The puppets were made by German POW's in camp 13 and sent to internment camp 3 as gifts for the children at Christmas time.Paper mache head hand painted brown with black hair and beard. Bright blue painted eyes. Black and white check hat. Brown fabric body with purple and white striped tie. Attached with tacks to wooden head support.pow puppets, pow handcrafts, hand puppets, sharron lohe

The puppets were made by German POW's in camp 13 and sent to internment camp 3 as gifts for the children at Christmas time.Paper mache head in shape of a skull - painted grey with black eyes, nose and white mouth. Wearing a dark brown "bush" hat.pow puppets, pow handcrafts, hand puppets, sharron lohe, ww2 internment camp puppet theatre, puppet theatre

The puppets were made by German POW's in camp 13 and sent to internment camp 3 as gifts for the children at Christmas time.Brown paper mache head and arms, no body. Long dark blue material trousers under the dress. At end of material legs are small paper wooden legs and black shoes intact. Judy has a colourful dress with yellow apron. Dress has many different pieces of material of various patterns.pow puppets, pow handcrafts, hand puppets, sharon lohe, ww2 internment camp puppet theatre, murchison internment camp

The puppets were made by German POW's in camp 13 and sent to internment camp 3 as gifts for the children at Christmas time.Tan paper mache head ,face painted with water colours, brown headscarf over white hair, green dress with long sleeves. No body or arms/legs.pow puppets, pow handcrafts, hand puppets, sharron lohe, ww2 internment camp puppet theatre, puppet theatre

The puppets were made by German POW's in camp 13 and sent to internment camp 3 as gifts for the children at Christmas time.Paper mache head ,face painted with water colours, pink headscarf held down with tacks, a red dress with long sleeves. No body or arms/legs.pow puppets, pow handcrafts, hand puppets

The puppets were made by German POW's in camp 13 and sent to internment camp 3 as gifts for the children at Christmas time.Paper mache head of man with large nose, pointed chin and moustache. Hand painted blue eyes. Moustache and eye brows made with cotton thread. Magenta tie stitched to neck. Bottle green felt jacket with magenta trim. Leather hands attached to sleeves. Light brown skirt attached to jacket. leather ears on head. pow puppets, pow handcrafts, hand puppets

The puppets were made by German POW's in camp 13 and sent to internment camp 3 as gifts for the children at Christmas time. Paper mache head & arms hand painted pink. Small paper crown on top of white painted hair. White fabric dress with metallic gold trim in front on sleeves. A high collar attached to dress made of white fabric covering leather for stiffness. Blue cotton coat with gold trim. Wooden legs covered in calico with blue painted high heel shoes, with white heels.pow puppets, pow handcrafts, hand puppets, sharron lohe, ww2 internment camp puppet theatre, puppet theatre

At the end of every year, FedUniLiving accepts applications from current residents towards becoming a Residence Assistant (R.A.) Successful applicants are revealed at the end of the year at the Res End of year Event.A colour photograph featuring a group photograph of the 2018 FedUniLiving Residential Support Team, with their names in white lettering underneath. 2018 Residential Support Team written in white lettering on top. FedUniLiving and Federation University Australia logos on the bottom-left corner. feduni living, federation university australia, residential support team, andrew renfree, matthew cane, liana finlayson, kaneta marin, isabella ficheroux, isaac brooker, yvonne galaret, kelsey gardiner, thomas botter, jack sutherland, louis saccutelli, bill johns, keely bent, georgie mcintyre, caleb myers, madeline alexander, victoria watson, harley mccarthy, reece williams, emily woolford, natalia gavranic, patrick graham, rebecca walker, joshua ey, corinne knol, samantha webster, lauren mclean, greta pearson, rajat taneja, jarred lee

A property illustration by Margret Picken Commissioned by a real estate agency for the purpose of advertising 13 Luckie St., Nunawading. This property is listed as having sold for $302,000 in 2001 Made by using Rotring ‘Rapidigraph’ drafting pens with Rotring ink on Rapidigraph polyester drafting film, double matte. Trained as a cartographic draftsman within the mining industry, Margaret Picken is an artist who worked producing property illustrations for real estate agencies in eastern suburbs of Victoria from 1983-2005. Retiring from the industry as technological changes favored coloured photography over illustrations, and commissioning companies over sole contractors.This artwork is of Historical Significance as a record of local domestic architecture.A black ink line drawing on drafters film by Margaret Picken, of a black and white line drawing of a single story weatherboard house, with a driveway on the left leading to a carport in front of the house. in the foreground is a picket fence, enclosing a front yard.13 Luckie St., Nunawading Margaret Picken © 2001 Fletchers Real Estatewhitehorse historical society, schwerkolt cottage, housing, architecture, margaret picken, house, garden, real estate, nunawading

Critical remarks about the proposed housing development in the vicinity of A K Lines Reserve, WatsoniaThree short reader contributions to "Conversations" column, with colour photograph of A K Lines Reservea k lines reserve, houses in watsonia, north east link, watsonia - places

Donated by the artist

A Remembrance Day Service was held at the Greensborough War Memorial Park, 11 November 2018 to mark the centenary of the end of World War I. This group of memorabilia was collected by Rosie Bray.Bronze medallion in red box; newspaper clippings, photographs, pamphlet and articleMedallion inscribed "1918, we will remember them" (face); "WWI Armistice 1918-2018" (obverse)world war 1, remembrance day 2018

Was the site of J. Quinn Bakery and Breakells Bakery.20.5cm x 13cm black and white photograph of the Hey Dey Arcade and a view of the shops at 13 Sydney Street. The two shops that can been seen is J.R. Menswear and Country Corner (Clothing store). Pictured is the restoration of the older building at 13 Sydney Street and they new builds surrounding the older shopfront.Written on the back: 1026bakery, bakers and bakeries, baker

Camp 13, administration area, s.w. corner near Commandants house. Made by prisoners using local stone.Camp 13, Camp Road, Murchison, Victoria. Stone work,ornamental pond, bridge, s.w. corner near administration area - remnants.Camp 13 West Garrison Gardens - Stone bridge over figure 8 poolcamp 13, murchison victoria, pow, internment camps, stonework

Painted by Klober at Camp 13.Photograph of watercolour depicting tents, army huts and 11 gum trees.Klober ? 41klober, gus pohlig, camp 13 art, watercolour paintings, pow camp 13, internment camp tents, internment camp accommodation

This two storey Spanish mission house was built on land originally part of the Tara Hall Estate.Two storey house at 2 Tara Avenue, sold in 2018 and to be demolished in 2020.kew (vic) - houses - demolished, 1 tara avenue - kew (vic)

On 6 December 2018, a recurring event was organised at the Mission. From the Multicultural website: "Meeting at the Seafarer’s bridge on the Yarra, you will be welcomed into a little-known site nearby, a sanctuary for seafarers for the last 100 years and a symbol of old-world generosity amidst the rapidly shifting landscape of the Docklands. A journey through the quirky spaces at Mission to Seafarer’s site through a compelling contemporary ritual performance. The Echoes Projects artists evoke fragments of stories embedded in this site through mesmerising live soundscapes, movement and imagery. Ria Soemardjo, Janette Hoe and Pongjit (Jon) Saphakhun collaborate to create an ongoing exploration of contemporary rituals in response to urban sites in Australia. Based in Melbourne, their contemporary performance work draws deeply from their personal connections to Thai, Chinese and Indonesian ceremonial traditions. Featuring Intricate rhythmic compositions inspired by the rich heritage of Indonesian and Middle Eastern musical traditions, performed by Ron Reeves and Matt Stonehouse – two of Australia’s foremost world music percussionists. Note: 7 PM and 8 PM sessions include delicious vegetarian Indonesian food. 9 PM session includes Indonesian and Thai cakes and sweets. You are invited to stay and eat after the performance, drinks available for purchase at the venue. Performers: Janette Hoe – dance artist Pongjit (Jon) Sekhukhune – actor Ria Soemardjo – musician Ron Reeves – musician Matt Stonehouse – musician /instrument maker Supported by the City of Melbourne Arts Grants Program Details: 6 Dec 2018 (Thursday) Sessions: 7 PM, 8 PM & 9 PM The Mission to Seafarers Audience Meeting point – next to the entrance of the Seafarer’s Bridge, Siddeley St, Docklands. Wheelchair accessible venue. Bookings essential. Tickets: $10 – $15 via Eventbrite. Ticket price is purely to pay for the food element. Companion Card ticketing available. Please contact Multicultural Arts Victoria for ticketing options. Companion ticket will allow admission only. The Seafarers Welcome is presented as part of Mapping Melbourne 2018."The Mission has always welcomed artistic events Colour programme of events with illustrationstop right corner: Multicultural Arts Victoria lower left corner: MAPPING MELBOURNE/1-15 DECEMBER 2018arts, events, multicultural arts victoria, the seafarer welcome, echoes project, 2018, cultural events, community

Digital file only Postcards scanned from the collection of Michael Aitken on loan to EDHS, 13 Feb 2018michael aitken collection, postcards, panton hill

An example of badges issued by Legacy for fundraising during the Legacy Appeal and Badge Week. The donation value is $10. The badge was for sale in 2018 as the date is on the badge. 2018 was the 100th anniversary of the end of the first World War. It is in the collection to show the modern range of badges. The badge of Legacy is the Torch and Wreath of Laurel. The Torch signifies the undying flame of service and sacrifice of those who gave their lives for their country. The Wreath of Laurel is the symbol of our remembrance of them. The card makes a tax deductible receipt.Example of Legacy badges that were sold up to raise money for Legacy's work. Circular red Legacy Appeal badge with the Legacy torch, it is made of gold coloured metal with red enamel around a torch and wreath, the word Legacy and the date 2018. It is circular shape and was made especially for 2018. It is on a white card with blue printing showing it's value. Badge has a post and a separate butterfly clutch.legacy appeal, fundraising, badge week

From its beginnings in 1958, the Society has mounted exhibitions and/or displays, in early days in shop window and in community spaces located in the Kew City Hall (later Kew Library), and since 2010 at the Kew Court House. Exhibitions typically coincided with the annual Kew Community Festival in March, but after 2013 evolved into three new exhibitions yearly at the Kew Court House. Smaller displays continue to be mounted in the Kew Library. A series of photographs of objects and pictures of the second exhibition at the Kew Court House for 2018, mounted by the Kew Historical Society.kew historical society - exhibitions, water -- kew (vic.)

The second of a series of photographs taken in July/August 2018 recording work on the old and new Chandler Highway Bridges.chandler highway bridge

Originally labelled "Beauville Estate, Established 1936, Still Thriving 65 years on, 10th March 2001", the Beauville Estate Album contains colour photographs of houses in the Estate. They were taken around the time of the Beauville Estate’s 65th Heritage Celebration held on 10/03/2001 and donated to the Caulfield Historical Society shortly afterwards. Photographer unknown. City of Glen Eira’s Heritage Management Plan Vol 2 p79 (this is p84 of the pdf version) – HO12 Beauville Estate and environs, Murrumbeena: The Beauville Historic Area is important at the State level as the first large housing estate undertaken by the AV Jennings Construction Co, later Jennings Group Limited, Victoria’s largest home builder. It is important also as a very early estate development incorporating a range of features other than houses and including made roads, shops and recreation facilities. In this respect it was the forerunner of the comprehensively planned housing estate of the post war era. The estate is distinguished by its aesthetic values, as is the earlier and comparable Hillcrest Estate, which are formed by a combination of restrained diversity in house styles, with the exception of no. 30 in the emerging International style, and by a landscaped garden environment. See Significance Statement in Glen Eira’s Heritage Management Plan by Andrew Ward (1996) Vol 2 p.79. Available from https://www.gleneira.vic.gov.au/media/4779/heritage_management_plan_volume_2.pdf (Note see p.84 of pdf)Colour photograph of white rendered house with unpainted brick features including on chimney. Other features include a semi enclosed porch, tiled roof, sash windows and low unpainted brick fence in the foreground with "13" on the white letterbox above the brick pillar beside the driveway and also on the front wall to the left. Garden beds and fence surround the lawn with drive to the left.murrumbeena, houses, beauville avenue, architectural styles, 1930's, inter war style, a.v. jennings, av jennings, jennings, brick houses, beauville estate, porches, sir albert victor jennings, a v jennings construction co, beauville estate heritage area, glen eira city council, architectural features, jennings group limited, land subdivision, gardens, beauville historic area, brick features, brick fences, letterboxes, chimneys

First edition of the The Australian, 15/07/1964 First edition of Australian newspaperFirst edition newspaper, 24 p., illus. newspapers, the australian, first edition

Robert O'Hara Burke and Thomas Pope Besnard were childhood friends. As sexton of the local Back Creek Cemetery Thomas Besnard organised a subscription to raise the money for a monument to Burke, Wills and Gray. A subscription of one shilling, no more and not less, was asked so all subscribers were equal. The Bendigo monument was designed by Adam Duncan and features a Corinthian column mounted on a foundation stone, topped with a Grecian urn draped with the Union Jack. The stone for the monument was quarried from New Chum Mine. The site in the Bendigo Cemetery was selected by Besnard so the monument was on a grass knoll well clear of any other graves. The design included landscaping with a path and garden beds that provided dignified access. The Burke and Wills Monument in Bendigo has been entered on the Register of the National Estate as being important for its association with historical events and developments associated with exploration in the early days of Colony of Victoria. Two conifers remain from the original group sent by Mueller of the Melbourne Botanical Gardens to develop the garden layout on the knoll. These two trees are listed as Significant Trees by City of Greater Bendigo. The foundation block was laid on 20 August 1862 by Chairman of the Bendigo Municipality, Charles Burrows – exactly two years after the Expedition left Melbourne. A half day holiday was declared by Bendigo Council, and a procession left the Bendigo Town Hall and marched to the cemetery where 8000 people were gathered and another 4000 lined the route. John King was unable to attend due to ill health. Chairman of the Municipality of Bendigo, Charles Burrows, gave a long address, and diaries of members of the expedition, the Sandhurst Almanac, the Bendigo Advertiser, the Bendigo Independent Evening News, photographs of the deceased, photographs of Public Buildings in Bendigo, a Sydney half sovereign and all the silver coins of the Realm were wrapped in a Union Jack and placed in a niche in the foundation stone. Fifteen months later a column was erected on the foundation stone after Besnard openly criticised the Memorial Committee for their lack of action. The Bendigo Advertiser was disappointed at the location of the monument preferring a more central location and in 1893 an attempt was made to move the monument to Rosalind Park. On 19 May 1893, Mr Minto, the City Surveyor of the Bendigo MunicIpality reported it would cost £25, and no other action occurred. In 1940 the land around the memorial was sold off as grave sites and the paths and garden beds disappeared with graves now surrounding the base of the monument. The Burke and Wills Monument in Bendigo Cemetery was entered on the Register of the National Estate for its association with historical events and developments associated with exploration in the early days of Colony of Victoria. Two conifers remain from the original group sent by Mueller of the Melbourne Botanical Gardens to develop the garden layout on the knoll. These two trees are listed as Significant Trees by City of Greater Bendigo.Burke and Wills Memorial at Bendigo Cemetery, 2018Erected by the people of Bendigo in honor of the Victorian Explorers, Burke, Wills, Gray and King who first crossed the continent of Australia. King alone surviving the privation and suffering under which his three brave ill-fated companions sank. A.D. 1862. Robert O'Hara Burke, leader of the Victorian Expedition, left Melbounre 24th August 1860. Reached Carpentaria 12th Feby 1861. Died on his return at Coopers Creek, 30th June 1861. Charles Gray, died also on his return at Polygorum Swamp. 17th April 1861. William John Wills, second in command, died also near Coopers Creek, 29th June 1861. bendigo cemetery, burke and wills, burke and wills memorial, william john wills, john o'hara burke, charles gray, polygonum swamp, coopers creek, victorian expedition, carpentaria, bendigo public cemetery, bendigo remembrance park, thomas pope besnard

Photographs of exhibits and exhibitors at the July 2018 monthly meeting of the Kew Historical Society, which took the form of a 'Show & Tell' by members.

Was the site of J. Quinn Bakery and Breakells Bakery and shop20cm x 12.5 black and white photograph of the shop at 13 Sydney Street which at the time of the photograph was J.R. Mens Wear. Light coloured recently renovated building, some of the older trim remains and restored, corrugated steel awning which leads down the arcade, concrete planter box out the front of the shop. Was the location of J. Quinn Bakery and Breakells Bakery and shop. 2 picture available in the item offering slightly different angles.Written on the back: Photo 1: 1024 Photo 2: 1025baker, bakery, bakers and bakeries, shopfront, mens fashion