Spiral bound gloss paper illustrated notes for the Australian defence Corp Volunteers, 32 pages, subjects covered, camouflage, stalking, self defence, small arms, aircraft ID, reconnaissance reporting and general information on enemy forces.volunteers, defence corp

Copy donated 2013 by M Holding, b & w 10 x 15Interior of St Nicholas Church, decorated for harvest festival. Pews in foreground with chancel decorated with maize stalks, pumpkins, loaves of bread. Walls lined with pine paneling, arched window with inset cross in bottom mid pane. Lakes Entrance Victoriareligion, buildings

From the Till collectionLight tan leather photo holder. All edges are thonged with light tan leather thonging. Front has four wheat stalks etched on it and 'PHOTOS' also pattern of grass around all four edges. Inside there are dark brown pockets to hold the photos.PHOTOShandcrafts, leatherworking

Huttley - Martin FamilyB/W/ : Backyard, Pailing fence garden stalks. 2 rows. Back 5 men in 3 piece suits. 1 woman in knee length dress Front Row 2 children seated eithe rside of woman in floral dress who is shielding face with a hat.madge Huttley in centrehuttley, martin

Newspaper photographs.(1) From B99.1077 series. "Hay forking by the weaker sex." (2) "The last of the harvesting." (3) "Haymaking is in full swing." (4) "Dwarfed by a 10 ft. crop, a girl student at Burnley Horticultural School had a tough task reaping these tall stalks of maize."students, female students, burnley horticultural college, students working outside, maize, hay making

Brass mushroom shaped object. The stalk end has a split in the bottom like an old peg. The top of the marker has 50 pound penalty for interference on it. It looks as though several words have been chipped off or out from the middle of the top. Look to be ' Survey Mark'Penalty 50 for interferencesurvey, surveying tool, land, marker

Ballarat School of Mines Students' Magazine, 1965 Let Stalk Strine, Principal's Page, Diplomas Conferred 1965, Prizes Presented, Ne Pas Classique, "Camping Daze", "The Civilising Influences of Mining", Jigging in Beds, The Srurrile, Man's Neurotic Flaw, Philosophy of Games, The Sporting Pages, School Council, Members of Staff, Roll Call 1965White soft cover with black drawings on front cover, 92 pages including advertisements.ballarat school of mines students' magazine 1965, staff, sports, trevor barnett, gary bunn, roger donaldson, fred evans, ralph fenney, greg hunter, jon mcdonald, malcolm park, geoff pollard, gary roberts, peter smith, john thorne, ian weybury, ratnam nachiappan, michael chung, wayne johnson, e. j. barker, thessalie hannah, noel hooper, david bell, shane carroll, peter thomas johnson, joseph leung chi kin, ronald charles miller, noel william nugent, poh teck chye, robert james strickland, john richard davis, william ralph clarke, gordon alexander johnson, leo gerard rawlings, kevin anthony sculley, garry james titheridge, daniel yung kwan yiu, robert stephen coutts, noel keith hart, michael hutchison, anne veronica moorhouse, douglas alan monro, william robert netherway, antoinette christina walta, david martin pollard, bernard bryan, john edward kavanagh, robert george sampson, pun vun tat, john william jolly, suresh chand, kevin thomas brady, r. h. pyke, helen herde, nick wolff, hencer spocking, john costa, c. n. antonio, j. f. hollioake, j. f. sullivan, k. j. delany, g. w. mcinnes, g. s. hunter, ting pang chew, b. j. keeble, richard chong, ng see yong, goh men tien, r. g. elshaug, b. r. wilson, j. dow, p. donaldson, g. mang, k. kelly, j. gudgeon, j. iredake, c. singleton

These are stories are related to the murder at Ulupna Island, 1898a. Photocopy from Famous Detective Stories "The Body in the Creek" (Stapled at the side, with red binding tape) b. Photocopy from Famous Detective Stories "Death Stalks the Redgums" (Stapled at the side, with red Binding Tape c. Famous Detective Stories magazine Volume 1 No. 6 May 1947as per photos aboveulupna island, murder, crime, detective stories, police, redgum forest

Flour bags were used when purchasing flour from the late 19th century to the mid 20th century. In Melbourne, McAlpin's were one of the best known suppliers of self-raising flour. The business first began as a bakery in 1879 and was taken over in 1959. This is a good example of a flour bag from a well know Victorian supplier prominent in the early twentieth century.Calico flour bag for McAlpin’s self-raising flour. The stencil on the bag is very faded especially where red ink has been used. It includes an image of mountains and fir trees in green ink and a stalk of wheat sweeping up from bottom right to top / middle left in red ink.McAlpin’s (faded red) CONTAINING AEROPHOS’, PHOSPHATE AERATOR, SELF-RAISING, FLOUR (faded red), “THERE’S NO OTHER” Faded red square with writing …. CALCIUM …. Faded red triangle with T inside it to the far right of the trees Faded red writing at the bottom of the bag: PREPARED WITH PHOSPHATE AERATOR, AEROPHOS 25 LBS NET flagstaff hill maritime museum and village, great ocean road, shipwreck coast, calico, domestic object, textile, food storage, flour bag, mcalpin's, self-raising flour

Sepia photo of three rows of school children on Sunday School picnic, teacher at left. Child at front right on tricycle. 28 children, 1 adult. In background, bamboo blind hanging in front of weatherboard wall, brick chimney ? at right. Grapevine ? at right and top. In foreground lying on ground reed stalks ? Some girls in pinafores, black stockings and boots. Boys in sailor suits and boots.person, group, sunday school picnic

Flour bags were a useful source of material to be repurposed into domestic objects in the early 20th century. This object, fashioned from two well-known brands of flour bag, was most likely used as a pillowcase.The pillowcase provides an example of how flour bags were recycled and repurposed into useful domestic objects in the early 20th century.Two flour bags opened out and sewn together to create a possible pillowcase. The open end has a tie sewn to each side to enable the pillowcase to be closed. The bags have been sewn with the inscriptions on the inside of the pillowcase.Side 1 25LBS GROSS WHEN PACKED, John Darling & Son, ECLIPSE, ROLLER FLOUR, MELBOURNE Side 2 O-SO-LITE, Self-raising, FLOUR, Creamy & Delicious, O-SO-LITE PRODUCTS, 412 COLLINS ST MELBOURNE, C.I. Decoration of wheat stalks surround the inscription.flagstaff hill maritime museum and village, great ocean road, shipwreck coast, warrnambool, calico, domestic object, textile, food storage, john darling & son, eclipse roller flour, o-so-lite flour, pillowcase, flour bag

c.1924 Arnott's Family Assorted biscuits were popular as they are today. The tin would have been reused as a storage container for other household items.An antique metal ARNOTT'S Famous Family Assorted Biscuits tin, NETT 5LBS 645. Trademark Registered. It is square shaped with a hinged lid. It has a paper label with black, yellow, red and white lettering, on the front, top and sides. 'Please keep the lid closed to preserve contents'. On the left side of the tin's paper label is a parrot sitting on a wooden perch eating a biscuit. Wheat stalks and flowers decorate around the bird. It is very rare.On the top of the tin is a paper label in black the red saying ' 'This tin is the property of Arnott's Biscuits Pty Ltd., N.S.W. Division. Forty Cents Deposit paid on this tin will be refunded on return in returned in good order and condition with this label attached. Keep the lid closed down. In red lettering 'Arnott's FAMILY ASSORTED'. Stamped on the base is ' 'This tin is the property of William Arnott Pty. Ltd. Homebush 5037'. No. 6095 stamped onto base. biscuits, biscuit containers, foodstuffs

A Regent Junior Pro tennis racquet. Regent logo features across base of head, flanked by two wheat stalks. Model name, and decal illustration of male youth playing tennis, feature on the throat. Photo decal of head of Alex Olmedo, encircled by a wreath, features at base of shaft. Decal of endorsement features along the sides of shaft. Materials: Wood, Nylon, Ribbon, Glue, Lacquer, Metal, Ink, Paint, Leather, Adhesive tape, Cloth, Stringtennis

White menu and toast list for the Annual Mayoral Banquet by Cr. Jacob Cohn, Mayor, Tuesday, 16th April, 1889 at the Shamrock Hotel. On the front, on the left are three green grass stalks with three gold and copper flower heads and gold printing on the right. On the inside on the left is the menu and on the right, the toast list. Printed in red with gold border. On the back cover is a sketch of the Town Hall and printed 'Councillor Jacob Cohn, Mayor. Tuesday, 16th April, 1889. It has a double border. Printed by J. Robshaw, Stationer, Sandhurst.bendigo, council, mayoral ball, menu and toast list for mayoral banquet, cr jacob cohn, f wilkins, cr hayes, cr harkness, cr bailes, cr carolin, t j connelly esq, cr o'neill, cr hoskins, cr abbott, j robshaw

Textiles. Cream and blue tablecloth. Two hemmed sides. Two selvedge sides. Cream centre with 9.5cm blue border on all sides. Centre circular pattern (18cm diameter) of a wreath with horns, reindeer heads and rope pictures. In each corner of the centre cream section is a male seated figure dressed in Scottish kilt and cape. On either side he has an arm draped over a hunting dog resting beside him. In each corner is a circular emblem with the words "Deer Stalking" written on the top edge.textiles, domestic, tablecloth

Part of "Woolcock Gallery Collection" Exhibition 1989, CEMAFlower study with detailed views. View on left is of a stem of two entwined pale green tin stalks, with three-leafed stems coming from it, flower buds, flowers and a seed pod. Views on right are details of (top-bottom): a blue flower (top view), two leaves, a seed, and three views of flower emerging from purple sepals. View labled in pencil and with typed letters on paper glued to surface of image. Mounted in a double matt (grey on pale blue) in wooden frame with gold and blue paint.Front: Glycine clandestina (lower left) (pencil) Back: 75 (upper left) (pen)cema, botanical, collin woolcock, botanical drawings, woolcock collection

Vision Australia Foundation staff and clients were asked to make a square representing their base, which would be sewn together to represent the multi-faceted nature of the organisation. Unfortunately the patchwork wall hanging incorporating them was not made, however these squares were sent in: Warragul - sun and sunshine, clouds and water, a house on a hill with flowers around it, trees, water, people, a cow on a green hill that has daffodils and Pindari sewed upon it. Ballarat - Kelaston sown in same lettering as Ballarat, large fabric flowers with button centres, a mine head, a person panhandling, a person with a pickaxe. Warrnambool - sun and clouds over a seaside, a boat and whales in the water, a large fir tree and lighthouse. Hamilton - thick plaited stalks with fabric leaves and yellow pom poms as wattle. Digital imagevision australia foundation

This covered glass bowl with lid was made in a period when there was a strict discipline in the use a various dishes and accompaniments with respect to the type of crockery used. This was in the English style, especially in well to do rural family estates. This period was part of the early 1900's, when large rural acreage was family owned and the economical return to rural produce was very high. It was a time when the Australian economy "rode on the back of sheep"This item has relative significance to the Kiewa Valley as part of the rural and mining(gold) era when the strong return from local gold mining and grazing was demonstrated by the "landed gentry" and significant household cutlery, crockery, etiquette and old English mores, influenced by "Mother Britain"This green opalescent covered bowl is similar to the French PV cabbage form. When the lid is on the bowl appears as a small cabage with three sets of half peeled leaves. There are five outer leaves, next row are five inner leaves and finally three core leaves. The main bowl has a lip encircling the inside of the bowl for the lid to rest upon with closed. The glass has been pressed to show the leaves with their web like stalks. The inside area of the bowl and lid are smooth. This is to allow the mashed up contents to be easily scraped into a serving ladle.Barely visible "VALLERYSTHAL"glass bowls, kitchen crockery, serving etiquette, meal presentation

These three flour bags belonged to Helena Warren (nee McKeown) who was a self-taught photographer who became the local press correspondent and producer of postcard images. She was married to William John warren and lived in Newmerella. Flour bags were used for bulk purchases of flour in early to mid 20th century. They would have been laundered and re-used for storage. In earlier times empty flour bags were washed and boiled and then made into tea towels or children’s bloomers, or underwear. The flour bags are good examples of packaging and design for Australian produce which sold across Australia and overseas in the mid 20th century. Three rectangular, open calico flour bags. 2491.1 is faded and has red and green print sketch of a fir tree with mountains in the background- "McAlpin's, Containing "Aerophos", Self-Raising Flour; "There's No Other". 2491.2 has similar print with a red stalk of wheat and "7lbs Net" and a C inside a triangle. 2491.3 has yellow background inside a rectangular frame with black print - "Tested ; Self-Raising Flour"; a drawing of a wheat field; "Medallion Brand ; Groves McVitty & Co Pty Ltd' 8 Market Street Melbourne.flour-bags warren-helena mcalpin mcvitty food-storage

Sepia photo of nine men , some standing, some seated outside a corrugated iron building with a brick chimney on the left end, two windows on the front and a leaning tank of a wooden stand on the right end. There is a bucket under the tank tap and another nearby. The left front of the building has a couch there. The men are all wearing suits. The men have various hats, one is wearing his and the rest are holding theirs. There is a banner hanging on the building behind the men. It reads: The Gum Suckers and Corn Stalks, Botch, Syn. Mt. B - -ker Hall.photo, group, male, peter ellis collection, the gum suckers and corn stalks botch syn, mt b- -ker hall

Part of "Woolcock Gallery Collection" Exhibition, 1989, CEMA.Four studies of flowers, complete from base to flower. On far left is a single stem flower with many petals and a large centre. The base has many long tapered leaves, with the stem possessing smaller leaves. On left of this study is a study of a seed. To the right of this is another flower - similar to the first flower, but with stronger base leaves and one leaf on stem. Central flower study has three stems with leaves and flowers (central flower is a bud). Leaves are ripple-edged. On far right is a fourth flower study - single-stemmed flower with ripple-edged leaves at base and up the stalk.Front: Brachycome radicans (Marsh Daisy). " scapigera (Tufted Daisy). " diversifolia (Tall Daisy). " tenuiscapa (var. tenuiscapa) Mountain Daisy) (lower left) (pencil). CEW/85 (pen) (lower centre) Back: 25cema, botanical, collin woolcock

Part of Woolcock Gallery Collection Exhibition, CEMA, 1989.Studies of stem and details of a plant. On left is a study of a stem with short, narrow leaves (in clusters of 2 or 3) and pink flowers, with large pale pink petals and a darker centre. On the right are detailed studies with typed letters affixed to the paper surface. "b1" is a front view of a flower. "b2" is a side view of a flower. "c" is a leaf and stalk detail. "d" is a seed detail. "b3" is a back of flower view. On far right are erased letters in pencil, and one also on the left next to a typed "a". Mounted in a double matt (pale grey on mauve) in glazed timber frame with gold paint.Front: Burtonia scabra (lower right) (pencil) CEW (signature, lower left of image) (mauve pencil) Back: (no inscriptions)cema, botanical, collin woolcock, botanical drawings, woolcock, woolcock collection

Vol. 2, No. 3, Jun-Jul 1997 CONTENTS WEAVING ON A ROLL Author Jon Weaving talks about the pitfalls of success 3 DON’T PASS THE GUINNESS Poet Patrick McCauley turns over a new leaf 6 AIMING FOR THE TOP Prue Acton chases a dream 9 CULTURAL TOURISM Selling a way of life 12 CONVERSATION WITH BOB SMITH An artist shares some thoughts on the why and how of painting 14 REPRIEVE FOR A GATE Some traditions refuse to die 16 STALKING THE STRANGER Short story by Chris Stonehouse 18 THEATRE IN AUTUMN Melbourne theatre is alive and well 21 TO A WOLF THE KILL Anne Delaney reviews Jon Weaving's first novel 23 EXHIBITION REVIEWS Richard Besley, Neophytes, The Eye of the Storm, Soft But True 24, 26, 27, & 30 CD REVIEWS 28 NEW SOURCE OF POWER Tony Trembath lights up a town hall 29 WHO’S DOING WHAT 32 "Peter Dougherty has been involved in the local art scene for many years. As publisher and editor of the arts magazine Artstreams, his comments on the various branches of the arts are widely respected. His "The Arts" column in the Diamond Valley Leader presents a brief summary for a much wider cross section of the local community. Peter also operates his own gallery and the Artstreams Cafe at the St Andrews market. Peter has a wealth of knowledge about present day and historical aspects of local art and artists." - Eltham District Historical Society Newsletter No. 161, March 2005Colour front and back cover with feature articles and literary pieces with photographs and advertisements printed in black and white. 36 pages, 30 cm. Vol. 1, no. 1 (Nov. 1996) - Vol. 10, no. 5 (summer ed. 2005/​06) art streams, food for all seasons, prue acton, jon weaving, michelle lonsdale, sandon mcleod, patrickk mccauley, malcolm riddle, cultural tourism, valley of the arts tourism association inc., robert peter smith, danny chable, farm gate, spirit of eltham, chris stonehouse, eltham bookshop, carolyn pickett, anne delaney, richard besley, mike parr, anita furey, aboriginal art, indigenous art, julie le bon, jackie stojanova, ranee lee, daniel chabble, tony trembath, john kauffman, westerfolds park envirofest, were street cafe, helen o'grady children's drama academy, nillumbik art collection

Part of "Woolcock Gallery Collection". Exhibited CEMA 1989.Flower and stem view on left, depicting two stalks shooting from a central stem. All three stems are brown with small hairs. Green leaves with rounded ends and a brown central vein with a sharp protruding point are staggered up alternatue sides of the stem. One stem has two flower buds and two flower blooms (each are in clusters). On right are (top-bottom) top view of flower, side vire of flower, top leaf vire, stem detail, bud views. Printed numbers on paper are glued to the surface of the image, with the same numbers also written in pencil. Mounted in a double matt white on pale tan) in a gold painted wooden glazed frame.Front: Pultenaea daphnoides (lower left) (pencil). CEW (signature, lower left in image) (purple pencil). Back: 28 (upper left) (pen)collin woolcock, botanical, cema, botanical drawings, woolcock collection

Part of Woolcock Gallery Collection Exhibition, CEMA, 1989.Drawings of a plant stem with detailed views of flowers and leaves. Upper left is a top view of a yellow and red flower, labled "b1". Below this is a study of two heart-shaped, dark green leaves ("c"). In centre is a setm view with many-leafed stems coming from the central stem (approximately 8-10 leaves per stem) ("a"). Three flowers on long thin stalks come from these leafed stems. One bud and two seed pods are also shown sprouting from the stems. On right are two flower views - one side view and one back view. Numbers are in pencil and are also printed on white paper and glued to surface of the paper. The work is mounted in a double matt (off-white on yellow) and framed under glass in a wooden frame with gold paint.Front: Bossiaea cordigea (lower left) (pencil) Written in hand unlike the artist's over an erased pencil title. CEW (signature, lower left of image) (purple pencil) Back: 52 (upper left) (pen)collin woolcock, woolcock collection, woolcock, botanical drawings, botanical

It belonged to Beryl Mair of 20 Barton Street, Surrey Hills and was given to her by Mr W Sandoe on 12.11.1928. There are entries from family members and class mates from Mont Albert Central School (MACS). The first entry is written by her father, Dave Mair. Entries from: D Mair, Lance Young, Norma Dunn, I Goodes, Lorraine Potts, Mary Griffin, L E Jarman, J Stalker, Jean Fowler, Ailsa Hank (with an ink drawing of a cottage), May Leach, Merle Botten, Beryl Skinner, Enid Marro(w ?), Betty (S ?)oule, Fred A Teague, A Mock, Kath Paul, Melva Dare, Marjorie Smith, J Hargreave, Ethel Lillifant. Three entries are quotation only. One page lists teachers of Mont Albert Central School: E C Cairns, E E Holden, Alfred Harley, R Blackburne, R W Campbell, M (?) Sheahan, ------- (undecipherable), H McConville. Those dated are mostly from 1930.The Mair family were resident in Barton Street for several generations. Beryl's father Dave Mair was a keen sportsman and founder of the Kangaroo Social Club of cricketers. Beryl married Lance Young. This is part of a large collection relating to the Mair, Deakin and Young families.In Europe autograph books have a history that can be traced back to 15th century university students. In Australia autograph albums were particularly popular towards the end of the 19th century, although there are known examples as far back as the 1830s. The increase in popularity coincides with printing and book binding becoming more affordable. Autograph books came in many sizes but were typically small with blank pages, usually in pastel colours. The books were often exchanged so the gathering of autographs was a very social pastime. Pages were filled with not only names, signatures and personal details but also poems, limericks, drawings, personal messages, small pieces of verse, and other mementos, such as pressed flowers, locks of hair and even embroidery. Although they could be very personal, unlike a diary they were meant to be viewed as part of the exchange. Autograph books from the 1950s may have a different focus. Although it remained common to collect the autographs of friends it was also highly desirable to collect the signatures of the famous, especially rock and television stars. Autograph books are of social relevance because they reflect the sentiment of the era of creation; they can also be reflective of social change, major political events or new inventions.A small autograph book with a mottled brown cover and faded pastel pages with gold edging. The end pages are detailed in beige and pink. There are multiple entries, those dated are mostly from 1930. Front cover: "Autographs" in gold within a gold oval. Front inside page in black and red ink: "BERYL MAIR / 20 / BARTON / STREET , SURREY HILLS / from / MR W SANDOE / 12/11/28" Embossed in back cover, lower right: "MADE IN ENGLAND" beryl mair, autograph books, dave mair, barton street, ernest lance young, lance young, norma dunn, i goodes, lorraine potts, mary griffin, l e jarman, j stalker, jean fowler, ailsa hank, may leach, merle botten, beryl skinner, enid marro(w ?), betty (s ?)oule, fred a teague, a mock, kath paul, melva dare, marjorie smith, j hargreave, ethel lillifant, teachers, mont albert central school, e c cairns, e e holden, alfred harley, r blackburne, r w campbell, m (?) sheahan, h mcconville

Textiles. Calico bag printed on one side in red and green. ''McAlpin's Self Raising Flour''. Alpine Brand. There's no other 25 lbs net when packed. Malto Pepsin Process. Prepaired with phosphate Aerator Aerophos. J.McAlpin & Sons, Abbotsford, Melbourne, Phone JA 3126. Centre picture of three mountain peaks in oval frame. Border edge of wheat stalks on either side. Remnants remain of stitching used to seal the top of the bag. The collection has other uncatalogued samples of McAlpin wheat bags as listed. Eight 25 lb bags. Three bags with slogans ''Enriched Self Raising Flour, Sure success every pack''. Four bags with slogans,''Pre-sifted Self Raising Flour. Sifted through silk seven times''. One bag with slogan ''Malto Calcium Enriched''. These eight bags are packed by McAlpine Flour Pty., Ltd., Abbotsford, Victoria. Three 7 lb bags. All bags include the slogans''Specially Milled, No Substitutes used''. "There's no other''. These bags packed at ''Factory Abbotsford, Melbourne, Phone JA 3126''. McAlpin's was a major Victorian flour company in the nineteenth and early twentieth centuries. Owned and operated by J. McAlpin and Sons, the company sold its flour products across Australia and overseas.textiles, domestic, mcalpin flour calico bag

View of Jeeves Saddle in 1907 showing everyday life and including important people and businesses from early settlement - Dodd's grocery and meat cutting carts; Beulah tea Rooms/Post Office; Mrs Hand, Fred Jeeves, Theo Hand.This photograph has a detailed inscription on the back handwritten by John Lundy-Clarke in 1974.“Jeeves Saddle” in 1907. Isaac Jeeves special strip of land Crown Allotment “C” 7 chains wide, lay between the sledge load of pea stalks and the far end of the verandah on Mrs Hand’s “Beulah Tea Rooms” which soon afterwards became the Mt Dandenong North Post Office. The coach road came up from the right behind the tall stump. The big woman in black was Mrs Hand. The wagon at the shop was Dodd’s grocery cart. The nearer wagon was the first coach on the mountain which had belonged to Briarty. The small cart was Dodd’s meat cutting cart. The elm trees are in the centre of the picture and above them is Price’s sign advertising their shop and newsagency. The big house is “Mountjoy” burnt 1975. Walker’s house is among the big trees left centre. Boy at horse’s head is Fred Jeeves. Boy on sledge is Theo Hand. The horse is “Blossom”. Barbers Road goes to the left from behind the elm trees.jeeves, theo hand, fred jeeves, isaac jeeves, barbers road, beulah tea rooms, post office, mount dandenong north, mt dandenong north, kalorama, coach, mountjoy

This telescope was amongst various items collected from a sea dive in Port Phillip Bay. The diver was the caretaker of the Port Lonsdale Lighthouse, who dived on various wrecks in the bay during the 1960's. After the caretaker's death, his son sold off many of the shipwreck artefacts. The telescope was purchased from the caretaker's son in the 1990's by a previous owner of the Marine Shop, Queenscliff, Victoria. Many companies were making scientific instruments in Liverpool. Between 1730 up too today, they manufactured spectroscopes, telescopes, microscopes, barometers, photometers, cameras, ophthalmoscopes, and electrical equipment such as electric lamps. Liverpool was a major centre for the production of scientific items rivaling Glasgow and London from 1850 to 1920. This telescope appears to be of quality manufacture but the origins can only be surmised at based on the gold embossing to the leather surrounding the main brass tube as being associated with Liverpool England. There is no maker or owners mark, so again there is no sure way to determine the year of manufacture or maker. There were many opticians and scientific instrument makers working in and around Liverpool from 1730 through too today. Also the possibility the telescope could have been made outside Liverpool overseas should not be overlooked and may have been made as a souvenir item from Liverpool from the mid to late 20th century. The size and type of telescope is a traditional type that was used for many sporting activities in the mid to late 19th century for deer stalking, bird watching, or used generally. I believe the item dates from sometime around the early to late part of the 20th century as the use of the liver bird mark became popular in 1911. It began appearing on many manufactured items of the period up too today, denoting that these items were made by companies operating in or around Liverpool England. If the item had been made by a notable firm it would have been engraved with the makers name city of origin, or owner as was the accepted practice for these items. The writer has been unable to determine if any specific company had had exclusive use of the liver bird logo as it was widely used and was not copyrighted until the Liverpool football club successfully won a court case giving them the sole rights to the trademark in 2012.The item is also an example of the shipwreck artefacts gathered along the southwest coast of Victoria. It is also a sample of scientific instruments used up to the mid 20th century.Victorian style gentleman's three draw brass telescope with machine milling surrounding the end of each tube and around the objective end. The three tube draw has no split and all three cartridges are held within the main brass tube wrapped in leather with rope bindings at both ends 5 cm in length and beginning 7 cm from the objective end. The last 2.8 cm makes up the remainder of the brass tube which has a sliding brass sunshade. The eyepiece is flat and has a protective slide over the lens aperture. Two relay lenses are missing on the ends of the second and third tube. Gold embossed into the leather an inscription “Trade the Liver Mark” also embossed in gold a depiction of the mythical liver bird, associated with the city seal of Liverpool England. flagstaff hill, flagstaff hill maritime museum and village, warrnambool, maritime museum, maritime village, great ocean road, shipwreck coast, shipwreck artefact, port phillip bay, port lonsdale lighthouse, wreck, 1960’s diver, queenscliff marine shop, liver bird, scientific instrument, telescope, three drawer telescope, liverpool, liver bird trade mark, trade mark