On the 31st of May 1942, in the midst of World War Two, Sydney found itself under attack from three Japanese midget submarines that entered Sydney Harbour under the cover of night. The first submarine became trapped in anti-torpedo nets and the third submarine was sunk in Taylor Bay. The second submarine fired on the heavy cruiser the USS Chicago. One of the torpedoes exploded near the depot ship the HMAS Kuttabul, killing 21 sailors.Black and white rectangular postcard printed on cardReverse: 7525-5/ POST CARD/ This postcard is a/ souvenir of the Exhibition/ of Japanese Midget Sub-/ marines sunk in Sydney Har-/ bour on the night of Sunday,/ May 31st, 1942, the night/ that the first attack on/ Sydney by a foreign power/ took place and was/ frustrated./ 30th JULY 1942/ SERIAL No. 6/ The salvage part at work on a Japanese midget/ submarine/ Bringing the sub/ to the surface/military album, beechworth, burke museum, ww2, world war two, wwii, maritime, sydney harbour, sydney, japanese, japan, submarine -
The Beechworth Burke Museum
Animal specimen - Quoll, Trustees of the Australian Museum, 1860-1880
Four species of quoll occur in Australia: the northern, spotted-tailed, eastern and western quolls. Once, most parts of Australia were inhabited by at least one of the species.Captain Cook collected quolls along the east coast in 1770, and recorded "quoll" as their local Aboriginal name. Quolls were often seen by early settlers, who called them "native cat", "native polecat" and "spotted marten", names based on familiar European animals. Since 1770, all four species have declined dramatically in numbers. This is mainly because of habitat loss or change across Australia, and introduced predators such as foxes and cats. Quolls are carnivorous marsupials with a pointed snout, a long tail and brown to black fur distinctively spotted with white. They are lively, attractive animals, with bright eyes, a moist pink nose and many sharp teeth. Like most Australian mammals, quolls are mainly active at night. Typically, they spend the day in one of their many dens, although spotted-tailed quolls and northern quolls sometimes forage and bask in the sunshine. Their large home ranges can extend for several kilometres in each direction from a smaller core range, and the range of a male quoll often overlaps those of several females. An interesting feature of their behaviour is the use of shared latrine (toilet) sites in open spaces such as rock ledges, for marking their territory and other social functions. Male quolls travel widely during the breeding season, with mating occurring during winter. All four species have a gestation period of 21 days. Because they are marsupial mammals, their young are born tiny and undeveloped and must work their way to the pouch, where they attach themselves to a teat to feed. Only the spotted-tailed quoll has a true pouch. In the other species, the young are protected by shallow folds of skin around the teats. As the pups grow, they dangle from the mother's belly; later, she carries them on her back. Quolls reach sexual maturity at one year. They have a naturally short life span, with smaller quolls living an average of only two years, and the larger spotted-tailed quoll about four to five years. The northern quoll is particularly short-lived. This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum and the National Museum of Victoria, as well as individuals such amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century. This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century.Average sized quoll with brown fur with white spots on body but absence on the long tail which is furry unlike the smooth body fur. The quoll has a small had with a pointed snout lined with sharp teeth, and thin membraned ears that are slightly covered in fur. The forelegs of the quoll are slightly smaller than the hindlegs, with all four legs featuring sharp clawed paws.On mounting board: BMM5984/ On Catalogue Tag (attached to left hindleg): Native Cat./ Catalogue. Page 50./ burke museum, taxidermy, taxidermy mount, fauna, animal, animalia, reynell eveleigh johns, quoll, native cat, dasyurus -
Greensborough Historical Society
Newspaper Clipping, Diamond Valley News, Gemstones and Jewellery sale, 01/11/1995
Local Scene reports by Rosalie Bray include the Diamond Valley Gem Club, Greensborough Secondary College technology night and self defence classes at Yandell Kindergarten.Newspaper clipping, black and white text.greensborough, watsonia -
Federation University Historical Collection
Document - Ticket, Wormald Machinery Valve Group Ballarat Works Open Night, 1983
TIcket printed in black ink on white cardwormald, valve, apprentice, trades -
Federation University Historical Collection
Photographs, Wereldmuziekconcours - Kerkrade, 1962
Frank Wright was a renown resident of Smeaton, where he was born. He lived at Laura Villa, and attended Smeaton State School. His father William was a gold miner and his mother's name was Sarah. Their family won many singing and instrumental awards. Frank was tutored by Percy Code and was awarded a gold medal for the highest marks in the ALCM examinations in the British Colonies at the age of seventeen years. He became the Australian Open Cornet Champion by the age of eighteen. A year later, Frank conducted the City of Ballarat Band, and later the Ballarat Soldiers’ Memorial Band. He formed the Frank Wright Frisco Band and Frank Wright and his Coliseum Orchestra. These bands won many South Street awards, and Frank as conductor won many awards in the Australian Band Championship contest. In 1933 Frank Wright sailed to England to conduct the famous St Hilda’s Band and was later appointed Musical Director of the London County Council, where he organized many amazing concerts in parks, in and around the London district. He was made Professor of Brass and Military Band Scoring and conducted at the Guildhall of Music and Drama. Frank was often invited to adjudicate Brass Band Championships around Europe, in Australia, including South Street and in New Zealand. The Frank Wright Medal at the Royal South Street competition is awarded to an individual recognized as making an outstanding contribution to brass music in Australia. There is a mix of coloured and black and white photographs. Two Photographs, of one of six gentleman and one of five gentleman sitting around a table on an oval adjudicating a competition. Another three photographs is of three gentleman standing on the same oval discussing results, another is of 4 gentleman sitting around a table in the stadium adjudicating.A photograph of four men standing outside the gates of Wereldmuziekconcours - Kerkrade, and four more photographs of the gates of Wereldmuziekconcours - Kerkrade which have a Treble Clef above the gates two are taken in the day time and two at night.1962 written in pencil on the reverse side of the photographsfrank wright, wereldmuziekconcours - kerdrade 1962 adjudicating